Ar-Pharazon Archives - The Wide Screen

September 12, 2022

“The Rings Of Power” Episode 3 – New Allies And Enemies Arise In Númenor

**MAJOR SPOILERS FOR THE RINGS OF POWER EPISODE THREE AHEAD!**

“Then the Edain set sail upon the deep waters, following the Star [of Eärendil]….and saw afar the land that was prepared for them, Andor, the Land of Gift, shimmering in a golden haze. Then they went up out of the sea and found a country fair and fruitful, and they were glad. And they called that land Elenna, which is Starwards; but also Anadûnê, which is Westernesse, Númenórë in the High Eldarin tongue.”

– The Silmarillion: Akallabêth, p. 311

Only the first two episodes of The Rings Of Power were given to critics to review before the series’ release, and now having seen the third episode I believe that was a mistake on Amazon’s part. As was originally reported by TheOneRing.net in July of 2021, the first two episodes back-to-back form a feature-length prologue to The Rings Of Power, which like most prologues puts worldbuilding ahead of plot development – and that in turn led many professional critics to describe the series as slow and dense, which are legitimate criticisms of the first two episodes (though I personally disagree, and would even go so far as to say the first two episodes were fast-paced to a fault). However, the same cannot be said of episode three, which swiftly moves the story along and ends on an excellent cliffhanger that is sure to entice viewers back next week.

The difference is in the direction. Wayne Che Yip, whom I previously accredited with fixing the early mistakes of Amazon’s The Wheel Of Time in its third episode, does the same for The Rings Of Power, and I hope that at this point he can truly level up as a director, past the point where Amazon only calls him in to put a fantasy series back on the right course after squandering two episodes. Yip brings a dynamism to The Rings Of Power that was absent throughout J.A. Bayona’s episodes, marked by their placid (albeit pleasing) cinematography and minimal stunt choreography. Under Yip’s direction, the camera and the characters are always in motion – even the lengthy dialogue sequences that Bayona rendered dry and lifeless go down easier, because Yip encourages his actors to move about, interacting freely with their environments and one another.

His one fault as a director is his proclivity for slow-motion, an overused effect in action films which can still be used to convey something more meaningful than the impact of a big explosion – but there’s a random quality to the scenes Yip shoots in slow-motion that suggests to me he’s just playing around with the effect to see what it can do for him, and somehow his experimental footage ended up in the final cut. In case it’s not immediately clear what I’m referring to, those bizarre thirty seconds of Galadriel (Morfydd Clark) riding a horse along the beach in slow-motion while grinning from ear-to-pointed-ear like she’s in an equestrian apparel commercial took me all the way out of the episode. I appreciate that we got to see her happy for once, but at what cost?

Slow-motion is generally less jarring when used in the heat of an action sequence, where it can give viewers a much-needed moment to catch their breath and get their bearings – and that is certainly one of its purposes in the climactic action sequence of episode three, although Yip again overdoes it slightly. The skirmish, which pits two Silvan Elves and a handful of disposable human extras against roughly fifteen Orcs and one rabid Warg in broad daylight, isn’t even so complex that slow-motion shots are necessary to help viewers follow along – honestly, as long as you can keep track of Arondir (Ismael Cruz Córdova) and the Warg, no one and nothing else is all that important to the outcome of the fight. It’s still a cool action sequence, however, and the Elven acrobatics are closer to what you’d expect from Peter Jackson’s films if that’s your thing.

But while an action sequence every now and again is a good thing to keep the stakes high, what really stood out to me about Arondir’s subplot in this week’s episode is that it would be right at-home amongst the pages of The Silmarillion, where there are already several stories of stoic Elven heroes forced to endure terrible suffering in captivity at the hands of Orcs, but few so intimate as this one. When ordered to uproot an old tree blocking the path which the Orcs have carved into the barren surface of the Southlands (what will later become known as Mordor), Arondir and his fellow Elves put their lives on the line to save the tree by suggesting they go around it, leading to the unceremonious execution of Arondir’s comrade, Médhor (Augustus Prew). Unwilling to let any more Elves die, Arondir tearfully agrees to fell the tree, but not before first asking for its forgiveness in the Quenya tongue of old. It’s a beautiful, tragic moment based in the deep knowledge that writers Justin Doble and Jason Cahill have of the lore (Doble snuck several Lord Of The Rings references into his writing on Stranger Things).

On the subject of lore, Amazon isn’t allowed to reference anything in The Silmarillion or Tolkien’s other posthumously published works by name unless it appears in The Lord Of The Rings or its appendices, but they can still convey a great deal of information through clever dialogue and subtle visual details, and that’s a loophole Wayne Che Yip, the writers, and production designer Ramsey Avery have taken advantage of at every possible opportunity – in the mixed architectural styles of Númenor, for instance, there are clear signs that the Edain are neglecting and even building over the ruins of Elven towers and citadels as they distance themselves from their immortal kinsfolk. What they’ve preserved are monumental statues of the Maiar responsible for guarding mariners on the open sea, Ossë and Uinen, and of the great mariner Eärendil with a seabird representing his shapeshifting wife Elwing. In Númenor’s Hall of Lore, a tapestry depicts the Star of Eärendil beaming down on the island realm’s first king, Elros, and his twin brother Elrond.

I hate to call these Easter eggs, because that term seems to be used primarily in relation to the Marvel Cinematic Universe these days, but fans of any franchise are much the same: we all get ridiculously excited over the most obscure bits and pieces of lore that only we can explain to our friends and family with the help of an hour-long PowerPoint presentation. The first two episodes of The Rings Of Power, which some critics said were “dense”, didn’t have many of those Easter eggs – probably because the writers and director hoped the show would be more accessible if it weren’t crammed full of references to things beyond their ability to explain. I absolutely get that. But also…I’ve been waiting for this moment.

For more casual viewers, however, this episode may be rather overwhelming as it abandons two major plotlines we followed consistently throughout episodes one and two (both of which ended on cliffhangers last week), while simultaneously introducing the entirely new region of Númenor and not one, not two, not even three or four, but five new characters: a few of whom are predestined to have equal importance to anyone we’ve already met. Not all are treated as such in this episode – for instance, one could easily make the mistake of assuming the character of Pharazôn (Trystan Gravelle), still merely a counsellor to the Queen-Regent, has little to no significance in the overarching story – but be prepared to spend much more time with all these characters, as their story is the overarching story of Middle-earth’s Second Age. They’re not going anywhere.

And what of Númenor, the fabled island kingdom never before seen onscreen? Though nearly every wide-shot of the capital city is comprised entirely of CGI, large sections of the harbor and Court of the Kings were built as practical sets, decorated, furnished, and populated by crowds of actors and extras for weeks on end, giving each space that feeling of being lived-in that made Jackson’s adaptations so revolutionary for the fantasy genre at their time (though he erred, I feel, in designing Minas Tirith as a cold, oversized gray wedding-cake dropped in the middle of nowhere). On street-corners throughout the city, there are craftspeople and merchants representing every one of Númenor’s Guilds, puppet-shows providing the citizenry all the latest dramatized gossip (including a depiction of Galadriel rescuing the Queen-Regent from…Morgoth?), and open-air restaurants serving seafood. The city – indeed, the whole island – is unmistakably alive, and home to a resplendent culture.

