Rest In Power, Chadwick Boseman. 1976 – 2020

Chadwick Boseman
theatlantic.com

In 2018, during the press tour for Marvel’s upcoming release Black Panther, the film’s star Chadwick Boseman gave a heartfelt interview with SiriusXM Radio during which he shared with viewers a story from his time filming the Afrofuturist superhero epic, which would go on to become a cultural milestone and a critically acclaimed celebration of Black pride and joy. The story was that of two young boys, named Ian and Taylor, both suffering from terminal cancer, whom Boseman had exchanged letters with: the boys were trying to hold out long enough to see Black Panther finally come to life onscreen, but tragically they passed before they had the chance. Boseman broke down in tears while telling the story, but used the moment to talk about the larger cultural impact of Black Panther and the ways in which movies and media can help to empower and inspire communities that often never see themselves represented onscreen in sympathetic roles.

At the time, none of us in the general public knew that Chadwick Boseman had himself been diagnosed with colon cancer just two years prior to that touching conversation. We found that out the hard way last night, when it was announced by Boseman’s family that the star, aged 43, had passed away after an exhausting four-year long battle with the disease, during which he had never ceased in his fight to change Hollywood from the ground up. Last night, we lost a true legend, a man who “radiated power and peace”, whose talent for acting was rivaled only by his talent for effortlessly spreading love, happiness and a sense of pride and dignity to marginalized communities around the globe. As Simu Liu, who would have been his Marvel co-star starting next year, put it: “Without Chadwick, and what he gave to his character, there is no Shang-Chi. Period.”

He was T’Challa, the poised, elegant King of Wakanda that audiences first fell in love with after his thrilling Marvel debut in Captain America: Civil War. But he was also baseball pioneer Jackie Robinson in 42, a role that cemented him as one of the great actors of our time. He was Supreme Court Justice Thurgood Marshall in 2017’s Marshall. He was the “Godfather of Soul”, James Brown, in Get On Up. He was the fictionalized, almost god-like Vietnam War-era soldier “Stormin'” Norman in Da 5 Bloods. He would have been the African samurai Yasuke in an upcoming biopic about the 16th Century warrior. To embody so many of Black history’s most celebrated figures in so little time takes a special kind of dedication and determination – two virtues with which Chadwick Boseman was blessed, beyond a doubt.

Chadwick Boseman
indiewire.com

It’s been hard for me to process the grief I feel over losing Boseman so early – far too early – to a disease as malignant as cancer, when he clearly had so many years left in him, so much art and talent he still could have shared with the world. But processing this pain has been made easier by seeing the genuine joy that Chadwick Boseman inspired, especially in children who looked up to his persona as the Black Panther, but also in Black audiences of all ages and all walks of life, who saw in that groundbreaking character something so much more than just a Marvel superhero with a flashy suit. Reading the tributes to Boseman from Black individuals for whom Black Panther revitalized their interest and pride in their cultural heritage (whether that expressed itself in the action of wearing traditional African clothing or studying Afrofuturistic philosophies, or anything else in between) has been both powerful and humbling.

In the absence of Boseman’s commanding presence, we are left with the legacy he leaves behind and with the urgent opportunity to carry on with that legacy, thus ensuring that future generations will remember Chadwick Boseman as a true king, an honor he deserves after the hard work he put into each and every one of his performances. At the same time we are left with his incredible body of work, which we must preserve so that it may continue to inspire future generations as it did us. We are also left with a sobering reminder to be kind: several months ago, although it wasn’t known at the time that Boseman was battling cancer, the actor appeared in public for a photo that quickly went viral for all the wrong reasons, with people on social media making jokes about his dramatic weight loss. Words have power, no matter how well-intentioned. It never hurts to be kind.

Chadwick Boseman
etonline.com

After winning the Screen Actors Guild Award for an Outstanding Ensemble Cast, the cast of Black Panther, led by Chadwick Boseman, took the stage; and Boseman spoke passionately and eloquently in the space of just a few minutes about the experience of being “young, gifted and Black” in Hollywood at such a crucial time, and how special, how life-changing it was for him to be able to work alongside so many other gifted Black professionals in the business and to give something back to pop culture, something that ultimately redefined the film industry in more ways than he would have ever thought possible. The background music signaling that his speaking time was up played too soon, cutting him off midway through his speech – but Boseman kept talking, refusing to allow that rare, unique, powerful moment to pass until he had made his point loud and clear.

