“Mulan” First Trailer!

Typically, the Marvel Cinematic Universe dominates all the movie industry headlines, but these last few weeks it’s been all Disney live-action remakes, all the time. Probably no coincidence that this comes right after the huge success of Disney’s Aladdin, a film for which fans have already begun eagerly demanding a sequel. Now, after a whole bunch of “controversy” about black Ariel and Melissa McCarthy playing Ursula the sea-witch, Disney is back on track, releasing the first trailer for their upcoming remake of the animated classic, Mulan.

Let me warn you, I’m a big fan of Mulan: it’s my all-time favorite Disney movie. I was actually planning to watch the film before the trailer dropped. But it’s a little too late to do that now, so here we are: the trailer has arrived.

It’s beautiful: it opens with a shot of Mulan riding a horse through the grasslands of central China, and goes wild from there, with spectacular scenes of our heroine preparing for her ill-fated meeting with the matchmaker, leaping across rooftops in the Imperial City, and wielding a sword in the heat of battle. It doesn’t look like any of the remakes Disney has been turning out recently: there are none of the original film’s songs (though there are nods to them, such as when Mulan says “I will bring honor to us all”, and the instrumental music takes the shape of that classic tune); it has action, rather than dreamy romance, such as we saw in the trailers for Beauty & The Beast or Aladdin; it’s intimate, and dramatic, and the focus is largely on the characters and their story, presented as if it’s brand new, rather than filtered through the “nostalgia-factor” that Disney has traditionally indulged in when marketing their remakes.

In large part, it is brand new – we already know that this movie will be very different from the animated film, but this trailer highlights some of these changes. We see Mulan fighting as a woman, even though in the original film she never fought on the battlefield unless disguised as a man. There’s a lot more martial arts prowess on display here. There’s no sign of the new character said to be taking over the role of Mulan’s former love-interest, Shang. There’s absolutely no hint whatsoever of Mushu, or the phoenix which will apparently replace him. What we have here is something almost like an entirely original movie, one that looks much more epic: there’s no jokes either – though that’s something Disney seems to do, where they hide all the humor until you actually get to the film and realize that it’s a hilarious comedy. They did that with Aladdin too.

Oh, I’m nervous: I don’t know what to say. Mulan has such a special place in my heart, and I really want this movie to live up to that. And it looks really good, but it looks so…so new. I don’t know how to judge it when everything is so subtly different from what I’m expecting. Mulan herself seems very tough, very determined, and incredibly skilled: I’m not sure exactly how she’s able to do all these amazing backflips and twirls and whatnot – in the original film, she was resourceful and quick-thinking rather than being invincible. There I go again, comparing the two: but I have to. This trailer is confusing me. At least it has the avalanche.

You understand, don’t you? What do you think of the trailer? Leave your thoughts in the comments below!

Trailer Rating: 8?/10

Halle Bailey Will Head Under The Sea For “The Little Mermaid”!

And no, that’s not Halle Berry, it’s Halle Bailey.  Go get your eyes checked.

thefamouspeople.com

Halle Bailey is the nineteen year-old singer and actress best known for her R&B singing duo, Chloe x Halle, and her role on the hit TV show Grown-ish, is officially joining Disney for their live-action The Little Mermaid. And she’s not just playing a bit part – she’s actually going to be the Little Mermaid, as in, she is playing Ariel. That’s right: for the first time in forever, Disney is race-bending one of their princesses! And it’s perfect.

First of all, Halle Bailey can sing, and she has an amazing voice: in fact, while listening to her cover of “Unforgettable” – go check it out, you’ll thank me – I was struck by how much she sounded like she had just strolled out of the 1920s: she would have made a fantastic Tiana in a live-action Princess And The Frog. But as Ariel – oh, I’m so excited! Her voice is so just so perfect. I don’t even know exactly why, but it just…well, it just is. It’s not the kind of teeny-bopper vocal range I was expecting Disney to go for with their live-action Ariel: that was my fear, in fact, after I started hearing rumors that Harry Styles had been cast as Prince Eric, alongside Zendaya as Ariel.

Now, I know there are going to be people complaining that Zendaya didn’t get the role, after people have been basically begging her to join the cast. But I’ve got to say, having seen Spider-man: Far From Home just yesterday, I’m not too unhappy about that. Don’t get me wrong – Zendaya is a good actress, and I know that, but I’m not on her hype-train right now, and that’s why this news comes at such a perfect moment. I’m open to suggestions – and this suggestion, so unexpected, so fresh, so unique…is a miracle.

