If a Fantastic Four movie announcement hadn’t overshadowed everything else at the Marvel presentation during the Disney Investors Meeting, Secret Invasion definitely would have been the big headline coming out of the event. The Skrulls are literally about to invade the Marvel Cinematic Universe and don the skins and personalities of all your favorite MCU heroes; this is big news, people. Why it didn’t make more of an impression is a mystery to me – though, personally, I feel it has to do with how dreadfully ugly the logo for the new series turned out to be (yes, I know it’s a direct nod to the comics upon which this storyline is based; no, I don’t care, it’s still ugly).
Secret Invasion | marvel.com
The Secret Invasion will start out as a Disney+ series (though technically it was foreshadowed in the post-credits scene of Spider-Man: Far From Home, which revealed that Nick Fury and Maria Hill were both being impersonated by shapeshifting Skrull aliens), but it will likely expand across the entire slate of MCU movies and series. If it’s going to play out at all like the comics, it has to be on an epic scale: otherwise, they might as well call it Secret Skirmish. The Ms. Marvel series will likely include some Skrull action, thanks to its new connection to Captain Marvel 2: which will almost certainly be where the Secret Invasion reaches its full extent – unless the Secret Invasion series gets renewed for multiple seasons, and becomes Agents Of S.W.O.R.D. (more on that in a moment).
Samuel L. Jackson will return to reprise the role of Nick Fury, and star in the new series – which means that yes, this is the Nick Fury show we heard rumors about just a few months ago. Not a prequel exploring his backstory, thank goodness, but something actually relevant (I swear that’s not a jab at the long-delayed Black Widow movie). Fury will have a key role in the Secret Invasion, heading up the S.W.O.R.D. team from his headquarters in space. On earth, his Skrull ally Talos is probably still impersonating him, so there’s ways for Jackson to appear even when Fury technically isn’t onscreen.
Ben Mendelsohn will be co-starring alongside Jackson, as Talos: suggesting that he will spend more time as himself than as Fury or other characters, which is great, because Mendelsohn is an incredibly charismatic and underrated actor. Talos will be in a tricky position in Secret Invasion, having to battle misguided friends (and perhaps even members of his own family). With the Skrulls currently being depicted as good guys in the MCU, it’ll take something drastic for even a few to turn against Fury and Talos and infiltrate the ranks of Earth’s mightiest heroes: something that drastic could easily divide Talos’ own loyalties, causing him to question his allegiances to Fury – and perhaps even betray him. I expect his character to have plenty to do.
Talos | marvelcinematicuniverse.fandom.com
But…the show still needs a female lead. There are some great candidates: Maria Rambeau is presumably still out there, and I’ve long hoped she’ll be a prominent member of the S.W.O.R.D. organization by this point in the MCU timeline; Monica Rambeau, her daughter, could rise through the ranks during the events of WandaVision; and Abigail Brand, S.W.O.R.D.’s leader in the comics, might show up to fill this role. Personally, I hope all three feature heavily in this series. But I also want another woman to appear in Secret Invasion, and that woman is – you guessed it – Quake. Agents Of S.H.I.E.L.D.‘s Daisy Johnson, seismic Inhuman superheroine and the most well-written character in the Marvel Universe (you heard me), appearing via Multiverse shenanigans or just plain and simple S.H.I.E.L.D. canonization. It appears I can’t write a single post about the MCU without mentioning Quake, but that’s because the entire MCU seems to be leading up to a place where her inclusion is not only beneficial but necessary.
Oh, and, uh, in case this wasn’t clear already: just bring back Chloe Bennet as Quake. She is the character. She’s lived and breathed Quake for the past seven years, and she’s made it abundantly clear she’s not ready to call it quits. And the series finale this year left Daisy wandering on an emissary mission through space, headed for some sort of weird-looking space anomaly. That could easily have been a portal to another reality, and if Marvel wants, they can just leave Daniel Sousa and Kora out of the equation. Say they’re off somewhere else, or don’t say anything at all. I don’t care. I only need Quake in the MCU, and I need her because she’s far too good a character to waste, or to throw aside just because she comes from Marvel TV. Reminder: Charlie Cox’s Daredevil is also a Marvel TV character, and yet is strongly suspected to be appearing in Spider-Man 3.
