Amazon Prime’s “Lord Of The Rings” – Main Characters Revealed?

As production begins on not one, but two seasons of Amazon Prime’s hugely ambitious prequel series to the classic novels of J.R.R. Tolkien, it can’t be long before the cast and characters are revealed to the public – so far, we only have four actors supposedly set to join the series’ ensemble cast, yet none of them have been officially confirmed by Amazon, and we still have no idea which characters (either from Tolkien’s expansive mythos or the showrunners’ imaginations) they might be playing. Today, though, some tantalizing new clues have leaked – not just about the holy quartet, as I’ve begun to call them, but also about a slew of new characters rumored to have prominent roles in the series. All of the following character names are presumably code-names put in place by Amazon to protect the secrets, and absolutely none of this is official.

Amazon Prime's "Lord Of The Rings" - Main Characters Revealed? 1
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Firstly, the obvious, or least, unsurprising. Markella Kavenagh is rumored to be playing the inquisitive teenager Tyra, who is wise beyond her years and all that. We met her in those leaked audition tapes from a while back, remember her? At this point I’d be very surprised if Kavenagh doesn’t end up playing the Tyra character, considering how strong the rumors are – we do have a new tidbit of information about her: she is suspected to be both a dramatic and a comedic character.

Will Poulter is rumored to be playing Beldor, something I suspected: Beldor, a young, politically savvy protagonist, seems like he could very well be the young Lord Elrond of Imladris. The new hints suggest that Beldor will be paired up with more dramatic characters who will provide a stark contrast to his reserved, perhaps even solemn nature. Yep, sounds like Elrond to me. If not, I suspect he’s probably Elrond’s mentor Gil-galad.

Game Of Thrones‘ Joseph Mawle is still rumored to be a central antagonist for the series, though this new report is beginning to confirm our suspicions that his character, Oren, is in fact the deceiver Sauron. A personality “built around a wounded and fallen nobility”, who projects “a sense of timelessness” – those are basically the hallmarks of the fallen demigod Sauron, who turned away from the wisdom of the gods and chose to walk a path of darkness into ruin. It’s unclear whether Mawle will also portray the Dark Lord in his form as the Elven lord Annatar, or whether the character will take many different guises during the series’ run.

The protagonist is rumored to be a woman, the character Eldien, whose description is particularly interesting. Yet another timeless character, Eldien is “complex, unique and formidable”. Who else is complex, unique and formidable? The Elven lady Galadriel, a battle-hardened leader and warrior whose morals are much more gray in the Second Age of Middle-earth than they were later on in her long life – at the time this series takes place, Galadriel, like Sauron, has just rejected the mercy of the benevolent gods and has turned away from their guidance to seek glory and fortune in Middle-earth. I would be very happy if the spotlight is on Galadriel for at least the first season.

Now we move into the rest of the ensemble cast, briefly but vividly sketched out: there’s Neldor, who’s a “similar archetype” as the similarly named Beldor – Elrond’s twin brother, Elros, perhaps?

We have Brac, a character who provides the other half of a dramatic duo – described as “irascible and cantankerous”, Brac’s description isn’t really ringing any bells for me. I suppose he could be somebody like King Oropher of the Wood Elves – in which case, it would be funny if the other half of the duo was Beldor (if Beldor is Gil-galad). The only description we have of Oropher from Tolkien’s own works is that he disobeyed Gil-galad’s orders to halt during the War of the Last Alliance and ended up being killed in a reckless charge at the gates of Barad-dûr. That’s a possibility, but it’s more probable that Brac is a completely invented character.

Eira is next on the list – “a warm and maternal woman”. There’s not much to go on here.

Aric, whom we encountered in the audition tapes, is still on board to be a main character – or at least a series regular. His character, a charismatic rogue, was very well defined in the leaked dialogue, so I don’t feel like there’s too much new material to go over. I’m beginning to guess that Maxim Baldry, the last rumored cast member, is playing this character (not for any particular reason: just because).

Calenon is a “ruggedly-handsome” war hero. He’s also described as “brooding”, which is never a fun character trait. But there is a prominent Tolkien character who does nothing but brood, and that’s Celeborn, the husband of Galadriel. That’s as good a guess as any. Plus, it would be amusing to see Celeborn as a handsome heartthrob, since by the time of The Lord Of The Rings, he, well, isn’t.

