MINOR SPOILERS FOR THE WHEEL OF TIME UP TO BOOK FOUR: THE SHADOW RISING, AND SPOILERS FOR THE WHEEL OF TIME SEASON THREE, AHEAD!
Some surprises are not lessened for having been spoiled well over a year in advance, and Shohreh Aghdashloo being cast as Elaida in The Wheel Of Time season three is certainly one of those. Aghdashloo, an immensely talented Oscar-nominated and Emmy-winning actress best known for her roles in sci-fi drama The Expanse and HBO’s The Batman prequel series The Penguin (and for her distinctive, gravelly voice, which she has lent to animated series Arcane: League Of Legends, fantasy film Damsel, and video game Assassin’s Creed: Mirage), is a huge get for Prime Video’s adaptation of Robert Jordan’s fourteen-volume epic fantasy series, standing on equal footing with star Rosamund Pike and guest star Sophie Okonedo (both Oscar-nominees). And fans have been waiting for this announcement for a very….very long time.
It all began back in December of 2021, while The Wheel Of Time was airing its first season and The Expanse was airing its sixth and last. Both shows being on the Prime Video home page resulted in a lot of crossover between the two fandoms, and people started fan-casting Aghdashloo as various characters from The Wheel Of Time books who had yet to appear in the show, particularly the cantankerous sorceress Cadsuane Melaidhrin. Aghdashloo took notice and even brought it to Wheel Of Time showrunner Rafe Judkins’ attention, tagging him in a fateful tweet that read: “Hi, @rafejudkins, the fans say, we need to talk”. Judkins responded: “Girl, I’m in. I don’t know how to use Twitter but if I did I would DM you. You’ve been on my mood board for a certain character since 2018 haha”.
We now know that the character Judkins had in mind was not Cadsuane at all, but rather Elaida do Avriny a’Roihan, an even more important character in the books who takes an antagonistic role to protagonists Rand al’Thor and Egwene al’Vere, not because she’s a Darkfriend, but because she genuinely (and mistakenly) believes she’s the most qualified person to lead the fight against the Dark One. Elaida is a divisive character: some readers (myself included) regard her as one of The Wheel Of Time‘s most compelling villains, while others find her unbearable or almost comically misguided. I am nonetheless confident that the adaptation which somehow turned us all into Liandrin Guirale redemption arc truthers will give us a reason to begrudgingly sympathize with Elaida, maybe even root for her. Aghdashloo’s casting makes it a near-certainty that her shenanigans will be more entertaining to watch than they sometimes are to read about, that’s for sure.
Elaida is a member of the Aes Sedai, the order of female channelers (sorceresses) who have historically used their considerable power to try and repair a world that was deeply fractured three-thousand years earlier during the Breaking, when all the male Aes Sedai went mad and turned on each other. Elaida belongs to the Red Ajah, the largest faction of the present-day Aes Sedai, whose primary task is to hunt down male channelers and subdue them before they can go mad and cause another Breaking. Elaida is one of the most powerful Aes Sedai alive, equal in strength to Moiraine Damodred and Siuan Sanche, and at one point seemed to have her eye on ascending to the Amyrlin Seat (the leadership position which Siuan currently holds). It therefore came as a shock to many when Elaida abruptly moved to the nation of Andor and became the full-time advisor to Queen Morgase Trakand, seemingly conceding the Seat and ending her promising career in Aes Sedai politics. What none realized was that Elaida had the rare Talent of Foretelling, and had seen in a vision that the royal line of Andor would be the key to victory in the Last Battle: which she interpreted to mean Morgase’s daughter, Elayne Trakand, who can channel and is indeed stronger than Elaida herself.