Quake is a crucial character in the Secret Invasion storyline in the comics, personally assigned by Nick Fury with the task of assembling a Secret Warriors team to combat the Skrulls that made it down to Earth and were wreaking havoc while in disguise. As one of Marvel’s only widely-known Inhuman characters besides Ms. Marvel and maybe Black Bolt (if we’re pushing it), she’s also a great character to help introduce that complicated concept in the MCU. And besides all that, she’s resonated with viewers because of her courage, resilience, and complexity. She’s also Marvel’s first (and to date only) Asian-American lead character, Marvel’s first female lead in live-action, and one of their first superpowered heroines.
Quake | cinemablend.com
Now that I’ve derailed this post completely, it’s time to wrap up with a cheery reminder that Secret Invasion doesn’t yet have a director attached, or a release date. So it’s still a long way off, and there’s still plenty of time for Marvel to see the light and cast Chloe Bennet as Quake.
What do you think? Are you excited for Secret Invasion? Do you also want to see Quake in the MCU? Share your own thoughts, theories, and opinions, in the comments below!
When Netflix’s Daredevil was cancelled after four seasons in 2018, fans of the series – which had been developed in partnership with Marvel Studios and was, theoretically, MCU-adjacent – were rightfully angry, especially since an added complication in the breakup between Marvel and Netflix was that Marvel had to wait a full two years before being able to use any of the characters they had previously handed to Netflix: characters like Daredevil, Jessica Jones, Luke Cage, Iron Fist, and a bunch of other street-level superheroes and villains. Well, now that the two years is finally up, the rights have reverted back to Marvel at long last: and a new scoop from Murphy’s Multiverse indicates that the studio is going to do what fans have been hoping and praying they would, which is to bring back the version of Daredevil that Charlie Cox made so popular and beloved over on Netflix. Not only that, but he’ll be arriving in the MCU soon – jumping into Spider-Man 3, which is already busy filming.
Daredevil | looper.com
Whereas many of the Netflix Marvel shows and characters were just okay adaptations (and some were downright mediocre), Daredevil was actually very successful, and probably the most comic-accurate of the entire bunch. Cox is a great actor, and Marvel president Kevin Feige has been said in the past to be a big fan of him and his work. So it makes sense why Daredevil would end up joining the already massive cast of Spider-Man 3 – which, as we discussed yesterday, is set to bring back several other major characters from past Marvel franchises, including Andrew Garfield and Tobey Maguire’s versions of Peter Parker. But it’s also huge news, if true, because it means that Kevin Feige could pick and choose some other MCU-adjacent actors (or actresses) to make the jump into the MCU proper. If you know me, you know where this is going…
Yes, my end-goal is still the same: I want Quake (brilliantly portrayed by Chloe Bennet across seven seasons of Agents Of S.H.I.E.L.D.) to finally make her own MCU debut in the near future, and there’s an entire fandom that thinks the same way. Just as Daredevil fans have been told for years that their favorite show was never going to be inducted into the official MCU canon because of its cancellation and the messy rights situation, so have Agents Of S.H.I.E.L.D. fans been told the same thing. And I understand why a lot of people think this: Marvel Studios and Marvel TV didn’t have a great relationship, and the Marvel TV shows drifted pretty far from MCU canon as time went by. But things have changed with the rise of passionate, determined fan-movements (which got #SaveDaredevil trending last month), and the introduction of the Multiverse: a risky but wonderful narrative tool that has the power to make literally anything possible.
Quake | gamesradar.com
Although we don’t know if Charlie Cox’s Daredevil will hail from a parallel universe when he appears in Spider-Man 3, it’s certainly an intriguing coincidence that he’ll be showing up in a movie that already features so much Multiverse mayhem. The Multiverse (a vast network of infinite alternate realities) enables his entire series to exist just outside of MCU canon, but easily accessible if need be – with the potential for any number of characters to cross over from one to the other, no problems. Daredevil, obviously; but also Kingpin, his arch-nemesis, as whom Vincent D’Onofrio has been eager to return. Same thing with Agents Of S.H.I.E.L.D., where Quake and Yo-Yo Rodriguez are among the handful of characters I would select to make a comeback. Either that, or these MCU-adjacent TV shows could just be canon pure and simple, which works for me too. But if Marvel wants an excuse for how and why they’re doing it now, instead of years ago when these shows were actually still running; they have the means to do so organically. That’s what I’m saying.
