“1917” First Trailer!

It’s shaping up to be a good year for World War I dramas – between this grim, harrowing account of two men racing against time to prevent a massacre on the battlefield, to The King’s Man, which seems to present a more romanticized view of British spies and assassins weaving through early 20th Century politics, pretty much all your bases are covered. So let’s talk about the first trailer for Sam Mendes’ 1917, which has just dropped today.

First up, the fact that it’s a joint Universal Studios/DreamWorks Pictures release stunned me right off the bat – I’m just not used to seeing the DreamWorks logo before a trailer filled with mustard gas, military chaos and the horrors of war: but here we are, and that’s what we’ve got. The trailer is masterfully edited to reflect the claustrophobia of the trenches on the front lines: it opens with a man running across an open field, being peppered with bullets and bombs, but the camera frame shrinks tighter and tighter around him, quickly becoming the second 1 in 1917, while the man himself is lost in a cloud of smoke. That’s quickly followed by darkly-lit shots of soldiers creeping through an abandoned building, guns at the ready – the shadows encroach around them oppressively before being abruptly shredded by a bomb exploding in their midst. As the air rings around the survivors, their voices are muffled and distant, their figures merely dark silhouettes in a fog. There are haunting shots of men wading through rivers clogged with dead bodies, or staring into the ever more rapidly shrinking title cards as if they’re caught in the enemy’s crosshairs, while the music beats in time to their gunfire.

And then, of course, there’s Benedict Cumberbatch: no decent British historical fiction would feel right without him. The cast also includes Colin Firth, Mark Strong and Richard Madden – as of right now, the film looks very (as in, entirely) male-driven: there’s only a single female character credited on IMDb, and since she doesn’t have a name except for “Mother”, I’ll bet she’s very unimportant to the story. That’s not necessarily a mark against the film, but plenty of war dramas can and do find enough time for at least one named female character to appear: though they’re typically little more than plot devices who inspire the soldiers to invoke their name as they charge into battle, or who can cry over said soldiers when their dead bodies are returned home for burial.

All in all, though, the film looks very good: with the market currently wanting more war dramas, I hope 1917 has enough appeal to win out over bigger, more mainstream releases like Roland Emmerich’s Midway, or The King’s Man.

Trailer Rating: 5/10

Madness In The Multiverse – And On Disney+!

Marvel’s Phase 4 announcements at last night’s San Diego Comic-Con presentation didn’t just include a detailed outline of the movies they will be releasing over the next few years – all of their Disney Plus streaming shows were also officially announced, and even received logos and some casting announcements. There’s so much to go over in this post. Let’s start with the simplest stuff.

So Falcon And The Winter Soldier is coming to Disney Plus in Fall of 2020, and will bring with it a newly redesigned version of the villain Baron Zemo, still played by Daniel Brühl, but no longer looking quite as…dare I say, boring…as he did in Captain America: Civil War. This time around, he’s sporting a comics-accurate mask, and promises to be much more physically intimidating as well. That show looks promising, but there wasn’t much to talk about. Emily Van Camp, who will star alongside Anthony Mackie and Sebastian Stan, was not present at last night’s panel, so that presentation mostly consisted of the two leads passing around Captain America’s shield for a minute or two.

Loki arrives in the spring of 2021: Tom Hiddleston, who returned to Comic-Con to thunderous applause, will also be returning to the iconic role – Marvel president Kevin Feige confirmed that the Loki we see in the show will indeed be the one from the past who escaped with the Tesseract in Avengers: Endgame, leaving open the possibility of a return – maybe, somehow, Loki will find a way back into the current timeline.

A Hawkeye series was also confirmed last night, and it was revealed that archer, and sometimes Avenger, Clint Barton will be training Kate Bishop, a character who was rumored to appear in Endgame but turned out to be Barton’s daughter. There was no clue as to who would be playing Bishop, but Jeremy Renner will return to the role of Hawkeye – that will be in fall of 2021.

In one of Marvel’s more unusual panels of the night, a What If? animated series was confirmed for the summer of 2021 – Jeffrey Wright will star as The Watcher, a cosmic entity who observes the world’s history. Many of the Marvel stars will be joining the show for voice-acting work, starting with Hayley Atwell and Chris Evans in an episode which will explore what would have happened if Peggy Carter had taken the Super Soldier serum. It sounds…decent. But it will presumably feature the concept of the Multiverse, and that’s where things get interesting.

WandaVision is the Disney Plus show I’m most looking forward to, and we can expect that to drop in spring of 2021 – it will star Elizabeth Olsen as Wanda Maximoff the Scarlet Witch, and Paul Bettany as the android Vision (Vision kind of died back in Avengers: Infinity War, and Bettany gave no indication of how he will be returning). The show will be set in the 1950s and have a corresponding retro flair (no explanation for that either), and it will also star Teyonah Parris as Monica Rambeau. That’s right, the sweet little girl from Captain Marvel, whom we last saw in the 1990s, will now be an adult…in the 1950s. If you’re confused now, prepare to be even more baffled as time goes on: Olsen said that this show is “weird”.