Elayne began training at the White Tower in season two, and was almost immediately kidnapped by Liandrin Guirale, an Aes Sedai of the Red Ajah and secretly a member of the unofficial Black Ajah made up entirely of Darkfriends. Her abduction was covered up, and Liandrin was consequently able to avoid being caught for a time, but season three opens – Rafe Judkins has said this, the teaser trailer confirmed it, and footage from the sequence was shown to CCXP attendees – with Liandrin finally being exposed, and subsequently activating a whole bunch of Black Ajah sleeper agents amongst the Aes Sedai to help her escape punishment. The ensuing massacre (my word choice, but that’s what it looks like to me) will rock the Tower to its core; and amidst the upheaval that must surely follow, Elaida will return at long last, probably looking for Elayne and instead finding the Aes Sedai in total disarray, enflaming in her a fierce desire to fix the Tower, even (or perhaps especially) if that means getting rid of Siuan Sanche and replacing her with a more competent, capable leader, someone like…oh, I don’t know, Elaida herself.
To say any more would require me to get into major spoilers for The Shadow Rising, the book being adapted in The Wheel Of Time season three, so I’ll leave it there and let you discover what happens next when The Wheel Of Time returns on March 13th, 2025. In the meantime, share your own thoughts, theories, and opinions, in the comments below!
SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING AND BOOK FIVE: FIRES FROM HEAVEN, AND POTENTIAL SPOILERS FOR THE WHEEL OF TIME SEASON THREE AHEAD!
Moiraine Damodred has been prepared to meet a violent end since The Wheel Of Time season one, when she accompanied Rand al’Thor to the Eye of the World expecting to be “ground to dust”, as she put it, between the opposing powers of two cosmic enemies; Rand himself, a.k.a. the Dragon Reborn, and the Dark One. In so doing, she hoped to bring about a quick end to what would otherwise escalate into a large-scale conflict between armies, in which thousands would die and chaos would reign. Given that there are eight seasons of The Wheel Of Time planned, adapting a series of fourteen extraordinarily dense novels, it should go without saying that that is not what happened. Instead, and to her great dismay, Moiraine had to pick herself up after a crushing defeat and keep fighting, for the sake of the world rather than for herself. Throughout season two, which additionally saw her wrestling with the triple-fold loss of her ability to channel, her relationship with her Warder, and the trust of her lover, Moiraine rose again: because the world needed her to.
And now the world needs her to die.
The first teaser trailer for The Wheel Of Time season three follows Moiraine on a trippy journey through “a thousand thousand futures”, stalked and toyed with by the Dark One’s most powerful minions, as it’s revealed to her that across an infinite number of possible realities, one thing remains constant: either she dies, or Rand dies. And Rand is the Dragon Reborn, the only person in the world capable of defeating the Dark One at the Last Battle. He must survive until then, no matter the cost. For Moiraine, therefore, there is no choice to be made. She will die. She doesn’t know when, where, or how – though we see alternate versions of her being strangled and stabbed to death by Lanfear in different scenarios and settings, including one in which Lanfear has seemingly turned Rand and his friends to the dark. She only knows that when the time comes that both their lives hang in the balance, she will see to it that it is she who perishes and Rand who lives to fight another day.
Ironically, the person who probably stands to fare worst out of everyone here is Rand. The best possible outcome for him is the one in which he miraculously makes it to the Last Battle and saves the world before he dies, but death is as much a guarantee for him as it is for Moiraine, and he already knows exactly how his will transpire, as all male channelers inevitably succumb to madness. But even if he makes it that long, and it’s a big “if”, there’s a decent chance he loses to the Dark One and has to watch the world burn because of his failure in his final moments. And if the madness takes him before the Last Battle, it’s not only possible but likely that he’ll end up destroying the world on his own, without the Dark One having to lift a finger. Some of the Aes Sedai sorceresses would happily “gentle” him, permanently removing his ability to channel, but of course, Rand can’t go up against the Dark One without the One Power at his fingertips. And now, on top of everything else he has going on, Moiraine is gonna go and die, burdening him with the pressure that will come from knowing that she did so to save him so that he might save everyone else? I too would run off into the desert if I were Rand.