She-Hulk and Daredevil | cbr.com
As for Daredevil in the MCU, we don’t know what the plans for him are beyond his appearance in Spider-Man 3. YouTuber Grace Randolph has added that she believes Daredevil (or rather, his alter ego Matt Murdock) will be acting as Peter Parker’s lawyer. Last time we saw Parker, his secret identity had just been revealed to the world, and he was being accused of murdering scientist Quentin Beck. He’s presumed to now be on the run from authorities and a host of supervillains, so a strong legal defense is probably a good idea. But if that rumor is true, it does means that She-Hulk (another lawyer whose business usually involves representing superheroes in court, and who will star in a Disney+ series), won’t be the first of her kind in the MCU. That being said, it could be interesting if She-Hulk and Daredevil are rival lawyers, and go toe-to-toe in court (something that Randolph notes is a possibility, as she believes Cox is also in talks to join the She-Hulk series).
So what do you think? How excited are you for Charlie Cox’s return, and what do you think this means for other MCU-adjacent characters? Share your own thoughts, theories, and opinions, in the comments below!
Marvel Studios has a reputation for strict secrecy, and they’ve always been good at keeping things hidden from the public and press, even if it means lying and spreading misinformation to cover their tracks. The casting of Kate Bishop, however, has been one of the studio’s worst-kept secrets in recent months, as literally every clue has pointed towards singer and Oscar-nominated actress Hailee Steinfeld being the top choice for the coveted role – but nothing official from the major Hollywood trades has leaked to confirm or deny these rumors since September of last year, when Steinfeld was said to be “in early talks” to play the vigilante archer. This summer, The Illuminerdi was able to confirm that Steinfeld had officially landed the role, and they have now been proven correct. Hailee Steinfeld was spotted today in full Kate Bishop costume, filming the Hawkeye Disney+ series in New York City.
Hawkeye and Kate Bishop | freegametips.com
The question of whether Steinfeld could even play Bishop was always a tricky one, because of her pre-existing commitment to film another season of Dickinson on Apple TV. But it appears that her schedule has now cleared up thanks to the constant shuffling of production start dates, or something else has happened behind the scenes. Either way, video footage distributed online by multiple scoopers today (including Charles Murphy at Murphy’s Multiverse, whom I believe to have been the first to do so) clearly shows Steinfeld alongside Hawkeye star Jeremy Renner, racing through a subway station – accompanied by none other than Lucky the Pizza Dog, Hawkeye’s canine companion from the popular Matt Fraction Hawkeye comics, here making his first MCU appearance.
In the comics, as some of you will already know, Kate Bishop is a young adult crime-fighter who takes after Hawkeye and ends up becoming his apprentice and accomplice, taking on villains like Madame Masque, who has also been rumored to show up in the Hawkeye series. Later, she becomes a founding member and leader of the Young Avengers, a team that is currently being assembled across the Marvel Cinematic Universe, in both movies and TV. While the MCU’s version of Hawkeye is still very different from his portrayal in the comics (and you could make a convincing argument for why Renner has been miscast all along), MCU Kate Bishop already looks nearly perfect, and she’s equipped with her trusty bow. The overcoat she’s wearing appears to just be part of her outfit: unlike the heavy tarps often worn by MCU actors to hide their costumes. She’s definitely wearing something purple underneath the coat, although another behind-the-scenes photo seems to show that it’s an oversized sweater rather than a version of her actual superhero suit.
Kate Bishop | forbes.com
But no matter what, Steinfeld is clearly a great choice to portray this important character. She’s been in the running for so long, and the conversation around her casting has become so intense, with people picking apart her social media posts looking for hints, that it would have been absolutely bizarre if someone else had come in at the last minute and claimed the role instead of her. That’s not to say there aren’t other actresses who could have done so, but Steinfeld is – no questions asked – extremely talented in multiple different fields, with a strong film and TV resume, and a successful music career. No word yet on whether she’ll do any singing for Hawkeye, but I wouldn’t be opposed. Every good series needs a theme song, right?
Hailee Steinfeld in “Dickinson” | elle.com
Of course, the Agents Of S.H.I.E.L.D. fan in me can’t help but wonder if Kate Bishop’s other mentor and role model from the comics, Mockingbird, will make an appearance in the Hawkeye series. Mockingbird was portrayed by Adrianne Palicki all-too-briefly on Agents Of S.H.I.E.L.D. before parting ways with the other agents and going rogue, and Palicki has expressed interest in reprising the role in Hawkeye (or even replacing Hawkeye completely, which sounds…okay by me, honestly?). Fingers crossed she gets to return!