But now, his life and career have been cut short, and he, despite his best efforts to fight colon cancer, is gone too soon: it is understandable and entirely acceptable that many (especially in the Black community) will feel devastated, and will need time for self-care. I cannot and will not dissuade you from taking as much time as you need to absorb this news and process it however you please. But we can’t allow this rare, unique, powerful moment in which we live to pass by either: our world – our society – is at a point where we need to firmly and unequivocally repeat that Black Lives Matter (in our writing, in our speech, in our actions most importantly) until they actually do in the eyes of the law and the institutions that constantly resist that simple statement, or worse, actively seek to violate the freedoms of Black people around the globe, through acts of violence and intimidation. Don’t let the moment pass. Don’t let the music play until we’ve said what has to be said, until we’ve done what needs to be done. Instead, let us all continue to do what Chadwick Boseman would have done: fight to protect Black lives, and fight to see the Black community represented in the media we consume by consuming that media responsibly and uplifting Black voices wherever and whenever possible.

Chadwick Boseman
bbc.com

Rest In Power, Chadwick Boseman.

“She-Ra” Season 5 Review! No Spoilers!

Would it be too much of a hot take to say that everything Avengers: Infinity War and Avengers: Endgame did, the fifth and final season of She-Ra And The Princesses Of Power did just as well – if not better in several instances? I’ll let you decide.

Now, to be fair, She-Ra has the advantage of being a Netflix series, with up to thirteen-episode seasons, so it’s probably not entirely right to compare it to any movie, even ones that are three hours long. However, considering that She-Ra‘s final season, whether intentionally or coincidentally, lifts a great deal of material straight from the closing chapters of the Infinity Saga, it seems fair enough to compare the two storylines, and how they are executed, and how the Netflix/Dreamworks cartoon sometimes gets it right where the Marvel Studios blockbusters falter.

She-Ra
ew.com

But first, a little background. I was not a She-Ra fan until Friday morning, when I decided it was high time I watched the entire series as quickly as possible, in order to catch up with the final season which had just dropped on Netflix. I had tried once before, several months ago, but I never even got past the opening credits. I forced myself through on this occasion, however – and before the first episode was over, I was already very thankful for that decision, because….wow. But don’t even get me started on the four previous seasons. This is strictly a Season 5 review.

Though I do think a little bit of Season 4 finale recap is in order – if you haven’t caught up, be warned: SPOILERS for that season up ahead! In the aftermath of Queen Glimmer (Karen Fukuhara) recklessly deciding to use the Heart of Etheria – a magical superweapon which lies embedded deep within the core of the planet – a great many things have changed in the status quo: first of all, Etheria itself has been carried through a portal out of its empty pocket-dimension and back into the larger universe; Adora (Aimee Carrero) has lost her connection with the ancient warrior She-Ra, and the Sword of She-Ra is broken and useless; and Hordak (Keston John), once the greatest enemy of the Princesses of Power, has been revealed to be nothing more than the puppet and defective clone of a far greater evil – Horde Prime (also Keston John), an alien overlord who has now launched a massive invasion of Etheria, and has simultaneously captured Glimmer, Hordak, and Hordak’s former second-in-command, Catra (AJ Michalka).

She-Ra
comicbook.com

Season 5 picks up after a small time jump. Horde Prime’s invasion is well underway now, and Adora, the archer Bow (Marcus Scribner), and all the remaining Princesses of Power are leading a futile rebellion against him. But on Horde Prime’s flagship, Glimmer and Catra are forced to establish a delicate trust bond with Prime and with each other as they plot a way to escape from imprisonment. Prime is essentially Thanos, and with less clever writing he might just have been that: his agenda (to destroy worlds across the universe in order to achieve cosmic balance and bring about a lasting peace) is much like the Mad Titan’s plan to end world hunger by wiping out half of every planet’s population; even more specifically, he too is the long-awaited mastermind behind the plans of an earlier antagonist in the franchise, who arrives on a gargantuan starship from the depths of space, whose army of mindless bodyguards start almost all their speeches with the word “Rejoice”, and who also has a tendency to meaningfully snap his fingers. Like Thanos, he has arrived on Etheria with the intention of claiming a superweapon that just so happens to come in the form of a magical link between a set of multi-colored crystals.