And then there are going to be people complaining that Ariel isn’t black, and that Disney shouldn’t race-bend a Caucasian princess: their reasoning will be that the original fairytale off of which The Little Mermaid is based is a Danish story, and the majority of Danish people are white. Well, guess what – Disney’s version of The Little Mermaid doesn’t take place in Denmark: it’s set in the Caribbean, where the majority of the population is black or Hispanic. By making her white in the original movie, Disney was race-bending, just like they race-bent Aladdin and Jasmine, making them Arabic instead of Chinese. Having a black woman play Ariel is the perfect way to show that Disney actually cares about making their films accurate, at least a little. Granted, the film will still include mermaids, so we can probably throw accuracy to the winds.

This news is especially advantageous since it comes right after Melissa McCarthy was cast as Ursula, in a shocking move that upset almost everybody. One of the biggest complaints was that Ursula should have been portrayed by a woman of color – now, through this genius casting decision, Disney has partially made up for that. It would be even better if they would recast Ursula too, but I’ll settle for Ariel – as long as she’s not the only black mermaid under the sea. We know that Asian-American comedian Awkwafina has been cast as Ariel’s seagull companion, Scuttle, so maybe it’s not too much of a stretch to imagine that there are lots of different types of merpeople?

So what do you think? Are you happy with the casting choice? Do you think that Ursula should be recast? Leave your thoughts in the comments and stay tuned for more updates!

Amazon’s “Lord of the Rings” Finds A Director!

Finally!

Lord of the Rings fans have been waiting with bated breath (or, at least, I have been) for news of the upcoming Amazon Prime adaptation of our favorite novel of all time: or, more specifically, the appendices of our favorite novel of all time, as well as posthumously published writings by the same author  – I mean, possibly: we don’t know how much Amazon has the rights to, but the fact that the island of Númenor shows up on their official maps suggests that they at least have the rights to Unfinished Tales, the only time in which that map was published in one of Tolkien’s own works – unless they’re going off of Karen Fonstad’s Atlas of Middle-earth? Or is it possible that-

Sorry about that, moving on. So, uh, yeah, where was I? Oh yes, we’ve been waiting to hear some solid news about the show – there was a flurry of excitement early this year, when Amazon released some maps and a few tantalizing messages on their social media platforms, but since then…nothing. Brian Cogman of Game of Thrones was brought on as a consultant, and there were rumors the show would be filming in Leith, Scotland, in August (as you can imagine, those rumors had me pretty excited, since, you know, the name). But since then, literally nothing.

Over the last week, our excitement has blown up like one of Gandalf’s fabulous fireworks. Conflicting reports started coming out left and right – Amazon was filming possibly 90% of the show in Scotland! No, Amazon had actually changed their minds and was moving filming to New Zealand! The latter seems to be true, with Amazon pretty much officially settling down to start filming in the city of Auckland, New Zealand, where preproduction on the show has already begun. A casting call has gone out for extras, specifically for people to play soldiers and farmers. And now, today, we have breaking news that is sure to divide fans.

Juan Antonio Bayona, director of films such as Jurassic World: Fallen Kingdom and The Orphanage, has joined the series and will direct the first two episodes of Amazon’s Lord of the Rings, along with his producing partner, Belén Atienza. In an official statement, Bayona said he “can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age” – confirmation, if you needed it, that this show will cover events in the Tolkien legendarium long preceding The Fellowship of the Ring, or The Hobbit. Meanwhile, a new name has been added to the series’ team of screenwriters: J.D. Payne, Patrick McKay and Brian Cogman will now be joined by Gennifer Hutchison of Breaking Bad, a big win for the show. We know from previous reports that Tolkien scholar Tom Shippey is involved as a consultant, and famed Tolkien artist John Howe is part of the show’s creative team.

Coming hard on the heels of Netflix’s first look at their upcoming Witcher adaptation, this is proof that Amazon isn’t about to let anybody steal their thunder when it comes to the fantasy genre. I, for one, am hugely excited for the show (a little disappointed that Leith, Scotland, won’t be the main filming location), and I cannot wait for more news on this front. I’m expecting some more announcements at San Diego Comic Con, where Amazon will also be unveiling shows such as Carnival Row and The Boys.

“Spider-Man: Far From Home” SPOILER Review!

If you haven’t seen Spider-man: Far From Home yet, make sure you get out of here and into a theater now, because you don’t want to miss it, and you definitely don’t want to get spoiled!