So how do you feel about this casting? Is Hailee Steinfeld the Kate Bishop you had in mind, or were you hoping for someone else? Share your own thoughts, theories, and opinions, in the comments below!
After seven years, the end has finally come for Agents Of S.H.I.E.L.D., and I’m pleased to report it’s a glorious one. In so many ways, it’s the end of an era – for us, as the devoted fandom who stuck with the Agents Of S.H.I.E.L.D. team even when others claimed it wasn’t worth it because it would never be Marvel canon; for the cast and crew, obviously, since they’ve put so much hard work into making this show everything that it has become; and for an epic chapter of television history; Agents Of S.H.I.E.L.D. brought us seven seasons worth of brilliant, albeit absolutely bizarre, storylines spanning the entire Marvel Universe (and occasionally breaking out from its confines). And best of all…it’s a happy ending, the kind where all our major characters get to go out on a high note and nobody gets killed off just to make the plot more dramatic: in fact, precisely zero of our protagonists died on last night’s two-hour long finale event. On the flip-side, I think I can safely say that we, the audience, all died just a little as we had to grapple with the realization that this is…really it. It’s over. It’s done.
tvline.com
Though, if anyone is wondering – and be warned, you will be hearing about this a lot from me in the near future – there’s still plenty of ways in which Marvel could continue the story of certain S.H.I.E.L.D. team members, particularly Daisy Johnson (Chloe Bennet) and Yo-Yo Rodriguez (Natalia Cordova-Buckley), both of whom I still firmly believe can and should join the MCU proper.
The finale, which is actually two back-to-back episodes, gave us a lot to muse on: from Avengers: Endgame tie-ins and references, to cinematic visual effects, to the individual endings for each and every character’s arcs. Because this show has always centered around its amazing characters, we’re going to break down all of those endings one by one: yes, even the villains because villains deserve satisfying endings too.
Well, except for Chronicoms. And speaking of Chronicoms, let’s talk about them first and foremost because these folks (a race of emotionless cyborgs with the ability to steal human faces and wear them as their own) have been a mixed bag since they first showed up in any large capacity. When it was just Enoch (Joel Stoffer) back in season five, they did seem kind of interesting – but ironically, that was because Enoch turned out to be a rogue Chronicom who had actually developed emotions during his long sojourn on Earth. Particularly in this final season, the Chronicoms have felt very one-dimensional, with only their leader Sybil the Predictor (Tamara Taylor) having much personality. And that doesn’t really change much in the finale. The Chronicoms are extremely threatening, which helps, but they still don’t rank high on the list of Agents Of S.H.I.E.L.D. villains, with their vague motivations and bland character designs. In the opening minutes of the finale’s first half, they capture Daisy, Al “Mack” Mackenzie (Henry Simmons) and Daniel Sousa (Enver Gjokaj) as the trio of S.H.I.E.L.D. agents tries to launch a daring raid on the Zephyr One, where their friend Jemma Simmons (Elizabeth Henstridge) is being held prisoner. But apart from Sybil, the Chronicoms don’t actually come out in full force until the last half of the finale, when their entire army heads to the Lighthouse S.H.I.E.L.D. base in a last-ditch effort to stop their arch-nemesis Leopold Fitz (Iain De Caestecker), only to find themselves defeated by a very unlikely threat from above: Melinda May (Ming-Na Wen), who, after incapacitating Sybil with a kick to the face, uses her newfound empathetic powers to give the entire Chronicom army emotions. It’s a good idea in theory and it underscores the point that Agents Of S.H.I.E.L.D. has always been about compassion and unconditional love, but it’s definitely a concept that needed more set-up: and the way the Chronicoms simply drop their weapons, declare themselves to be friends, and then disappear completely from the story afterwards is…well, not exactly underwhelming because I didn’t expect much from the Chronicoms, but just a little anti-climactic.
Jemma Simmons & Deke Shaw | comicyears.com
But that’s okay, because they were never the real big bad anyway. This whole time, that’s been Nathaniel Malick (Thomas E. Sullivan), the son of HYDRA royalty, who was supposed to die young in 1970 but, due to timeline meddling, ended up surviving all the way into the present day, stealing some of Daisy Johnson’s seismic superpowers and becoming the finale’s main antagonist. I didn’t have a problem with this: Malick, despite his questionable fashion statements and anarchistic tendencies, is a lot more compelling than any Chronicom – and the duel between the two Quakes is every bit as epic as was promised. Malick’s goal by this point in the episode is to kill Daisy and use the remaining half of the Chronicom fleet that’s still descending through the earth’s atmosphere to wipe out S.H.I.E.L.D., and he figures that Daisy won’t be able to stop him because the only way she can feasibly kill him is by killing herself in the process. “That’s the idea”, Daisy responds – and she explodes. In the biggest display of her powers ever, she sends shockwaves tearing through space, ripping the entire Chronicom fleet to pieces: taking Sybil and Nathaniel Malick with it. But Daisy, at the eye of the hurricane so to speak, unintentionally survives the blast and her drifting body is picked up by Phil Coulson (Clark Gregg) in the Zephyr One just in time for her sister, Kora (Dianne Doan), to come in and revive her using her own healing powers.
