Toy Story 4 Trailer Review!

Deeply conflicting though this whole endeavor might be, I know I’m still interested to see how the Toy Story saga comes to a close. I love the first two Toy Story movies to infinity and beyond, but the third was a massive letdown, and I still don’t want to get my hopes up for the fourth – the final installment in this series that is so deeply ingrained in the public conscious, and in the hearts of so many people.

It’s been a harrowing adventure getting to this trailer – the first teasers were rather dull, and the first look at Bo Peep (Annie Potts) was so different, that I think a lot of people have been slightly concerned, or maybe just uncertain whether or not this film is worth going to see in theaters.

But come on, this is the end of Toy Story. Even if it is awful, are you really going to miss out on this movie?

Well, let’s take a look at the trailer that Disney/Pixar dropped today, and we’ll see.

So it starts out with Woody (Tom Hanks) introducing us to a new toy, Forky (Tony Hale) – who is, as the name suggests, a fork: or, rather, a spork, as one of the other toys says when they meet this pessimistic piece of plastic.

It soon becomes clear that Forky is no ordinary toy. He was created by the toys’ owner, Bonnie, and he clearly has no idea why he’s alive, or what it means to be a toy: in his own words, “I was made for soup, salad, maybe chili, and then the trash!”

So he tries to escape, by literally jumping out of a moving vehicle. And Woody, who has decided that nothing is more important than keeping Bonnie happy, jumps out after him, in a desperate attempt to rescue the spork, and bring him back.

The logistics would suggest that a spork that goes flying out of the back of a trailer would be lost forever on the highway, but Woody finds him and tries to remind him of his duties as a toy: he is there to “help create happy memories”. Forky doesn’t seem particularly interested, and you can’t blame him – I mean, the chances of them ever finding Bonnie and the other toys again is slim to none.

But…all is not lost.

The two lost toys stumble wearily into the town of Grand Basin, which hosts a large fair and a massive antique store. Woody glances through the grimy window of this store and happens to spot something quite unusual: a very familiar lamp. It’s a real gasp-out-loud moment, and I love it. This lamp, of course, is Little Bo Peep’s lamp.

So Woody enters the antique store, and goes looking for Bo Peep. Instead, he finds a collection of extraordinarily creepy antique toys, led by a frightening little doll named Gabby Gabby, who rides around in a perambulator with ventriloquist-dummy bodyguards. Woody and Forky look to be in a dangerous situation when they are suddenly rescued by the intervention of Little Bo Peep herself, who comes flying out of nowhere, wielding her shepherd’s crook with skill – she expertly nabs Gabby Gabby and tosses her off a shelf. Seeing Bo Peep as a crime-fighting superhero is rather odd, and takes some getting used to, but there’s still something natural about her, that makes her likable, and fun. Clearly, something has happened to Bo Peep that we’re only now going to learn about – the mild-mannered shepherdess has become tougher and wiser, and she’s decided to take risks and go solo: she tells Woody that toys don’t have to spend their entire lives making kids happy: they can have lives of their own, on their own.

What’s really surprising is that we see Woody beginning to agree. The roles are now reversed: Forky asks him if they’re going back to find Bonnie, and Woody doesn’t even seem to hear him.

But the other toys aren’t going to just let their friend go this easily: Buzz Lightyear (Tim Allen) and Jessie (Joan Cusack) make a plan to go find Woody, and they end up at the fair too. There’s a clip of Bonnie searching desperately for Forky, and crying – Pixar’s going to have us all in tears by the end of this, of course.

Meanwhile, Woody is having the time of his life: in fact, he and Bo Peep are going to clubs and going on dates – “Change can be good,” Bo Peep tells him, and it seems she’s right.

Obviously, Woody will be having an existential crisis, as is normal for him, but this one seems more serious than anything he’s faced before. Something tells me that, at the end of this, the toys might all go their separate ways. Some might stay with Bonnie. Some might stay at this fair, where Bo Peep seems to be living. Some might just go off into the world. But nothing’s ever going back to the way things were: the trailer helpfully inserts a flashback of Andy, the toys’ original owner, playing with Buzz Lightyear and Jessie, to illustrate this point.

Except, it’s not Andy.