But unlike Thanos, Horde Prime has time to elaborate on his plans, and the characters have time to get to know him, to witness firsthand his strengths, and to begin to understand his weaknesses while they wander his ship. His special abilities, cloning and mind-control, aren’t anything we haven’t seen before, but they do also differentiate him from Thanos. And in one of my favorite scenes from early in the series, we get a chilling look at the devastation Horde Prime has wrought when he serves Glimmer and Catra a dinner consisting of various rare delicacies from worlds he destroyed in the past. Being the last person in the universe to know an entire planet’s recipes may not seem too dramatic, but it instantly makes the fight to save Etheria more personal, and conveys the horrors of Horde Prime’s conquests far better than any war-torn planet or battlefield.

She-Ra Catra
etonline.com

And that’s the thing: whenever She-Ra strays dangerously close to imitating the Marvel films, it immediately veers away again with the help of some clever, quirky twist that makes it feel fresh and invigorating. The final season may have all the same scope, scale and – occasionally – story-beats as Endgame, but it puts its own unique spin on that story. There is only one instance I can think of where this isn’t the case, when several of our heroes (I won’t say which) are left stranded in space on their way to Etheria, but the fuel they need for their own ship is actually crystals in the exact shape of Captain Marvel’s eight-pointed star – Captain Marvel being the one who rescued Tony Stark from being stranded in space after his ship ran out of fuel – so they touch down on a desolate planet only to run into a motley crew of space pirates led by a woman called Starla (Melissa Fumero) and a bald purple cyborg woman with trust issues, in an interaction that plays out almost identically to a similar meeting between Tony Stark and Star Lord’s motley crew of space pirates – which also includes a bald purple cyborg woman with trust issues – in Avengers: Infinity War.

But there’s a not-so-secret weapon at the heart of She-Ra, and that’s the series’ core cast of characters and the relationships between them, which are constantly evolving in new, unpredictable directions. Avengers: Infinity War‘s greatest problem, in my opinion, is how it sacrificed character for plot: it’s a problem that unfortunately carries over into parts of Endgame – but She-Ra doesn’t have that problem: every major character has room to grow, and all their development happens onscreen, so it doesn’t need to be exposited to the audience. The cast is also small enough already that everyone can get a meaningful role: whereas in Endgame, it sometimes felt like certain characters had only survived the Infinity War snap so they could provide comedic relief.

She-Ra
theverge.com

The story’s focus is still on Adora and Catra, as the couple navigates their fragile relationship with some difficulty. But for the first time, it’s not Adora putting in all the effort: Catra, for her part, is finally trying to stop pushing people away from her every time they show her any affection – though, much like Marvel’s Loki, she still plans on exploiting the current chaos for her own advantage, even if it means hurting others. Their relationship goes through some very surprising ups-and-downs this season. Separately, they’ve both changed as well – Adora is busy over-exerting herself as she tries to match the strength and stamina she possessed when she could turn into She-Ra, while Catra is a quieter, less aggressive shadow of her former self.

Catra’s reluctant interactions with the imprisoned Queen Glimmer are also surprisingly fun to watch, as Glimmer too has to make an effort to trust her former enemy, the woman responsible for her own mother’s death. Glimmer has had a rough time these past couple of seasons, losing people she loves and watching as her close circle of friends gives up on her when she needs them most – something which is partly her own fault, as her stubbornness manifests itself in increasingly dangerous decisions. Much like Catra, she is descending into a dark place, and it’s both thrilling and scary to join her on that journey.

Back on Etheria, Bow has also made some changes to his own lifestyle – though not quite enough to make him give up crop-tops, which he still wears proudly even in circumstances where one would think it impossible: such as the crushing void of space. His arc in this season is more understated than others, but it gives him a number of deeply satisfying revelations about his purpose in life, and also briefly reunites him with his two dads, who are still just as charming and witty as ever.

She-Ra
syfy.com

My personal favorite character in the series, the geeky tech-genius Entrapta (Christine Woods), is given plenty of material to work with (quite literally) this season. Lost and lonely without her lab partner Hordak to turn to, she once again has a hard time reminding herself that she can’t just join the bad guys because they have cooler technology.