But for Rand, the solitude of the Waste only offers more grisly ways to die, and I’m not just talking about the harsh weather and living conditions. Rand has deep connections to the Waste and to the people who live there, red-haired warriors known as the Aiel. They have their own set of prophecies about him, distinct from the prophecies of the Dragon Reborn, and to fulfil them, Rand must enter the ruined city of Rhuidean and brave the “glass columns”, a labyrinth of shimmering pillars that allow a person to relive crucial events from the Aiel’s ancient history through the eyes of their own ancestors. The paradigm-altering truths revealed there are too much for some to bear, and they go mad and die inside, which probably explains the veritable forest of spears standing outside the walls of the city in the image above – the spears of all those who entered and did not return. The glass columns of Rhuidean are the setting for one of the most vivid sequences in the entirety of the Wheel Of Time book series, a sequence we can see glimpses of in the images below:
That tree is Avendesora, which grows at the center of the glass columns and is sacred to the Aiel, who gifted a sapling from Avendesora to the people of Cairhien to repay an old debt. The tree that sprang from that sapling, Avendoraldera, was later cut down by Moiraine’s uncle, King Laman Damodred, and its precious wood used to build him a larger throne, resulting in the Aiel War during which a coalition of the Aiel clans left the Waste, sacked Cairhien, killed Laman, and left, but not before one Aiel Maiden of the Spear gave birth to a son, Rand himself, on the blood-soaked slopes of Dragonmount. I know, I know, I just threw a lot of lore at you, but you’re here for a trailer breakdown, aren’t you? Let’s not even get into the fact that Avendesora isn’t technically a tree but a unique organism genetically engineered with the One Power…
While Rand peruses AielAncestry.com, Egwene begins learning from the Aiel Wise Ones how to “Dreamwalk” – enter the World of Dreams at will. The World of Dreams, or Tel’aran’rhiod, is the nebulous realm humans unconsciously enter when they sleep. The Wise Ones have mastered the ability to navigate this realm and manipulate it to a degree, though not to the level of someone like Lanfear, who considers herself the Queen of Tel’aran’rhiod, or Moghedien, whose power there is even greater. But Egwene in season three has just endured weeks or possibly months of imprisonment at the hands of the Seanchan and the appropriation of her own powers by a sadistic captor whom she brutally murdered. She is a very different woman than she was before that experience, and if Lanfear or Moghedien think they can toy with her in the World of Dreams, they’ve got another think coming. Let me remind you all that Egwene was able to single-handedly hold off Ishamael, the strongest of the Forsaken, for several minutes while beaten up and bruised in the immediate aftermath of the aforementioned murder.
We see Egwene and Rand lying next to each other in a tent, hands not quite touching, possibly indicating that they’ll Dreamwalk together, or perhaps belonging to a scene in which the two finally agree to end the untenable romantic relationship that was already on the rocks back in season one, even before Rand faked his death and ran away in an effort to protect her from himself. There are not many “Randgwene” shippers out there, but I am one, and I know that Wheel Of Time showrunner Rafe Judkins is another because the doomed love between Rand and Egwene has been a focal point of both season finales and a major factor in important decisions both characters have made, even though they technically called it quits in the very first episode, and Rand was briefly in a sexual relationship with Lanfear (a relationship that Lanfear is intent on rekindling, based on the trailer). But now, with Rand and Egwene starting down diverging paths, there has to be some kind of closure there before either character begins actively pursuing their eventual love interests.
Love is in the cards for at least one of our main characters, though, as Perrin Aybara is shown kissing a dark-haired woman whom we can safely assume is Faile, the Hunter for the Horn who follows Perrin back to the Two Rivers in book four, The Shadow Rising, when he goes home to help liberate his people from an army of Whitecloaks under the command of his archnemesis Dain Bornhald. Perrin and Faile have a…tumultuous relationship in the books; I’ll be curious to see how The Wheel Of Time adapts that, especially with the significant change they’ve made to Perrin’s backstory, giving him a wife whose death he is directly responsible for, and whose memory still haunts him. Speaking of closure, Perrin’s return to the “scene of the crime” in season three will provide him a much-needed opportunity to put Laila to rest amidst everything else going on in the Two Rivers. There’s no sign in the trailer of Dain Bornhald himself, the peddler Padan Fain, or the mysterious Lord Luc, all key players in Perrin’s The Shadow Rising arc, but we do see Perrin leading the defense of the Two Rivers, so they’re around somewhere.