As if on cue, we come to Loda, the “earthy” fellow who “doesn’t give his feelings away easily”. Yet another boringly unoriginal trope. Earthiness suggests a human character, though perhaps not a Númenórean (they seem more like lofty, spiritualistic types): so let’s mark Loda down as a possible man, maybe even a Wose of the Woods.

Kari, the next character on the list, is a deserter from the nearest Dungeons & Dungeon campaign, it seems. A “self-sufficient single mother”, she would seem to fit the bill for the character of Erendis, the Second Age’s most iconic unique female character, if not for the fact that she’s a “village healer with a secret”. If we really want to believe she’s Erendis, we could come up with theories that Amazon Prime is changing the story so that the proud Númenórean queen flees to the countryside to be alone with her daughter and there becomes a rural medic, hiding the shocking secret that her daughter is the heiress to the throne – but it’s somewhat more plausible, in my opinion, that she’s playing Tyra’s mother.

Hamson is one of the weirdest names on the list – whereas most of the code-names are vaguely archaic in a watered-down sort of way, Hamson sounds more Old English; more like a certain Hamfast Gamgee of the Shire, right down to the character description as a “loving family man with health issues”. But Hamfast Gamgee wasn’t born in the Second Age, and wouldn’t be born until many thousands of years later, so unless there’s some extreme timeline-muddling going on here, I very much doubt this character is a Gamgee, or even a hobbit in general. Hobbits probably existed in some form or another during the Second Age, but nobody knew about them. To keep continuity with Tolkien’s writings, it would be best if hobbits never showed up in the Amazon Primes series, or only appeared in the story’s peripheries. But in that case, I can’t imagine what or who Hamson is, and what’s he doing in this story.

Finally, there’s Cole, another “charismatic” character: this time, one who carries “the weight of the world” on his shoulders. That could be literally anyone in the Second Age, but for some reason I’m locking in my guess that this character is Celebrimbor, the Elven craftsman who designed the Rings of Power in a desperate attempt to try and rebuild Middle-earth in the image of paradise. He literally carries that burden and responsibility with him until he get killed in a particularly brutal way by Sauron during the Dark Lord’s war against the Elves.

There’s a lot here that could potentially be interesting, even engrossing, when executed. On paper, some of these character descriptions are bound to look a little off-putting to Tolkien purists – brooding heroes, charismatic rogues – but it’s better not to get too freaked out about any of this right now. The series is still very early on in its development, and no footage has yet been shot. Some (or all) of this is susceptible to change. Nonetheless, it’s fun to theorize about these things and wonder what it means for the series.

What do you think of the code-names and character traits? Do you agree with my assessments? Share your thoughts and theories in the comments below!

Amazon Prime’s “Lord Of The Rings” Renewed For Second Season!

With several months yet to go before filming even begins on the first season of Amazon Prime’s hugely ambitious adaptation of the works of J.R.R. Tolkien, the studio has already gone ahead and renewed the big-budgeted fantasy series for a second season. There are several new details in the Deadline article which broke the news, so allow me to ramble on about them with urgency and excitement. As you can probably imagine, I’m trembling with anticipation.

Amazon Prime's "Lord Of The Rings" Renewed For Second Season! 2
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First of all, we have the news that the second season of the series is already in the works – Jennifer Salke, the head of Amazon Studios, has confirmed that as we speak, the writer’s room for the series (which includes J.D. Payne, Patrick McKay, Gennifer Hutchison, Bryan Cogman, etc) is currently collaborating on writing the bulk of Season 2 scripts. As is noted in the article, this is really good news because it means that we, the audience, won’t have to wait that long between Seasons 1 and 2. In fact, at the speedy rate that things are going, we could expect to get the first two seasons almost back-to-back. My heart can’t take this.

Additionally, it has been revealed that after J.A. Bayona has finished filming the first two episodes of the series’ first season, the show will go on hiatus for four to five months, allowing time to review the footage and write more material for the second season before moving on with filming. In Deadline’s words: “By going on a longer than normal hiatus, LOTR will be ready with Season 2 scripts so it could possibly film some Season 2 footage during the Season 1 shoot, or even film the remainder of Season 1 and Season 2 back-to-back.” This is, of course, the same tactic that Peter Jackson used when directing his equally ambitious movie trilogy of Tolkien’s The Lord Of The Rings. Parallels. Parallels!

The article also notes that the majority of the series is expected to film outdoors, on location in New Zealand, as we suspected. That could mean a return to the practical-effects pioneered by Jackson in his movie trilogy, or it might indicate something else entirely (Deadline suggests that it’s because Tolkien loved the outdoors: I have no idea whether they’re right or not).