The Númenórean culture created from scratch for The Rings Of Power is built around sea-worship, in what I suspect is a clever example of reverse-engineering (no spoilers, but if you know you know). For aid in actualizing this concept, the production design team and VFX artists have looked first to the seafaring cultures of the Eastern Mediterranean for inspiration. Númenor’s primary architectural influences range from Byzantine to vaguely Babylonian by way of the Greek islands. Its people wear Greek or Italian-Renaissance era garments and hairstyles (well, the extras do), while the royalty make use of nautical patterns, marine gemstones, and jewelry fashioned in the shape of sea-creatures and coral. Its ships have Egyptian or Phoenician silhouettes (although their wing-like sails are very loosely based on those of Chinese junks, with a fantastical twist meant to evoke the wings of Aragorn’s crown).

This is, after all, the land of Aragorn’s distant ancestors; a tall, hardy, and extremely long-lived branch of the human race who fought alongside Elves in the First Age and were rewarded for their sacrifices with the mountainous, many-sided island on which they now isolate themselves from Middle-earth’s troubles – and those of their fellow Men, whom they regard as generally inferior to themselves in every way. Through the character of Halbrand (Charlie Vickers), a Southlander whom we see beaten up, mocked, and derisively called “Low Man” by Númenóreans out looking for a fight, The Rings Of Power tentatively begins to explore this conflict which past adaptations have shied away from, either because it’s too complicated or because it’s uncomfortable to acknowledge that the crimes of Aragorn’s ancestors went far beyond their inability to dispose of the One Ring.

If The Rings Of Power doesn’t abruptly back out of this conversation with its hands in the air, as I still fear it might, the series could provide an entry-point into more challenging discussions around race and racism in Tolkien’s writings – because honestly, these are discussions we need to be having now more than ever. Feigning shock at the very notion that Tolkien’s works contain aspects of racist ideology, as many fans and scholars have in the past few weeks, isn’t how we combat the racists who have adopted the book as some kind of white supremacist myth. At the same time, I understand that many fans (particularly fans of color) want to see fantasy-worlds free of racism and bigotry, so it’s definitely a tricky situation.

On a similar note, the Harfoots in this episode are revealed to have a shockingly grim tradition of ableism in their community. While they get ready to embark on one of their annual migrations across Wilderland, with a procession of kids dressed as wolves and birds-of-prey all chanting the phrase “Nobody goes off-trail! Nobody walks alone!”, Largo Brandyfoot (Dylan Smith) tries to reassure his wife Marigold (Sara Zwangobani) that his broken ankle won’t be a problem for them and their family even though they both know the Harfoots will in fact – without any hesitation whatsoever – leave their weakest members to walk alone at the back of the caravan, where whatever happens to them ceases to be the community’s problem.

In the final, most horrific stage of this whole charade, Sadoc Burrows (Sir Lenny Henry) recites the names of all the Harfoots who died in the past year, either because they could not keep up – as I assume was the case with one Miles Brightapple, stuck in a mountain-pass…which in turn has me wondering if the Harfoots travel as far south as the Ered Lithui? – or for other terrible reasons, like the landslide that wiped out Poppy Proudfellow (Megan Richards)’s entire family or the wolves that got Daffodil Burrows, whom I assume had personal significance to Sadoc. The Harfoots’ response to tragedy is not to work together, but instead to prioritize the survival of a few while compartmentalizing their grief until it’s safe to mourn.

We see that attitude slowly beginning to change, however, as Elanor Brandyfoot (Markella Kavenagh)’s kindness towards others – which most of the Harfoots see as a weakness that will get her killed – actually results in not one but two friends coming to her rescue: first Poppy, who hangs back to help even though she could easily keep up with the others, and then the mysterious Stranger (Daniel Weyman), who understands, perhaps instinctively, that Elanor is in trouble and needs his help. This should have been the moment where the rest of the Harfoots came back to help too, but they made it abundantly clear that they don’t value friendships the way Elanor and her new found family do. Their loss.

While we’re on the subject, it’s heavily implied throughout this episode that the Stranger is not such a bad guy after all, though he still can’t coherently vocalize his own agenda in Middle-earth or explain why he occasionally murders fireflies, so the possibility remains that he’s not such a good guy, either. Maybe he’s somewhere in between. What is clear is that he’s looking for a particular constellation in the sky (or whatever it is that this constellation represents to him), one that Elanor is not familiar with, and he believes the Harfoots can lead him…somewhere he can see this constellation, possibly? That would presumably require a long journey to lands east and south of Wilderland “where the stars are strange”, according to Aragorn’s reports in the Third Age, but The Rings Of Power did promise to take us to “the furthest reaches of the map”.

If this is the case, and the Harfoots must take the Stranger east or south, it would certainly lend credence to the theory that he is one of the two Blue Wizards, Alatar and Pallando, who were sent to Middle-earth in the Second Age by the Valar to stir up resistance against Sauron behind the front-lines. The only problem with this theory, of course, is that the names of the two Blue Wizards and all the details of their accomplishments can only be found in Unfinished Tales, to which Amazon does not possess the rights…that, and we only saw one meteor streak across the sky in the first episode, although it’s possible the other Wizard was already in Middle-earth, or came from a different direction, or took a different mode of transportation entirely. It’s equally likely that the Stranger is just Gandalf.

Three episodes into The Rings Of Power, and our burning questions about the Stranger and about Sauron have yet to be answered: though we did find out that Sauron’s mysterious sigil, which he carved into Finrod’s chest and various other surfaces during the First Age, was in fact a highly-stylized map of Mordor meant to guide lost orcs into the embrace of a leader after the downfall of Morgoth. Frankly, I think that raises more questions than it answers (how did Sauron know Morgoth’s downfall was imminent? Why leave a map of his secret headquarters on a body he knew the Elves would take and analyze? Why is his plan only going into effect now, near the end of the Second Age?), but we don’t have time to address any of those questions in this episode.

We do apparently have time for an entirely unrelated mystery subplot involving Isildur (Maxim Baldry), whom we meet as a young man reluctantly training to be in the Númenórean navy, as he hears a voice calling him to the island’s western shores, the homeland of his paternal ancestors; this leads to a weird, vague conversation over dinner between Isildur and his father Elendil (Lloyd Owen) – and Isildur’s sympathetic sister Eärien (Ema Horvath), who has her own interesting journey ahead of her – in which Elendil warns Isildur that “the past is dead” and not to go down the same path as his brother Anárion…who is canonically younger than Isildur, so I’m not entirely sure what is going on here or whether we even need to care yet.

Then there’s a second new mystery subplot, currently unrelated to Sauron and at best only tangentially connected to Isildur and Elendil, one which involves Tar-Míriel (Cynthia Addai-Robinson), Queen-Regent of Númenor, and her father Tar-Palantír – who I believe are conspiring via a literal palantír to assist the Elves and their allies in Númenor. The timeline is being urgently sped up, and the divisions between Elf-friends (who still worship the Valar) and King’s Men (those who worship the divinely-appointed human rulers of Númenor) are already so prominent that Elendil is fearful to even translate his Quenya name, which just means “Lover of the Stars” but was also historically used to mean “Elf-friend”.