Kora, the final season’s third major villain, has an awkward redemption arc at the last moment. She comes to her senses after a confrontation with Daisy, tries unsuccessfully to convince Malick that Daisy is actually a good person, gets shot for her efforts, and then uses her powers to assist Melinda May in the final battle. Fitz describes Kora as the key to ensuring the survival of the world and that’s great and all, but…what exactly did she do? Her powers get upgraded so quickly it’s hard to tell what her limits are anymore: first it was just glowing punches, then it was somehow related to electricity, then she could heal people, now all of a sudden she can shoot laser beams through space. But while I might have to rewatch the episode to clarify certain details, I’m still a little confused as to why her power was so vital. She saved Daisy, so I’m eternally grateful for that, but Daisy had already defeated the Chronicoms – her survival wasn’t necessary, except to fans. And the laser she shot at the Lighthouse achieved…what, exactly? In hindsight, I wish she had been introduced earlier in the season if only so we could have gotten a better idea of what she wanted and what she could do. But of course, that wouldn’t have worked because of the way the time jumps were going, so…
slate.com
Speaking of time jumps. The emotional core of the entire finale is the FitzSimmons duo, who, as it turns out, have been orchestrating most of the events of seasons six and seven with masterful intricacy and a lot of help from time travel. As is explained in flashback, they both took off at the end of the season six finale and spent years perfecting a time machine design so they could eventually come back and save their friends. Fitz, whom we’ve been waiting for ages to show up again, finally reappears at the crucial midpoint of the finale and confirms that Agents Of S.H.I.E.L.D. is actually utilizing the same time travel logic from Avengers: Endgame – which states that going into the past creates divergent timelines, rather than changing the future. Amazingly, the Endgame tie-ins don’t end there. Not only does Fitz reference how time travel makes use of the subatomic Quantum Realm and explain that he’s been traveling the Realm all the time he’s been gone, examining different timelines to see which ones work in S.H.I.E.L.D.’s favor, but he actually takes the S.H.I.E.L.D. team through the Quantum Realm, along with the entire Chronicom fleet. This is all to make sure that the Agents get back to their original timeline and leave the other timelines mostly unscathed, but it has the added benefit of bringing the show closer to the MCU than it’s been in years.
Unfortunately, escaping the alternate timeline to return to the original one comes with consequences: one member of the S.H.I.E.L.D. team has to stay behind in the past to work the time machine apparatus, and that member is the rascally Deke Shaw (Jeff Ward), who offers himself up voluntarily. Deke has spent his entire time on the show trying to fit in, and he’s never truly belonged anywhere but the 1980’s. And, as he explains to the team, he’s kind of a rock and roll superstar in this alternate timeline. But that’s not his only task: with all of 80’s S.H.I.E.L.D. in chaos, Deke promises to step up to the challenge of becoming the organization’s new director, a title that definitely should not suit him as well as it does. Thankfully for him, he’ll get to work with a couple of agents who escaped the Chronicom attack on last week’s episode – including a younger but still instantly recognizable Victoria Hand (Saffron Burrows), who gets her long-overdue justice on her killer John Garrett (James Paxton) by shooting his younger version in the forehead.
deadline.com
Returning to the day of the season six finale and what should be the proper timeline, the Agents of S.H.I.E.L.D. are able to overcome both Chronicoms and Malick. This requires a slight detour to the ancient Mesoamerican temple where the season six finale took place, where we reunite with Piper (Brianna Venskus) and the Inhuman Flint (Coy Stewart), both of whom have hilarious interactions with the time-traveling FitzSimmons as they try to make sense of what’s going on – one of the funniest moments is when Piper, for whom only a few minutes have passed, asks whether or not all the commotion is being caused by the death goddess Izel (the season six big bad), and Simmons has to wrack her brain just to try and remember who that is. But Piper and Flint aren’t just there for laughs, being asked by Simmons to stand guard over a mysterious chamber while she and Fitz manage the whole time travel business. As we discover near the end of the episode, that chamber contains something incredibly precious to FitzSimmons: their daughter, Alya, named after the star system in which they hid for years, lived their lives and designed their time machine. Alya, who speaks with a Scottish accent clearly inherited from her father, is the reason why the fight is so personal for FitzSimmons, and she’s the perfect culmination of their incredible love story.