I have a feeling that the spoilers are, in large part, what make Far From Home such a fun movie: as I wrote in my nonspoiler review, it’s virtually impossible to talk about the film without giving anything away, because there are dozens of little shocks and surprises, not to mention a couple of huge, mind-blowing plot twists. And we can talk about them all now! We’ll discuss them in order of importance.

Surprisingly, one of the smallest, most insignificant surprises in the movie has to do with the consequences of Avengers: Endgame – or, rather, the lack thereof. The film opens with an emotional tribute to fallen heroes of previous movies, set to Whitney Houston’s “I Will Always Love You”, which then gives way to some exposition about what happened after Endgame: namely, the moment at which half of the human population suddenly reappeared. Unfortunately, this is all covered in a matter of seconds, with just one quick shot of dusted highschool students suddenly reappearing on the basketball court where they had been dusted five years earlier by Thanos’ infamous Snap. Thanos would be outraged to hear that people have begun calling this moment…the Blip. It’s a dumb name, and it does kind of undermine the huge drama of Endgame, but it is exactly what people these days would call such an event – a blip, a minor nuisance for those who were dusted.

But let’s talk about that, actually. In Far From Home, we mostly see things from the perspective of those who were Dusted, and have since Blipped back into existence, five years later, but still the same age. Peter Parker (Tom Holland), and all but one of his classmates were victims of the Snap, as was Peter’s Aunt May (Marisa Tomei). Leaving aside the fact that this is highly implausible considering that the Dusting was random and indiscriminate, these characters all have something in common, something I couldn’t quite place a finger on while watching the film: entitlement. The Dusted make up the vast majority of this film’s cast, and almost all of them have the same attitude of nonchalance and, dare I say, arrogance. They died and came back to life, but for them, the entire span of time between the Snap and the Blip was a matter of minutes: meanwhile, in the world around them, people have gotten married, had kids, died. One Dusted character comments on “how weird” it is that his younger brother is now older than him, but why don’t we stop to think about how it must feel for that younger/older brother, who has probably been dealing with emotional trauma, possibly even living as an only child, but now has to re-adapt to life with a sibling? The film only focuses on one character who survived the Dusting and has grown up in the intervening five years – Brad Davis (Remy Hii), who is treated throughout the film as a threat to Peter’s relationship with MJ (Zendaya), and something of an antagonist. But it’s the Dusted who actually come off as ungrateful and selfish, willfully endangering their lives time and time again. A lot of people wondered why, if Peter had just been Dusted, Aunt May would immediately thereafter let him go on a field-trip to Europe. Well, because Aunt May was just as dismissive of the Snap as any of the Dusted: sure, she had a funny experience where she reappeared in her old apartment only to discover that a new family had moved in – but she still got the apartment back, didn’t she?

Anyway…while we’re on the subject of Aunt May, let me move on from my angry tirade – May is not an important character in the film, but she does have a very adorable flirtatious relationship with Tony Stark’s aide, Happy Hogan (Jon Favreau). And at the end of the movie, when Peter confronts them and asks for the truth, May breaks Happy’s heart by revealing that it wasn’t meant to be a serious relationship – just a fling. Hopefully May rethinks that, because these two made one cute couple (honestly, when you think about it, it’s another example of how ungrateful the Dusted are).

Happy isn’t the only constant reminder of Tony Stark in Far From Home: aside from a brief mention of Tony’s wife Pepper Potts, there’s also some new surprises. We learn early on in the film that, before his death, Tony built a pair of glasses which control the hugely dangerous E.D.I.T.H (Even Dead, I’m The Hero) technology: this includes an almost infinite supply of killer drones and some really scary satellites orbiting the planet. Naturally, he also entrusted these glasses to Peter Parker, a scared and overwhelmed teenage boy. Just like any of Tony’s creations, these E.D.I.T.H glasses can be used for good or bad purposes – Peter makes this clear when he accidentally uses them to call a drone-strike on his rival, Brad Davis: even worse, he then gives the glasses to Quentin Beck (Jake Gyllenhaal), a man he’s known for a couple of days – even though he does eventually get them back, the E.D.I.T.H drones also capture him on camera, killing Beck. We’ll get to that later, though.

