“Aladdin” Spinoff In The Works At Disney+!

When I tell you that news broke last night that Disney is producing a spinoff series based on a character from their billion-dollar summer blockbuster Aladdin, a live-action remake of the animated classic, I’m sure your assumption would be something like: oh, a spinoff about Aladdin? I’d watch that.

But it’s not about Aladdin. Guess again.

Princess Jasmine? Jafar?

Wrong on both counts. Last guess.

Um…the Genie? Abu the Monkey? The flying carpet?

Nope. See, you’re not thinking in the mindset of a studio executive, who looks at a great movie with one of Disney’s most ethnically diverse live-action casts and asks themselves: is there any way to make an entire TV show about the one white guy in this movie?

"Aladdin" Spinoff In The Works At Disney+! 1
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Still not ringing any bells? That’s because the one white guy in Aladdin only had two scenes, and you probably forgot him long ago, he was so insignificant. Prince Anders, the regal visitor from a far away kingdom called Skanland (in my review of Aladdin, I mistakenly marked it down as Scotland: my bad), made no impression on any of the characters around him, and thus made no impression on us, the audience. And yes, I’m sure Billy Magnussen was doing his very best in the role (and clearly he thinks he was good enough to warrant his own miniseries, as he was apparently involved in pitching this idea to the studio), but Anders came across as an unlikable buffoon who absolutely nobody would want to spend time with – if there was any purpose to his character, that was it. He unsuccessfully courted Princess Jasmine (and in a deleted scene gifted her a giant cannon, which blew up his own ship), and then hung around in the background like a clingy house-guest that everybody was this close to escorting out the door. And yet, he’s getting his very Disney+ streaming series.

Disney has hired Jordan Dunn and Michael Kvamme to write a script for the series (Disney’s first spinoff of a live-action remake), which will star Magnussen. Plot details are still unknown, but if the series is going to have anything to do with Aladdin, it will presumably follow the dim-witted prince on his…journey? Leisurely stroll?…through the city of Agrabah. It is not known whether any of the other main cast of Aladdin will show up in the series – don’t forget, a sequel to that film is also supposedly in the works at Disney.

Despite that, many people are understandably upset that this news broke just days after Aladdin star Mena Massoud revealed that, since the blockbuster’s release back in May, he hasn’t gotten a single audition. While he’s probably going to star in the unconfirmed Aladdin 2, the optics of this announcement are ridiculously bad. Firstly, because nobody was asking for an entire spinoff series about an annoying background character whose biggest scene was deleted from the movie. Secondly, because there are a number of other characters in Aladdin who would make for much more interesting and compelling protagonists: a Jafar prequel series, exploring his rise from street rat to vizier; a fun comedy series following Genie and his new love-interest Dahlia on their voyages around the world; literally anyone else in Agrabah who is actually, oh I don’t know, an Agrabahan (Agrabahon? Agrabahni?).

I also fear that this announcement means Anders isn’t going away anytime soon, and will stick around for the Aladdin sequel, assuming his series has any sort of popularity. Personally, I’d be happy forgetting that this character ever existed – but alas, I don’t have my own personal Genie who can wish this nonsense out of existence.

What do you think of the news? Share your own thoughts, theories and opinions in the comments below!

“The Mandalorian: Chapter 5” Review!

After four episodes of waiting impatiently for Ming-Na Wen to arrive onscreen in The Mandalorian, she’s finally here – in a big way. This episode is her’s just as much as it is Baby Yoda’s. In fact, even old Mando himself manages to make a decent case for why he should still be considered the protagonist of the show named after himself. I know, it’s all a bit shocking.

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The fifth chapter of the hit streaming show, fittingly titled The Gunslinger, brings Mando and Baby Yoda to the familiar planet of Tatooine after their ship is damaged in a shootout at the beginning of the episode. Amateur bounty hunter Toro Calican (Jake Cannavale) enlists Mando’s help on a difficult mission while mechanic Peli Motto (Amy Sedaris) humorously parents the intergalactic infant superstar Baby Yoda. While I went into this episode more than slightly worried about the show’s slow-pacing and meandering storyline, I emerged with a renewed optimism regarding the final three episodes. Chapter 5 still goes off on a tangent and leads our heroes into a side-quest, but it also introduces a couple of new concepts and characters that, hopefully, are destined to stick around for a while longer and have some purpose in the plot (the pilot episode’s killer droid IG-11 and last week’s kind-hearted mercenary Cara Dune, while heavily promoted in the show’s marketing, have still only appeared in one episode each).