Anybody with even a cursory knowledge of Toy Story knows that Andy’s room had wallpaper decorated with clouds: it’s iconic. The cloud wallpaper is closely tied to the whole franchise, and was even featured in the first teaser for this movie. But here, where, supposedly, we are getting a flashback to the good old days when Andy owned the toys, there’s no cloud wallpaper: there’s large yellow stars on the walls, and they stand out like…like, large yellow stars. The kid clearly has Andy’s hat – so my best guess is that Buzz Lightyear and Jessie end up with Andy’s kid, somewhere down the line. I don’t want that to be true, but that’s my prediction.

Anyway, the trailer than packs a last little punch: there’s a scene with Woody and Bo Peep standing under a car in the rain, which looks like it’ll be incredibly emotional. “Kids lose their toys every day,” Bo Peep reminds Woody.

In the end, it’s Forky who, surprisingly, looks to be the moral compass of this movie: he tells Woody that “everything’s gonna be OK”, and then we see one last shot of Woody smiling, before the title appears, and the screen fades to black.

Now, in some ways, I really like this trailer: Pixar knows how to leave us sobbing in the theater, so I have no doubt it’ll be an emotional sledgehammer. But will it be a fitting conclusion to the story? Will we be given a chance to say goodbye to each and every one of these wonderful toys? Will Andy ever show up again? Where will Woody, Buzz and Bo end up spending the rest of their lives? There’s too many questions, and too little time to wrap up all the loose ends.

But yeah, the movie could be good, bad, or just middle-of-the-road, but it’s the last one. Let that sink in before you decide to skip this film in theaters.

Trailer Rating: 8/10

 

EDIT: I have learned that the star wallpaper is in fact in Toy Story 2, and I feel quite humiliated that I did not realize that – I guess my supposed knowledge is less than comprehensive. So, yeah, that probably is a flashback: I will, however, point out that the animation there does nothing to convince me of that, since the kid looks nothing like Andy from the original Toy Story movies.

Ezra Miller’s New “Flash” Script

It’s been common knowledge for months now that Warner Brothers is still working out what to do with the DCEU. They’ve experienced a pretty uneven string of hits, mild successes, and epic fails – from the peak of their creative genius, Wonder Woman, to the disastrous Justice League. But last year’s Aquaman proved to be a billion-dollar hurricane at the box-office, and paved the way for a new take on the DCEU – one that is light-hearted, cheesy, over-the-top, and…well, still completely discombobulated. The emphasis now was on making DC movies stand-alone adventures, without trying to tie them into some bigger universe. Gone was the grim-faced Henry Cavill; gone was the dour Ben Affleck; gone was Geoff Johns, the man behind Justice League: gone was the dark and serious tone of the prior DC movies.

And then, today, we learn that Ezra Miller is making one last effort to try and stop DC from going down this path.

Ezra Miller, the actor who has portrayed The Flash in Justice League and Batman vs Superman, is set to star in an origin movie titled The Flash, which should start production later this year. Just the other day, however, we got news that Miller is taking it upon himself to completely rewrite the script for the movie.

Yes, Miller has enlisted the help of author Grant Morrison, and is going against the wishes of Flash writers John Francis Daley and Jonathan Goldstein, who currently have a very light-hearted, funny script written for the film, in keeping with Warner Brothers’ new approach to making DC movies. Miller, on the other hand, is writing a much darker, more serious screenplay, and is actually showing incredible bravery in doing so: the official writers don’t seem to be backing this idea, and Miller’s future in the DCEU could be at stake. His script could be submitted as early as next week, which means we will soon learn if a new Flash is coming onboard, and Ezra Miller will be joining the lengthy list of cast and crew members kicked out from the DC franchise.

My feelings are quite conflicted: I do not like this new approach to DC movies, where they all have to be completely stand-alone and ridiculously comical. It works for one or two, like Aquaman, but characters like Wonder Woman would not, in my opinion, benefit from a more humorous approach, and the Flash, even though we’ve only seen him as a funny character, certainly has the capability to be more serious. Ezra Miller has done a great job as the dark and brooding Credence Barebone in the Fantastic Beasts franchise, and I wouldn’t be surprised if that’s what’s inspired him to rewrite the script – to complement his own expanding talents as much as to help out the DCEU.

So what will happen? I have an uneasy feeling that Ezra Miller’s script probably won’t ever see the light of day, and the Flash will be recast. But maybe…just maybe…there’s a chance that Miller’s script is too good to pass up on, and the movie will end up being a more serious installment in the DCEU. Maybe Miller can initiate a new tonal style for DC movies, who knows? Despite what Warner Brothers likes to claim, none of their “serious” films were all that serious, except Wonder Woman, so this would be a great opportunity to expand the brand.

