Amazon Prime Archives - Page 13 Of 22

September 19, 2021

“The Lord Of The Rings” Enlists Howard Shore To Craft A New Musical Identity For Middle-earth

Twenty years ago, as J.R.R. Tolkien book purists waged an online war with folks excited for Peter Jackson’s then-upcoming adaptation of The Lord Of The Rings, who would have guessed that someday Jackson’s movies would have purists of their own? Sadly, with the recent revamp of Tolkien fan-forums like TheOneRing.com, it’s rather difficult these days to find exact discussions and posts from, say, September 19th, 2001, but I can assure you that the arguments on those fan-forums back then played out much like the arguments happening nowadays over the contents of Amazon’s new series.

But the tables have turned. Amazon hasn’t done much marketing for The Lord Of The Rings just yet, but what little they have done has been designed to appeal to fans of Tolkien’s books…specifically his lesser-known, posthumously-published books. That screenshot they posted last month had all of Silmarillion twitter freaking out and urgently debating the light-source in the image (long story). But I can imagine it left some hardcore fans of Peter Jackson’s movies who haven’t necessarily read The Lord Of The Rings, much less The Silmarillion, a little confused or even underwhelmed.

I definitely don’t think Amazon helped remedy this problem by announcing that The Lord Of The Rings would be moving production on season two to the United Kingdom shortly thereafter. For fans of Peter Jackson’s movies (specifically fans who haven’t read the books, but also kind of everyone), that was another blow. New Zealand and Middle-earth have become intertwined in the public consciousness to the point where they’re nearly synonymous, for better or worse. Fans introduced to Tolkien’s vibrant fantasy world through the movies were disappointed, and it’s understandable why, even though there are upsides to filming in the UK (one being that it was Tolkien’s home-country).

All of that brings us to today’s news, which fell upon my ears like the echo of all the joys I’d ever known (bonus points if you know which chapter of The Lord Of The Rings I’m paraphrasing there). Howard Shore, the composer for both of Peter Jackson’s Middle-earth trilogies, is in talks to return to the world he helped define through his phenomenal music. It hasn’t been finalized just yet, according to Deadline, but the odds seem pretty good that Shore will get to craft new soundscapes, themes, and iconic leitmotifs for the Second Age of Middle-earth.

It’s the kind of news that makes everyone happy, or at least nearly everyone. Howard Shore is a genius, and his Oscar-winning score for The Lord Of The Rings is widely regarded as one of the greatest in film history. If he boards Amazon’s series, we can be certain that the kingdoms of Númenor, Lindon, Eregion, and Khazad-dûm at its height will each have their own rich and distinctive sound, and that Shore will choose from among the most unique vocal talents of our time to back up his work with original songs (I’m just gonna namedrop Tolkien-inspired singer/songwriter Oonagh here and hope that someone at Amazon reads my blog-posts).

But best of all (at least from a business perspective), this news makes fans of Peter Jackson’s movies happy. And getting them onboard with the series is going to be crucial for Amazon if they want to have a hit. I’m not advocating for Howard Shore to simply copy-and-paste his Fellowship and Shire themes into the soundtrack for Amazon’s The Lord Of The Rings (although I’d love to hear echoes of those and other themes at appropriate moments), but I think Peter Jackson fans want a sense of continuity between the movies and the series, and this is a great way to achieve that.

And what’s even more interesting about all of this is that according to Fellowship Of Fans, Howard Shore will be joined on the series by another great composer – Bear McCreary. McCreary’s name might be less well-known to some folks, but the Emmy Award and BAFTA Award winning composer has established his own very unique style over the past decade or so, working across several different mediums and genres, on TV shows like Black Sails, Outlander, The Walking Dead, and my own personal favorite, Agents Of S.H.I.E.L.D., dozens of films including the Cloverfield sci-fi/horror franchise, and the two most recent God Of War video games inspired by Norse mythology.