So there you have it! This is an extraordinary action by Amazon, as it seems to suggest complete confidence in the fledgling series, which has a long way to go before it gets off the ground. While we wait, leave your thoughts and opinions in the comments below!

Should We Be Worried About Amazon’s “Lord Of The Rings?”

This is a departure from my usual posting format in that this is not strictly a news story, but more of a response to a news story. The story, in this case, is actually an interview with Game Of Thrones screenwriters and showrunners David Benioff and D.B. Weiss, which was posted online in Twitter thread form by an attendee, who goes by the username Needle & Pen. The interview was shocking, and soon had the entire internet collectively wringing their hands and crying out to the heavens: “How did this happen?”

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Well, by Benioff & Weiss’ own admission, they don’t know – or seem to care. In the interview, which reeks of white privilege, elitism and snobbery, the two men proudly revealed just how inexperienced and unprepared they were for the task of adapting the massive fantasy epic to the small screen, and just how happy they are that they were able to basically dupe HBO into hiring them. For instance, they talked about meeting with A Song Of Ice And Fire author George R.R. Martin for the first time, and confessing to him that they “didn’t really have any” bona fides or experience. In their own words: “We don’t know why he trusted us with his life’s work.”

Now, I’d love to talk about Game Of Thrones, and the various failings of Benioff & Weiss, but that’s not what this post is about – or, well, it is, but only indirectly. This post is, in fact, a response to a response to this interview: soon after that tweet went public, The One Ring.net, the most trusted and reliable Tolkien forum in the world, expressed their concerns that Amazon Prime’s upcoming adaptation of the histories of Middle-earth would fall into the same trap as Game Of Thrones: and they had some legitimate fears, so let’s break down what was said by both sides, and what Amazon can learn from the hugely underwritten, half-baked final season of Game Of Thrones that firmly cemented Benioff & Weiss as some of the fantasy genre’s most hated individuals.

The One Ring.net (or TORN for short) drew attention to the fact that JD Payne and Patrick McKay, the showrunners of Amazon Prime’s Middle-earth series, share many similarities with Benioff & Weiss: both are relative newcomers to the scene, having no experience in TV, or in the making of big-budget, spectacular fantasy epics. Payne and McKay did write a script for a Star Trek movie – but it was never used, which isn’t exactly a promising sign. And, as TORN pointed out rather dismissively, both duos are, when it comes down to it, just “a couple friends”. It’s true that Payne and McKay have been working together for most of their adult lives, just like Benioff & Weiss, but I think it’s worth mentioning that Peter Jackson and Fran Walsh, two-thirds of the creative team behind The Lord Of The Rings trilogy, were a married couple when they started working on the ambitious film project, yet nobody has any complaints about that. The fact that Payne and McKay have a close friendship isn’t really a problem, in my opinion. The fact that they have no prior experience – obviously, that could pose quite a substantial problem along the line. But here are my three reasons why we should NOT be worried about Amazon’s Lord Of The Rings prequel series becoming the next Game Of Thrones-level disaster.

1: They’re Not Alone.

For Benioff & Weiss, being handed full creative control over HBO’s most daunting and daring TV adaptation wasn’t a passion project so much as “expensive film school” – or, in Weiss’ words, a “ten year drunk party”. And the two men treated it as such, giving themselves freedom to make as many mistakes as they wanted. They admit in the interview that working with costume designers, for instance, was a “learning experience”. And yet, rather than bring in talented and experienced individuals to help them figure out the process, Benioff & Weiss went in the completely opposite direction, much to HBO’s chagrin – they decided early on that it was going to be just the two of them, stumbling through the series’ development like idiots, because they “didn’t know better”. They were eventually forced to bring in another writer, Bryan Cogman, and were helped by a second, Dave Hill: both men got to write a whopping four episodes each – out of seventy-three.

On the other hand, Payne and McKay are not alone, and have surrounded themselves with incredibly talented people from all different genres of film and television: their writer’s room is nigh on overcrowded, in fact, with Payne and McKay being joined by Gennifer Hutchison of Breaking Bad, Helen Shang of Hannibal, Jason Cahill of The Sopranos, and Justin Doble of Stranger Things, with Bryan Cogman, Glenise Mullins, and Tolkien scholar Tom Shippey as consultants. It’s a far cry from the two-man show that was Game Of Thrones. There are talented and dedicated people involved with Amazon Prime’s series who can help to guide Payne and McKay on their debut journey. Is that all it takes to steer a five-season epic series with a budget close to a billion dollars? No, probably not. But it’s a good first step, and it will hopefully prevent Payne and McKay from indulging in the amateur excesses that Benioff & Weiss seemed to enjoy in their first few years working on Game Of Thrones.

