However, we do have this new bit of Lord Of The Rings casting – plus two possible character name reveals for actors already attached to the series. And just like old times, I’ll break it all down for you, as well as give you my thoughts on the situation.
It appears that English actor Anson Boon has joined the project – though his role is still unclear. Redanian Intelligence notes that he easily be playing an elf due to his very defined, somewhat “ethereal” features. I agree with that assessment: Boon’s resume is still small and mostly limited to British TV and stage performances (outside of an appearance in Sam Mendes’ war drama 1917, a breakout hit with critics), so I don’t have much to work with when trying to determine who he could be playing, but I’ll take a guess anyway – let’s mark him down as a possibility for Glorfindel. This character, an Elf from the books and left out of all of Peter Jackson’s movies, plays a significant role in the Second Age of J.R.R. Tolkien’s Middle-earth, when this series is supposed to be set – thousands of years before the events of Lord Of The Rings – depending on which version of Tolkien’s canon you prefer to regard as definitive. As Glorfindel is depicted in the books, “his hair was of shining gold, his face fair and young and fearless and full of joy; his eyes were bright and keen, and his voice like music”. It’s a fairly vague description, but it’s enough for me to go on – and I just really want to see Glorfindel in this series, so forgive me if I grasp at straws.
Next up, we have Ben Fransham, a New Zealand actor who, like many of the country’s citizens, worked on Peter Jackson’s The Lord Of The Rings and The Hobbit trilogies – Fransham played an elf in the first trilogy, as well as orcs in both. His casting makes him the first actor from Jackson’s films to cross over into Amazon Prime’s adaptation of the Middle-earth saga, but his role will likely be fairly small. Additionally, he is now a stunt performer, which may be another reason why he has joined Amazon’s series. If I had to take a guess, I’d wager he will once again be wearing orc prosthetics when we see him onscreen.
So those are the castings, but Redanian Intelligence didn’t stop there – they also informed us that both Simon Merrells and Megan Richards, both of whom were cast in The Lord Of The Rings earlier this year, have character names added to their official actor CV’s. Redanian Intelligence cites this as reason to believe they may be official character names, and they may well be, but I’m wary to come to that conclusion – possibly because I’m wary of the names themselves. Merrells is listed as “Trevyn”, and Richards as “May”, and neither name seems to fit particularly well in Tolkien’s extensive network of languages. May, in particular, feels much too modern for the ancient setting – and it has a hobbit-y sound to it that makes me very nervous, considering that hobbits are among the characters I have no desire to see in Amazon’s Lord Of The Rings.
What do you think of these casting announcements, and the names revealed? Do they encourage you, or not? For me, personally, I’m a little nervous about those names in particular, but I’m also keeping an open mind. Share your own thoughts, theories and opinions in the comments below!
The past few days, we’ve been through all the basics: what Amazon Prime needs to do in their upcoming The Lord Of The Rings adaptation; what they should do; and, of course, what they should never do. So with that in mind…how many more “Top 10” lists can I think of? The answer is: at least one more, because today we’ll be looking at the ten characters I’m most hyped to see in The Lord Of The Rings.
As always, let me throw out a quick reminder to all of my readers who haven’t been following along (though, if you haven’t been at least following this series of posts, then why are you here now?): Amazon Prime’s series is not a straight-up adaptation of the best-selling novel by J.R.R. Tolkien – instead, it’s set at least three-thousand years prior to the events of that story, during a time period known as the Second Age. Thus, most of the characters you know and love won’t show up in the series, except a handful of immortals such as Galadriel, Elrond, Thranduil, and Sauron. All of these characters, however, will be either significantly younger, or just very different with regards to personalities, appearances, motivations, etc.
So, without further ado, let’s take a look at my list, shall we?
10: Thranduil. Firstly, let me apologize for a glaring factual error in one of my previous posts, where I referred to Thranduil and his father Oropher, both Sindarin Elves of great prestige, as Silvan Elves. In fact, it’s partially because of this error that I realized Thranduil belongs on this list – the King of the Elves of Mirkwood (called Greenwood in the Second Age, and ruled from the hilltop city of Amon Lanc, which would later fall into ruin and be renamed Dol Guldur) was a Sindarin Elf who nonetheless looked out for his Silvan citizens and treated them with respect and benevolence, seemingly even adopting their “rustic” customs – at least in The Hobbit, where he’s most commonly found feasting in the woods, hunting wild animals or merrymaking. This is the Thranduil I want to see: he should still have some of Lee Pace’s steely, ice-cold hostility, but in private, I’d love for the King of the Woodland Elves to open up to his citizens, to share in their traditions, and to come across as a powerful leader and a guardian for his people.
9: Ar-Pharazôn. Whereas Thranduil was actually a decent guy, Ar-Pharazôn, the twenty-fifth and final king of Númenor, only gets worse when you learn more about him. On the surface, he doesn’t seem too bad: he was just a particularly strong-willed, stubborn and slightly dim-witted military commander who happened to get tricked by Sauron into declaring war on the gods and invading paradise, right? But how did he become King of Númenor in the first place? Well, by unlawfully marrying his cousin against her will, of course. The Dark Lord Sauron, ostensibly the King’s prisoner, flattered Ar-Pharazôn with lies until he was at last given freedom to come and go as he pleased in Númenor. It wasn’t long before Ar-Pharazôn had consented to worshiping the ancient evil Morgoth, and the ritual sacrifice of political prisoners. He burned the White Tree of the Elves, severing that link between the two peoples. And, yeah, he did also doom his country (not to mention untold numbers of his own citizens) to a horrific, watery end – all because he thought he could live forever if he bested the gods in open warfare. Still, I can’t wait to see this villainous puppet of Sauron’s get pulled apart in real-time.
8: Elrond. We’ve seen Elrond Half-Elven, master of the Last Homely House of Rivendell and bearer of the Ring of Air, a couple of times on the big screen before – but always as a stern, proud scholar with a particularly melancholy attitude towards life and humans in general (not entirely surprising: considering that most of the problems of the Second Age resulted from his brother’s decision to become a human Man instead of an Elf). The Elrond that we’ll meet in Amazon’s Lord Of The Rings is going to be very young by Elven standards: so when I consider what his personality might be like, I imagine him as a generally optimistic and light-hearted individual who hasn’t yet been weathered and worn down by centuries of pain and sorrow. He hasn’t probably even met his future wife, Celebrían (who will eventually be tortured by Orcs until she can no longer bear to live in Middle-earth), and he has no idea he’ll one day be called upon to bear the weight of one of the Three Rings (which I’m sure King Gil-galad will give to him shortly before his brutal death at the hands of Sauron). Let’s just say: he’s in for a ride.
7: Glorfindel. This guy is one of the coolest in all of Middle-earth’s history – and when I say all of it, I mean all of it, because he’s been around for just as long as characters like Galadriel and Círdan, and been to Valinor, Middle-earth, the Halls of Mandos and everywhere in between. Originally an Elf of Gondolin who sacrificed his life to save fleeing refugees in the First Age, Glorfindel was judged to be so pure and good that he was almost immediately reincarnated and sent back to Middle-earth to help out the Elves during their war with Sauron in the Second Age. Not only that, but he was given semi-magical powers that put him almost on the level of Maiar like Gandalf. Throughout the Second Age, he fought alongside the Elves, rarely using his powers in war, and continued on into the Third Age as a great warrior and hero of legend, challenging the Witch-King, leading armies and rescuing Frodo Baggins. Remind me again why Legolas was chosen to represent the Elves on Frodo’s quest and not Glorfindel? Oh right, becauseGlorfindel was so powerful that Sauron would have sensed him coming from miles away, that’s why. Yet despite this, we’ve never seen him onscreen. Even if they do nothing else right, I will be forever grateful to Amazon if they make Glorfindel a major player in the series.
6: Erendis. In The Lord Of The Rings, there are far fewer women characters than men, and even some of the most prominent, like Galadriel and Arwen, are still only in a couple of chapters. But that’s not the case in the Second Age and Middle-earth’s ancient histories, where strong and complex women populate the legends – and one of the most interesting is Erendis. This Númenórean noblewoman put up with a lot; from her husband, her family, and her patriarchal society. But she wasn’t afraid to make enemies (she even publicly declared herself to be the personal nemesis of the divine Maia, Uinen, one of Númenor’s patron goddesses), and she stood her ground when attacked for her beliefs – which were radical for her time, as she counseled her daughter never to submit to the will of men. She’s loud, she’s persistent, and she’s exactly the type of character I want to see in Amazon’s Lord Of The Rings.