Assuming that all of this comes to pass, I foresee a lot of Emmy Awards in Howard Shore and Bear McCreary’s futures, and I can’t wait to hear some of their work soon. Who knows? Maybe…just maybe…a first trailer or teaser is already being edited together, and Amazon wants Shore’s music to really sell it for general audiences. I know that would sell it for me.

What do you think? Which composer’s work are you most excited to hear in The Lord Of The Rings? Share your own thoughts, theories, and opinions, in the comments below!

September 13, 2021

Do We Want Live-Action “She-Ra”?

Okay, so it’s not exactly the animated She-Ra movie that we all wanted and continuously asked for, but…it’s something. It’s something, all right. News broke today that Amazon Prime is currently in early development of a live-action series centered around the iconic character of She-Ra, and it caused quite the commotion on social media once it became known that the series would be a straightforward reboot or sequel to the original 1980’s animated series, and would have nothing to do with the popular Netflix reboot – She-Ra And The Princesses Of Power – that concluded its five-season run last year.

Now to be fair, any connection between the two would likely be impossible given that this new live-action series is coming from a rival streaming service, and as a fan of Netflix’s She-Ra, I think I can speak for much of the fandom when I say I wouldn’t be too keen on the idea of a live-action version of that highly stylized series (although it still might be preferable to live-action versions of the original character designs…yikes). But as a fan, I can also guess why a lot of people are unhappy about this announcement. It feels like a step back.

When Noelle Stevenson rebooted She-Ra for modern audiences, they did so with the understanding that certain aspects of the original series didn’t work, and needed to be tweaked or played around with to keep the franchise alive and healthy, but also to ensure that the fandom could keep growing. Stevenson’s She-Ra honored the spirit of the original without being beholden to it, and anyone – whether they had watched the original series or not – could jump into the Netflix reboot and get caught up in a really awesome story that hinged on a groundbreaking depiction of queer love.

The significance of She-Ra‘s LGBTQ+ representation cannot be understated, but part of the reason why it works so well is because this story was already queer-coded, intentionally or not. Sorry not sorry to all the homophobes and transphobes out there, but everything about the premise of the original She-Ra (and for that matter its sibling series He-Man) makes ten times more sense when viewed through a queer and/or trans lens. This isn’t even a recent interpretation of either series. So Noelle Stevenson’s decision to make She-Ra queer wasn’t random: it built off the character’s established struggle with her secret identity and double life in such a way that it felt completely organic and thematically cohesive.

But of course, this decision didn’t go over well with a whole bunch of people, mostly adult men who like to call themselves fans of the original She-Ra even though they seem primarily interested in the lead heroine’s physical attributes (and we all had to hear about how modern She-Ra wasn’t sexualized enough for them). These are the same folks who feel the need to justify the fact that they still enjoy He-Man by pretending that it was really dark, edgy, and aggressively straight – despite literally all the evidence to the contrary – because they need to make some point about how women and LGBTQ+ folks are ruining their childhood.

And when the fandom splits down the middle like this, we get things like Masters Of The Universe: Revelations trying to reconcile this completely baseless perception of the original cartoons as some kind of edgelord fantasy with what new generations want from the franchise – and it’s unappealing to pretty much everybody. Until now, because there had only been the one attempt to reboot She-Ra in particular, we’d mostly been having this conversation about He-Man. Now the question on everybody’s lips is: who is this She-Ra live-action series going to be aimed at?

And I think now that we’re having the conversation about She-Ra specifically, our argument as fans of the Netflix reboot feels a lot clearer. Because He-Man, while linked to She-Ra, is technically a separate franchise with a much larger and more widely spread-out fandom, and the benefit of stronger name recognition. A lot of people are going to watch He-Man just because it’s He-Man, and they know that character. She-Ra, on the other hand, is as popular as it is today because of Noelle Stevenson’s series, and because of the fans of that series who still get She-Ra trending on Twitter every few months because of how much we want more of that version.