If you can believe it, there’s a third new mystery – but this one actually is connected to Sauron. Adar, the Sindarin Elvish word for “Father” from which this episode derives its title, is a word we first hear whispered by the orcs in a reverent tone as they punish their prisoners, and we soon learn that it’s a title by which they address their leader, whom we glimpse at the very end of the episode emerging from the shadows to interrogate Arondir, the only survivor of a failed prison-break that claimed the life of his comrade, Revion (Simon Merrells, very well-cast as an Elf but gone too soon). Adar, whose true name is probably of great lore significance, has long dark hair framing a gaunt, pale face…and if you’re not up-to-date with Rings Of Power leaks, that might be all you know of him just yet, so I’ll say no more for fear of spoiling casual viewers.

That’s where we leave Arondir and the rest of our characters for the week, and that’s where I must now leave you too (unless you want me to start rambling on about my new favorite characters, Poppy and Eärien, because I can and I will if left unchecked), but not before delivering my final verdict. The Rings Of Power‘s third episode is far and away its strongest, boosted effortlessly to the top of my rankings by a balance of high-stakes drama and action, grand spectacle, deep-cut lore for the fans, and heart most crucial of all – and even a dash of romantic chemistry, if you want to interpret Galadriel and Halbrand’s interactions that way. Wayne Che Yip has done it again, but this time on an even bigger scale than with The Wheel Of Time, and I could not be more excited for the episodes ahead of us that he directed.

Episode Rating: 9.5/10

August 11, 2022

A “Rings Of Power” Travel Guide To Middle-earth In The Second Age

Middle-earth has been described by some literary critics as a living, breathing character in the writings of J.R.R. Tolkien and in every adaptation of said writings, one as vividly realized and as crucial to the great tales as Gandalf, Galadriel, Aragorn, or either of the Bagginses; perhaps even more so than any of those characters, as Middle-earth is the sphere in which all of the great tales unfold (well, disc-turned-sphere…long story, we’ll get to that). No character undergoes as much radical development throughout the story as Middle-earth itself, which is altered irrevocably – though sometimes subtly – every time an Age of Middle-earth ends and a new one begins. Tolkien postulated that, sometime long after the events of The Lord Of The Rings, Middle-earth’s history would naturally segue into ancient human history, meaning that Middle-earth is our earth and continues to be a character in our modern-day “great tales”.

But of course, the version of Middle-earth in which we currently reside hardly resembles the one depicted on most maps of Middle-earth (tucked into most editions of The Lord Of The Rings right between the index and the back cover, which makes it frustratingly inaccessible to readers until after they’ve finished the book), and that version of Middle-earth bears as many distinct differences as it does similarities to the version of Middle-earth described in the written records of the Second Age, which ended roughly three-thousand years before the events of The Lord Of The Rings…the version of Middle-earth that will star in Amazon’s The Rings Of Power, a story of complex human drama immediately preceding the War of the Last Alliance in which the Second Age came to a sudden end.

As the title of today’s post makes clear, this is a travel-guide to Middle-earth of the mid to late Second Age – one which I hope you will bookmark for future reference, so that you never get confused while watching The Rings Of Power. I’ll briefly go over the histories of each new location in season one up to the point where the story opens, and in most cases no further than that, so you won’t get spoiled for events in future seasons if you don’t want to be.

But first, a couple things to keep in mind regarding this version of Middle-earth. When The Rings Of Power opens, Middle-earth is only just starting to heal after centuries of war and its inhabitants are almost single-mindedly focused on rebuilding everything they sacrificed at the end of the First Age to achieve that peace…although a sizable chunk of Middle-earth (encompassing the Elven kingdoms of Gondolin, Nargothrond, and Doriath) is lost forever beneath the seas, having been “rent asunder” by gods and dragons during the War of Wrath. The gods have long ago departed Middle-earth without fixing any of the damage they caused, leaving many Elves, Dwarves, and humans displaced in the wilderness.

Also, the world is canonically flat throughout most of the Second Age. I know, I know, it sounds like such a big deal – but honestly, it’s surprisingly irrelevant. The only instance in which I could see it being brought up in The Rings Of Power is if the characters travel into the furthest eastern, southern, or northern regions of Middle-earth where the sea and land presumably just stops and the void begins (Tolkien was helpfully nonspecific about how any of it worked). Traveling west past the island of Númenor would eventually yield the same result, but is strictly forbidden to all save the Elves; for in that direction lies Valinor, the Undying Lands of the gods. And that is, incidentally, where we start our journey around Middle-earth…

Tirion

The paradisiacal region of Valinor was once home to the Noldor, High Elves with an innate passion for exerting their mental and bodily capacities to create great works of art. The Rings Of Power looks back to these days of innocence (which some might call ignorance) when the Noldor built a tall and many-towered city named Tirion in the Cleft of Light that cut through the mountains surrounding Valinor, allowing the soft glow of the Two Trees to escape the blessed land and spill out over the ocean. Here, under the leadership of King Finwë, dwelt the three princes of the Noldor, Fëanor, Fingolfin, and Finarfin, and their individual families – including Fëanor’s seven mighty sons, and Finarfin’s daughter, Galadriel.

Sadly, I doubt we’ll spend much time in Tirion outside of a few vague flashbacks establishing Galadriel’s origins and her close relationship with her brother Finrod – Amazon literally can’t go into too much detail regarding any of the characters who make up her extended family without straying into territory covered by The Silmarillion; the rights to which are currently being withheld by the Tolkien Estate. But that’s okay. By the beginning of the Second Age, the only character still living in Tirion worth mentioning by name would be Finarfin, one of a handful of Noldor Elves who didn’t leave Valinor to pursue Morgoth into Middle-earth after the Dark Lord stole the light of the Two Trees.

Forodwaith

The vast northern expanses of Middle-earth, between the Grey Mountains and the edge of the world, are a cold and forbidding place unlikely to ever heal from the grievous wounds inflicted upon the land in ages long past by the Dark Lord Morgoth, who built two great underground fortresses, Utumno and Angband, at either end of the Northern Waste and traveled between them frequently until Utumno was destroyed and he was forced to retreat to Angband, where his lieutenant Sauron awaited his arrival. Together, they erected three hollow mountains above the gates of Angband, which issued poisonous gases and foul smoke to burn and degrade the land around Angband for many miles.

During the War of Wrath, dragons falling out of the sky crashed into Angband and destroyed its fortifications, allowing the gods to storm in and capture both Morgoth (whom they promptly tossed into the void, never to be seen or heard from again) and Sauron (whom they offered a pardon, which he refused before fleeing into the east). The remnants of Morgoth’s armies, including orcs, trolls, dragons, and even a couple of Balrogs dispersed across the Northern Waste, and those that did not succumb to the bitter cold and toxicity of the air burrowed into the ground and hid or at last entered Middle-earth and found strange new lands to defile with their presence.

Early in The Rings Of Power season one, Galadriel leads an expedition into the Waste to hunt for traces of Sauron (I’m interested to know whether she’s following a lead or trusting her intuition), and encounters a ferocious ice-troll dwelling in the ruins of a fortress – not Angband, but one of its outposts, I’m sure. She also discovers the mark of the Lidless Eye burned into a room with dead orcs trapped in its walls like flies in amber, implying that Sauron did in fact pass through the fortress on his way out of Angband, although whether he stopped to recruit some orcs in a ritual-gone-terribly-wrong or was ambushed by them is unclear at present.