2: There Is Diversity On Amazon’s Team – Though Not Enough.

One thing that immediately stood out in the Benioff & Weiss interview was their casual dismissals of fans’ complaints of racism, sexism, and especially white privilege – i.e., the idea that white men, even without being blatantly racist, still think they are owed certain privileges and rights by virtue of their skin color. For instance, the privilege to simply walk up to HBO and say “hey, give us a TV show to make”.

Benioff & Weiss’ counter to the argument was that Dave Hill, whom I previously mentioned wrote a total of four episodes from 2015 to 2019, is of Asian descent. Vanessa Taylor also had a brief stint working with the two men before leaving to write The Shape Of Water. But, is that really enough? In a series that is known for having some of the most iconic female characters in fantasy, is it enough to have only one woman temporarily helping to write those characters? And do I even need to rhetorically ask if it’s enough to have zero people of color in the non-existent Game Of Thrones writer’s room?

Now let’s take a look at Amazon Prime’s creative team for their Lord Of The Rings series: leaving aside the fact that Amazon Prime Studios is, in fact, run and overseen by a woman, Jennifer Salke, who was recently named the 17th most influential person in Hollywood, we have, in the Lord Of The Rings writer’s room, a total of three women as of right now: Mullins is also a woman of color, while Shang is of Asian ethnicity.

So, Amazon Prime is doing only marginally better than Game Of Thrones in terms of gender and cultural diversity: but at the very least, there’s some progress being made. We have to hope that more women and POC are added to the writer’s room as time goes on, but for now we can at least be assured that there is already more diversity on this team than on the team assembled for Game Of Thrones.

3: Payne And McKay Have Nowhere To Hide.

Okay, that sounds unintentionally threatening. What I mean is this: when Benioff & Weiss began their tenure on Game Of Thrones, they were doing a relatively simple adaptation from page to screen: and while they did introduce a bunch of new elements, they continued to work from George R.R. Martin’s novels until 2016, when they ran out of source material to draw from: and at that point, most fans tend to agree that the show suddenly began to decline in quality. At first it wasn’t too noticeable, as the fanbase was initially excited to be surprised, and was willing to ignore some of Benioff & Weiss’ mistakes: but by the finale of season 7, it was becoming clear that something was wrong: after years of slow, patient build-up, the storyline of the Night King and the White Walkers was being rushed into the foreground, and Benioff & Weiss were already publicly discussing their desire to conclude the story in its eighth season. The last two seasons were drastically abbreviated to provide for this, with the final season being cut down almost to miniseries format, with only six episodes to tie up several hundred loose ends, story-threads, subplots, so on and so on. And, as everybody is now aware, the final season didn’t go over well: poorly received by critics and fans, the once-mighty TV series ended with a bit of a whimper, reducing complex characters to cardboard cutouts and basically ruining what made the show so much fun: its depth. To nobody’s surprise, though, that depth was a hallmark of Martin’s work, not Benioff & Weiss’.

Payne and McKay don’t have the ability to hide behind J.R.R. Tolkien’s published novels for several years before finally having to strike out on their own, into uncharted territory: because the Amazon Prime series isn’t actually an adaptation of The Lord Of The Rings. It is instead a prequel series, covering the only time-frame in Tolkien’s extensive legendarium that he didn’t write much about – the three-thousand year long era in between the events of The Silmarillion and the downfall of Sauron that is glimpsed in the prologue of Peter Jackson’s The Fellowship Of The Ring. Why do I continue to call the series The Lord Of The Rings, then? Well, there’s still no official title for the show, so it’s going to have to do, despite being a little misleading.

Anyway, it’s encouraging to know that what we see from Payne and McKay will be indicative of the series’ quality going forward, whereas with Benioff & Weiss we were cruelly deceived. The writers at Amazon Prime will have only scraps of material to work from, but it’s their responsibility and duty to fill in the gaping holes in Tolkien’s mythos. Hopefully, they can achieve that – and if they can’t, then we’ll know right away, rather than wasting ten years of our lives.