I’m not even as mad about this news as some people are, because I’m open to Amazon blowing my mind with a great idea, but I do understand where that anger is coming from – and I am disappointed that Dreamworks and Mattel, who own the rights to She-Ra, seem to be pointedly ignoring the potential for a She-Ra movie building off the events of the Netflix reboot. Currently, without many details to go on besides the unquestionable fact that live-action Catra is probably going to be another Sonic the Hedgehog situation, all I can hope is that the renewed interest in this franchise will lead to more She-Ra content in the near future – including an animated movie.

So what do you think? Are you excited to see what Amazon has in store? Share your own thoughts, theories, and opinions, in the comments below!

August 13, 2021

“The Lord Of The Rings” Is Coming Home In 2022

If nothing else, Amazon’s The Lord Of The Rings has already done a great deal to expose the power and influence that Peter Jackson still wields, not so much over Tolkien fandom as a whole – although his mark is certainly felt there, and his The Lord Of The Rings trilogy is understandably an entry point for many fans – but over the general public’s view of the franchise. Imagery that originated in his trilogy has become indelibly associated with the story over the past twenty years, and some hardcore fans of his films display the kind of surprisingly strong and aggressive loyalty to Jackson that makes any attempt to supplant that iconic imagery…difficult, to say the least.

Now, Jackson’s films are each cinematic masterpieces in their own right (I am of course deliberately ignoring The Hobbit trilogy), so it’s not totally surprising that they’ve still got legions of diehard supporters. I myself am a massive fan, and if you don’t believe I’ve got a few “10 out of 10” movie reviews for the trilogy on my blog that should dispel any doubt. They are my favorite movies. But that doesn’t make them perfect, and I’ve always been open to the idea of seeing something new and unique from Amazon’s The Lord Of The Rings – especially since their show isn’t a remake of Jackson’s trilogy, something that a lot of people still don’t know and which complicates the discourse around it exponentially.

But one of many things that Jackson got right was his use of nature in the trilogy as more than just a setting, but as a main character in the story.

A deep-seated respect and admiration for nature is integral to all of J.R.R. Tolkien’s writings, and therefore to any adaptation of said writings. And by choosing to shoot almost the entirety of The Lord Of The Rings in his home country of New Zealand, Peter Jackson imbued the films with a love of nature that was not only important to the story on a thematic level, but important to him on a personal level. He utilized stunningly beautiful landscapes around the North and South Island that at that time were mostly brand new to global audiences, thereby ensuring that, for many people, Middle-earth and The Lord Of The Rings are the only exposure they have to New Zealand.

And over the past two decades, New Zealand has slowly taken on the very identity of Middle-earth, to the detriment of its own Māori culture and history, and to a point where there’s legitimate cause for concern over how much the country relies on its tourism industry, which in turn relies on The Lord Of The Rings and other big movie franchises, which in turn leads to things like the infamous “Hobbit Law” – passed in 2010 as a little incentive for Warner Brothers to make its Hobbit trilogy in New Zealand – that prevents workers in New Zealand’s film industry from unionizing. The Hobbit Law has been subtly revised several times, but not repealed, and the dispute it caused even led to a feud between Jackson and The Lord Of The Rings actress Robyn Malcolm.

But while that’s the kind of thing you might think would entice Amazon to stick around (and that’s the very reason for the Law’s conception), neither the reprehensible Hobbit Law nor New Zealand’s location incentive program (which, if I’m reading the reports accurately, would have made Amazon eligible for an “uplift” of roughly $23.1 million dollars, if not more down the line), could ultimately keep the studio in the country. Amazon announced last night that the second season of The Lord Of The Rings will move production to the United Kingdom, marking the first time in the franchise’s history that it will be filmed entirely in the nation of its origin.