5: Tar-Ancalimë. Erendis’ daughter was no less interesting: neglected by her absent father and raised only by her mother and the women of their sheep-farm, Ancalimë almost never encounters men before suddenly becoming the first ruling Queen of Númenor. This scenario screams to be depicted onscreen: in my mind, I picture it playing out much like the film Elizabeth (in which The Lord Of The Rings‘ very own Cate Blanchett starred in the lead role), but with the newly-crowned Tar-Ancalimë having no one to turn to for counsel but herself and the advice of her mother. We don’t know much about the Queen’s reign, save that it was one of the longest in Númenórean history, and, in an act of revenge against her father, she withheld aid from her father’s ally, Gil-galad, during his war against Sauron. With so much blank space, there’s plenty of room to write new material.
4: Celebrimbor. Though only briefly mentioned in The Lord Of The Rings proper, Celebrimbor is one of the few Second Age characters that general audiences might know, thanks to the incredible popularity of the Shadow Of Mordor video games – the games themselves are not a very accurate adaptation of Middle-earth (as should have been obvious when they had Celebrimbor’s ghost team up with a Gondorian Ringwraith, a human version of Shelob, and Gollum to forge his own Ring and take down Sauron), but they did at least introduce a bunch of people to the character of Celebrimbor, and his identity as the craftsman behind the Rings of Power. Last of the line of Fëanor, Celebrimbor inherited much of his grandfather’s rebellious attitude, though he is generally viewed in a more positive light than his violent ancestors. Most of his faults were either exacerbated by or derived from Sauron, who deceived Celebrimbor into trusting him. Sadly, that was to be Celebrimbor’s fatal mistake, and he was killed after months of exhausting torture, refusing to disclose the locations of the other Rings of Power that he had forged. The Elf’s mangled body soon became one of Sauron’s favorite military souvenirs and hung from a banner when the Dark Lord marched into battle.
3: The Witch-King. Very little is known about any of the nine mortal men doomed to die, all of whom willingly bound their lives to the fate of Sauron and his One Ring in a bid for…what, exactly? Did they desire immortality? Magic? Power? We don’t know. Tolkien wrote that at least three of them were Númenóreans – likely imperialist military officers dispatched to Middle-earth to safeguard the empire’s colonies, who fell under the Dark Lord’s sway while there. Some of them may have been sorcerers. The only named member of the Nine was Khamûl, and he was an Easterling. But who was the enigmatic Witch-King, whom prophecy foretold would never be slain by any man? There’s no hint as to his true name, personality, or motivation for accepting one of the Nine Rings – which means Amazon Prime can do whatever they want with the character.
2: Galadriel. She’s always been my favorite character in the Tolkien legendarium, and not just because she was masterfully portrayed by Cate Blanchett in Peter Jackson’s trilogy. In Tolkien’s published works, you only see a tiny fraction of this heroine’s long and eventful life in Middle-earth: it’s only when you begin to find mentions of her in The Silmarillion and Unfinished Tales that you realize she is fascinating, nuanced, and, honestly, more complex than most of Tolkien’s male heroes. She started out as a woman of great physical strength, who participated in a variety of sports in her homeland of Valinor and was described as being an Amazon. She openly defied the Valar and chose to leave Valinor to pursue fortune and glory in Middle-earth, and when called upon to repent for that “crime” at the end of the First Age, she refused. She was an open-minded and intelligent leader: she fostered a close friendship with the Dwarves when other Elves shunned them, and she viewed them with the keen eye of a commander, helping them to ready their armies against Sauron’s onslaughts in the Second Age. She and her husband traveled all over Middle-earth, searching for allies in the coming war, settling in several different locations. She presumably led troops into battle on many occasions. In the Third Age, she gave magical aid to heroes such as Eorl and Frodo Baggins, and she entered Dol Guldur and drove back the darkness that hung over Mirkwood. And these are just the highlights of her life! If she’s not also my favorite character in the Amazon Prime series, I’d be very surprised.
1: Sauron. The only character I could see possibly vying with Galadriel for my undivided affection in the Second Age is…Sauron, base master of treachery, shape-shifting dark wizard and sadistic fallen angel. But that’s because Sauron, while he is indeed a villain, is still a villain with a purpose – and a good one, too. Originally a divine Maia whose chief virtue was supposedly perfectionism, Sauron was allured by the demonic deity Morgoth, whose visionary ideas of reformation appealed to him. Sauron, however, disagreed with Morgoth on many issues: in particular, he had no desire to see the world destroyed, instead hoping for a future in which he could be Middle-earth’s sole leader, and build a perfect utopia for himself and all his loyal subjects. Upon Morgoth’s fall, Sauron decided to make this a reality: he refused to repent for his crimes against the Valar, instead taking a beautiful human form and going among the Elves, offering them a chance to rebuild the world alongside him. At this point, Tolkien was explicit in saying that he was not fully evil. He did, in fact, want to make the world a better place – but because he could not be content with any imperfection in his plan, and because he had turned away from the teachings of Eru, the True God, and so could only mimic Morgoth’s flawed designs, he failed in his purpose and slipped into a feral rage, becoming tyrannical and too ambitious to be contained. That’s a great villain arc right there: all too often I hear people say that Sauron is a one-dimensional floating eye in the sky (I mean, it’s hard to even find an image for this post that isn’t of him as a floating eye!), and all I have to say to those people is that they’re wrong, and I will not tolerate your foolish arguments…and yes, I realize I just sounded like Sauron, so what?
Do you like my list? Would you add a couple more characters to it, or remove some? Share your own thoughts, theories and opinions in the comments below!
Well, before we get into the list, let me remind you all that Amazon’s series isn’t a straight-up adaptation of The Lord Of The Rings, the classic best-selling novel. Instead, it’s based on the tantalizing hints, references and scraps of unfinished stories about the Second Age of Middle-earth, a time period in the world’s history when Sauron, Dark Lord of Mordor, first rose to power with the help of the One Ring. That being said, Sauron isn’t the only thing you’ll find in this new adaptation that will be reminiscent of previous books, films and video games: characters like Galadriel, Elrond and Glorfindel will all presumably make appearances; locations like Rivendell, Mount Doom and Moria will be visited; events like the War of the Last Alliance and the forging of the Great Rings will be witnessed.
With that out of the way, let’s get to my list.
10: Sorrowful Elves. It’s important to remember that the Second Age ends about three-thousand years prior to Frodo Baggins’ quest at the very end of the Third Age. A lot of stuff happens in between those two points – including the events that cause the Elves to begin their slow decline into sorrow and grief. At the start of the Second Age, however, we should see the Elves in their heyday: a happy, peaceful people with a flourishing culture, working to rebuild after the traumas of the First Age. That means characters like Elrond, best known for being grim and dour, are going to be cheerful, bright and optimistic in the Amazon series; wise, experienced leaders like Galadriel will still be learning, growing, and making mistakes; aged, brooding wise men like Círdan…well, he’ll still be an aged, brooding wise man, but the rest of them will be different. This doesn’t necessarily mean that they should be singing “tra-la-la-la-lally,” but at the same time it doesn’t necessarily mean that they shouldn’t be, either.
9: A Reliance On CGI. I’m flexible on this issue: on the one hand, I think CGI is an essential element in the making of any fantasy world, and particularly Middle-earth, and I definitely wouldn’t discourage Amazon from using it in many of the same ways Peter Jackson did in his original trilogy (to build fantastical locations, digitally construct armies, certain creatures, etc); but on the other hand, I’d counsel them not to rely on special effects as much as Jackson did with The Hobbit films – practical effects, real location shoots, physical props and sets: for the most part, these can do the job just as well as green-screens and digital wizardry.