Also conspicuously absent is the character of Elaida, one of The Wheel Of Time‘s most important antagonists, expected to be played by Oscar-nominated actress Shohreh Aghdashloo, who joined the cast after playfully engaging with fans and showrunner Rafe Judkins on social media who were fan-casting her as a different character, Cadsuane Melaidhrin. I thought we might have seen her briefly (see the image above), because what other Aes Sedai from the Red Ajah would be so brazenly enthroned on the Amyrlin Seat with a dark-haired woman in white at her side, but I’ve since been informed that the women in the image are more likely Liandrin Guirale and Lanfear, during some kind of dream sequence. You have to zoom in really close, but the woman on the throne does appear to have blonde hair and Kate Fleetwood’s distinctive cheekbones.
Liandrin is also shown unveiling herself at some kind of costume party (probably at the Panarch’s Palace in Tanchico, where she hides out in The Shadow Rising), speaking to the Forsaken Moghedien, and dueling Alanna Mosvani of the Green Ajah (potentially killing one or both of her Warders, based on a shot of Alanna sobbing over someone’s body) in the streets of Tar Valon itself, where violence is practically unheard of, let alone violence between Aes Sedai. But of course, Liandrin is no ordinary Aes Sedai: she may be Red Ajah, but her true loyalties lie with the Black Ajah, a faction of sorceresses sworn to the Dark One, whose existence was a closely-guarded secret. In the books, Siuan Sanche is able to cover up Liandrin’s betrayal because it happens within the White Tower, behind closed doors, but if the show has her and Alanna blowing up large swathes of the city, that obviously won’t be possible, and there could be ripple effects: maybe the people of Tar Valon will begin to feel unsafe in the shadow of the Tower, and Elaida’s attempts to undermine Siuan’s authority will center around fanning the flames of this growing dissent.
Something that I personally find very relieving is the fact that we see Siuan at the White Tower, specifically during what looks to be Egwene’s Accepted Test. You may remember that when season two was airing, I was…very vocal about my displeasure with how The Wheel Of Time was characterizing Siuan. I don’t feel like rehashing it all right now (you can read what I wrote then here) but one of my points was that Siuan being offscreen for most of the season and her long absence being hand-waved away, especially while Novices were being kidnapped from the White Tower, was not going to help endear her to audiences who still barely know her as a character in her own right, separate from Moiraine, with whom she shares nearly every scene in which she’s appeared and who is usually the viewpoint character in these scenes. It would be one thing if season three wasn’t adapting the events of The Shadow Rising, but if you’ve read that book, you probably know what I’m referring to when I say it’s about to be really important that audiences know Siuan and care about Siuan (again: separately from Moiraine!), and that’s a lot more difficult when she’s hardly ever around! And when she DOES show up, it’s to try and imprison Rand and abuse the Oath Moiraine swore to her…sorry, sorry, I said I wouldn’t rehash my issues with that episode. Let’s just say, I’m very happy to see her.
I’d have loved to have seen a little bit more than one frame each of Nynaeve al’Meara, Mat Cauthon, Aviendha, and Min Farshaw. Nynaeve, because Zoë Robins has top-billing after Rosamund Pike and Daniel Henney, and it’s a little weird to not see that reflected at all in the marketing, but also because Nynaeve had by far the least to do out of the Emond’s Field Five in the season two finale (I wholeheartedly believe that the plan up until the last minute was for her to rescue Egwene from the Seanchan kennels as she does in the books, and when the writers decided they were gonna have Egwene break herself out of captivity, they had no idea what to do with Nynaeve, and pulling an arrow out of Elayne’s leg for twenty minutes was the best they could come up with on a tight schedule and budget). I really need season three to remind people that she is not helpless without the One Power.
And Mat, well, I just want the poor guy to have some screentime this season. Though it’d sure be nice if he could have his long-awaited quarterstaff fight with Gawyn and Galad (who I suppose I should mention does appear in the trailer; there, I mentioned him). To be fair, Mat did get temporarily written off the show after the original actor abruptly dropped out midway through filming season one, requiring a recast and major rewrites, so he had to play catch-up throughout season two, but now that his storyline is pretty much back on track, I’m hopeful that season three will do more with him and with actor Dónal Finn.
