First Look At Greta Gerwig’s “Little Women”!

Greta Gerwig, visionary director of the 2017 critical darling Lady Bird, is teaming up again with her Academy Award-nominated star, Saoirse Ronan – but now they’re heading all the way back to the 19th Century for a romantic historical-fiction romp. And this time, Gerwig’s status has allowed her to muster an impressive cast alongside Ronan, including Beauty & The Beast‘s Emma Watson, screen legend Meryl Streep, actress and director Laura Dern, Oscar-nominee Timothée Chalamet (also from Lady Bird), and rising star Florence Pugh. The ensemble of stars will be donning petticoats, sunbonnets and dainty pastel outfits for their outing in Gerwig’s adaptation of Little Women, a book that has been adapted to the big screen precisely ten-thousand times – fine, seven, but that’s still too many.

First Look At Greta Gerwig's "Little Women"! 1
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Even though the first photos released today have all the misty-eyed stares and tidy drawing-rooms that are stereotypical of all adaptations of 19th Century romances (literally, every adaptation of a Jane Austen novel ever), don’t expect the movie to be as blatantly prim and pristine as it appears on the surface: Gerwig has made it clear that, during her research on Little Women author Louisa May Alcott, she became deeply interested in the period’s gender norms and views on feminism, especially – issues that were also close to Alcott’s own heart, and which naturally appear in the film, in the form of subtle social commentary: Gerwig even seemed to imply that Ronan and Chalamet’s androgynous appearances made them perfect for the kind of story she’s telling, one in which her protagonists will throw out the restrictions of their heteronormative lifestyle in favor of a more relaxed semi-platonic relationship and free love. All that is fine, but when Gerwig described the main characters as an “intellectual hippie family”, I’ll admit that’s what truly perplexed me, and got me thinking: who wants a Little Women adaptation when we could have Little Women Go To Woodstock?

Ronan will portray the novel’s heroine, Josephine “Jo” March, in the film: March’s rebellious spirit and relentless determination made her one of literature’s earliest great female role models, and I can’t think of a better fit for the role than the equally inspiring Irish actress. Emma Watson, on the other hand, will be perhaps trapped in the role of Meg March, whom critics have often derided for being an introverted and unambitious character who steadfastly remains devoted to her home and husband. Hopefully Watson can get past those criticisms with a stellar performance. Eliza Scanlen and Florence Pugh are the young sisters, Beth and Amy respectively, who are nearly identical when the story opens: Beth, shy, diplomatic and gentle-tempered; Amy, artistic, delicate and pampered.

First Look At Greta Gerwig's "Little Women"! 2
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And of course we can expect Meryl Streep to be the powerhouse that she is, in the role of Aunt Josephine (not to be confused with the Aunt Josephine of A Series of Unfortunate Events). The cranky and discouraging widow with a heart of gold, her archetypal character will probably have a large number of scene-stealing moments – thankfully, the rest of the cast ensures (or should ensure, at least) that Streep doesn’t end up stealing the entire movie.

So what do you think? Are you excited for Little Women? Leave your thoughts in the comments below!

“Ad Astra” Trailer Review!

It’s been difficult for any sci-fi films to compete with the indomitable force that is Star Wars over the last couple of years, and so we’ve seen the genre descend into something of a niche – sci-fi and space-adventure films like Gravity and Interstellar still win awards and get critical praise, but tend to fall short at the box-office. Sci-fi adaptations have been few and far between: even Isaac Asimov’s Foundation trilogy, which should be an easy win for any studio, has been stuck in stasis over at Apple TV.

This year, 20th Century FOX (now owned by Disney) is going to be attempting the impossible, with a new, completely-original sci-fi epic that transforms award-bait Brad Pitt into an astronaut living in the shadow of his father, who was lost in the deep expanses of space. He’s got all the trademarks of one of your generic astronaut protagonist of the last few years – maybe it’s just the astronaut suit and the sort of vaguely Midwestern name, but our hero Roy McBride feels like an amalgamation of many stellar explorers who have come before.

The first part of the new Ad Astra trailer only seems to reinforce this: Liv Tyler gets the thankless job of playing Roy’s wife – again, one of the archetypal characters in modern astronaut thrillers. After meeting her, we’re then treated to some fairly generic explosions on the International Space Station that send Roy plummeting towards the surface of the Earth (I honestly have no clue how he makes it out of that alive). As he wakes up in a hospital bed, I’m already yawning and waiting for this to turn into a sequel to Gravity.

Yeah, no.