And finally, a bonus point that I think is worth mentioning: Amazon Prime seems to care for the Tolkien fanbase in a way that Benioff & Weiss never did for Game Of Thrones‘. In the interview, the two men admitted to grossly misinterpreting their own fanbase; in an attempt to make fantasy popular to “NFL players”, they stripped the books of their more fantastical, magical elements – that is, until the final season, when those were the only things left in their dwindling toolbox. They didn’t ever listen to fans’ feedback, because they didn’t see the value of considering other peoples’ reactions. And it’s just as well, because as for their opinions on the books they were meant to be adapting, well…

Now, we don’t know what Payne and McKay think of Tolkien’s work: all we have to go on is the official Amazon Prime press release that says they feel like Frodo on the beginning of his great journey, etc, etc. But Amazon Prime’s Lord Of The Rings has been surprisingly cooperative with and responsive to fans – at least, until their official Twitter account basically went missing in action several months ago. For instance, when fans noted that there were design flaws on one of the Middle-earth maps released by Amazon, the creative team (which we now know is led by renowned artist John Howe) was quick to revise the map. And aside from that one blunder, the other maps they’ve released all hold up to scrutiny, remaining faithful to even some of the obscurest bits of Tolkien canon. And if you’re wondering why I’m rambling about the maps, consider that Benioff & Weiss also acknowledge in their interview that they themselves were “geographically challenged”. So again, Amazon Prime is one step ahead of them in that regard.

So there you have it: my response to the response to this incredibly dismaying interview with the two men responsible for some of the highest highs and the lowest lows in modern television history. If you want to read the full Twitter thread, referenced several times above, I’ll direct you here. I wish you luck.

So what do you think of all this? Do you think Payne and McKay have an advantage, going into this daunting project: or will they end up being the next Benioff & Weiss? And as for Benioff & Weiss themselves – what do you think of their admissions and confessions? Share your thoughts in the comments below!

Joseph Mawle Joins Amazon’s “Lord Of The Rings”!

Amazon Prime’s upcoming The Lord Of The Rings prequel series is thoroughly fascinating and occasionally bewildering: just the other day we discussed the intriguing case of the uncovered audition tapes for the series, which revealed what seemed to be the four leads of the eagerly-anticipated show. Now, a completely new character has popped up out of nowhere! I tell you, it’s been an exhilarating process covering the constant stream of news about this project – and we’re still only in the pre-production stage!

Joseph Mawle Joins Amazon's "Lord Of The Rings"! 4
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Anyway, we’ve got a new casting announcement, and it’s already been getting a fair bit of attention: Joseph Mawle, an English actor best known for portraying Benjen Stark in just 6 (count ’em, 6) episodes of Game Of Thrones. Benjen was a minor character at best, and never did anything particularly memorable until rescuing Jon Snow from beyond the Wall in the seventh season. And yet this news is, as I said, stirring up the Tolkien community, with even platforms as well respected as The One Ring.net complaining about how the Amazon Prime series is already beginning to turn Lord Of The Rings into a carbon copy of Game Of Thrones, ignoring the wishes of Tolkien purists, etc, etc. I honestly don’t understand how that logic is even supposed to make sense – in my opinion, it would be like saying that Peter Jackson’s trilogy was turning into a carbon copy of Back To The Future Part II when they cast Elijah Wood, simply because Wood happened to have an insignificant role in the latter film (bet you didn’t know that).

Whether or not Amazon Prime is channeling Thrones for this project, let’s consider what we know about Mawle’s casting before jumping to conclusions. According to the trades, Mawle is taking on the role of “Oren”, one of the series’ main villains. Now, let’s face it: Oren, while it’s almost certainly another codename, sounds a good deal like Sauron, and there’s a strong possibility that Mawle will in fact be Amazon Prime’s Dark Lord (I feel like we’ve had this conversation many times already). He is the oldest cast-member to join the show so far, but still has distinctly Elven features, very much in line with men like Hugo Weaving or Lee Pace, who convincingly and brilliantly portrayed Elves in the previous Middle-earth films (and that Elvenesse is something Mawle will need, if he is to play Sauron, who should spend much of his time onscreen disguised as an Elf. Mawle is also a very good actor, which, you know, is also a bonus.

If you want my honest opinion (you probably do, if you’re reading this), I see Mawle as a better choice for the Witch-King of Angmar, whom we should expect to see in the series: with his long, gaunt features and thin frame, the actor seems like he could do a great job portraying the sorcerer in all his ancient, incorruptible glory, before his inevitable downfall into ruin. I mean that as a compliment, by the way.

So what do you think? Is this our Sauron? Or our Witch-King? Or somebody entirely different? Share your thoughts in the comments below!