This episode also leans heavily on fanservice and callbacks – from the sparkly, unrealistic explosions in the opening dogfight, strongly reminiscent of A New Hope‘s pyrotechnics; to the setting on the iconic desert planet of Tatooine, and the appearance of Tusken Raiders, the Mos Eisley cantina, and pit droids. But director Dave Filoni has put a fun new spin on each of these elements (with the exception of the cantina, which is underutilized: we’ve seen so many space pubs in Star Wars by this point that the darkly-lit lair is hardly unique anymore, especially without Figrin D’an and the Modal Nodes providing alien jazz). Toro Calican even dresses like Han Solo and sits in the very same booth as him, with his legs stretched across the table in Solo’s classic style – but don’t fear: Calican, despite also being a Corellian mercenary, proves himself to be a radically different character in the episode’s final minutes.

Speaking of which, we now have to talk about SPOILERS. You’ve been warned!

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The big surprise in this episode is Ming-Na Wen’s appearance as fearsome assassin and former Hutt employee Fennec Shand, who is on the run in the deserts of Tatooine. Considering the way that the locals seem to have dealt with the stormtrooper threat, by mounting their heads on pikes in the streets of Mos Eisley, it’s understandable why she’d want to make a getaway. But she’s not able to escape before Calican and The Mandalorian (Pedro Pascal) come after her: Calican for fame, Mando for money. Though they capture her after a brief fight (which is, unfortunately, set in the middle of the night, making it hard to appreciate Wen’s real martial arts prowess), it’s not the end of her story. After trying to get Calican to free her from her shackles in exchange for her help in killing Mando and stealing his expensive suit of beskar steel armor, and then getting shot for her efforts, Shand is left supposedly dead in the desert, while Calican takes her advice and lays a trap for Mando, even going so far as to try and kidnap Baby Yoda in a heart-wrenching moment of terror. But while Calican is now dead dead (don’t ever mess with the enraged single father of a celebrity baby), Shand is possibly alive to fight another day: The Gunslinger‘s final scene shows a mysterious, cloaked character wearing metal spurs approaching her body. Who is it? We have no idea yet, but this mystery will hopefully be explained soon: as for whether Shand is still alive, we can only hope and pray. Her character, and Wen’s excellent performance, is already a series highlight.

And the Mandalorian himself? You know the drill by this point: he fixes his ship, and takes off for a destination to be determined next week. Baby Yoda is unharmed after the…sixth? seventh?…attempt on his life, but continues to be absolutely adorable. But for whatever reason, I’m willing to excuse the fact that this is the fourth episode in a row to end this way – Filoni’s direction, and the subtle hints and teases of another emerging storyline, have me feeling intrigued about Mando’s next destination, and what host of enemies and one-and-off allies he’ll find there. I think it’s about time we caught another glimpse of Werner Herzog’s antagonistic character, or ran into some Imperial survivors who might know something about Baby Yoda’s true identity, and why the Empire wants him so badly. Remember, that story was supposed to be this show’s throughline, once upon a time. We’ve all been so distracted by Baby Yoda memes, I think we’ve forgotten this thing has a plot.

As long as it has Ming-Na Wen, though, I’m happy.

What did you think of the episode? Share your own thoughts, theories and opinions in the comments below!

Episode Rating: 8/10

“Mulan” Trailer Review!

There’s a lot of people who don’t like the direction this film is going in. The live-action remake of Disney animated classic Mulan is, indeed, shaping up to be very different from the story that most Western audiences are probably accustomed to: no wise-cracking dragon, no flashy musical numbers, plus a darker, more atmospheric tone. It’s almost an entirely new movie. Now, you all know how much I love the original Mulan – that movie is very special to me, and I love it as it is.

But at the same time, I have to admit that this Mulan looks…better. At the very least, it looks like the best live-action remake Disney has done yet. At best, it looks like a Best Picture nominee (just so you know, I’m not kidding about that).