Lindon

A thin sliver of the old country that had crashed into the sea during the War of Wrath, Lindon in the early Second Age became a haven for displaced Noldor Elves, Silvan Elves, and Dwarves whose cities beneath the Blue Mountains had caved in, all gathered under the guardianship of Gil-galad, a young Elf of Finarfin’s house who unexpectedly became High King of the Noldor in Middle-earth following the deaths of all his close male relatives in rapid succession. Gil-galad had spent most of the First Age on the Isle of Balar, where he and the Elven shipwright Círdan harbored Elves fleeing from the wars with Morgoth, and in Lindon he served much the same function. His realm lay at a pivotal crossroads from which Elves could either return over the seas to Valinor or journey deeper into Middle-earth’s uncharted wilderness.

Many Elves, including Galadriel and Celebrimbor, initially chose the latter option and established kingdoms of their own in Middle-earth after departing Lindon. In The Rings Of Power, however, both characters return to Lindon to join Gil-galad for dinner and to take counsel of him one last time before embarking on adventures of their own…with Galadriel setting sail into the west, and Celebrimbor borrowing Gil-galad’s young herald Elrond to help him broker a treaty with the Dwarves of Khazad-dûm.

Lindon was described in songs as a realm both “fair and free”, and it appears to have never had a capital city in the same way other Elven kingdoms did, nor is Gil-galad ever mentioned as having a throne. Where Galadriel and Celebrimbor actively sought power and dominion over Middle-earth, Gil-galad appears to have sought only to shelter and protect people, regardless of whether they were Noldor or not, and to have never desired the trappings of rulership that were thrust upon him at a young age. I find him a particularly interesting character for that reason.

Eregion

In the year 750 of the Second Age, Celebrimbor declared himself King of Eregion, a small and at the time sparsely-populated region in the foothills of the Misty Mountains west of Khazad-dûm. It may have seemed a strange decision to Gil-galad, but Celebrimbor had an ulterior motive that he appears not to have disclosed to anyone: like all Noldor Elves (and especially those of Fëanor’s house), he desired to make beautiful things with his hands, and he had heard rumors that the Dwarves of Khazad-dûm were in possession of Middle-earth’s sole vein of mithril, a precious metal that they had used to embellish their deep halls. He therefore befriended the Dwarves, and collaborated with the Dwarven smith Narvi to build a magical gate for Khazad-dûm’s west entrance, inlaid with mithril designs.

The Rings Of Power is probably set a few hundred years after the founding of Eregion, around the year 1600 of the Second Age (although Amazon is compressing the timeline to make it more manageable, so characters born thousands of years later are already alive and characters who ought to be alive are already dead, so don’t read too much into the exact date), at which point Celebrimbor would have built the city of Ost-in-Edhil and established the Gwaith-i-Mírdain, a guild of Elven jewelsmiths who would later go on to forge the Rings of Power with assistance from a stranger named Annatar. We’ve already caught glimpses of Celebrimbor’s study in promotional images; I just hope that before the end of season one, we get to see him and the Gwaith forge something.

Khazad-dûm

Roughly four-thousand years before the Fellowship of the Ring entered Khazad-dûm and found themselves hopelessly lost in its dark and unmapped ruins at the end of the Third Age, visitors to the Dwarven kingdom beneath the Misty Mountains would have feared no “holes and pitfalls” after stepping foot through the magical gates; for at the time, darkness had not yet fallen upon Khazad-dûm, nor had it earned the nickname of Moria, meaning “black chasm” in the Sindarin tongue of the Elves (although some may have already been using the moniker in a derogatory context regardless of what truth there was to it).

Khazad-dûm under the reign of King Durin III is a bustling hub of commerce located in the exact middle of Middle-earth with entrances on both sides of the Misty Mountains to allow for easier access to everybody – Noldor Elves from Eregion, Silvan Elves from Greenwood, Dwarves from the Blue Mountains to the Iron Hills, Harfoots from Wilderland, and Men from across the entire southern half of the map as far as the isle of Númenor. Ironically, even after receiving Rings of Power, the Dwarves were never again as powerful as they were in these days. Their reserves of mithril dwindled in the Third Age, prompting the Dwarven miners under the reign of King Durin VI to dig deeper in search of hidden mithril veins that could revitalize Khazad-dûm’s dying economy…but instead they awoke an ancient horror that had long slept coiled around the base of Caradhras, a Balrog of Morgoth known to the Dwarves of later years as “Durin’s Bane”, for it slaughtered the king and most of his people.

Amazon is compressing the timeline to such an extent that these events, which canonically didn’t occur until the year 1981 of the Third Age, might be depicted in a future season of The Rings Of Power, with Prince Durin IV, King Durin III’s son, taking the place of King Durin VI. At any rate, the eventual fall of Khazad-dûm is already being foreshadowed in the show’s trailers, the latest of which included a short sequence of a leaf falling through a series of caves and tunnels lined with mithril-veins before suddenly catching fire and disintegrating…followed almost immediately by a shot of a Balrog, which I guess could be any Balrog but certainly looks a hell of a lot like Durin’s Bane as portrayed in Peter Jackson’s Lord Of The Rings trilogy, with ram horns and a gaping maw emitting heat. All I’m saying is don’t get too attached to the Dwarven characters in The Rings Of Power…

Wilderland

Everything that lies between the eastern foothills of the Misty Mountains and the western eaves of Greenwood (later Mirkwood), including the Anduin river valley, Dimrill Dale, Lórien, and the Gladden Fields, was known to the Hobbits of the late Third Age as “Wilderland” because it was a wild and unkempt corner of Middle-earth, but what they did not know (or no longer remembered) was that in the Second Age their ancestors lived in Wilderland along the west banks of the Anduin at least as far north as Rivendell and probably as far south as Khazad-dûm’s east gate. They were divided into three distinct subgroups, of whom the most numerous were the nimble Harfoots, a southerly subgroup who were friendly with Dwarves in ancient times.

The Rings Of Power follows a tightly-knit nomadic clan of Harfoots as they travel around Wilderland doing their level best to stay out of the affairs of Elves, Dwarves, and Men…which is peculiar for many reasons, one being that the Harfoots were canonically “the most inclined to settle in one place”. Of course, Amazon has been using the term Harfoot rather liberally, as if it applies to any and all prehistoric Hobbits, including the more adventurous Fallohides and the boat-building Stoors, which could be the only explanation we ever get for this apparent discrepancy – although I for one would be slightly disappointed if we never got to meet any true Stoors and Fallohides in future seasons.

I can understand why, in season one, Amazon wouldn’t want to overcomplicate matters by distinguishing between three different groups of Hobbits in a story that’s already straining to include Harfoots in the first place, but if The Rings Of Power follows the Harfoots on their great migration out of Wilderland and over the Misty Mountains (as I strongly suspect will be the case, given that we have to spend five seasons with them and they don’t have any relevance to the War of the Elves and Sauron), then it would make sense for them to run into Fallohides and Stoors at some point on that journey. Heck, throw in a pair of Fallohide brothers named Marcho and Blanco, and you have yourself a whole Shire origin story just waiting to be told…because that’s definitely something people are clamoring to see.