8: A Fully Evil Sauron. It would be almost ridiculously easy to depict Second Age Sauron as a purely evil character, but that’s not the Sauron I want to see. Tolkien wrote that, in the beginning, Sauron was a perfectionist, whose plans for Middle-earth were ambitious, but no more evil than those of any reformer’s. He eventually grew to be a tyrant, thinking that Elves and Men could only flourish if they relinquished their own free will and submitted to his rule. Sound familiar? Yeah, that’s because the Sauron of the Second Age has more in common with the Marvel Cinematic Universe’s trickster god Loki (one of the most popular villains there is) than with the flaming eye of Peter Jackson’s films. Sauron, in fact, tried to do good – but his fate had been decided long before, when he turned away from the teachings of Eru and began learning from the devilish Morgoth, whose evil teachings Sauron implemented in his own plans. Amazon could do some amazing things with that storyline.
7: Eru. Speaking of Eru, it’s about time I addressed him. In my last post, I said it would be a mistake to leave the Valar (Middle-earth’s pantheon of gods) out of the series, and I stand by that. But there’s one god I never want to see take a physical form in The Lord Of The Rings, and that’s Eru Ilúvatar, the One Above All. Eru is the highest, mightiest being in all of Tolkien’s legendarium – his song set all of history into motion; his plan is the divine plan, which cannot be undone by any design of Morgoth’s or Sauron’s; near the end of the Second Age, he intervenes one last time in the affairs of the world, reshaping the earth into a globe (it was flat previously), and sending the country of Númenor to the bottom of the sea. But though that means he’ll probably be brought up frequently in conversation, he shouldn’t ever be seen; at most, he should be a voice, but even that feels wrong. Eru is incomprehensible, on a plane of existence higher than any of our protagonists should be able to understand. Keep him offscreen. Leave the mystery intact.
6: Whitewashing. The fantasy genre already has a problem with diversity – series like Game Of Thrones employ one or two people of color in lead roles over the course of several seasons, and the few exceptions to the rule, such as The Witcher, get viciously attacked by an online community that resorts to the same tired excuses for why people of color are simply unthinkable in worlds filled with dragons, elves, orcs and wizards: it’s unrealistic because fantasy worlds are Euro-centric and Europe obviously never had any racial diversity; race-bending white characters is wrong because people of color need to write their own stories if they want to see themselves represented in mainstream media (but whitewashing characters of color is somehow okay?); Tolkien came from a different time period, and the series should reflect that by not having people of color, who clearly didn’t exist forty years ago. The cast of Lord Of The Rings currently includes a handful of people of color – but only fifteen actors have been cast so far, and I hope to see the number increase as more come onboard the project. I want to see Amazon take advantage of the amazing opportunity they have, and use their platform to hire talent of many different ethnicities – not to mention genders, sexual orientations and ages.
5: Gandalf. Gandalf the Grey, along with his partners Saruman and Radagast, were both sent to Middle-earth in the Third Age: to be the enemies of Sauron in that age, and that age alone. They didn’t witness any of the events of the Second Age, and they had never fought Sauron before the attack on Dol Guldur as depicted in The Hobbit; if they had, Gandalf would likely have been able to recognize the One Ring immediately, and Saruman might never have been deceived by Sauron’s lies. Having them arrive earlier in the timeline would be a very bad move – yet people continue to mistakenly assume that Gandalf is either going to be a major character, or a female lead, of the upcoming series. To avoid further confusion, I hope Amazon gives the series an official title soon that differentiates it from The Lord Of The Rings, which immediately brings to mind images of Gandalf and hobbits.
4: Hobbits. Allow me to clarify: hobbits did exist in the Second Age, even though they are only recorded in the Third Age and later. But these hobbits (a) dwelt only in Wilderland east of the Misty Mountains, and not in the Shire, and (b) had no impact on Middle-earth’s history at this time. Most importantly, there should be no interaction between Sauron and the hobbits: he, above all others, should never hear of them or even be aware that they exist. Why? Because the whole reason Frodo’s quest succeeds in The Lord Of The Rings is because Sauron (like Smaug before him) had never dealt with hobbits before. They were the unforeseen heroes of the Third Age, who “suddenly became, by no wish of their own, both important and renowned, and troubled the counsels of the Wise and Great.” So, Amazon: if you want to throw in some hobbits, put them in at the very end of the entire series, during the disaster of the Gladden Fields, when such an appearance might make sense. No sword-wielding hobbit heroics in the Second Age, please.
3: Game Of Thrones. Now, I’m not totally opposed to the series being more mature than the adaptations we’ve seen before: Tolkien’s world definitely isn’t grimdark or gritty, but the Second Age is a time of decadence, vice, violence and horrific evils (including, but not limited to, hundreds upon thousands of human sacrifices). So when I say I don’t want The Lord Of The Rings to be Game Of Thrones, I’m not necessarily saying it shouldn’t include violence (I refer you back to the human sacrifices), sexuality, and/or mature themes. I’m saying it should never revel in these things or use them for shock value, as Game Of Thrones was often accused of doing. So no, I don’t want to see violence against women used to subvert expectations; I don’t want to see nudity used to make exposition-heavy dialogue “more interesting” or whatever the excuse was; I don’t want to see fan-favorite characters get brutally murdered just to prove a cynical point. Tolkien’s world is one where hope survives even against immeasurable odds, where light endures in the darkest situations, where heroes are…for the most part…heroic. George R.R. Martin’s world is bleak, pessimistic, and, at least in the TV series, there is no end to its cycle of death, defeat and petty power struggles. That’s not bad: it’s just not Tolkien.
2: Incessant Callbacks. Often, a prequel to some successful film franchise (such as…oh I don’t know, The Hobbit) fails in part because it never tries to be its own thing: instead, with the help of callbacks, references and hints, it simply serves to remind viewers to go check out another, usually better, film or TV property that came before it. Using The Hobbit as an example: remember the really weird shout-out to Aragorn in The Battle Of The Five Armies that makes no sense, considering Aragorn was a ten year-old during the time of that film? Or how they refer to the recently drowned Master of Lake-town as being “half-way down the Anduin” when there’s no conceivable way he could ever have gotten there from the Lake of Esgaroth, as shown by their own maps? How about that bizarrely contrived scene where Legolas learns about Gimli sixty years before ever meeting him? These things serve no purpose in The Hobbit, except to remind us that, yes, we are still watching a prequel to The Lord Of The Rings, as hard as it is to believe. Amazon doesn’t need to make that mistake: focus on telling a good story first, then weave in some subtle foreshadowing or evocative parallels later (also, for the love of Eru, choose better callbacks: one reason why those in The Hobbit fail is because they’re calling back to the weirdest things – athelas? Peter Jackson’s carrot-eating cameo? Why were these things necessary?)
1: Strictly Movie Canon. We know that Amazon wants to maintain some level of continuity with the classic Peter Jackson trilogy, and at one point they even approached Jackson – either for his help as a consultant, or simply for his blessing. It makes sense: Jackson defined Middle-earth with his award-winning, critically-acclaimed, hugely successful three-film magnum opus. He and his team are widely viewed as experts when it comes to worldbuilding of any kind. But there’s no need for Amazon to feel beholden to his specific vision of Middle-earth: while his is certainly the most iconic, it wasn’t the first, not will it be the last. Amazon should feel free to branch out, to use the books more frequently as source material than the movie, and along the way to establish their own unique take on Tolkien’s world. Let’s not forget: Peter Jackson has broken his own canon on occasion – Bilbo’s encounter with Gollum in the prologue of The Fellowship Of The Ring is completely different to the same scene in An Unexpected Journey: different actor, different scenery, set design, clothing design, everything. Amazon should be able to do that too.
So what do you think of my list? Do you disagree with my picks (it’s worth remembering that I’m a pretty positive person, so it was hard for me to even think of ten things I didn’t want to see)? Share your own thoughts, theories and opinions in the comments below!
Yesterday, I laid out ten defining moments from the Second Age of Middle-earth that will probably comprise the backbone of the Amazon Prime The Lord Of The Rings series coming to streaming in the near future: the misleading title would have you believe that Amazon is simply adapting J.R.R. Tolkien’s iconic and beloved novels (and I’m sure Amazon is fine with that, if it lures you into watching their series), but this is anything but a retelling of the author’s most popular work. Instead, Amazon is going to be telling some of the less well-known stories from the depths of Middle-earth’s extensive history, specifically the Second Age.
But because J.R.R. Tolkien wrote so little about the Second Age, and so much of what he did write was only published posthumously by his son, many people don’t have a very clear idea of what to expect from the series, which is why, today, I’ve compiled a list of the top ten things that I want to see in The Lord Of The Rings. These aren’t necessarily things that will happen, but I feel that each one is a necessary element that would add whole new layers to our understanding of Middle-earth.