We should find out next week.

James Gunn Reinstated by Disney

Last July, Guardians of the Galaxy director James Gunn was fired from Disney after old tweets of his surfaced, in which he had touched on multiple sensitive and offensive topics, making jokes of them. Gunn appeared to apologize, and the cast of Guardians of the Galaxy came out in support of him – most notably Dave Bautista, who plays the character Drax in the Marvel films. There was a social media debate that lasted for months, James Gunn retreated from Twitter, and there was even speculation that Dave Bautista would also be let go.

James Gunn then got picked up by Warner Brothers in October to direct the DC Suicide Squad sequel. Meanwhile, Disney appeared to be looking for someone new to helm the Guardians of the Galaxy Volume 3 film, but it seemed no one could be found. However, Disney CEO Bob Iger said he had supported the unanimous decision by Disney executives to fire Gunn, and, “I haven’t second-guessed their decision.”

Yeah, well, today, it became clear that he did.

Today, Disney brought James Gunn back to direct Guardians of the Galaxy Volume 3. There was fanfare about it too: Marvel directors such as Peyton Reed and Scott Derrickson welcomed him back, and Guardians of the Galaxy star Karen Gillan quoted the franchise’s mascot Groot with the line “we are groot”, as if to say the Guardians family is back together at last.

James Gunn himself has issued multiple apologies for his offensive statements, and it is worth noting that the tweets were brought to light for overtly political reasons: on the other hand, was this really the right move? As a marketing strategy, certainly, this doesn’t seem like a good idea: for Marvel fans, it has already proven divisive, with some saying the firing was misguided and provoked by politics, and others claiming that Gunn shouldn’t get a second chance after some of the remarks he made.

For myself, I believe that Disney should not have rehired Gunn: I just feel that this will increase rifts between the opposing sides of the fandom. A new director, such as Taika Waititi (Thor: Ragnarok), could have filled Gunn’s shoes easily. I also understand, though, that a lot of people believe the outrage that sparked the firing was itself contrived, and that the tweets were made long ago. But I don’t know if I, personally, can feel comfortable supporting this decision yet. If I can have solid proof that Gunn’s old tweets do not represent who he is as a person (proof other than his own apologies) then maybe…maybe I can get on board. But this is simply not the sort of controversy that should have to accompany the MCU going forward, nor was it unavoidable. Disney could have hired a new director: however, we know now that they never even considered the possibility. They always meant to bring him back on. Which means Bob Iger lied.

And that…that is what makes me so angry. Why fire him in the first place, if you knew he was blameless? Iger’s plan seems to have been to let the scandal die down for a few months before bringing him back into the MCU. This is something that, even if it is entirely innocent, simply doesn’t look good.

Will it prove to be a blunder for Disney? Will James Gunn be re-fired and re-hired again? Well, we don’t know yet. But I know that from this point on, Guardians of the Galaxy Volume 3 will become a hot-topic in the Marvel fandom, and maybe not in a good way. But who knows? Maybe Gunn (who apologized again today) really is a better person: maybe he isn’t the man that he implicated himself to be with those tweets: maybe.

This debate, I feel, does not end here.

Avengers: Endgame Trailer 3!

The end of the MCU as we know it is almost upon us, and we have our first full length trailer for the movie that will bring it all crashing down into ruin and despair. Blood will be shed, heroes will die, Natasha Romanoff’s hair will change color again. Very few of our questions about this movie have been answered by this tantalizing teaser, which is the way I like it: honestly, I think at this point we don’t even need another trailer for Avengers: Endgame – the less we know, the more we are excited to find out.