Immediately after that point, the trailer changes radically – Tyler’s character is going on about fires and explosions all over the world, Pitt discovers that his father is alive somewhere on the far side of the solar system, working on alien tech that could destroy the earth, and there’s…a car-chase on the Moon? The way this trailer plays on your subdued expectations, and makes you think you’re watching another sad, ponderous astronaut drama: and then suddenly throws you into a full-speed-ahead science-fiction epic? That’s brilliant. It’s like the best of both worlds – because don’t get me wrong, the trailer still unabashedly shows off how much Ad Astra wants praise (and awards) from critics; aside from Pitt and Tyler, the film also stars Oscar-winner Tommy Lee Jones and rising star Ruth Negga (who, unfortunately, is not seen in the trailer).

And yes, there is one epic action-scene on the Moon, with astronauts in little space-buggies zipping around shooting at each other – you honestly can’t go wrong with something like that.

Trailer Rating: 8.5/10

“Terminator: Dark Fate” Trailer!

One of the words that comes to mind immediately while watching this trailer is…wow. Just…wow.

I don’t even know if it’s a good “wow” or not. On the one hand, this is just James Cameron trying to breathe life into a tired franchise that feels generic in our modern world, over-saturated as we are with action thrillers, and sci-fi dystopians. He’s really not giving us anything new with this trailer, and that’s a shame. But on the other hand – well, it’s still got Arnold Schwarzenegger and Linda Hamilton reuniting one last time, and nobody’s going to want to miss that. I’m not even a Terminator fan, and it still feels like a big moment to me: Hamilton’s entrance, equipped with bazooka, is probably the best scene in the trailer.

But seriously, how can it not be? When Sarah Connor’s car screeches to a halt and she faces down the new Terminator (played by Gabriel Luna of Agents of S.H.I.E.L.D., here just barely managing not to reprise his role as Ghost Rider, creepy skull-mask, reckless driving and all), you immediately prepare for an epic showdown. Unfortunately, that suspense is lost pretty quickly – Connor guns down Luna’s character in a matter of seconds and carries away our protagonists, the half-human, half-robotic assassin Grace (Mackenzie Davis), and Dani Ramos (Natalia Reyes), a half-human, half-Terminator girl. The trailer is pretty light on action, even though it can’t afford to be. Seriously, you’ve got these robots and androids and cyborgs running around – use them! Luna’s Terminator is this really cool and terrifying liquid-metal skeleton creature that is able to detach from his body – use that!

But no, the trailer’s “money shot” is instead Grace whacking Gabriel Luna’s Terminator over the head with a hammer. Like…a literal hammer, too, not some Hammer of Thor or anything. Just the most boring weapon imaginable. Unsurprisingly, we see Luna’s character shrug off the impact.

Where’s the fun in that? Especially after Cameron’s latest project Alita: Battle Angel, which featured very inventive high-tech robot weapons, this seems like a downgrade. Cameron and director Tim Miller better have something truly incredible up their sleeve: the shock and awe of seeing Schwarzenegger and Hamilton reunited is only going to last so long.

Trailer Rating: 6.5/10

“Downton Abbey” Trailer!

The Crawley family has been expecting us at their iconic English country house, and this time around they’ve got company. The Downton Abbey movie places these familiar characters in a new predicament – preparing for a royal visit from the King and Queen.

If you ever doubted whether interior decorating could look epic, you should watch this trailer: you are wrong, I assure you. The situation might seem like proper fare for a comedy, but not here. There is drama and elegance in every folded sheet, every polished banister, each and every meticulously-scrubbed silver dish. There is suspense as Violet Crawley (Maggie Smith) holds the family together even as the tension threatens to break them apart. There is a palpable sense of fear as the dreaded car arrives at the very end of the trailer – the music swells to a crescendo. Will the King and Queen be properly entertained by the royal luncheon, parade, and dinner? To quote Mrs. Patmore – “I think I might have to sit down!”

Downton Abbey knows the kind of audience its targeting – the audience that will cheer and gasp when all of the characters are revealed at the opening of the trailer, getting out of their fancy automobile; the audience that watched the TV series and will recognize every little Easter-egg hidden throughout the trailer, tiny British callbacks to the show. Downton Abbey‘s new status as a feature-length film, however, also means it’s targeting another type of viewer – the critic. The show broke the Guinness World Record for the highest critically rated TV show of all time, winning 3 Golden Globes and 15 Emmys, and an 86% Fresh rating on Rotten Tomatoes. Focus Features, the studio behind the Downton Abbey movie, is itself a critical darling, and star Maggie Smith has two Oscars to her name. Is this small-stakes, charmingly antiquated movie about laundry-folding and royal brunch actually going to aim for an Academy Award? It would certainly be a triumphant way for all involved to finally leave the show.

Well, I am certainly intrigued by the possibility that this movie might be more of an event film than previously guessed. It’s time to polish up the silverware and pour yourself some tea, sit back and eagerly wait for September.

Trailer Rating: 7.5/10