10: The Ent And The Entwife. While it would obviously be a non-canonical answer to an age-old question, it’s about time we finally saw what happened to the mysterious Entwives after Sauron swept through their gardens with a destructive slash-and-burn policy, near the end of the Second Age. By the time of Frodo Baggins’s quest, these gardens had been deserted for so long they were only known as the Brown Lands: but in Amazon’s The Lord Of The Rings, we have a chance to see a flourishing Entish culture, maybe even some of the elusive Ent children that were so rare in later days. The Entwives passed on their agricultural knowledge to humans during the Second Age, giving them a narrative purpose (remember that one of the rumored main characters is said to be a farmer). As for what happens to them after Sauron attacks, well, that’s up to Amazon to decide: if they want to be really controversial, they could have them escape to the Land of Rhûn, backing up the claims of a recently uncovered map.
9: The Blue Wizards. This is a complicated subject. The two Blue Wizards are usually believed to have arrived on the shores of Middle-earth at the same time as their more well-known brethren – characters like Gandalf, Saruman and Radagast – and to have failed in their purpose, becoming servants of Sauron or founding mystic cults in lands like Harad and Rhûn. But one version of the story, written later in Tolkien’s life (and thus, by the generally-accepted laws of determining canon, the more accurate version), outlines a scenario where the Blue Wizards, individually named Alatar and Pallando (or Morinehtar and Rómestámo), entered Middle-earth during the Second Age, and journeyed far into the East and South, helping to disrupt Sauron’s plans and playing a crucial part in his defeat, both in the Second and Third Ages. In this version, they enter Middle-earth at about the same time as Glorfindel, a resurrected Elf of Gondolin sent back from death to aid in Elrond and Gil-galad’s defense of the citadel of Imladris (Rivendell). This is the version I want to see: while one of the two Wizards could potentially be corrupted by Sauron or otherwise fall from their higher purpose in the series, I’d like to see them depicted in a more heroic light – and since they’ll be journeying into lands more akin to the Middle East and Central Asia than Western Europe, I’d want to see them played by actors of color: specifically women of color, if that’s possible.
8: The Haradrim. In all of Tolkien’s legendarium, only two Haradrim are mentioned by name – and both come from the Second Age. Herumor and Fuinur were both Black Númenórean lords of Harad who fought alongside Sauron in the War of the Last Alliance. In the Amazon Prime series, we should see storylines – entire story arcs – set in the desert country, providing a welcome change from the more familiar lands of Eriador and Mordor, and giving us more racial diversity in Middle-earth. Helped by the subtle efforts of the Blue Wizards, we could see heroic Haradrim characters rise up against their villainous kings and resist Sauron’s influences.
7: Galadriel And Celeborn. Even Tolkien himself never came to a conclusion on how Galadriel and Celeborn met, what they did in the First Age, how they came to Middle-earth, or what they did when they got there. In the scraps of his unfinished tales, the two characters are constantly changing: at one point, they’re the parents of a son and daughter, but later they only had a daughter; sometimes Celeborn was a Telerin Elf, other times Sindarin; in some versions Galadriel rebelled against the Elf, but in others she left Valinor for different reasons. Amazon can’t adapt every variation on the same story. My suggestion is that, rather than try to stick to just one version of the tale, they’ll take all the best parts from many different versions and piece them together into one cohesive whole. Just so long as we see the Galadriel who was obsessed with Dwarves and the Celeborn who stayed behind in Eregion with Sauron rather than travel through the Dwarven city of Khazad-dûm, I’m good.
6: Valinor And Valar. Amazon will be limited by the restrictions placed upon them by the Tolkien Estate, but if they want to fully flesh out the ancient history of Middle-earth in a way it never has been before, they’d be wise to make it clear that a number of gods, demigods and angels inhabit the world of Arda. Even Peter Jackson hinted at this, during Gandalf’s rebirth. With the Númenóreans constantly praising Maiar like Uinen and Ossë, the Elves worshiping Varda, and the eagle messengers of Manwë showing up to forewarn people of impending doom, there are many opportunities to slip in references to these deities. As for Valinor, the Blessed Realm of the Valar, there’s no way to tell the story of the Fall of Númenór without seeing that far green country at least once, through the eyes of the would-be conqueror Ar-Pharazôn, just before he and his army get crushed under a mountain.
5: Different Elves.In previous adaptations of the Tolkien mythos, there haven’t been many obvious distinctions drawn between the different Elven cultures, but in the Second Age, such a distinction will be necessary with so many characters sharing the screen. The High Elves or Eldar are the ones we’ll probably be following most closely: after being forced to migrate en masse from their ruined homelands in Beleriand, the High Elves settle down in the vast lands of Middle-earth, often uprooting the defenseless Silvan Elves from their own homes.Silvan Elves whom we might see include Amroth, the Prince of Lórien; Nimrodel, a notable Lórien resident and inventor of the flet treehouse; and a young Thranduil then living in Amon Lanc (which would later be overrun by Sauron’s forces and turned into Dol Guldur) with his father, the proud king Oropher. Though the simmering resentment the Silvan Elves feel toward the High Elves never boils over into aggression in Tolkien’s works, there’s certainly room for Amazon to go there with their story: not only to give the Elves some interesting dynamics, but to parallel the similar situation between the Númenóreans and the Men of Middle-earth.
4: Númenórean Imperialism. Tolkien himself went on the record as being anti-British Empire, and in his stories, imperialism is never viewed in a positive light: the Númenórean desire to rule over the “lesser” Men of Middle-earth during what was already the heyday of their power led them to ever bloodier, more brutal conquests that in turn led them straight to a watery end. To stay true to Tolkien, depicting the Númenóreans faithfully will require Amazon Prime to turn the initial heroes of the story into the villains, as the once peaceful culture devolves into an ambitious, power-hungry assortment of misguided kings and warmongering military leaders. It’s not going to be pretty.
3: The Refusal Of The Gift. One of the darkest – but most crucial – elements that Amazon will have to nail down in their series is the Númenórean society’s fear of death. In the beginning of the Second Age, the Men of Númenor are long-lived, surviving for hundreds of years and being given the ability to basically die whenever they feel like it, thus “giving up the gift” – that being the gift of death that was given to them by Eru, Middle-earth’s ultimate deity. But as the Second Age wanes and Númenor tries to extend its reach around the world, killing and pillaging in the process, these Men begin to grow jealous of the immortal Elves, and they become more obsessed with their own inevitable mortality than the years they have left to live. This is the volatile situation that Sauron the Deceiver will enter and masterfully manipulate to his own advantage – it’s critical that we understand why the Númenóreans would be so willing to listen to his lies.
2: Aldarion And Erendis. There’s absolutely no better place to begin foreshadowing Númenor’s downfall than in the story of Aldarion and Erendis. One of the only complete stories from the Second Age that Tolkien ever wrote, this tragedy tells the complicated tale of a long-lived Númenórean Prince named Aldarion who falls in love with a woman, Erendis, whose lifespan is far shorter than his own. Aldarion disappears on voyages to Middle-earth that last for years, sometimes even decades, as he establishes colonies, starts wars, and fells entire forests for timber, caring little for his duties back at home. Erendis, meanwhile, after openly declaring herself to be hateful of the Sea and a foe of the Maia Uinen, is forced to watch and wait for her sea-faring husband, while precious time slips through her fingers, robbing her of the best years of her life. Not only does it shed light on the interesting gender dynamics of the Second Age, but, with just a little tinkering, it could become an effective prelude to all of Númenor’s later troubles, with Aldarion and Erendis representing both the imperialistic tendencies and the fear of death that would combine to bring about the empire’s downfall.
1: The Lord Of The Rings. Confused? Well, don’t be, because what you might never have considered is that the title of the novel, which refers – obviously – to Sauron, is perhaps still just as fitting a title for the Amazon Prime series. After all, Sauron is going to be the prime antagonist of the show, and Amazon will give us an opportunity to finally see his true power. Throughout The Lord Of The Rings (the novel, not the series: I can see why using that title would be confusing), we’re told that Sauron reclaiming his One Ring would cause a second darkness, and give the Maia almost unlimited power – but in the Second Age, when Sauron did have the Ring and was still busy causing his first darkness, he was defeated (albeit temporarily) by one lucky guy with a broken sword. Amazon has a chance to show us, for the first time, what the Ring is actually capable of doing when bound around its dread master’s finger. I’m not saying I want to see the Lord of the Rings summon whirlwinds of fire or rain ruinous lightning down on his foes or anything…but no, actually, that’s exactly what I’m saying.