The reaction has been divided, nowhere more so than in New Zealand itself, where Amazon’s decision will have far-ranging economic and political effects. It doesn’t help that Amazon gave very little indication of why they made the move, although it’s worth noting that many of their upcoming series’ are being produced in the UK anyway, so it may just be a matter of practicality – especially since The Lord Of The Rings is also hiring quite a lot of British actors who had been stuck in New Zealand for several months during the country’s lockdown. With the nation only just signaling its intentions to reopen its borders beginning early next year, it may be simpler for Amazon to work in a slightly less restrictive nation for the time being…although filming in New Zealand certainly came with the benefit of not having to shut down production because of COVID-19 cases every thirty minutes, which is not a guarantee in the UK.

Another benefit that came with New Zealand were its stunning landscapes and vistas, which have become visually synonymous with the fantastical realms of Middle-earth: from the hilly patch of farmland in Matamata that quite literally is the village of Hobbiton, to the slopes of Mount Ngauruhoe where the Mount Doom sequences were filmed, to the forests around Paradise that served as home to the Elves of Lórien. As has often been noted, the diversity of environments in New Zealand gave Peter Jackson’s films the look and feel of being a globe-trotting adventure, but the fact that so many of his iconic filming locations are accessible in a single vacation made them excellent for tourists trying to escape into their favorite fantasy world.

The UK may not be blessed with nearly as many mountain ranges as New Zealand, but it still boasts a number of beautiful forests, coastlines, and craggy landscapes – particularly in Scotland where, what do you know, Amazon’s The Lord Of The Rings was originally going to be filmed. As long as they continue to film on location in the UK, rather than assembling their landscapes in post-production using CGI to replicate the real deal, I don’t necessarily see an issue with this change. Maintaining visual continuity with season one is gonna be a hassle, but at this point Amazon has been filming for so long in New Zealand that they may be able to stitch reused footage into English or Scottish countrysides seamlessly. Maybe that’s what that fake production crew was actually doing this whole time…

I think one reason this decision has been met with such backlash is because it seems to confirm what’s becoming increasingly clear – that Amazon intends to cut ties with Jackson’s continuity, perhaps for good. I mean, we don’t know that for sure. They may end up returning to New Zealand for some reason. But this definitely suggests that Amazon’s The Lord Of The Rings is going to establish its own visual style and aesthetic moving forward, and I can understand why that would make some fans upset. I know I’ll be extremely angry if the rich and unique landscapes of New Zealand are swapped out for lifeless greenscreens. We saw what that looked like in The Hobbit, and it was a travesty.

But hey! Maybe we’ll see some of the locations that inspired Tolkien himself in The Lord Of The Rings. That would be pretty darn awesome, and feels like too good an opportunity for Amazon to miss. I’m gonna miss New Zealand, I’ll be honest, but I’m hoping that, in this case, change doesn’t necessarily mean a change for the worse. We’ll have to wait and see.

If you live in New Zealand, I’d be especially interested to learn more about how this move affects the country, and if you live in the UK, I’d love to hear what locations you think would make great settings for The Lord Of The Rings! Share your own thoughts, theories, and opinions, in the comments below!

July 27, 2021

Nazanin Boniadi’s “The Lord Of The Rings” Role Revealed?

Given how vast the ensemble cast of Amazon Prime’s The Lord Of The Rings already is, with thirty-nine actors officially – emphasis on officially – confirmed by Amazon to date, and seeing as the series only continues to pull in new talent, you’d think we’d be able to match some of these actors to characters at this point. But Amazon has made it pretty difficult for us: the shortage of substantial set leaks and behind-the-scenes footage or stills has forced us to rely largely on the most basic kind of guesswork: for instance, trying to find facial similarities between actors in Amazon’s cast and those in Peter Jackson’s The Lord Of The Rings trilogy.

And to be fair, that kind of guesswork might be effective. After all, Morfydd Clark bears a striking resemblance to Cate Blanchett, who originated the live-action of Galadriel which Clark will take on in Amazon’s The Lord Of The Rings (at least according to major Hollywood trades; Amazon hasn’t technically made that official yet, either). But character breakdowns and audition tapes have also been extremely helpful, probably more helpful to fans than the Hollywood trades in fact, and we’ve gotten a lot of those from places like Redanian Intelligence, The Observer, and Knight Edge Media. From these, we’ve gleaned the names (or code-names) of most of the series’ main players, and had a great time guessing which ones are established figures from the Tolkien legendarium and which are wholly original.