Tirharad

The only non-canonical location on this list, Tirharad or “south-watch” in Sindarin, appears to be a small village located somewhere in the Southlands of Middle-earth where humans whose ancestors worshiped Morgoth during the First Age were exiled to live out their days under the surveillance of Silvan Elves. The whole situation is very unusual. For one thing, we don’t know who exiled these people to begin with; I’m assuming they were a Noldor Elf, someone who would bear a grudge against all of Morgoth’s followers, but then who or what gave them the authority to command humans and why would they entrust the responsibility of surveilling these humans to Silvan Elves, those least affected by Morgoth? I’m very confused.

Several-hundred years later, most of the inhabitants of Tirharad have probably forgotten Morgoth’s name entirely, but at least one Silvan Elf, by the name of Arondir, remains in the nearby watch-tower to guard against future threats – although as he falls in love with a human woman named Bronwyn, he begins to realize that the threat to Tirharad is far greater than the threat its people pose to him. Tirharad is the site of several action sequences we’ve seen in the trailer, including a one-on-one fight between Bronwyn and an orc intruder, an epic confrontation between Arondir and a legion of orcs led by the mysterious “Adar”, and what is presumably the climactic battle of season one, in which Galadriel and a Númenórean army led by Tar-Míriel are involved in liberating the village from orcs.

Númenor

Situated in the middle of the Sundering Seas between Valinor and Middle-earth, the star-shaped island of Númenor juts suddenly out of the water, its irregular geography and sheer cliffs a testament to the strange, violent manner of its birth – lifted straight out of the ocean depths by Ulmo, god of the sea, while the earth was still pliable following the War of Wrath, to be a new homeland for humans who had fought alongside the Elves throughout the First Age. Following a star, these “Elf-friends” ventured across the ocean in a fleet of ships to find their island prepared for them, and visitors from Valinor already waiting for their arrival with gifts including plants, flowers, and songbirds.

Over the next thousand years, the Númenóreans enjoyed peace and prosperity under the leadership of wise, long-lived kings and queens who were initially sympathetic to the plight of the Elves in Middle-earth and as resistant to Sauron as their ancestors were to Morgoth. Since they were forbidden to travel west to Valinor and visit their friends, they sailed east and south along the shores of Middle-earth in search of new lands where they could satisfy their thirst for adventure. Along the way, they liberated many humans from the dominion of Sauron and demanded little in return save for wood with which to build larger ships.

But as time went on and the Númenórean mariners found themselves revisiting lands they had already explored, their eyes turned westward once more and they became gradually convinced that something in Valinor was being withheld from them, namely the gift of immortal life that was granted to all Elves. And as their curiosity gave way to wariness and thence to suspicion, they became…less kind. Canonically, it was in the year 1700 of the Second Age, during the reign of Tar-Minastir, that the Númenóreans first sent troops to Middle-earth to aid King Gil-galad in the wars against Sauron and were so impressed by their own military prowess that they began wielding the same violent force on the people under their protection in the hopes it would make them feel powerful.

Amazon is tweaking the timeline so that all of this (and a great deal more) will occur during the lifespan of Tar-Míriel, the last Queen of Númenor, who canonically lived between 3117 and 3319 of the Second Age. Tar-Míriel is still Tar-Míriel, and will still do everything that Tar-Míriel actually did in her lifetime…she just so happens to also fill the role of Tar-Minastir by leading the Númenórean armies to Middle-earth shortly before the forging of the Rings of Power, and I suspect that the characters around her, particularly non-canonical characters, will similarly play a variety of parts that Tolkien assigned to a multitude of thinly sketched-out characters across the sprawling narrative of the Second Age because he was writing a timeline, not a television series.

To cite one example, Isildur is a Númenórean mariner in The Rings Of Power so that we may witness the rapid evolution of the mariners from explorers to colonizers through his eyes, whereas if Amazon had opted to adapt the stories of the Second Age as written, with obligatory time-jumps between seasons to cover the entire three-thousand year period, we’d need to meet several different Númenórean mariner protagonists over the course of five seasons to tell the same story, and I can see where that would get redundant. Personally, I’m still a proponent of the anthology approach and would very much have liked to see that show, but I trust that The Rings Of Power‘s showrunners and writers can convey with a limited number of characters existing simultaneously to each other what Tolkien only managed with multiple characters existing at different points on a timeline of epic proportions.

Armenelos

I’ve talked about Númenor, but said nothing yet of its capital city – Armenelos, possibly the greatest city in all of Middle-earth at the time, rivaled in size and splendor only by Khazad-dûm. Interestingly, the name Armenelos isn’t written in The Lord Of The Rings or its appendices, so Amazon shouldn’t be able to use it…but they already have, on the official map of Middle-earth they released way back in February of 2019 to promote The Rings Of Power before the series even had a title. It’s not even the only place-name on that map that comes to us from The Silmarillion or Unfinished Tales, but it’s a location we know for a fact we’ll visit in season one because we’ve already seen images of the city, so it would be really weird if Amazon just never uses the name in the show.

In fact, they wouldn’t be allowed to refer to any of the places on their own official map of Númenor by name without apparently overstepping their agreement with the Tolkien Estate, unless (as I’ve long suspected) they got more out of the agreement than just The Lord Of The Rings and its appendices (well, we know they also got The Hobbit, but that’s not gonna be much help to them in this case). Even the map of Númenor that John Howe must have been tracing from when he designed Amazon’s map of Middle-earth is only found in Unfinished Tales. And I promise this is relevant, because there are several stories and characters that Amazon could only use if they had the rights to Unfinished Tales – a notable example being Annatar, a familiar name to many Tolkien fans but one which never appeared in The Lord Of The Rings.

Oddly, a couple of place-names didn’t make it onto Amazon’s map and one of those is Andúnië, the city where Elendil and his family lived near the end of the Second Age – which leads me to believe that they’re being relocated to Armenelos for budgetary purposes in season one. Of the two coastal cities that did make the cut, Romenna is the city I believe was depicted in the opening shot of the first teaser trailer and in many subsequent trailers; it is also the seaport from which Tar-Míriel and her navy will likely set sail for Middle-earth, due to the city’s close proximity with Armenelos and eastward-facing harbor.

Honorable Mentions:

Amon Lanc, another name from Unfinished Tales that appeared on Amazon’s official map, this one referring to the tall bald hill rising out of southern Greenwood where the Silvan Elves under King Oropher (and later Oropher’s son, Thranduil – yes, that Thranduil) dwelt throughout the Second Age, before a shadow fell upon the forest and forced them to relocate northwards. Amon Lanc then became known as Dol Guldur.

Himling, Tol Fuin, and Tol Morwen, a string of islands off the northwestern coast of Middle-earth that remained above sea-level after Beleriand was submerged. I’m not sure if The Rings Of Power intends to take us to any of these islands, but their presence on Amazon’s official map is intriguing seeing as only Himling has ever previously appeared on maps of Middle-earth included in The Lord Of The Rings. Tol Fuin, the remnants of the Dorthonion highlands where Galadriel’s brothers Angrod and Aegnor dwelt throughout the First Age, could be significant if certain leaks are to be trusted…

Lond Daer, a Númenórean seaport and colony in Middle-earth founded by the great mariner Aldarion sometime between 750 and 800. Pelargir and Umbar, two seaports constructed later in the Second Age which gradually supplanted Lond Daer in significance and were absorbed into the empire of Gondor, do not appear on Amazon’s official map.