A few stray observations: the cinematography has massively improved, and the budget looks much bigger, though I don’t have the exact numbers to state that with certainty. The VFX for the channeling is more seamless, the weaves more complex and more colorful, the digitally rendered environments and armies more expansive. I notice a lot of costumes from season two making a reappearance, but equally as many gorgeous new designs, with Alanna Mosvani’s gold-spangled green dress, the alternate reality Emond’s Field Five fits, and the head-to-toe white lace garments of the Wise Ones being particular favorites of mine already. And while I would never think to juxtapose the subject matter of The Wheel Of Time with “Hazy Shade of Winter” by The Bangles, I’ve gotta admit…it does work weirdly well. I mean, doesn’t hurt that it opens with the refrain “time, time, time”.
But now I want to hear what you think? What was your favorite part of the trailer? Share your own thoughts, theories, and opinions, in the comments below!
The Wheel Of Time returns for its third season on March 13th, 2025
SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING, AHEAD!
The Wheel Of Time, Amazon Prime’s best epic fantasy series that hardly anyone seems to know about, is returning for its third season sometime soon, by the looks of it. With showrunner Rafe Judkins and stars Josha Stradowski and Madeleine Madden scheduled to take the stage at CCXP in Brazil this Saturday to discuss season three and drop the release date (confirmed by Judkins over on his Instagram), and a new poster dropping this morning, there’s excitement in the air as it feels suddenly plausible that the Dragon Reborn might be back on our screens early in the new year.
The poster – our first look at season three since the short video celebrating a wrap on filming early this year – is beautiful, which is something I haven’t necessarily been able to say of previous posters for the series…not that they were ever bad, but they were “floating head” posters, and I felt like the show’s marketing team could have cooked up something a little more visually arresting to entice audiences, who made The Wheel Of Time Prime Video’s most watched original series debut of 2021 but didn’t show up as strongly for season two in 2023 despite much better reviews for the season, in large part because the marketing was non-existent. The actors and writers literally couldn’t talk about the show or promote it at the time due to the SAG-AFTRA and WGA strikes, and Amazon did virtually nothing to fill the void. We don’t know how season two performed in the eyes of Amazon executives, but with season four yet to be greenlit, I think it’s safe to assume that they’re waiting for season three to come out first and do well before they commit to continuing the sprawling story; which was planned to run for eight seasons, condensing fourteen books worth of source material.
So the marketing can’t suck this time around – and if this poster is anything to go by, I’m cautiously optimistic that it won’t. So let’s discuss the poster itself.
The image seems obviously designed to eventually double as a book cover for The Shadow Rising, the fourth volume in Robert Jordan’s saga, which The Wheel Of Time season three will be adapting (having consolidated most of the relevant parts of books two and three into its second season). Depicting Stradowski’s character Rand al’Thor walking through a steel forest of standing spears in a desert at dawn, carrying Rosamund Pike’s Moiraine Damodred in his arms, the poster follows through on the promise made in season two to shift focus away from Moiraine, the series’ protagonist throughout its first season, and onto Rand, the books’ protagonist, who has reluctantly accepted that he is the “Dragon Reborn” destined to save the world or destroy it, and must now complete the vague prophecies written about him centuries before his birth if he is to defeat the Dark One at the Last Battle and prevent the very fabric of reality from being torn apart.
The poster transports us to one of the books’ harshest settings, the Waste, home to twelve warring clans who collectively make up the Aiel. Rand is, as the show has already revealed, the son of an Aiel Maiden of the Spear named Shaiel, who died giving birth to him on the field of battle during the Aiel War, in which a coalition of Aiel clans under the command of Chief Janduin of the Taardad invaded the Westlands to exact vengeance for the killing of a sacred tree (long story). Janduin is Rand’s father, making him half-Aiel. Wait, didn’t I say that Rand’s parents are both Aiel? I’ll let the show explain that.