Today, Redanian Intelligence broke an interesting scoop pairing the character of “Kari” (I’m putting the name in quotes because it could very well be a code-name, and I know certain book-purists freak out about the names in the series not being Tolkienesque enough for them) with the actress Nazanin Boniadi, who was among the first wave of cast members to join The Lord Of The Rings in January, 2020. We still don’t know who Kari is, but I know I’ve been fascinated by her character description since I first read it – and finally being able to match a face to the name helps me visualize who she could be.

Let’s go over what we know. We first became acquainted with Kari a few months before The Lord Of The Rings started filming, back in November of 2019. At the time, The Observer had no information about the actress in the role, only that the character was “a self-sufficient single mother and village healer with a secret”. Redanian Intelligence soon afterwards disclosed two audition tapes which fleshed out Kari’s character quite a bit; revealing that she had a lover, a soldier named “Everad”, who was very clearly an outsider in her small village. In the tapes, Kari and Everad argue over politics – Everad is still distrustful of Kari’s people and calls her homeland “a disloyal place” because its people supposedly rose up in rebellion to his own at some point in the not-so-distant past, while Kari defends them with a passion and anger I instantly admired.

This reporting was backed up in January 2020 by an exclusive from Knight Edge Media, where an extensive character breakdown for Kari was revealed, elaborating on her “at times gentle, but also at times fiery” temperament, and the conflict which defines her, being “torn between her son, her own people and the man with whom she is secretly in love”. It was also mentioned that Amazon was looking for a “Diverse” actress for the role, and Boniadi – an Iranian-British actress who is currently forbidden from returning to the country of her birth due to her activism – fits that description, and would have been just within the “30-39” age range for Kari during the casting process.

Kari’s description gave a lot of us the impression that she was probably one of the people of Middle-earth who were ruled over by the Númenóreans throughout much of the Second Age – the three-thousand, four-hundred and forty-one year period when Amazon’s The Lord Of The Rings is set. The Númenóreans conquered basically every inch of coastline in Middle-earth that wasn’t already occupied by Elves, and proceeded to desecrate the land and deplete its natural resources as they worked their way inland, building cities, ripping down entire swathes of forest to build their sea-faring ships, and generally making themselves immensely unpopular with the people who were already living in these lands…including, perhaps, our Kari.

This kind of storyline is by no means unique to Amazon’s The Lord Of The Rings, and there are ways in which it could go badly wrong if it’s handled without the sensitivity and nuance any story (particularly a romance) that deals with topics of imperialism and colonialism requires. J.R.R. Tolkien’s own writing pretty explicitly links Númenórean imperialism to their eventual downfall from pride, greed, and the lust for world domination. But this new series can go further than he ever did, by centering the perspectives of Middle-earth’s pre-Númenórean people and depicting them as complex, fully-realized characters.

I know some people will be disappointed if Boniadi is playing Kari simply because a lot of people hoped she’d be playing a Númenórean ruling queen in The Lord Of The Rings (to the point where some had drawn connections between Boniadi and another Iranian cast-member, Sophia Nomvete, and extrapolated that Númenor would have Middle Eastern or Persian design influences), so a village healer might seem like a downgrade. It’s not, I assure you. Kari already sounds fascinating from the information we can compile about the character, and I’m sure Boniadi will give a great performance.

(In passing, Redanian Intelligence also revealed that two new actors – New Zealand’s Bridie Sisson and Britain’s Robert Nairne – have also joined The Lord Of The Rings, likely in small roles. I’d like to give both of them a warm welcome to the Tolkien family!)

But what say you? Do you think Boniadi is playing Kari, and are you interested in this character? Share your own thoughts, theories, and opinions, in the comments below!