The other Princesses each get more time to shine, especially now that She-Ra herself isn’t around to steal the spotlight from them in action sequences. Shy, sensitive Scorpia (Lauren Ash), having just recently regained her Princess status after living her entire life severed from the powers of her Runestone, is the most compelling to watch – but then, she’s always been compelling. To no one’s surprise, she gravitates most toward Princess Perfuma (Genesis Rodriguez), who is battling her own insecurities and finds a kindred spirit in Scorpia’s gentle personality. The two more brusque Princesses, Frosta (Merit Leighton) and Mermista (Vella Lovell) have smaller roles this season: though the latter does get some very interesting development later in the season, and, as always, has adorable banter with the boisterous pirate captain, Sea Hawk (Jordan Fisher). A pleasant surprise is the upgrade of guest stars Spinnerella (Noelle Stevenson) and Netossa (Krystal Joy Brown) to recurring characters: they’ve come a long way from the time when Bow couldn’t even remember what their powers were.

Several villains find themselves joining with the Rebellion against Horde Prime’s power – the Horde itself has dissolved, while Hordak is trapped between his loyalty to his maker, and fidelity to his friend Entrapta (is there something more to their peculiar relationship? You’ll just have to watch and find out). Shadow Weaver (Lorraine Toussaint), meanwhile, still maintains that she is loyal to Queen Glimmer, even though her meddling with dark magic, which resumes early in the season as the Rebellion runs out of other options, makes her vulnerable to the temptation of evil.

She-Ra
aminoapps.com

The dark magic itself is still fairly vague, but it is used in a greater capacity than ever before, and there are several fights which utilize it very well – especially those which also involve Glimmer’s father Micah (Daniel Dae Kim), who has had a little time to regain his strength since his decades-long sojourn on Beast Island. All in all, the action has been upgraded significantly this season: in particular, the fight scene which closes out Episode 5 is appropriately epic, and another fight soon after has one character literally leaping across an asteroid belt and blowing up starships with their bare hands. That’s all thanks to the incredible animation, of course.

A She-Ra review wouldn’t be complete without a shout-out to the series’ commitment to diversity – an area in which it wipes the floor with Endgame. While that film mustered up one nameless gay background character, She-Ra ends queerbaiting critiques once and for all with definitive, powerful LGBTQ+ representation.

For me, She-Ra beats out Endgame because of how undeniably right the payoff for every story thread and character arc is in the end. While Endgame leaves room for argument and debate over several characters’ fates, She-Ra ties everything up neatly, in a way that is brave but satisfying – at least for me. There’s no room for the sort of unending, roundabout discourse that plagues other fandoms. This feels like a conclusive, fitting ending for characters I only just met yesterday and for whom I would already sacrifice everything.

Series Rating: 10/10

A Live-Action “Hercules” Is In Development At Disney!

A lot of people complain about the recent deluge of Disney live-action remakes, and, despite the fact that I personally have liked almost all of said remakes (with the glaring exception of The Lion King), I can understand the reasoning behind these complaints. More often than not, Disney has rigidly insisted on remaking all of their most beloved classics – films like Aladdin, Cinderella, Beauty And The Beast, The Jungle Book…films that are already so good or at least iconic, that it’s hard to add anything new to the story. That’s why I’m so happy that, at long last, the studio is looking to remake a couple of its more niche or less popular films. Films like Hercules (oh, and also Robin Hood).

Hercules has a huge cult following, to no one’s surprise. The film is a lot of fun, it’s got some pretty good songs, and the characters are hilarious and endearing – especially the villainous Hades, and the snarky princess Megara. But thanks to a poor box-office performance, Hercules is often neglected by both the studio that made it and general audiences: not quite as much as, say, Atlantis: The Lost Empire or Treasure Planet, but enough that neither Hercules nor Megara are considered official Disney royalty, despite being the prince and princess of Olympus and its huge pantheon of gods. Incredibly unfair, if you ask me. But thankfully, the film will now get a second chance to prove its worth, in the form of an upcoming live-action remake (special shout-out to the folks at The DisInsider for obtaining this awesome new scoop).