In The Wheel Of Time season two, we met Aiel Maiden of the Spear Aviendha (played by Ayoola Smart) as she led an expeditionary force back into the Westlands to find the prophesized savior of the Aiel, the Car’a’carn or “Chief of Chiefs”, who turned out to also be Rand al’Thor. In season three, presumably just as in the books, Rand will decide to follow her into the Waste and help his people in their hour of need, against Moiraine’s wishes. His journey will take him to the ruined city of Rhuidean, built in ages past by Aes Sedai to house a treasure trove of powerful tar’angreal (magical objects) and the secret histories of the Aiel. But in the Waste, Rand will encounter opposition not only from the Dark One’s most powerful minions, but from leaders of the Aiel who dispute and challenge his claim to be the Car’a’carn, including a hotheaded clan chief and an ambitious Wise One (the Aiel equivalent to an Aes Sedai) who join forces to take him down.
Eagle-eyed fans will have noticed right away that Rand is sporting some new tattoos on his arms in the season three poster, which have great significance but are kinda a spoiler, so I won’t give away too much. Let’s just say, the process of obtaining those tattoos is an arduous one, and comprises one of the most memorable sequences in the entirety of Jordan’s saga, a sequence I hope The Wheel Of Time can do justice, as I firmly believe that it could single-handedly put the show on the map, so to speak. If not, The Shadow Rising still has plenty of other outstanding moments that could also do the trick (it is regarded by many fans as the best book in the series), some of which I’m looking forward to even more, but that particular sequence has the potential to be uniquely brilliant on every level. I already know Stradowski’s gonna kill it; it’s just a question of whether the show’s writing, direction, cinematography and production design are able to match the energy he’s going to bring.
Oh, and as for why Rand is holding Moiraine in his arms, well, I have my theories. Which I will not be sharing at this time, because again, that would require spoilers and the source material is just obscure enough that I don’t feel comfortable revealing everything that happens even though it’s been over thirty years since The Shadow Rising‘s publication. I envy those of you who will be watching the season with fresh eyes, completely unaware of what’s coming. Because everything I’ve seen thus far – i.e. this poster – tells me it’s gonna be great.
What do you think of the poster, and what are you hoping gets revealed or shown during Saturday’s CCXP panel? Share your own thoughts, theories, and opinions, in the comments below!
MAJOR SPOILERS FOR THE RINGS OF POWER SEASON TWO, EPISODE SIX, AHEAD!
The question posed in the title of The Rings Of Power season two, episode six – “Where Is He?” – is one the show has already answered: in fact, to clear up any confusion on that front, we were given the full rundown on everywhere Sauron (Charlie Vickers) has been in the last millennia of Middle-earth’s history. We’ve followed his movements so closely this season that there can be no doubt as to where he is at any given moment (usually Eregion, but he does make a quick excursion to the Dwarven kingdom of Khazad-dûm in this episode). The suspense comes from waiting for the characters in-universe to figure it out for themselves, with the limited information they have at their disposal.
Ironically, the person closest to Sauron physically, Celebrimbor (Charles Edwards), is the furthest from the truth, his mind beginning to fracture under the pressure of constant emotional abuse and manipulation tactics, even as his soul stubbornly defies corruption. Having waxed poetic about Edwards’ masterful turn as the tortured Elven-smith many times already, I always fear that I will run out of words to express the fullness of my awe and admiration for his talent, or that they will begin to feel hollow, but as his performance evolves subtly from episode to episode, new praises always rise in my throat. Edwards conveys his character’s deeply internal disintegration with discomforting palpability while never resorting to trite affectations – one particularly forceful example of his unconventional, heightened approach to the subject matter his fiery reading of an almost Shakespearean monologue as he labors over the Nine Rings. Something that Edwards ensures we never forget is that Celebrimbor is not a human, and he’s not just any Elf either – he is one of the mightiest of the Noldor, proudest and wisest of all Elves.