And on that point…culminations. The end for so many characters we’ve grown to love over the past several years. FitzSimmons, luckily, are the first ones to get their happy ending, and they even get to enjoy it twice – since by finale’s end, they’ve settled down in the current timeline, on Earth. The last scene of the finale follows the entire S.H.I.E.L.D. team reuniting via hologram message at Enoch’s old hideout, the Swordfish bar, discussing old times, playfully teasing each other, and promising to stay in touch, with each eventually disconnecting and giving us a little glimpse into their new lives. FitzSimmons and little Alya are enjoying a picnic when we last see them, and they’ve never looked so happy. Their romance, which one seemed like a curse, has blossomed into something beautiful.
Mack and Yo Yo had the least to do in the finale overall, with Yo Yo only getting a couple of action scenes (standouts, nonetheless: that’s just how awesome she is), but their lives in the present day look fascinating. Mack is still director of S.H.I.E.L.D., and he’s sporting a very Nick Fury-like coat as he strides about the deck of his helicarrier. Yo Yo, meanwhile, is on assignment with her own team, which includes Piper and Davis (Maximilian Osinski), who has been resurrected as an LMD. Yo Yo has one last incredible moment as she jumps out of the team’s car and speeds off down the road, her upgraded Inhuman powers giving her the ability to go wherever she wants and never have to “bounce back” any longer.
Mack, Yo Yo & Melinda May | tvline.com
For Melinda May, her future involves a lot of hard work – but no longer as “The Cavalry” (a nickname she finally embraces near the end, putting aside the trauma she had formally attached to it). Instead, she now works as a teacher at the S.H.I.E.L.D. Academy, which has been renamed the Coulson Academy and also seems to sport a daisy in its new logo. Flint is amongst her students, and May seems genuinely happy helping the next generation begin their training as agents. Some fans of the Philinda romantic coupling are upset that she and Coulson didn’t head off into the sunset together, and I get that, but I also feel like May’s new empathetic powers lend themselves well to the role of a teacher (besides which, her and Coulson are still giving each other meaningful looks in the closing minutes so maybe there’s still a spark between them?)
Eventually the series brings us back down to where it all began, with Coulson and Daisy. Their relationship is the real core of the whole story: it’s fitting that they get the last word. For Daisy, her future includes a journey into the depths of space alongside Daniel Sousa (they end up together, which is…fine, I guess), and Kora, with the intention of reaching out to alien races across the galaxy – almost like they’re Agents of S.W.O.R.D. or something. Those of us who still want Daisy Johnson in the MCU will continue to push for an Agents Of S.W.O.R.D. series that includes her in some capacity, and the Agents Of S.H.I.E.L.D. finale has given us a tantalizing hint of how awesome it could be.
Phil Coulson | deadline.com
And as for LMD Coulson…who did NOT decide to power down or turn off completely, the future is looking bright. He’s taking some time to himself, traveling the world without any urgent plans, and he’s got a “cool” (the very last word spoken in the entire series) new flying Corvette modeled after his original car, Lola. A gift of Mack’s, the sci-fi vehicle allows Coulson to go out in an appropriately epic style, soaring over the streets of Washington D.C. and zipping away to destinations unknown. I was certain that Coulson would die this season, completing his cycle of death and rebirth, but this is a much more fitting end: after all, this whole series was started partly because of how much fans rallied behind the hashtag #CoulsonLives, after it seemed we had lost him forever in The Avengers. Coulson is, indeed, living his best life now.
And that’s the true beauty of this show. It’s always been about the fans. We’re not the biggest subsection of the Marvel fandom, but we’re passionate, we’re persistent, and we made it so much farther than anyone could have ever guessed. And in the end, I hope we’ll all keep in touch, just like the Agents Of S.H.I.E.L.D. – raise a toast to a spy’s goodbye for now, but somewhere down the line we might cross paths again. Maybe in the MCU, even, if we pressure Kevin Feige enough…