So what do you think? Would you care to see any of these ten things, or does it not matter to you what ends up in the series, so long as it’s good? Share your own thoughts, theories and opinions in the comments below!
Amazon Prime recently announced the main cast for their upcoming Lord Of The Rings prequel adaptation (a multi-talented fellowship of fifteen, all of whom seem like admirable and interesting people), but now, with their production start-date inching closer, it’s time for them to start casting the smaller roles: recurring characters, guest stars, that sort of thing. Simon Merrells is the first such actor to be cast, according to new reporting.
Merrells, best known for his work on the TV series Spartacus (and for his brief but hilarious role on another Amazon Prime series, Good Omens), will supposedly be joining the cast of the epic fantasy in a recurring role: unsurprisingly, we don’t have a character name to attach to his face just yet, nor do we know how many episodes he will appear in. But that’s never stopped me before, and it’s not enough to stop me now from taking a wild shot in the dark and throwing out a guess for who I think Merrells could portray in the first season of Amazon’s Lord Of The Rings.
The character who came to mind immediately, after taking a long, hard look at Merrells’ long, hard face, was Círdan the Shipwright. Círdan is by no means a pivotal figure in the histories of the Second Age of Middle-earth, when this series takes place, but he is still just important enough to warrant popping up from time to time: he was one of the three Elven Ringbearers, and throughout the Second Age he wore on his hand Narya, the Ring of Fire – a responsibility he doesn’t seem to have ever exploited, as there’s no record of him ever using the Ring (and as soon as the Third Age rolled around, he took the first chance he got and passed it off to Gandalf). In this Age, he mostly stayed put in the peaceful country of Lindon, where he was probably a close confidante of the Elven king Gil-galad. He also started construction on the Grey Havens, which would later serve as the Elven peoples’ last escape-route from Middle-earth in times of war and hardship. There, at the Havens, he was probably the guardian of one of the palantíri seeing stones (which technically was housed a couple miles away at Elostirion, but close enough to still conceivably be within his sphere of influence). He stood by Isildur and Elrond on the slopes of Mount Doom after the first defeat of Sauron, and presumably backed Elrond up when the latter tried to convince Isildur not to take the One Ring. He’s a character who stands on the margins of this world’s history, watching events unfold with a patient, foreseeing eye, but rarely getting involved in the action. In other words, he’s not going to be around often in the series, but when he does show up, it’ll probably be for big, dramatic moments.
And of course, Merrells matches his physical description well enough: Círdan is written to be an old Elf, still noble and majestic, but weathered and worn-down a little from the weight of his burdens and the pain he has seen. Merrells, with his gaunt features and deep-set eyes, looks almost exactly like the character – I say “almost”, because Círdan is supposed to have a long grizzled beard, but that shouldn’t be too much of a problem for Merrells, who has grown a decent-sized beard before for multiple roles.
So that’s who I think Simon Merrells could play in the Amazon Prime series. Who do you think he’s playing, and what do you think of the casting? Share your thoughts, theories and opinions in the comments below!
Actress Ema Horvath has joined the slowly assembling cast of Amazon Prime’s adaptation of the novels and unpublished writings of J.R.R. Tolkien, becoming only the fifth actor to do so – at the rate this is going, we should have a full cast sometime by the end of next year: but filming apparently begins in February, so the series’ casting directors might want to speed things up and stop searching relentlessly for hairy bikers and “wonderful noses”. All the wonderful noses in the world aren’t going to help a show that can’t pull together a main cast.
Still, Horvath’s casting is at least a welcome sign of life from the project, which seems to randomly tumble into our newsfeeds every month or two with a sudden, startling announcement that makes us all sit up for twenty minutes before settling back into the long dark of Moria. Perhaps, if Amazon Prime could release some plot details, character names, or even a few pieces of concept art, we might have cause to get really excited: but these little unofficial news-stories are becoming increasingly infuriating as we’re forced to wait in silence for weeks in between, contenting ourselves with reading frustrating articles about all the things that the show could do wrong or “has” to get right (naming no names, of course).
Horvath herself is not likely to heighten our excitement or give outsiders a reason to get hyped: she’s a relatively obscure actress, with a small resume. I’m not certain which character she could be portraying onscreen, but I hope we might get an indication soon, as the show moves into production. I’d love it if Amazon could surprise us all and suddenly put out a big, detailed press release or something that all of us theorists could obsess over for a couple of weeks. That would be nice.
What do you think of the casting? Share your own thoughts, theories and opinions in the comments below!
For what is rumored to be the biggest, most expensive streaming series ever made, Amazon Prime Video’s The Lord Of The Rings prequel, based largely on the posthumously published works of author J.R.R. Tolkien, is barely even on the radar for most people. The series’ official social media accounts post cryptic messages and then go silent for weeks, even months. No cast members have been officially confirmed, even with filming set to begin in February of next year. We, the hardcore Tolkien fans, have to satisfy ourselves with theorizing and speculating about the smallest of details while we wait for any big announcements to break. But in the past couple of days, we’ve gotten plenty of small details, and now, at last, we have another big one.
Just a few days ago, a bunch of character code names for the series were released, with a couple of accompanying character traits that were largely vague and unhelpful. But last night Redanian Intelligence, a site better known for its coverage of The Witcher on Netflix, published transcripts of several audition tapes for some of these new characters, giving us a clearer insight into some of the series’ ensemble cast – specifically, the ones that seem most likely to be wholly invented, original characters designed by the showrunners themselves. And yes, that means it’s time to go through each audition tape one by one, breaking down all the new details and hints.
Obviously, be aware that any and all dialogue in an audition tape may not be indicative of the series’ actual script, and some of the scenarios within may not even be real: though a couple of them are detailed enough that they seem likely to be slightly altered versions of actual scenes from the show’s first season.
The first two videos focus on the character of Brac. I had previously speculated that Brac, described as “irascible and cantankerous”, might be the Elven King Oropher, lord of the Wood Elves of Greenwood and best/only known for leading his troops in a reckless charge against the forces of Sauron and dying in the process. Turns out, I was far off the mark in this case: based on the clues provided in these two videos, it appears that Brac is a human man. In Tolkien’s mythos, there are many different kinds of humans inhabiting the earth during the Second Age when this series takes place – but for the purposes of this post, I’m only going to be focusing on two, in particular: the Men of the West, who lived on the island of Númenór, and the Drúedain, or “Wild Men”, who lived in Middle-earth but were permitted to travel whither they wished. And Brac is almost definitely one of the latter.
The first video revolves around Brac’s interactions with an unnamed second person who appears to have come from the royal court of Númenór to consult with him about some urgent, mysterious matter. It is clear from context that Brac is living or staying in Númenór, as a guest of the royalty: specifically, Brac references “your queen”, indicating that his storyline takes place during the reign of one of the three ruling queens of Númenór – most likely Tar-Ancalimë. In Tolkien’s writings, one of the most major events involving the Drúedain takes place during her reign: it was at that time that the Drúedain who lived in Númenór became afraid and began to return across the sea to Middle-earth, realizing in their hearts that doom was coming for the mighty island kingdom, and any who stayed there would be swallowed up in the bloodbath to come.
Brac appears to be a high-ranking member of Drúedain nobility, who is pondering whether to stay on the island or return home. He questions the queen’s messenger, demanding to know the real reason why a Númenórean queen, whose people colonized and “befouled” Brac’s homeland, would suddenly pretend to care about her subjects’ suffering. The messenger gives no clear answer. The scene ends with Brac reluctantly allowing the messenger to spend the night at his house.