So here it is! The trailer is so atmospheric, so dark – the opening scenes are black and white flashbacks to previous MCU movies: Iron Man, Captain America: The First Avenger, and Thor. Voice-over is provided by Tony Stark (Robert Downey Jr) and Peggy Carter (Hayley Atwell). The first new shot in this trailer is at 0:38, and here we see Hawkeye (Jeremy Renner) training a girl with a bow and arrow. Fans were quick to jump to the conclusion that this girl was none other than superheroine Kate Bishop, an archer from the comics who ends up taking the name Hawkeye herself. However, it seems more likely she is Hawkeye’s daughter, Lila Barton. Whoever she is, though, I have no doubt that she and the rest of Hawkeye’s family (who can be seen in the background) will be dusted in this scene, and this is where we’ll see the lovable archer’s transformation into the grim, sword-wielding, mohawk-wearing assassin that he is in the very next shot, at 0:43, where we see him meeting Black Widow (Scarlett Johansson). Here, he is Ronin, one of his darker aliases from the comics. Something to note about this scene is that he and Black Widow hold hands – could we see them get back together? Clearly, there are still some romantic feelings between the two. (And I’m here for it – those two were made for each other, and no one can tell me otherwise).

At 1:12, after a heartbreaking montage of characters from Avengers: Infinity War being turned to dust, we see Black Widow’s new look – her hair has grown out quite a bit, and looks quite good, part red, part blond. The fact that it’s grown so long, though, is reason for us to believe that some time has passed between Avengers: Infinity War and Avengers: Endgame. Some have speculated there could be a five-year gap between the two movies.

Blink and you’ll miss Bruce Banner (Mark Ruffalo) at 1:14. This poor guy, who was sidelined in Avengers: Infinity War, definitely needs more screentime to make up for that – but so far, we’ve seen very little of him, and no hint of whether he can transform into the Hulk yet.

Ant-Man (Paul Rudd) shows up for the first time in the trailer at 1:18, staring in bewilderment at posters that read MISSING. Last we saw Ant-Man, in Ant-Man And The Wasp, he was trapped inside the Quantum Realm: I believe this is just after he’s escaped, and he’s come back to find half of the world’s population missing – possibly including his own daughter, Cassie Lang: though others speculate that Cassie will be in Endgame, played by Emma Fuhrmann, and will be a superhero in her own right.

At 1:21, we see the Avengers’ Quinjet flying over New York City: interestingly, in the previous teaser we saw NYC looking very dark and lifeless, but here there are city lights shining.

Black Widow and Hawkeye still look pretty close in the next shot: seriously, can these two just GET BACK TOGETHER ALREADY?

Unfortunately, Hawkeye seems to be in danger: we see him running down a tunnel filled with fluorescent red light, running through water – and then suddenly the tunnel is filled with an explosion of fire. I don’t know how he’s going to make it out of that situation, or why he’s even in that situation to begin with, but I’m terrified for him.

1:29 shows us two old friends: Rocket Raccoon (Bradley Cooper) and War Machine (Don Cheadle). They seem to be gearing up for war. Rocket’s interactions with the other Avengers is something I’m looking forward to – I can only imagine how serious characters like Steve Rogers (Chris Evans) and Black Widow will deal with him.

Speaking of Steve, he looks pretty surprised to see Hawkeye in the next shot: granted, I would be too, if I saw someone with that haircut. I’m not sure exactly why losing his family would inspire Hawkeye to cut his hair into the ridiculous style, but, I mean, you do you, Clint.

In quick succession, we see Ant-Man at Avengers HQ (looking less than cheery), Thor powering up Stormbreaker, and Nebula (Karen Gillan) charging into a fight with a battle-cry: could she be taking vengeance on her father, Thanos, for what he did to Gamora (Zoe Saldana) in Avengers: Infinity War? I can’t imagine how she’ll take him on, since he’s armed with the Infinity Gauntlet, and she’s got…batons. But she is pretty formidable – though I’m not sure if she could top her incredible entrance in the third act of Infinity War, where she literally drove a spaceship straight into Thanos (which, by the way, didn’t even slow him down: Nebula, you gonna die).

Hawkeye’s back in the tunnel at 1:39, now wielding his bow again – somehow, I can’t imagine he’s facing off against Thanos in this scene (the tunnel doesn’t seem large enough to fit the gigantic purple Titan, first of all), but if not, then who is he up against? There have been rumors circulating for months that Thanos won’t be the main villain in Avengers: Endgame, or that he might even team up with the Avengers against another threat. Could Hawkeye be coming face to face with some greater villain? (And if so, will he make it out alive? Armed with a bow? Yeah, no.)

There’s a scene from the previous teaser of Black Widow target-shooting: though again, when does this scene take place? Here, she has long, fully blond hair.