Per usual, Vickers matches Edwards beat-for-beat, his “Annatar” morphing into a more overtly devilish figure with each day that passes, trading out his humble white garments for a somewhat unsubtle black robe with gold trim. The seemingly genuine regret with which Sauron tortures Celebrimbor makes him a far more terrifying villain than if he took great pleasure in his atrocities – he has convinced himself that his ultimate goal, building a utopia in Middle-earth, will justify the suffering he must necessarily inflict on its denizens to force them to accept him as their rightful ruler, but he hates that he feels he has to be violent. After all, he was originally an angelic being who delighted in perfection and order, and abhorred chaos. In a sequence near the end of the episode, Sauron ensnares Celebrimbor in a wide-scale simulation of Eregion at peace – while in reality, the city is under siege by Adar (Sam Hazeldine)’s army of Orcs – and although the deception is intended to pacify the Elven-smith and keep him in his forge, Sauron himself is deeply immersed in the illusion.
The elaborate transition back from hazy, gold-hued fantasy to stark reality, a combination of complex camera-work, practical effects, and VFX, has become one of the season’s most talked-about moments: a showcase for director Sanaa Hamri and cinematographer Alex Disenhof. As the camera circles Sauron, the last vestiges of illusion fall apart, day turns into night, and the quiet sounds of idyllic life give way to weeping and wailing. On the other side of the river, Galadriel (Morfydd Clark) begs Adar to stop his assault on Eregion, warning him that he’s playing right into Sauron’s hands, but Adar is intent on ridding the world of Sauron once and for all, and he feels that the Elves have failed, now it’s his turn. His motivations are noble, but what Adar fails to realize is that he’s turning into the very thing he seeks to destroy, leading his children to battle like lambs to the slaughter – the very thing Sauron threatened to do that resulted in him being Julius Caesar-ed by Adar thousands of years earlier.
Unfortunately, I can’t help but feel (especially in retrospect, now that the season is over) that the series rushed through the steps of Adar’s character devolution, hitting all the vital beats, one immediately after another, without enough time and space between to give each one weight and meaning. Adar is far and away The Rings Of Power‘s most compelling original character, a fascinating and valuable addition to the legendarium, and I’m not sure the writers were fully aware of the potential their own creation had, or he would have been afforded the necessary screentime to let his journey play out organically, at a more natural pace.
In what is becoming a major problem for the show, we bounce back-and-forth between disconnected subplots throughout this episode, never spending quite enough time in one setting to get immersed or totally invested before we’re moving on. In Rhûn, we catch up with The Stranger (Daniel Weyman) towards the tail-end of what has apparently been…days? weeks? months?…of rigorous training with Tom Bombadil (Rory Kinnear), who seemingly advises him – without actually saying it outright – to stop worrying about his friends and start seeking out the staff that will bestow upon him unfathomable power. Of course, such a message would be antithetical to the themes of J.R.R. Tolkien’s writing, which is why I say “seemingly” because, as is fairly obvious, Bombadil is testing the Stranger. Meanwhile, Nori Brandyfoot (Markella Kavenagh) helps prepare the Stoors for a confrontation with the mysterious masked horsemen who roam the desert, while Poppy Proudfellow (Megan Richards), who is inexplicably heterosexual in spite of all the evidence to the contrary, shares an eve-of-battle kiss with her Stoor boyfriend of approximately one day, Merimac (Gavi Singh Chera). Aggravatingly, both the Stranger’s and Halflings’ subplots cut off abruptly at this point – before the Stranger’s final test and presumably spur-of-the-moment decision to forsake the quest for his staff and find his friends, or the battle in the Stoor village. Next time we see them, in the season finale, the Stoors are already prisoners and the Stranger has arrived to help, with no connective tissue between these scenes whatsoever.
In Khazad-dûm, Disa (Sophia Nomvete) and her husband Durin IV (Owain Arthur) spend the entire episode engaged in environmental activism, blocking Durin’s increasingly covetous father King Durin III (Peter Mullan) from digging deeper under the mountain. There’s a cool moment where Disa sings to summon a swarm of bats that attack the King’s miners…and that’s pretty much it on that front. For two such vibrant characters, Disa and Durin are routinely given some of the least engaging material to work with, and it’s an injustice to Nomvete and Arthur, who are both delightful actors.