Lórien, or Lórinand as it was likely still being called in the Second Age, is the forest east of Khazad-dûm that canonically became Galadriel’s domain during the Second Age, although when exactly and how soon after Celebrimbor founded Eregion remained a mystery even to Tolkien. The conspicuous absence of Galadriel’s husband Celeborn in The Rings Of Power promotional materials has led some to theorize that Celeborn is already settled in Lórien waiting around for Galadriel throughout season one.

Which of these locations are you most excited to see onscreen, either for the first time in years or for the first time ever, when The Rings Of Power premieres next month? Share your own thoughts, theories, and opinions, in the comments below!

October 25, 2021

Is Isildur The Star Of “The Lord Of The Rings” Season One?

Amazon Prime’s The Lord Of The Rings is now slightly less than a year away from release, and we still know shockingly little about the most epic (or at the very least expensive) streaming series ever made. Every tidbit of new information we learn seems to point in a different direction, leading fans on wild goose chases as we try to piece together when the series is set in the sprawling chronology of J.R.R. Tolkien’s Middle-earth, how much time and space it will cover over a reported span of five seasons, and whom exactly it will follow.

If you’ve been following my coverage of The Lord Of The Rings for a while, you might know the basics, but here’s a refresher before we get to the latest round of rumors. First of all, despite the fact that it’s still being referred to as The Lord Of The Rings, Amazon’s series is a prequel, not an adaptation of Tolkien’s novel or a remake of Jackson’s trilogy. Up until two days ago, our only certainty was that the series would take place sometime in the fabled Second Age of Middle-earth – which doesn’t exactly narrow it down much, seeing as the Second Age is a period of three-thousand, four-hundred and forty-one years.

Only adding to the confusion, Amazon’s first officially released image from The Lord Of The Rings – purportedly a stunning screenshot from the first episode – depicts a scene from long before the Second Age began, during the Years of the Trees; exponentially widening the scope of the tale.

But perhaps we may finally be able to zero in on a specific character, and a tangible timeframe. New reporting from Fellowship Of Fans suggests that one of The Lord Of The Rings‘ central protagonists, from episode three onwards (presumably to the end of the show), will be Isildur, a Númenórean prince who became the first king of Gondor and played a major role in setting up the events of The Lord Of The Rings proper, when he cut the One Ring from the dark lord Sauron’s hand. Additionally, Redanian Intelligence reports that Maxim Baldry – who was among the first actors rumored to be cast – will portray Isildur.

This won’t be Isildur’s first time appearing onscreen. Both Peter Jackson and Ralph Bakshi’s adaptations of The Lord Of The Rings open with memorable depictions of Isildur defeating Sauron at the end of the Second Age and of Isildur’s own death at the dawn of the Third Age when the One Ring slipped from his finger and betrayed him to the orcs. As far as Second Age characters go, he’s one of the few that casual fans of the franchise might recognize, so it’s not entirely surprising that Amazon would want to establish him early on in the show. But his inclusion in the very first season of Amazon’s series comes as a bit of a surprise.

Isildur was born in Second Age (S.A.) 3209, only two-hundred and thirty-two years before he defeated Sauron in the War of the Last Alliance which concluded the Second Age. Because of his Númenórean heritage, Isildur was extremely long-lived by human standards (he was killed at the age of two-hundred and thirty-four), but his entire lifespan is only a small fraction of the Second Age. By the time he was born, the heyday of the Elves in Middle-earth had ended, the Rings of Power had been forged, the kingdom of Eregion had been sacked and Khazad-dûm had closed its doors to the outside, while Sauron was already wielding the One Ring.

In both Jackson and Bakshi’s adaptations, this nuance is largely lost because the entire Second Age is reduced to just two pivotal events in the history of the One Ring – the forging of the Rings of Power between S.A. 1500 and S.A. 1600, and the War of the Last Alliance in S.A. 3441. Canonically there’s a gap of almost two-thousand years in between these events, but in the films it’s implied that they happen pretty much back-to-back. And now that we have two reliable outlets reporting that Isildur is a protagonist of Amazon’s The Lord Of The Rings, I think we can expect to see the timeline of the Second Age similarly tailored to fit the story Amazon is telling.

Some people have come to the conclusion that Amazon is skipping over the forging of the Rings entirely, jumping straight to the end of the Second Age. But I feel very strongly that that’s not the case, and there’s evidence to support my argument. Think back to the very first map of Middle-earth that Amazon released to promote the series – the map that unmistakably showed the kingdom of Eregion and its capital of Ost-in-Edhil still standing. By Isildur’s time, Eregion had been in ruins for over a thousand years. That same map doesn’t depict Barad-dûr at all, though the fortress was completed in S.A. 1600.

Take a look at Amazon’s official synopsis for The Lord Of The Rings, too. Though it’s fairly vague, there’s one significant line that doesn’t support the theory that Amazon’s series takes place after the forging of the Rings. “Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.” If the series were truly set after the forging at the end of the Second Age, Sauron would already have been at war with the Elves and with the Númenórean empire for centuries.

So no, I don’t think that Amazon is skipping over the forging of the Rings, arguably the single-most significant event in the Second Age. My personal belief is that Amazon will simply move the forging backwards to nearer the end of the Second Age, to around the same point at which Isildur first enters the histories of Middle-earth as a young prince of Númenor navigating an increasingly complex political crisis in the royal court. It would require a lot of reshuffling, but that way a lot of events that canonically took place thousands of years apart will now occur almost simultaneously.

There are several benefits to this approach. It would remove the need for potentially jarring time-jumps between seasons to cover all of the events of the Second Age. We’d have more time to get to know our core group of human protagonists and develop a connection with them, without constantly having to worry that by the next season they’ll be dead and we’ll have moved on to their great-grandchildren. And it makes sense to focus exclusively on what Tolkien wrote about the Second Age, so that the writers don’t have to fall back on entirely original plotlines to fill that three-thousand year period.

On the flip-side, I think there’s something to be said for why the use of time-jumps and a constantly rotating cast could have helped reinforce the primary themes of the Second Age – mainly the growing restlessness amongst humans as they become more and more fearful of their own mortality and begin searching for ways to cheat death. If the showrunners could have made us feel some of the same envy and resentment of the immortal Elves that emboldened the Númenóreans to try and wrest the secret of deathlessness from the land of the gods, that would have been an extraordinary feat.

And I can understand why many fans might feel upset that the timeline is again being tampered with dramatically – not to the same extent of Bakshi and Jackson basically taking the two events they needed and ignoring the rest of the Second Age entirely, but still seemingly prioritizing those same two events. This isn’t necessarily a deal-breaker for me, because I think it was always clear that there were going to be adjustments to the timeline one way or another simply because Tolkien himself left behind so many versions of the timeline in which there are countless slight variations, but I get where it might be for some.