This version of Mulan is clearly borrowing a lot from the style and story of martial arts classics such as Crouching Tiger, Hidden Dragon, which features a similar story of a young woman who escapes from an arranged marriage to seek a life of adventure. There’s even a whole bunch of fancy wire-work action scenes in the trailer, something I am ecstatic about: my personal favorite example has to be when our villains, Bori Khan and his army of Hun invaders, literally jump from horseback onto the sides of the Great Wall of China and proceed to run straight up the wall. Khan is allied with a powerful witch, played by Chinese screen legend Gong Li, who is like this movie’s version of the Jade Fox – and though we were all worried about the idea of a new antagonist, her character looks like one of the highlights of the film: she’s decked out in one of the most beautiful outfits I’ve ever seen onscreen, and she has bird talons for hands. Like the Jade Fox, she’s also merciless and brutal: I wouldn’t be surprised if Mulan becomes the first PG-13 Disney Princess movie.

The trailer beautifully showcases the film’s majesty – while the original Mulan was largely comedic, this version is more beautiful and elegant: again, very much like Crouching Tiger. While it’s still very clearly built from a story we all know and love, this film also looks like it’s taking more risks than the live-action Cinderella, Beauty & The Beast, Dumbo, Aladdin and The Lion King – combined. In each of those cases, the filmmakers were tentative about adding new elements to the story, or removing classic characters, songs, etc. Director Niki Caro clearly doesn’t have that problem, nor should she. Instead of trying to work around the constraints of the original film, Caro is going to tell her own story – and she’s going to tell it her own way. She’s not going to try and shove Mushu in there just to please fans, because that wouldn’t work in the story she’s telling. She’s not going to pause the movie to throw in a couple of songs, because her movie doesn’t have time for them (though she does use instrumental versions of the classic songs such as Reflection). That sort of bravery should be respected and admired, especially at a time when filmmakers (especially for franchise properties) are being told not to break with tradition or disregard the “nostalgia factor”. And when filmmakers do rebel, they get torn to pieces – look at what happened to Rian Johnson after he dared to tell a radically new Star Wars story in The Last Jedi. Don’t let that happen to Caro, and Mulan.

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Clearly, I’m impassioned, and I hope that many people are – this movie looks so brilliant, just from this teaser trailer, that I want to see it succeed in every way. I want to see it cross the billion-dollar mark at the box-office; I want it to be nominated for Oscars. I want it to bring honor to us all.

Trailer Rating: 10/10

“No Time To Die” Trailer Review!

Yesterday, Marvel Studios had to abruptly shift the release for their first Black Widow trailer to the middle of the night so as to give themselves ample room to break the internet before the hotly-anticipated first trailer for No Time To Die dropped. And now we can see why. The trailer for Daniel Craig’s final James Bond movie is finally here, and it looks like the sort of film that Black Widow, with its similar spy-thriller vibes, will probably want to keep at arm’s length. But considering that both films are going to be released within the span of a few weeks, they will eventually come head-to-head, and it will be very interesting to see which one comes out on top.

No Time To Die has the advantage of being the latest installment in a well-established franchise, and fans are going to want to see Daniel Craig in the role of James Bond, since he’s made it very clear this is his last time playing the character. Fittingly, the plot of this movie revolves around Craig’s Bond coming out of retirement in Jamaica and being roped into a nefarious conspiracy. But along the way, he will end up passing the torch (sort of) to a new agent 007, this one a young black woman played by the extraordinary Lashana Lynch. Lynch’s character, named Nomi, may be new to the franchise, but she’s already charismatic and captivating in this first trailer, telling the middle-aged Bond to stay in his lane unless he wants her to put a bullet in his knee – “the one that works,” she adds. With her glamour and winning personality (and Phoebe Waller-Bridge writing all of this film’s female characters), Lynch is almost guaranteed to be one of the best things about this new Bond movie, and hopefully she’ll get to stay in the franchise for some time.

As for Rami Malek, his performance as the villain Safin is probably going to be hindered by the ghostly Phantom Of The Opera mask his character is wearing throughout most of the trailer. Hopefully the Oscar-winning actor has something more to do than just deliver villain speeches. Not that he won’t knock those villain speeches out of the park, but still, this is a Bond movie – give him something to do!

All in all, the film looks good: I do want to see more action, however, as most of what we see in the trailer consists of the standard building-blocks of any spy-movie trailer: cars careening over cliff roads? Check. Bicycle chase through a seaside village in Italy? Check. There are a couple of things that Bond has that other spies don’t, however – specifically, an Aston Martin with machine guns in the headlights. Stylish.

So what do you think? Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 8.5/10