At 1: 44, we have Steve Rogers, fully geared-up in the Captain America suit, looking very angry about something. Please, let it not be that Tony Stark has just died. I can’t take that kind of pain. I know that somebody has to die, but just…let it be, like, I don’t know, Drax. Oh wait, he’s already dead. Well, just, don’t take Tony Stark or Steve Rogers, please!

This shot of Steve is followed by a clip of a very tiny Ant-Man leaping through a bizarre landscape that seems to be composed of…a pencil, water, and a power-cord? I have no idea where he is, but if I had to bet, I’d guess either of two things: one, most likely to me, is that this is at the beginning of the film, and we’re seeing Ant-Man escaping from the Quantum Realm. Two, less likely I think, but more terrifying, is that this some weird fight sequence where Thanos is wielding the Reality Stone – which, if you remember from Infinity War, had the power to transform bullets into bubbles, among other things. Either way, things don’t look good for Ant-Man.

Finally, the money-shot of the Avengers walking (destination: unknown) in their new Quantum-Realm suits. The suits are fantastic, and look great. Steve is leading them, and behind him are Tony Stark, Black Widow, Nebula, Ant-Man, War Machine, and Hawkeye – I think Thor (Chris Hemsworth) is behind Black Widow too, though it’s kind of hard to tell. They look absolutely great, and this seems to confirm the theory that the Avengers would be going into the Quantum Realm – or back in time – to try and reverse the Snap that wiped out half the population of the universe. Some think they’ll be going back even further than that, to the Battle of New York from the first Avengers, for instance, and this would seem to be backed up by the fact that Steve Rogers is wearing his old Captain America suit in the shot at 1:44.

The title – Avengers: Endgame lights up in brilliant purple, and the screen goes black. Is the trailer over? No, wait, I don’t think so…

Thor is walking towards a woman who has her back turned. She turns to face us – CAROL DANVERS! Yes, Carol Danvers, a.k.a Captain Marvel, (Brie Larson) is here, in Avengers HQ, and, boy, does she look fantastic or what? She stares back at Thor steadily as he extends his hand past her shoulder, testing her reflexes: his axe, Stormbreaker, flies into his hand.

Carol just barely flinches, and glances down at Stormbreaker with some curiosity.

Thor grins. “I like this one”, he says, and the screen goes black.

Just from that one scene, I already know Thor and Carol’s dynamic will be one of the best parts of this movie: Carol’s new wardrobe, also, looks to be pretty snazzy – she looks quite glamorous. I wonder if they’ll be friends, or perhaps…more than friends?

Okay, so April 26th needs to just arrive now, so that I can see this movie. I’ve got a lot of questions, like, why isn’t Thanos shown or even mentioned in the trailer – he also was absent from the second teaser, and only his armor was seen in the first teaser. What is the plan that the Avengers have for bringing back half the population? Will they time travel – where to, or when to? How do Tony and Nebula go from “lost in space” to “wearing fancy new outfits, walking alongside the other Avengers on earth”? What is going on?

And do Hawkeye and Black Widow end up together?

Trailer Rating: 10/10

Aladdin First Full-Length Trailer!

As someone who (a) was never a die-hard fan of the original animated Aladdin, (b) isn’t too fond of the Disney Remake trend, and (c) wasn’t impressed by either of the two teasers put out for this Disney Remake of a film I don’t really care one way or the other about – I went into this first full-length trailer more than slightly concerned that this would just be…flat. Meh. Forgettable.

But now, I see how wrong I was.

I mean, don’t get me wrong, this could just be a trick of the trailer-editing: after all, the teaser was greeted with so much backlash that Disney basically had to put together a trailer that was beautiful, nostalgic and action-packed, so I shouldn’t be surprised that this looks so good. Maybe they just stitched together all of the best parts from the movie, and the rest of the film is less than perfect.

But look here: the trailer opens with a cool action sequence of Aladdin (Mena Massoud) dodging some soldiers in the marketplace of Agrabah. After escaping from them, he runs straight into our beloved Princess Jasmine (Naomi Scott). The tingle of romance in the air is palpable: Massoud does a great job in this scene, and looks completely infatuated. Jasmine herself is in street-garb, maybe hiding her royal identity: it’s been said that in this remake, Jasmine takes more of an interest in the people of her city, and is trying to explore Agrabah to help the impoverished citizens.