In the next scene, it is made obvious that the setting is Númenór, as Brac comments angrily about how much he despises the night sky made bright as noon-day by the lights of the island’s cities. “The night should be a blanket,” he announces, before prophetically adding “I can’t ever quite escape the feeling that it’s all about to fall over.” He announces his intention to leave the island and return to his homeland the very next day, but the second person, here given the name Radagar, pleads with him to stay, even revealing the queen’s bidding: “our people will make amends for each yield of crop you lost during our wars”. Brac appears to contemplate his words, but the scene ends shortly thereafter with no conclusion reached. Until we actually see the episode in which this conversation may or may not happen, we can only speculate about what Brac eventually chooses to do – will he leave the island or stay to negotiate with the queen? We know from Tolkien’s writings that there were no Drúedain still living in Númenór by the time of the island’s eventual downfall and destruction, so Brac will presumably escape death by godly wrath.
The next two scenes give us our first look at Kari, the “village healer with a secret”. I had hoped that her character might be Erendis, the Númenórean queen who raised her daughter, the aforementioned Tar-Ancalimë, in the countryside far from royal interference and male meddling – but unfortunately, it appears I was wrong. Kari seems to be a human, one of the proto-Dunlendings who lived in the regions colonized by Númenór in the Second Age and later reclaimed by nature. She is like Brac in that she is keenly aware of the divide between the peoples of Middle-earth, but unlike Brac, she doesn’t seem to have any intention of leaving her homeland.
In her first scene, Kari speaks to her lover, a soldier named Everad. There’s clearly a divide between these two tormented souls: Everad fears and distrusts Kari’s “disloyal” people, who rose in rebellion in “ages past”. Kari argues on behalf of her kinsfolk, and asks him whether there is “[any] room in your peoples hearts for forgiveness”. It doesn’t seem implausible that the steely Everad is a Númenórean warrior: if that is the case, then both characters are possibly committing a crime against their cultures by being together – and who doesn’t love some forbidden love? Considering that there aren’t any elf/human pairings in the Second Age, this seems like a good fit for the story.
The second scene with Kari is more tense and powerful: she wakes in the early morning and finds Everad already preparing to leave her home, while soldiers search for him in the village outside. There are a whole bunch of weirdly vague hints in this scene: Kari speaks of a “rumor”, and says that “few could” sleep during the night. As Everad prepares to leave her, Kari stops him: “If what you say is true, and this is the last time we are to see each other, please say what you want to say.” The scene ends with Kari telling Everad to wait for her: whether that’s meant literally or not is unclear.
Next, we have Loda: I predicted that Loda would be a boring character, and I’m beginning to think I’m right in that assumption. He’s a father who loves his daughter but doesn’t get along well with his son, who, in Loda’s words, is wasting “the most important years of his life on aimless schemes”. I don’t know about you, but that sounds like it could refer to the character of Aric, whom we met in a previous audition tape: roguish, charming, devious, remember him? Loda, on the other hand, is much more conventional and traditional: the scene opens with him prepping his daughter for her “first day as an apprentice”, and ends with him revealing that he’s…taken in a stowaway? That’s the most interesting part about his character so far, and yet we don’t have any clues to go on about who his stowaway is, or why she’s stowing away. Until we have more to go on, I’m guessing that Loda, like the others in this new batch of audition tapes, is a human – probably proto-Dunlending like Kari, though it’s not out of the question that his character is Drúedain.
Finally, we come to Hamsom. He only has one scene, but it reveals a great deal about his character: initially described as a “loving family man with health issues”, Hamsom is here seen working on his farm, trying to work past those very health issues: his wife tends to him, but wonders aloud whether Hamsom will survive the bitter winter. Her husband promises her that he’ll be there for her, reminding her of the strength of his love for her. He’s already one of the most charming characters in Amazon Prime’s ensemble cast, and I can’t wait to see more of him, though I have no idea how he’ll fit into a story about the creation of the Rings of Power, the downfall of Númenór, and the wars of the Last Alliance. I also don’t know if he’ll even live through the first season, in the condition he’s in. One thing we can surmise is that he is also human. I can’t determine yet which geographical region of Middle-earth he might be from, but his demeanor, and his hobbity name, almost suggest he might be a Halfling – Halflings, at this point in Middle-earth’s history, could only have dwelt in Wilderland, between the Misty Mountains and Greenwood the Great. But since that’s a bit of a stretch, I’m assuming he and his family are of the Race of Man, probably living somewhere in the north of Middle-earth, where the winter season would be particularly harsh.
It’s notable that Amazon Prime might be diving deep into Tolkien’s incredible genealogies for the human species, since Peter Jackson’s films only briefly touched on the idea that there are different groups of Men in Middle-earth – here, Amazon Prime has the opportunity to explore these different groups and subgroups of people, each with their own distinct cultures, customs and characters, from the Easterlings to the Woses (and hopefully, someday, the elusive Lossoth). It could lead to some very interesting – and probably heated – discussions about what it means to be human in Middle-earth, and what responsibilities and burdens go along with that distinction.
So there you go: four more characters, six more audition tapes, infinite questions and few answers. What do you think of this group of characters, and do you think any of them might be from Tolkien’s books, or are all of them newly invented by the team over at Amazon Prime? Share your thoughts, theories and opinions in the comments below!
We’ve all been waiting hungrily for something, anything, to give us a deeper insight into Amazon Prime’s upcoming prequel to The Lord Of The Rings. So, when a bit of news drops that’s actually surprisingly revealing and at the very least full of stuff to talk about, the fact that it gets barely any coverage is…well, disappointing. But don’t fear – I am here, to tell you everything you need to know about the new characters we now know will populate Amazon Prime’s Middle-earth.
We’ve understood for a rather long while that there are four major characters in the series who are going by the codenames Tyra, Eldien, Beldor and Aric. They’re generic fantasy names, and there’s no precedent for any of them in Tolkien’s own writings, so it’s possible (even likely) that they are just codenames, nothing more than that. But for a while, that was all we knew about any of these four leads: basic names that could have come out of any Fantasy Name Generator online. We were able to attach a gender to the name of Tyra, because Australian actress Markella Kavenagh was supposedly in talks to play that character. But now, we have new information about all four, due to some newly uncovered audition tapes for the series.
Before we break them down, remember that these scenes, like the Mirror of Galadriel, could be very unreliable guides. The dialogue being used in these actors’ auditions is complex enough that it could in fact be edited together from an actual version of the show’s script, but don’t count on it: while it might be an indication of the sort of material to expect from the series, it’s highly probable that we never see any of these scenes (or anything even remotely resembling these scenes) in the show – this sort of scene and dialogue is usually expressly written to give the auditioning actor a sense of the character they might be portraying, from personality to manner of speech. For instance, you’ll note that the character of Eldien and Beldor both have the same scene, but with very different dialogue. With all that said, you will join me, with bated breath, as we begin our first deep dive into Amazon Prime’s Middle-earth. The time is sometime in the Second Age, thousands of years before the events of either of Peter Jackson’s trilogies. The setting…well, we’ll discuss that as we go along.
All four audition tapes have been deleted, presumably by Amazon Prime’s bidding, but the wonderful folks over at Redanian Intelligence who uncovered the videos were able to transcribe them before their disappearance (and I was able to watch two of them as well).
The first two videos focused on the character of Tyra: the dialogue indicates that Tyra is an elf, with a compassionate nature, who also seems to be deeply insightful and/or gifted with some powers of foresight. She and another woman are riding in a wagon when they hit a man, who would appear to have been knocked unconscious by the blow: Tyra demands that they stop and help him, while her companion argues that, if they take him back to their home, “anything bad that happens as a result of it will be our fault”. Tyra, however, appears to have won the argument by the time the scene ends. There is one possible clue about the setting of this scene: references to wild bears and snow, which would presumably suggest that Tyra and her friend live somewhere in the forested north of Middle-earth, most likely in the kingdom of Lindon, where Gil-galad ruled the largest contingency of Elven-folk. And that raises an interesting point – who is this man that Tyra and her friend encounter, and what would happen if they brought him back to their home, or village? We know from Tolkien’s own writings that the Dark Lord Sauron entered Lindon in disguise sometime early in the Second Age: could he be this strange man? It seems unusual that he wouldn’t take the form of an Elf, however, when trying to infiltrate an Elven kingdom.
What we gather from this scene is that Tyra and her people are very rural Elves – they drive wagons, they live in a wild, dangerous part of Middle-earth, and, aside from Tyra herself, they appear to be wary and distrustful of strangers.
The second audition tape, also deleted, features Tyra in a different scene: here, she and a girl who is most likely her younger sister, find themselves lost in a dangerous place after an attempt to forage for berries in the woods leads to the girl losing her doll and straying away from Tyra’s care. It’s a sweet little scene, and it shows Tyra taking the lead in a difficult situation.