Hercules image
people.com

Along with the news that the film is being remade for a theatrical debut and a hint that it will be a musical like the original (unless, I suppose, the non-musical Mulan remake does so well that Disney rethinks that strategy), there’s also several rumors of possible directors for the coveted project. Jon Favreau is probably the most obvious choice on the shortlist thanks to his work on the massively successful The Jungle Book and The Lion King remakes, but, from a creative standpoint, he seems like a weak option: perhaps The Lion King was just a fluke, but it’s also indicative of a mentality I personally don’t want to be applied to Hercules – adapting one of Disney’s more niche properties should be an opportunity for a more unique, creative vision, and Favreau’s has…not been that. And look, I’m not going to sit here and say that Bill Condon brought anything revolutionary to Beauty And The Beast, or that Guy Ritchie was able to leave his own distinct mark on Aladdin, but at least they added new material to the plot and expanded on some things, however small: The Lion King really didn’t do anything to widen the world or broaden the scope of the story. Then again, Favreau has proved to be a great producer on The Mandalorian, so I wouldn’t be averse to him having a role behind the scenes – but I don’t think he’d be the best choice for director.

The other names currently being floated are Gore Verbinski and the Russo Brothers. The former you will recognize as the director of Disney’s original Pirates Of The Caribbean trilogy (which, incidentally, I just watched a few days ago, and have been meaning to review), and the latter as the directing duo behind Marvel’s Avengers: Infinity War and Avengers: Endgame. Now, I really like the Russo Brothers – despite some gripes I have with Endgame, I think the Russo’s are both extremely talented directors. But Verbinski…he’s the one I want helming the Hercules remake. His skill with action scenes and his eye for detail would help to make the film visually stunning, atmospheric, and appropriately epic for an adaptation of an ancient Greek myth.

Hercules Disney image
insidethemagic.net

As with any remake, there’s an opportunity for Disney to both honor the animated classic while updating the story with more modern sensibilities: due to the fact that Hercules has a smaller fanbase than the studio’s big hits, there’s probably an even greater likelihood that this remake could feature a number of changes – if I had to guess, I’d imagine that Megara will get a larger role, and probably won’t be subjected to the satyr Philoctetes’ unwanted advances, which, in the original film, quickly crossed a line into what would be considered harassment. And I’d love to see the remake draw more heavily from actual Greek mythology – the animated film was not very faithful to the Hercules myths, which means there’s a lot of room to improve on that front: though I’m 99% certain we still won’t see the actual Hercules origin story onscreen, as it involves Zeus cheating on his wife by disguising himself as the husband of a mortal woman.

There’s no word yet on who will be cast in the remake, though the internet is already abuzz with theories – the general consensus is that the Muses should be played by some of pop culture’s most talented black performing artists, from Beyoncé to Lizzo to Janelle Monaé, while singer Ariana Grande, coming off a strong and well-received recent performance of Megara’s ballad “I Won’t Say I’m In Love” appears to be the top choice to play the princess. As for Hades, I still maintain that Jeff Goldblum would be the ideal candidate for the zany, campy role, but I’m open to suggestions.

So what do you think of a Hercules remake? Who would you like to see come onboard as director? Who should star? Share your own thoughts, theories and opinions in the comments below!

Five Ways Black Widow Could Come Back To The MCU!

Last night, I had the chance to watch Avengers: Endgame again for the first time in a while. As on previous rewatches of the film, I found myself appreciating most of the first act of the movie (where, SPOILER ALERT I GUESS?, the Avengers kill Thanos), and most of the third act (where the Avengers kill Thanos a second time). I even liked a lot of stuff in my least-favorite part of the movie, that troublesome second act that has the team split up across different timelines and try to steal Infinity Stones from history.

Black Widow
cinemablend.com

But I still cringed at the absolute worst part of Avengers: Endgame – the scene in which Natasha Romanoff, the legendary Black Widow, sacrifices both her life and years of character development in exchange for the mysterious Soul Stone, willingly leaping from that accursed cliff on the godforsaken planet of Vormir to her very certain death. Cue the outrage. Natasha Romanoff, Marvel’s first (and for a long time, only) woman Avenger, was sacrificed in much the same way as another woman a year earlier: Gamora, who was tossed from the cliff by her own father. As womens’ bodies continue to pile up at the foot of that stupid cliff, fans (and especially, female fans) asked Marvel one simple favor: could you please stop fridging women?

Natasha Romanoff’s death is doubly infuriating because it came just before her long-awaited solo movie, Black Widow, which is supposed to explore an adventure in her past, before the events of Avengers: Endgame. But many are still clinging to a desperate hope that the Widow is still somewhere out there, either alive on earth or fighting to get back home. So let’s take a look at a couple ways Natasha could come back to life in the Marvel Cinematic Universe.

5: It Wasn’t Really Her.