As for the news that Maxim Baldry is potentially our Isildur – that definitely makes sense. I was rather hoping he’d be revealed to be playing one of the “fair forms” that Sauron took during the Second Age, but he has the build and beautiful flowing hair of a Númenórean prince, and though my only experience with his acting was through a small role in the last season of Doctor Who, I think he could certainly convey Isildur’s best qualities, his valor and selflessness, which the One Ring swiftly manipulated.

Isildur’s appearance strongly suggests that several other members of his family will also show up in the first season – including his father Elendil and younger brother Anárion, who both died during the War of the Last Alliance; his grandfather Amandil, who died at sea on an ill-fated mission to beseech the gods on Númenor’s behalf; and of course his more distant relatives, Ar-Pharazôn and Tar-Míriel, who became the last king and queen of Númenor and perished in the kingdom’s tumultuous downfall. Isildur’s family weren’t the luckiest folks in Middle-earth.

By the end of the Second Age, Isildur, his sons, and his nephew, were the last remnants of the Númenórean royal family in Middle-earth. Three of Isildur’s sons were killed alongside him during the Battle of the Gladden Fields at the start of the Third Age, leaving only the youngest, Valandil, alive. Valandil inherited the kingdom of Arnor from his grandfather Elendil, while Isildur’s nephew Meneldil became king of Gondor. But while Arnor would fall during the Third Age, Valandil’s descendants would include Aragorn – who re-established both kingdoms and reunited them under his rule.

All of this makes Isildur a crucial figure in Middle-earth’s history, and a worthy protagonist for Amazon’s The Lord Of The Rings to follow across several seasons. However Amazon chooses to solve the timeline problems that they’ll be creating for themselves, I hope that they’re handled carefully. Basically, what I’m saying is that if there’s anything in this series that’s even remotely evocative of Thranduil telling Legolas in The Battle Of The Five Armies to seek out the ranger Aragorn when he was canonically only ten years old, Amazon will not hear the end of it from me.

But what are your feelings on this decision? Share your own thoughts, theories, and opinions, in the comments below!

October 24, 2020

10 Things Amazon’s “Lord Of The Rings” Should Include That Will Shock The Fandom

It’s been a while since we’ve talked about my favorite topic, The Lord Of The Rings and all things Tolkien (it really hasn’t, since I somehow manage to bring it up in most completely unrelated posts, but that’s beside the point), or since I’ve written a “top ten” list like the ones I did sometime back in March, where I discussed things I wanted to see in Amazon Prime’s upcoming adaptation of J.R.R. Tolkien’s writings on the Second Age of Middle-earth, as well as things I didn’t want to see, and characters I hope the series will handle with the utmost care. In the meantime, the Tolkien fandom has found other things to argue about – most recently the topic of sexuality in the Professor’s works, something I will address later in this post, and which was in fact the inspiration for this post. After seeing how shocked and outraged a portion of the Tolkien fandom was in response to the news that nudity and sexuality might be present in the Amazon Prime series, I asked myself: what other things might similarly shock them, if it’s mature content they’re opposed to? Things straight from the Tolkien canon, things that the Professor himself sketched out in detail or tantalizingly hinted at, and which will now have the opportunity to be realized onscreen?

Of course, this list will only be dealing with shocking events and themes of the Second Age of Middle-earth, which is when the Amazon Prime series will be set (no, it’s not really The Lord Of The Rings, and I still don’t understand why they haven’t given us some indication of what the actual title will be). The Second Age just so happens to be the second darkest era in Middle-earth’s history (the First being, both figuratively and, until the creation of the sun and moon quite literally, the darkest), which means there’s a great deal of strange, terrifying, controversial or just uncomfortable things for Amazon to draw from for their adaptation. And now, without further ado, let’s get into it.

10: Different Magic. Let’s ease into this and start out fairly tame, with something that Amazon doesn’t necessarily have to include, but definitely should if they can find a way to do so naturally without alienating a massive part of the Tolkien fandom. In Tolkien’s assorted early writings on the Blue Wizards of Middle-earth, he briefly mentioned something that has always fascinated me and has always intrigued me because of how it seemingly challenges the loose rules of his soft magic system. “I fear that they failed…,” he wrote of the two Wizards, “and I suspect they were founders or beginners of secret cults and ‘magic’ traditions that outlasted the fall of Sauron.” Tolkien would later rewrite the story and have the Blue Wizards play an active, heroic role in bringing about Sauron’s downfall secretly from the east, but the idea of the duo spreading the knowledge or understanding of magic throughout Middle-earth is almost too irresistible to pass up on – even if Tolkien put magic in quotes, and clearly didn’t intend for it to mean real magical power like that possessed by Gandalf or the Elves. We’ve never seen magic used quite to this extent before in Middle-earth, certainly not with regards to cults or occult practices. And considering how Tolkien’s magic system is often used as the gold standard for soft magic systems in fantasy, it could be risky to explore this in too much detail – though it could be rewarding because it would give the show a chance to explore uncharted territory.

9: The Valar. As with occult magic, this has the potential to be both a good idea and a bad idea, depending on who you ask. Most hardcore fans know and love the Valar, but more casual fans might be weirded out by the reveal that Tolkien’s world comes with an entire pantheon of gods, goddesses and other minor deities – like the sun, and the moon…and Gandalf. In the semi-biblical narrative of The Silmarillion, the presence of the Valar feels very natural and I would argue it’s no different with the Second Age – but I’m just one person, and I have previously seen some quiet backlash to the idea of the Valar ever physically appearing. Some simply feel like it’s too radical a departure from the Middle-earth that most people know from The Lord Of The Rings, while others specifically don’t like The Silmarillion because of the gods and goddesses and other somewhat religious elements of the story. Amazon will have to include the Valar either way, because they’re critical to the story, but I’m interested to see what the reaction will be from the fandom. Personally I’d be thrilled.

8: The Burning Of The Entwife Gardens. Let’s get a little more specific now. In the cinematic Middle-earth franchise thus far, the most explicit act of desolation we’ve seen has been a single vision of a ruined Shire in the Mirror of Galadriel, and the wreck of Dale by dragon-fire in The Hobbit. But we’ve never seen anything on the scale of the torching of the Entwife gardens near the end of the Second Age. The Entwives cultivated a tranquil land east of the River Anduin, which unfortunately fell directly on Sauron’s warpath as his armies returned from defeat in Eriador to Mordor. In an attempt to deplete the approaching Last Alliance’s resources, he torched the Entwife gardens, and the Entwives themselves disappeared from recorded history. Were they burned? Enslaved and put to work in Mordor (in which case, that will be even more disturbing content to watch out for)? Or did they escape to happier lands? Whatever their fate may have been, watching their gardens be uprooted and scorched will be shockingly brutal enough. Not unpredictable, but definitely the stuff that season finale cliffhangers are made of.