Again, the scene suggests a rural, woodsy setting. If I had to guess, I’d say Tyra is almost certainly a Silvan Elf, more akin to the Wood Elves of Mirkwood than the High Elves of the West. None of the characters in these two scenes use very archaic dialogue, as opposed to the third scene, which focuses on the character of Eldien.
Eldien is possibly the most interesting and complex of the four, based on the little we know of her personality. I was fortunate enough to see the video of Chloe Bremner’s audition for the role prior to its being taken down, and I thought Bremner did an okay job with the material. Eldien is in every way the opposite of Tyra: she is most likely a High Elf, and her vocabulary and philosophies are far more extensive than those of her rural co-star. In the scene, Eldien is approached by her longtime friend Beldor, perhaps at a banquet or after some kind of memorial ceremony for the Elves who died in the wars of the First Age. Eldien herself is a veteran of those wars, and bears with her an everlasting pain, much like Frodo’s at the end of The Lord Of The Rings. But while Frodo was granted the opportunity to pass into the West and find healing, Eldien is an Elf who rejected the West and is now being forced to pay the price, living out her life in the utter loneliness of Middle-earth. Beldor offers her a potent drink, but Eldien rejects it, saying that no wine can cure her sorrows. She speaks about “the nameless dark” (i.e. Morgoth, the great enemy of the First Age), and mentions having killed dragons in her time – note the plural: Eldien didn’t just get lucky and happen to kill a dragon once, she’s literally one of the greatest warriors in all of Middle-earth. But despite being so aware of evil, Eldien seems like she could be the perfect target for Sauron when he inevitably rises to power: in her desire to find healing and joy in Middle-earth, Eldien might be easily tricked into joining Sauron when he promises to rebuild the world, greater and more beautiful even than the Western lands of the gods. Like Sauron, she has ambition and seems driven by purpose. Unlike Sauron, though, she is a mother, something that is revealed at the end of the scene when Beldor tells her to go home: “if not for yourself…do it for your son”. Eldien grows angry and threatens to end their friendship if ever he uses her family against her again. Clearly, there’s tension between them, though it doesn’t seem to be romantic, which is a relief. Beldor, in fact, appears to be much younger than Eldien. He doesn’t recall the great wars against Morgoth, and Eldien tells him that he is blessed because, for him, evil is merely “pictures set in a glass of the cathedral windows” -an interesting comment, considering that cathedrals aren’t typically seen in Middle-earth: again, remember that all of this dialogue is probably fabricated – it’s just there to give a sense of the character.
And the sense that I get from the character of Eldien is that she’s a great, even legendary heroine, possibly on the level of Galadriel: or is it possible that she is, in fact, Galadriel? I know, I know, she references a son, and we all know Galadriel never had one: or did she? Tolkien himself revised and rewrote Galadriel’s backstory multiple times toward the end of his life, and in one version Galadriel was in fact the mother of Amroth, the prince of Lórien who would one day be immortalized in Legolas’ tragic ballad of Amroth and Nimrodel. I’m not saying this is the case here, but it is something worth noting.
Beldor’s version of the scene, acted rather less convincingly by Conor Fogarty, is confusing: Beldor approaches Eldien and tries to convince her to go into the West, as in the previous scene, but here his intentions seem sinister – he mentions that it is the will of “our chieftain” that Eldien must depart, and the pronouns he uses reveal that the chieftain is a woman, which is interesting. But neither he nor the chieftain have Eldien’s best interests at heart, it seems, since Beldor appears to be trying to get Eldien drunk – he tells her that he carelessly poured “fire ale” into her goblet, and as the scene ends Eldien asks him what he put into the drink: to which Beldor replies “Is it working?”. Suspicious! Is this a kidnapping that we’re witnessing in this scene? At first I suspected that Beldor could be the codename for Elrond, who fits the bill of being a High Elf warrior young enough not to have fought in the wars of the First Age but old enough to have a place of some importance in the early Second Age: but somehow I can’t imagine someone as wise as Elrond ever intentionally doing this to someone he considered a friend. The reference to a female chieftain is interesting, since it would appear to be Galadriel at first glance, meaning Eldien might not be a codename for the Lady of Lórien after all. Or is this chieftain a new, wholly original character created for the show?
Finally, we have Aric: a roguish, selfish trickster who is perfectly prepared to sacrifice anybody, even his own friends, to get himself out of a predicament. In his first sample scene, performed by Nick Hardcastle, Aric takes refuge with an unnamed woman who seems to have interacted with him before: the two are not on good terms, but could develop a friendship as time goes on, depending on how callous Aric really is – he certainly has no problems with deserting his own people to the whims of an unidentified but clearly unfriendly power. The woman tells him that he’s “monstrous”, and Aric simply replies that “there’s no room for mercy if one wants to survive”. He then turns the tables on her, asking her what her own choice will be: if she will cast him out or protect his secret in exchange for his own help. We don’t hear her answer, but it’s clear from the setting of the next scene that she agrees to help him.
We’ve gathered a lot of information about Aric already: he is the only one in the group of four who might be a human, and his storyline appears to take place during a time of warfare in Middle-earth: the people whom he betrays are refugees, “injured…a thousand miles from safety”. He speaks of soldiers, and hounds trained to hunt men. His demeanor suggests an antihero or ruffian: and everybody loves one of those.
Let’s take a look at the final scene. In this one, Aric and the same woman are traveling, and have just escaped a run-in with soldiers – but when Aric asks where the soldiers came from, his companion responds oddly: “There are many places in this world stranger than you can imagine, older than you ever visited”. Does this suggest that Aric and the woman might have run into non-human foes: orcs, perhaps, returning from the mountains to wreak havoc on Middle-earth? And how does his companion even know about them – unless she herself is not a human, but an Elf? Honestly, I can’t shake the feeling that her speech pattern strongly resembles that of Eldien, whom we already know might be forced to leave the safety of her Elven homelands: Aric himself is clearly wary of the woman, and asks her why she was “voluntarily separated from her squadron”. He also references the strength of her will and her pride, two things we can already establish that Eldien has in plenty; and he reprimands her for speaking in flowery language and not saying what she means – something that Elves are always being accused of in Tolkien’s works. Regardless of who she is, Aric’s own identity comes to light, at least a little, in this scene. He and the woman get to talking about “farlanders”, a strange term that might possibly refer to the Men of Númenor on their far-distant island in the Western Sea. These farlanders might not be great people, Aric seems to concede, but they aren’t the ones responsible for throwing him out of his home, leaving him with nothing. But he is resigned to his fate as an outcast, and he notes, as the scene ends, that he can’t do much about it without an army, anyway.
From this scene, we gain one or two details: firstly, Aric and his companion are on their way to a castle, though no reason for that destination is given. Aric notes that, even if they do reach the castle, his safety is not guaranteed, suggesting that he has a reputation as a troublemaker throughout Middle-earth. Who could he be? Is he, perhaps, Sauron in one of his many disguises, and is his companion then bringing him to one of the Elven refuges where Sauron fears he may be found out? Why, then, wouldn’t he simply try to kill this woman or turn her away from her determined course? If he is Sauron, then his tragic backstory is in fact a lie, though one with a grain of truth: he was thrown out of his home and left with nothing, by the decree of the gods. And it would be ironic if this were him paying no heed to the “farlanders” on their distant island, when Sauron would one day be responsible for bringing about the destruction of the island of Númenor and almost all its people.
In conclusion, we have four very interesting and unique characters here: Tyra, a lovable Silvan Elf who wants nothing more than to save lives and help people; Eldien, a High Elven warrior with poison in her heart, looking for peace in her time; Beldor, a loyal servant of his chieftain obliviously following orders, even if it means hurting a friend; and Aric, a rogue of unclear origins, moving through Middle-earth and leaving a trail of destruction wherever he walks.
I’m very interested to hear all your own theories about these four characters, and what you think of the dialogue and scenes. Share your thoughts in the comments below and keep your fingers crossed that Amazon Prime release some official news soon!