First, let’s talk about Beck himself. This one honestly shouldn’t have come as a surprise: we learn about halfway through the movie that Beck, who seems really nice and friendly, is actually a mentally unstable con-man trying to get revenge on his former boss, Tony Stark, who he believes stole his life-work and gave him no credit. With a team of disgruntled former Stark Industries employees, Beck has created an elaborate smoke-and-mirrors ruse – he pretends to be from another world in the Marvel multiverse, a warrior hunting huge creatures called Elementals, which wreak havoc across Europe. In reality, the Elementals are all special effects, and Beck is hunting Peter Parker, trying to win him over with kindness and get the E.D.I.T.H glasses from him. Jake Gyllenhaal brings a lot of charisma to the role – and his abrupt transformation from sweet, gentle Quentin Beck, to the over-the-top theatrical villainy of “Mysterio”, as he calls himself, is handled with ease. Granted, the actual scene in which his evil plans are revealed is…not quite as great. Gyllenhaal has to dump a lot of exposition and backstory while monologuing to his henchmen, and the dialogue itself is a bit wooden – but the delivery is as good as it can be, and Gyllenhaal was clearly having the time of his life while filming. He reminded me a great deal of Count Olaf from A Series of Unfortunate Events in that one scene. And he was detestable: from his snarky smile to his outfit, I wanted to punch him in the face. I didn’t think he could get worse.

He got worse.

I mentioned in my nonspoiler review that fans of Peter Parker will be traumatized by this movie: I stand by that. After getting the E.D.I.T.H glasses, Mysterio learns that Peter and MJ have uncovered his secret identity and are trying to reach Nick Fury (Samuel L. Jackson) at a S.H.I.E.L.D office in Berlin. Mysterio lures Peter into a trap, using special effects and illusions to fool him into an abandoned warehouse where he tries to murder him. What follows is some of the most nightmarish and imaginative stuff I’ve ever seen in a superhero movie: a sequence reminiscent of the “A Friend Like Me” musical number in Aladdin – but with disorienting green fog, spiders, and hundreds of Mysterio clones instead of singing genies and magic carpets. There are moments of dead silence, where we follow Peter as he tries to find a way out of the CGI darkness, only to run into a graveyard where he is confronted by a zombie apparition of Tony Stark. There’s a scene where Peter is surrounded by mirror images of himself, which suddenly come to life and try to strangle him. It goes on for an excruciatingly long time, with no end in sight – there’s one point at which you think the illusion is over, when Nick Fury shoots Mysterio in the back…but that’s a deception too. And then Peter Parker gets hit by a train.

He survives this, of course. How, I don’t know, but at least he manages to finally break free from Mysterio’s illusions – watching Peter be tortured both physically and mentally, not knowing who he could trust or what he could do to escape: it was heartbreaking. I nearly cried when Peter climbed, bloodied and bruised, up onto the side of the speeding bullet-train. I nearly cried again when he was wandering, lost and confused, through a picturesque Dutch village. I did cry when he finally met up with Happy Hogan again: he was crying, I was crying.

Then Led Zeppelin started playing. That dried my tears pretty quickly.

One more thing about Mysterio before we move to the third act surprises: the whole concept of the Multiverse, teased in the first few trailers for the film – it’s all a lie, concocted by Quentin Beck’s professional scriptwriters. There is no rift between dimensions, no Earth 616 – as of right now, there is still only one reality in the Marvel Cinematic Universe, which is honestly fine by me. It does mean we can probably dismiss all those rumors about the X-Men or the Fantastic Four coming from an alternate world in the Multiverse.

Now, for the big battle at the end. This happens in London, on the Tower Bridge, where Mysterio uses the E.D.I.T.H drones to create one “Avengers-level threat” for him to single-handedly defeat. Things get a little messy when Peter Parker disables the drones and exposes the illusion, leading to an epic battle where Peter has to go through Mysterio’s nightmare world again in order to get to him. Meanwhile, his friends, such as MJ and Ned (Jacob Batalon) are trapped in a museum, using medieval weapons to take on the killer-bots: this is what I called a Disney-Channel moment in my nonspoiler review – it’s silly, but fun. In the end, though, no amount of plot armor was going to save those kids from being horribly murdered – it’s only when Mysterio shuts down E.D.I.T.H by himself, while trying to fool Peter into thinking that he’s surrendered, that the teens are able to escape. But here’s where things get really cool – and, again, traumatic. Mysterio falls back, seemingly humbled, telling Peter that he regrets everything. For a few moments, the audience is fooled – and then, suddenly, Peter spins around and grabs a gun from the real Mysterio, who has been standing nearby, invisible. There’s a single gunshot in the dead silence, and Mysterio slumps to the ground, dead – all thanks to Peter’s “spidey-sense” (though, it’s worth mentioning that there’s a running joke in the movie where everybody refers to “spidey-sense” as the “Peter-tingle”, something that Peter loudly objects to on multiple occasions).