7: Celebrimbor, Gil-galad And Anarion’s Deaths. The Second Age is filled with a lot of very violent deaths. Nobody knows this better than Celebrimbor of Eregion, the Elven smith who forged most of the Rings of Power and was later betrayed by his partner and confidante, Annatar – who turned out to have been Sauron in disguise all along. Sauron and his orc armies attacked Eregion with the hope of locating the Three Rings that Celebrimbor had made for the Elves: they pillaged the city without any luck, and eventually Sauron captured Celebrimbor and tortured him mercilessly for information. Celebrimbor refused to relent, and so, of course, he was killed. But Sauron wasn’t content with just murdering one of the last of the Fëanorian bloodline. No, he also horribly mutilated the Elf, shot him full of arrows, and had his body hung from a flagpole and carried into battle like a banner by his orc army. That’s straight out of Game Of Thrones right there, and is almost certain to land the show a TV-MA rating no matter what. As for Gil-galad, last High King of the Noldor, he was apparently burned alive by the fiery heat of Sauron’s hand during their duel on the slopes of Mount Doom. And Anarion…well, he got his whole head bashed in by a rock thrown from the parapets of Barad-dûr, killing him and crushing the crown of Gondor. I don’t know which of these three fates was the worst, but all will certainly be graphic and stomach-churning onscreen.

6: Death And Mortality. Speaking of death, it’s actually one of the major recurring themes throughout the Second Age – and when the series begins to tackle the subject of Númenor and their relationship with death and mortality, that’s when it’s going to abruptly steer away from the realm of fantasy and into disturbing, cynical, psychological horror. For many fans of The Lord Of The Rings, it might come as a shock to realize that Tolkien’s world isn’t always escapist entertainment, but can be horrifyingly realistic when it needs to be. It’s in Númenor where this will surely be most apparent, as the island kingdom’s long-lived people slowly begin to lose their famous longevity and wither away: in desperation, they cling to life but fall into madness, chaos and a frantic search for a cure to death, or an antidote to their fear – which some of them find in Sauron’s evil, or in the nihilistic worship of the dead. They turn away from the wisdom of the Valar and the Elves, and descend into an abyss of their own making (and ultimately into the very real abyss beneath their island. Too soon?). It’s really grim.

5: Commentary On Imperialism. Tolkien was no fan of the British Empire’s global expansion, and his works reflect that: much of the trouble in Númenor first begins to emerge after the island kingdom starts occupying lands in Middle-earth across the sea, starting wars with the native peoples there and bringing back riches to fuel and fund ever more conquests. For our own sake, I hope that any violence against the native peoples of Middle-earth will be shown as it is – an unjust brutality – and not glorified or normalized. Some will complain that it’s politicizing Tolkien’s work or “pushing an agenda”, but they will be purposefully ignoring the fact that Tolkien’s work is already very political and itself pushes a very anti-imperialist agenda. The Númenóreans are also responsible for deforesting almost the entirety of Middle-earth’s western shore from the Elven kingdom in Lindon all the way to Harad at least, but probably even further. Remember in The Lord Of The Rings, when Treebeard the Ent laments the vast forests that once covered the earth? Yeah, Númenóreans tore them all down and used the wood to build ships. If you’re not shocked by that, you probably should be.

4: Human Sacrifice. Just a little bit more graphic violence, don’t worry. When the Dark Lord Sauron arrived in Númenor and began playing on the growing fears and prejudices of the Númenórean people to increase his own power, he also had a plan to try and make Middle-earth great again – a plan which involved sacrificing political prisoners to the memory of his former master and mentor, the fallen angel Morgoth. So he built a truly massive domed temple in Númenor and used it to perform these sacrifices: we don’t know exactly how, but we know the bodies were disposed of with fire, because smoke rose from the temple so often that the dome was stained black by soot. The first victim to the flames was the original White Tree, which had stood in the King’s Court for years and was a symbol of the friendship between Elves and Men. Sadly, many Númenóreans fell for Sauron’s lies and gladly gave up their friends and families to the Dark Lord’s altar.

3: Ar-Pharazôn. If you’re wondering who allowed all this to happen, well, you should probably blame Ar-Pharazôn, the last King of Númenor and the guy who decided it was a good idea to bring Sauron into the very heart of his empire. He makes this list not only because he was a corrupt leader who allowed Sauron to slaughter his own people, declared war on the Valar, and doomed his entire nation to a watery fate, but because of what he did in his personal life. You know, the whole bit where he usurped his kingdom’s throne by forcing his first cousin, Míriel, to marry him against her will – thus stealing the rule of Númenor from her, the rightful heir. It’s probably one of the greatest tragedies in Middle-earth’s history: that a capable woman could have been so close to averting all the horrors that would befall her kingdom, but because of an unqualified man was forced to the sidelines, where she could only watch and wait for the inevitable. Her last act was to try and plead with the Valar to show mercy on her people, but she died in the cataclysm like all the rest. You might be noticing a pattern at this point, and yes, the Second Age really is this hopeless and horrible.

2: Commentary On Gender. Since we’re now on the topic, I feel like we have to talk about this (though I’m well aware that a certain subsection of the Tolkien fandom would rather not). Truth is, you can’t read the tale of The Mariner’s Wife, the most complete extant writing by Tolkien on the Second Age, and not see how it’s a story about gender. I mean, it’s not even subtext. Erendis, the story’s protagonist, literally has an extended, passionate monologue about male privilege and how men will do anything in their power to undermine women, even the great women of history – whose heroic deeds they diminish and leave out of their legends. No matter how much it may cause some people to squirm and start muttering under their breath about “social justice warriors”, I want this entire speech recited onscreen. It’s among the most important and exceptional things Tolkien ever wrote, and it’s true, both in-universe and in real-life. But Amazon shouldn’t stop there: considering what we’ve just discussed about how Númenor’s downfall might have been averted by a woman, I think they could find further opportunities to comment on the empire’s oppressive, patriarchal system.

1: Sexuality. At last we come to it: the great battle of our time. Is sex and sexuality wholly foreign to Tolkien, or is it instead woven subtly and cleverly throughout his work, a thematic goldmine waiting to be properly explored? Both answers are nearly right, in my opinion, but the latter more so. Tolkien’s depictions of sexuality aren’t gratuitous, something I feel the series should reflect, but they’re there: prominently, in the First and Second Ages. For examples, read The Mariner’s Wife (no, but like, seriously, read The Mariner’s Wife: it’s amazing), and you will find that the whole story is bristling with sexual energy. Erendis and her husband have an epic back-and-forth about how he leaves her bed cold, to which he replies that he thought she preferred it that way. Tar-Ancalimë accidentally interrupts a mass wedding and then has to stay the night, listening in embarrassment to the sounds of “merrymaking” all around her as the bridal-chambers are occupied one-by-one. Amazon is going to have to expand on all of this because they’re creating something in a visual medium, but it’s also just common sense to be more explicit rather than less so because it helps to make the existing commentary on gender and sexuality more explicit as well, lending thematic depth to the entire story of Númenor. And for those worried about “the children”…well, I’m honestly not sure you can make a series about the Second Age child-friendly without actually rewriting the entire thing anyway.

So there you have it. Ten examples of things that are either going to shock the Tolkien fandom, or already have (though, to be quite blunt, it seems to be mostly the thought of nudity that has people all riled up: because apparently graphic violence and human sacrifice is fine, but some bare skin is where our fandom draws the line?) It should go without saying that I love the Tolkien fandom, and this isn’t meant as an attack on anyone in particular. So what did you think of my list? Feel free to share your own thoughts, theories and opinions in the comments below – and if you have any more shocking things to add to the list, say so!