This news means little, as of right now, with no name attached to Poulter’s character, but I’m going to freak out about it regardless, because it’s casting news, and we haven’t had any in a while, and I’m dying for more. We have so little solid information about this series as of right now, and with other Amazon Prime shows like The Wheel of Time already on their way, with major casting announced, filming locations locked down, and scripts ready to go, it feels like Lord of the Rings (by far superior to Wheel of Time in all regards, sorry) isn’t getting the respect it deserves, and isn’t even being prioritized. How is that fair?
We don’t yet know whether Poulter’s role is a recurring one, though he is specifically described as one of the show’s leads in Variety‘s press release: with the little information we have so far, I’m going to take a wild guess and speculate that Poulter will be portraying a younger version of the immortal half-elf Elrond: his facial features, especially his eyebrows, match up closely with those of Hugo Weaving, who portrayed Elrond in Peter Jackson’s Lord of the Rings trilogy – and we already know that this series will combine elements of Jackson’s trilogy with material from J.R.R. Tolkien’s novels and unpublished writings.
How do you feel about the news? Share your thoughts in the comments below – I’ll be over here, hyperventilating with excitement.
Eddie Redmayne and Felicity Jones, who portrayed married geniuses Stephen and Jane Hawking in The Theory Of Everything, are sharing the screen once again; again, in a historical setting, even if this one is rather more heavily fictionalized than the account of the Hawkings’ life.
The first trailer for Amazon Prime Video’s new film, The Aeronauts, has just dropped, giving us a first look at the usually mild-mannered Redmayne and Jones as toughened meteorologists and pilots fighting for survival high up in the atmosphere. Redmayne, technically speaking, is playing a real-life person, James Glaisher, but it doesn’t seem that much of Glaisher’s actual life experiences are being transferred over to the medium of film. The Aeronauts follows Glaisher’s famous 1862 ascent in a hot-air balloon to the height of…well, nobody knows for sure how high he went, because he actually passed out on the way, but it could have been anywhere from 8,800 to 10,900 metres above sea level. This film, however, is embellishing the story with incidents like unforeseen storms, freezing temperatures, and possibly even an explosion judging off how tattered the balloon looks by the end of the trailer, when we see Redmayne slipping from his perch and (possibly?) tumbling into thin air. Leaving all that aside, they didn’t even attempt to make Redmayne physically resemble Glaisher at all: where are the enormous sideburns? Where is the beard that wraps around the underside of the chin for whatever reason?
Additionally, the film has taken the liberty of inventing Felicity Jones’ character, pilot Amelia Wren, entirely. Female representation is never a bad thing (unless done badly), and this movie is already so fictionalized, it doesn’t really matter. Wren could be based on Glaisher’s eventual wife, Cecilia Belville, a well-educated woman who pursued a career in the sciences, specifically as an artist. As far as I know, however, she never stepped foot in a hot-air balloon in her entire life. In reality, it was Henry Tracey Coxwell who accompanied Glashier on most of his flights, but he appears to have been excised from this adaptation.
All this is not to bash on the movie: the film, regarded on its own, actually looks quite good, and the focus on just two characters, trapped in dire circumstances at the top of the world, running out of oxygen and food, will surely create tension and chemistry between these incredible actors. I also love history and historical fiction (in doses), so this movie looks like something I might enjoy greatly, even if it does play loose-and-fast with some facts. I hope others will give it a shot, and make this another win for Amazon Prime Video.
Will you? Does the premise of The Aeronauts interest you, or is it too fictionalized? Share your thoughts in the comments below!
The Amazon Prime Lord of the Rings series has just tapped its first cast member, not long after several small announcements broke at The One Ring.net‘s panel on Saturday night at San Diego Comic-Con (news which was completely overshadowed by the Marvel panel that same night). Let’s dig into this news – I am literally so excited right now, I can’t even breathe.
Okay, the big news, the reason you’re here: yes, casting has officially begun for Amazon’s series based on the works of fantasy author J.R.R. Tolkien – set in the Second Age, long before the events of Tolkien’s most famous novel, The Lord of the Rings, the series is set to explore things like the creation of the Rings of Power, the rise and fall of the civilization of Númenor, and the War of the Last Alliance (which fans of the movie trilogy will remember from the brief prologue in Fellowship of the Ring). I’m giving as simple a version of the story as I can, so that this post is accessible to people who haven’t read the books – but I’m actually dying to just rant for thirty minutes about obscure details from Tolkien’s posthumously published works, such as Unfinished Tales, or about the tale of Galadriel and Celeborn, or the – oh wait, I have news to cover. Right. Let me compose myself.
CASTING HAS BEGUN!
Markella Kavenagh, best known for her role on Picnic At Hanging Rock, has been cast for an undisclosed role in Amazon’s series – so far, the only detail about her character is that she might be named Tyra. Now, there is nobody in Tolkien’s works named Tyra, so we can assume that Kavenagh is playing an entirely new character: that’s not a complaint, because it was pretty much inevitable that, to make the show interesting, there would need to be some new protagonists and antagonists. We don’t yet have any details on whether Tyra will be a human or an elf – or, perhaps, a dwarf? Or a female orc?
As for the news from the Comic-Con panel, well, we’ve got confirmation that John Howe, one of the art directors for the original movie trilogy, will be working on the show; J.D. Payne, Patrick McKay and Gennifer Hutchison have been joined by possibly three more screenwriters; J.A. Bayona will direct the first two episodes; Amazon has an interest in exploring stories set in the kingdom of Angmar (a place you may or may not remember from The Hobbit trilogy: it was only briefly touched upon, doesn’t matter, moving on before I start ranting again); and there will be plenty of merchandise from the show, including high-quality jewelry – look out for replicas of all the Rings of Power.
How do you feel about this news? Are you as excited as I am? I don’t think that’s even humanly possible! Leave your thoughts in the comments below!!!
Lord of the Rings fans have been waiting with bated breath (or, at least, I have been) for news of the upcoming Amazon Prime adaptation of our favorite novel of all time: or, more specifically, the appendices of our favorite novel of all time, as well as posthumously published writings by the same author – I mean, possibly: we don’t know how much Amazon has the rights to, but the fact that the island of Númenor shows up on their official maps suggests that they at least have the rights to Unfinished Tales, the only time in which that map was published in one of Tolkien’s own works – unless they’re going off of Karen Fonstad’s Atlas of Middle-earth? Or is it possible that-
Sorry about that, moving on. So, uh, yeah, where was I? Oh yes, we’ve been waiting to hear some solid news about the show – there was a flurry of excitement early this year, when Amazon released some maps and a few tantalizing messages on their social media platforms, but since then…nothing. Brian Cogman of Game of Thrones was brought on as a consultant, and there were rumors the show would be filming in Leith, Scotland, in August (as you can imagine, those rumors had me pretty excited, since, you know, the name). But since then, literally nothing.
Over the last week, our excitement has blown up like one of Gandalf’s fabulous fireworks. Conflicting reports started coming out left and right – Amazon was filming possibly 90% of the show in Scotland! No, Amazon had actually changed their minds and was moving filming to New Zealand! The latter seems to be true, with Amazon pretty much officially settling down to start filming in the city of Auckland, New Zealand, where preproduction on the show has already begun. A casting call has gone out for extras, specifically for people to play soldiers and farmers. And now, today, we have breaking news that is sure to divide fans.
Juan Antonio Bayona, director of films such as Jurassic World: Fallen Kingdom and The Orphanage, has joined the series and will direct the first two episodes of Amazon’s Lord of the Rings, along with his producing partner, Belén Atienza. In an official statement, Bayona said he “can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age” – confirmation, if you needed it, that this show will cover events in the Tolkien legendarium long preceding The Fellowship of the Ring, or The Hobbit. Meanwhile, a new name has been added to the series’ team of screenwriters: J.D. Payne, Patrick McKay and Brian Cogman will now be joined by Gennifer Hutchison of Breaking Bad, a big win for the show. We know from previous reports that Tolkien scholar Tom Shippey is involved as a consultant, and famed Tolkien artist John Howe is part of the show’s creative team.
Coming hard on the heels of Netflix’s first look at their upcoming Witcher adaptation, this is proof that Amazon isn’t about to let anybody steal their thunder when it comes to the fantasy genre. I, for one, am hugely excited for the show (a little disappointed that Leith, Scotland, won’t be the main filming location), and I cannot wait for more news on this front. I’m expecting some more announcements at San Diego Comic Con, where Amazon will also be unveiling shows such as Carnival Row and The Boys.