On the isle of Númenor, Elendil (Lloyd Owen) stands accused of treason, while the King’s son Kemen (Leon Wadham), who murdered a man in a place of worship, unsurprisingly gets off scot-free, his “punishment” a governorship in Middle-earth’s Southlands. I must confess to feeling rather miffed that the murdered man in question, Valandil, is never mentioned again after his death – he wasn’t a major character, per se, but he appeared in eight episodes across two seasons, Elendil treated him like a son, and he was the best friend of Elendil’s children, Isildur and Eärien (Ema Horvath), the latter of whom….knows about his death and her boyfriend Kemen’s involvement? Doesn’t know? Will we ever know? I don’t know! What I do know is that the show’s diverse ensemble cast does not immunize it to all criticism of how its predominantly white writers actually handle characters of color (Valandil’s actor Alex Tarrant is of Māori, Samoan and Niuean descent), and fans are well within their rights to raise an eyebrow at The Rings Of Power‘s trend of casually killing off characters of color this season – including Valandil and two out of three non-white named Elves.
On that note, we should probably talk about Míriel (Cynthia Addai-Robinson), who increasingly feels more like a prop than a person as the season progresses. Míriel, the usurped Queen-Regent, abruptly insists that she be put on trial in Elendil’s place, and upon being cast into the ocean to face judgement from a sea monster, the sequence even more abruptly cuts away before anything actually happens. The scene, which I was excited to see play out, ultimately left a bitter taste in my mouth for a couple of reasons – firstly, because I love a good sea monster, and this is the second time now that The Rings Of Power has teased a sea monster only to show it onscreen for maybe ten seconds: secondly, and more importantly, because this is ostensibly an important beat in Míriel’s fragmented character arc this season, a moment of truth for her and all that she believes in, and yet we as the audience have virtually no access to her thought process and internal conflict throughout. For a sequence which culminates in her staggering out of the ocean, having been found innocent, accompanied by cheers of “Tar-Míriel!” (strongly implying a shift in her favor that was either unintentional or was immediately undone offscreen between this episode and the finale), this scene needed to hold greater weight than it does. Míriel’s lack of interiority is a problem, one that becomes especially apparent any time she’s paired up with Elendil, who has so much.
For example, Elendil’s disintegrating relationship with his daughter Eärien is the focus of a truly moving scene shortly prior to the trial, where the two speak for what they believe to be the last time, Eärien begging him to repent for his crimes and accept Ar-Pharazôn (Trystan Gravelle), something that Elendil cannot bring himself to do. I mentioned in my review of episode five that Elendil and Pharazôn are more similar than they’d probably care to admit when it comes to parenting, and this scene exemplifies that. Elendil isn’t wrong, but he’s so assured of his rightness that he refuses to explain to a clearly distressed and confused Eärien why he’s choosing to die for his beliefs over staying alive for her, after she already lost her brother (so she thinks); pushing her away instead of letting her in. Is it any wonder that her and Kemen get along, when both their fathers are severe, closed-off, and patronizing? Elendil, to be fair to the guy, is all of those things without meaning to be, but he needs someone to knock some sense into him, and my money’s on Amandil, his own father, whom we’ll presumably meet in season three.
As the episode pinballs between the numerous subplots it’s being asked to rush along, perhaps we do lose sight of our main villain – and The Rings Of Power‘s central throughline – somewhat, making the title “Where Is He?” more apt, albeit ironically. If I were to summarize this episode into a single word, it might be “nebulous”. Not bad, not boring, but unfocused and a bit vague about what it’s trying to accomplish. As a prelude to the Siege of Eregion, it tries to slowly ratchet up the tension, but there’s just no time to make Adar’s dramatic heel-turn feel entirely appropriate for his character at this moment, while as a stepping-stone in various other story arcs, it feels almost irrelevant, with both Míriel and the Stranger undergoing trials we don’t get to see and which don’t move them forward so much as reassure them that they were already on the right path. It’s not my least-favorite episode of the season, but it has the misfortune of being wedged between two excellent episodes that make the dip in quality feel more drastic.