Yelena Belova
hitc.com

This theory is a bit preposterous, but still worth noting: the idea is that Natasha Romanoff’s “sister”, Yelena Belova, who will make her debut in the Black Widow film, actually traded identities with Natasha before Avengers: Infinity War, or at some other point before Avengers: Endgame. There’s a little bit of evidence that supports this: Natasha wearing Yelena Belova’s jacket in Infinity War; a shot from a recent Black Widow trailer that shows Yelena Belova on a surgical table with a strange scar around her forehead, as if her face had been removed or changed. This option is undoubtedly the least appealing, not only because it would mean that the rest of Natasha’s awesome character beats in Endgame weren’t her own, but because this only changes the identity of the woman victim. As Infinity War Captain America would say: “We don’t trade lives.” Nonetheless, expect the super-spy sisters to swap identities frequently in the Black Widow film.

4: Multiverse Shenanigans.

Gamora
reddit.com

As I mentioned previously, Gamora was the first person to lose her life on Vormir – but she has since returned, thanks to the time heist in Avengers: Endgame. Coincidentally, it was when Black Widow, Nebula, Hawkeye and War Machine traveled back to 2014 to retrieve the Power and Soul Stones that a 2014 version of Gamora was able to slip through into the present Marvel timeline, along with the 2014 Nebula and Thanos. If the Avengers wanted to bring Natasha back, they could simply find a version of her from another timeline – but that poses a whole bunch of other problems.

3: Bruce Resurrected Her.

Hulk
looper.com

One of the plot-lines left over from Avengers: Age Of Ultron that went nowhere was the love story between Natasha Romanoff and Bruce Banner a.k.a. The Hulk. The two characters both regarded themselves as “monsters” (let’s not even get into the reasons why), and bonded over that. But after Bruce went missing for two years and the Avengers films switched directors, that story was mostly left unfinished. Except for the fact that, when Bruce Banner finally got his hands on a fully-operational Infinity Gauntlet at the end of Endgame and snapped his fingers to bring back the people that Thanos had dusted, he also tried to bring back Natasha. This is only mentioned in a throwaway line in the film’s final few minutes, but it’s still intriguing – could Bruce have been successful? How would he know? Natasha would presumably be resurrected on Vormir where she died, meaning she’d have to find her own way home.

2: Captain America Came To Bargain.

Captain America
screengeek.net

At the end of Avengers: Endgame, Captain America takes it upon himself to go back in time and return all the Infinity Stones the Avengers had taken from time. The Space Stone went back to New Jersey, the Time Stone back to the Sanctum Sanctorum, the Reality Stone…I don’t even want to know how he somehow injected it back into Jane Foster without her knowing. But the Soul Stone is the most interesting one: to bring it back, Captain America would have to return to Vormir, to the exact moment of Natasha’s death, and hand it over to…Red Skull, I guess. But does returning the Stone mean that Natasha’s life is also returned? If Natasha is to be brought back to life, this is by far the most likely explanation as to why.

1: Natasha, Daughter Of Ivan.

Druig
en.wikipedia.org

And then we come to my theory. I’ve always believed that there’s a reason the Black Widow solo film is supposed to kick off the epic, cosmic events of Marvel’s Phase 4. But what business does the decidedly human heroine have in this universe of gods, aliens and mythical lore? Well, my theory is rooted in comic lore and a very intriguing name that gets dropped minutes before Natasha’s death. Red Skull calls her “daughter of Ivan”, and Natasha comments that he must be telling the truth, because she didn’t even know her father’s name. But who is Ivan? While there are any number of Ivan so-and-so’s associated with Natasha in the comics, there’s also another character who goes by that name, who has a connection to the events about to unfold in the MCU: Ivan Druig is the alias that Druig, an Eternal (who will be played by Barry Keoghan in The Eternals), takes when he impersonates a sadistic Russian KGB officer and the leader of a small Soviet state named Vorozheika. If “Ivan” is Ivan Druig, and Natasha is Ivan’s daughter, that makes her a demigod – similar to how Peter Quill was revealed to be the son of a living planet. Druig might have an interest in resurrecting his daughter, maybe even giving her new powers in the process. If this were the case, Natasha could hold her own in the next phase of the MCU, while her film would have a major tie-in to The Eternals that would help to get audiences excited for that film.

What do you think of these theories? Do you even want to see Natasha brought back, or were you happy with her sacrifice? Share your own thoughts, theories and opinions in the comments below!