But Mysterio’s legacy lives on, just as he wanted it to: turns out, he was filming the whole battle, and his henchmen edited the preserved footage to make it look like Mysterio was murdered. This is revealed in a shocking mid-credits scene, in which the footage is broadcast on national television by conspiracy network, The Daily Bugle, along with Peter Parker’s name and image: in a horrifying parallel to Tony Stark’s own declaration “I am Iron Man” at the end of the first Iron Man movie, Peter’s own identity has now been unintentionally revealed to the world. It’s likely that the third Spider-man movie will see the young web-slinger, armed with E.D.I.T.H, on the run from a host of villains who will be coming after him, not to mention his family and friends.

And, finally, one more surprise is revealed at the very end of the movie, but it’s so big that I think it warrants its own post, so I’ll only cover it a little here: basically, in the post-credits scene, Nick Fury and his partner Maria Hill (Cobie Smulders) are revealed to have been Skrulls – specifically, Talos and Soren, who we already know from the Captain Marvel solo movie. We overhear their conversation with the real Nick Fury, as they inform him that they’ve successfully delivered Tony’s glasses to Peter. Nick Fury himself is shown to be lounging on a tropical beach, which itself is merely a hologram: turns out, Fury is in space, on a vast starship manned by Skrulls, commanding what looks to be an army of soldiers or workers in a sort of cosmic version of S.H.I.E.L.D., again paralleling the end of the first Iron Man, in which Nick Fury first appeared onscreen and recruited Tony Stark into the Avengers Initiative. Eleven years later, Fury is assembling some sort of new team for Phase 4. I have a few guesses as to what might be going on there, but we’ll discuss that another time.

With the end of that post-credits scene, the Infinity Saga is officially over. The story of Tony Stark has been concluded, but there are dozens of new stories we can’t wait to see unfold on the big screen. We even have a bunch of new questions: is Spider-man going to be the next face of the MCU? Will he be forced to hide, or will he confront his enemies head-on? Is Mysterio really dead? What is Nick Fury doing up in space? Can all the Skrulls be trusted? How long have Skrulls been impersonating people on earth? Will the E.D.I.T.H tech play a large part going forward?

Will Aunt May and Happy end up together?

“The Flash” Has New Directors (Surprise, Surprise)…

Not long ago, I reported that Ezra Miller, star of Justice League and Fantastic Beasts: The Crimes of Grindelwald, was still set to play the speedy superhero, The Flash, in an upcoming Flash solo movie. Months ago, Miller’s future in the franchise had been put in jeopardy when he broke ranks with his directors, John Francis Daley and Jonathan Goldstein, in order to write a new, edgier script for the movie, which he thought was too light-hearted.

Now, Warner Brothers have decided to place their bets on Miller, kicking Daley and Goldstein unceremoniously off the project. On the other hand, they’ve already decided not to move forward with Miller’s script either, but have instead chosen to start over from scratch (again), enlisting Christina Hodson, writer of Bumblebee and Birds of Prey, to redo the movie. Miller will still play the Flash, but he’s not calling the shots anymore. This whole situation is so confusing.

It gets weirder when we consider that Warner Brothers is (maybe?) still going for a darker take on the story, such as Miller was advocating, since they’ve hired horror directors Andy and Barbara Muschietti to take the reins from Daley and Goldstein. Then again, maybe not, since James Wan also came from the horror genre, but made Aquaman into one hilarious, family-friendly comedy, and the same occurred with David Sandberg, who switched gears from horror to humor, directing the DC’s most recent film, Shazam: and then we’ve got Jaume Collet-Serra, another horror director, coming over to the DC to direct Black Adam. It’s almost like the DCEU, or more specifically, DC president Walter Hamada, producer of multiple horror films, has a bias. At this point, Wonder Woman director Patty Jenkins has to score a big hit with her upcoming sequel to the 2017 hit, or she’s going to be replaced by another of Hamada’s own friends.

Anyway, I’m not trying to be a downer or anything…but, seriously, how many directors is this movie going to go through before it gets to be too much? How many scripts are going to be written? How does Ezra Miller somehow escape each of these purges by the skin of his teeth? What is going on behind the scenes? Filming dates have also changed, with cameras expected to start rolling on The Flash in January of next year…which, um, is going to conflict with Miller’s filming for Fantastic Beasts 3, if I’m not mistaken? Or does this mean Fantastic Beasts 3 is getting pushed back again?

If only I knew.