The trailer then takes a turn, and gets dark: Jafar (Marwan Kenzari) strides confidently through his underground lair at 0:24, while Iago flies past (more on him in a minute). Jafar looks good enough from the back, though I’m still not sold on his voice. He leads Aladdin through the desert, promising him wealth: wealth enough “to impress a princess”. At 0:35 Jasmine appears again, but now she is in full royal garb: she’s got her tiger, and her guards, and she looks majestic. The palace itself looks absolutely stunning: we haven’t gotten quite enough wide shots of the entire palace, but what we see in this teaser is enough to make me feel very awed and humbled.

Anyway, the next shock is that Aladdin actually speaks! This is the first time that our lead character has said a single word in the promotional material for this film – such an achievement. Well, now that he actually does speak, his voice sounds fine: he’s not got an impressive voice, by any means. Better than Jafar’s, though.

The Cave of Wonders! At 0:43, we enter the Cave – it looks fine. Very blue-toned, still. Not, maybe, as wondrous as I would have liked, but good enough. But whatever: we’ve seen this same scene in all the teasers now, and – but wait! The Lamp! It’s so beautiful, and it’s filled with swirling blue light under what seems to be a transparent lid: a nice touch. I’m now holding my breath, waiting to see what I think of The Genie (Will Smith), The Genie that will emerge from this beautiful lamp and possibly make or break this movie, The Genie that looked so awful in the second teaser. The purple and blue smoke begins to rush from the lamp…

He looks fine.

The Genie looks fine. Still looks like a blue Will Smith, but the CGI has been much more exquisitely handled, and at least now it doesn’t seem like Will Smith’s head has been superimposed on someone else’s body. I mean, am I blown away by The Genie now? No, not exactly – that is to say, not in his Genie form – but he at least looks good enough now that he’s downright bizarre or even disturbing. There’s a snipper of “A Friend Like Me”, which seems good: Carpet has maracas, and that’s what really stood out the most to me about this scene. It really looks fun, and kind of awesome.

Our time in the Cave of Wonders is brief, as we are suddenly back in the desert, with Aladdin and The Genie side-by-side looking out over a barren landscape at 1:09. The Genie is only seen from a distance here, but the CGI looks not-so-good in that one shot.

But now, the trailer really starts making me interested – no, not just interested, but invested. The Genie transforms into, well, Will Smith, but not blue anymore, and it’s a relief. There’s some great humorous banter here. It’s great to see how Aladdin is prepared to just shamelessly take advantage of the fact that he now has three wishes at his disposal: he asks immediately “Can you make me a prince?”

The Genie, though, has a great response: “There’s a lot of gray area in: make me a prince” he states, and demonstrates by literally making a prince for Aladdin. I hope he has more scenes like that in the movie – it’s an almost Alice In Wonderland type joke, and I just love it.

Things start moving really quickly: The Genie changes Aladdin into Prince Ali; there’s a celebration in Agrabah – and another great shot of the palace; and there’s a party where The Genie is playing matchmaker for Aladdin and Jasmine. The next scene after that has Aladdin and Jasmine speaking to each other, probably after the party – Aladdin says he “thought a princess could go anywhere”. “Not this princess” Jasmine replies.

And then, we get our first look at “A Whole New World” – and it looks great. Pure magic, even for someone who really doesn’t consider the original Aladdin to be a great film. This looks really awesome. As our two lovebirds sing their hearts out, however, there’s other stuff going on onscreen that shouldn’t be ignored: Jasmine and Aladdin dancing, Aladdin falling towards the water, Aladdin in the Cave of Wonders again, Aladdin creeping along the rooftops of Agrabah, Aladdin in an icy landscape (wow, this trailer is going overboard to show us Aladdin after barely showing him at all in the first two teasers), and then Jafar with his cobra-staff, looking more impressive and villainous. At 2:02 we see Jasmine singing – this probably comes from the solo musical number they’ve given her for the remake. And then at 2:03 we have…

Wait, hold up…

Aladdin being chased by a giant Iago?

I honestly have no idea what this scene could be, or why Iago is gigantic, but it looks COOL, so I’m going to just accept it.

And then it ends, with one last beautiful glimpse of the Cave of Wonders. It looks very fun, very enjoyable, and everything looks so much better. I can’t wait to see more, and I can’t wait for May, to go see this film! Here’s hoping this is actually indicative of the finished product, and not just the work of some very savvy editors!

Trailer Rating: 8/10