Is it any wonder, then, that the events of WandaVision will apparently lead directly into the most bizarre, freaky movie of the next phase – Doctor Strange In The Multiverse Of Madness. With a title like that, the film is already promising some seriously trippy weirdness, but apparently it’s like nothing we’ve ever seen before in the MCU – Benedict Cumberbatch came onstage to talk about how this film will stray near, or over, the boundaries of what can be done in a PG-13 film. Apparently it will be Marvel’s first real horror film, and will feature Nightmare as the villain. And, just as many of us had hoped, Scarlet Witch will also be in the film, presumably because of something that happens in WandaVision – possibly, she gets targeted by Doctor Strange’s nemesis Baron Mordo, whom we last saw embarking on a mission to kill magical beings across the world.

Oh yeah, and the title suggests that the whole concept of a Multiverse is real – in Spider-man: Far From Home, we thought we had seen the last of that idea when Quentin Beck revealed that his scriptwriter had made it all up. Looks like that scriptwriter knew a little more than he let on to Beck, because Doctor Strange is about to set out into the Mad Multiverse. This opens so many other possibilities, it’s hard to even think about right now.

Which of these upcoming projects interests you the most? Are you excited that the Multiverse is real? Do you like the idea of Maximoff and Strange teaming up? Share your thoughts in the comments below!

Marvel Phase 4 Timeline!

With Avengers: Endgame out in theaters (and crushing the box-office), Marvel is already looking ahead to the Fourth Phase of their cinematic universe – we’ve already discussed what movies will soon be coming to the big screen in the near future: now let’s talk about when we’ll probably see them.

So, leaving aside Spider-man: Far From Home, which long ago wrapped filming and is set to release on July 5th of this year, the next Marvel film to start production should be the Natasha Romanoff origin story Black Widow, which, according to star David Harbour, should begin in June, possibly in the United Kingdom. Director Cate Shortland is attached, and Jac Schaeffer is the scriptwriter. Scarlett Johansson will be returning to the role of the Russian assassin. We should see Black Widow on May 1st, 2020.

The Eternals, which may star Angelina Jolie and Kumail Nanjiani, is probably next in line, as cameras are expected to start rolling in September, also in England. Chloe Zhao is the director, making her Marvel’s third female director, and their first of Asian heritage. Matthew and Ryan Firpo will be the writing the screenplay for this ambitious project, rumored to have a massive ensemble cast with five female leads and three male leads. The Eternals does not yet have an official release date, but it seems likely that it could make the November 6th, 2020 slot that is currently reserved by Marvel.

Beyond that, things get a little trickier, but it looks like the eagerly-anticipated Black Panther 2, sequel to the 2018 box-office giant, is moving along at a swift pace, with the first film’s director Ryan Coogler and stars such as Chadwick Boseman, Letitia Wright and Danai Gurira – and even Michael B. Jordan, whose character died in Black Panther – all expected to return. Filming will probably begin early next year, and the movie could easily make the February 12th, 2021 release date.

After a strong outing in Avengers: Infinity War, Doctor Strange has also been confirmed for a sequel – Benedict Cumberbatch is expected to reprise the role, though there has been no official announcement. Director Scott Derrickson and screenwriter C. Robert Cargill are likely to return. The release date for this movie has been a matter of contention, with some outlets reporting it could arrive in 2020 – that seems highly improbable, as there has been no word on any production dates yet: though actor Benedict Wong did suggest it might start filming earlier than expected. But it’s a pretty safe bet that Doctor Strange 2 will arrive, at the earliest, in 2021. The only question is what month, exactly. Aside from the February 12th slot, there are just two other confirmed Marvel slots that year – May 7th and November 5th. Considering that the first Doctor Strange came out in November, and some other developments, I’m predicting we’ll next see the Sorcerer Supreme on November 5th, 2021.

So what takes that May 7th date? Well, the aforementioned developments have to do with the fact that Shang-Chi, Marvel’s first Asian-led film, is rumored to begin filming soon after The Eternals wraps. That should place its start date early next year, and could point to Shang-Chi making that May 2021 release date. Destin Daniel Cretton is onboard to direct the film, and David Callaham will write the script, but no casting announcements have been made yet.

Then there’s the whole question of when Guardians of the Galaxy Vol. 3 will get off the ground – director James Gunn was fired and went to work with the DCEU over at Warner Brothers, only to suddenly be rehired by Marvel earlier this year. Now, Gunn has two commitments to the two rival studios, which is rather intriguing: thankfully, he’s decided to do the courteous thing and finish filming Suicide Squad for DC before picking up where he left off with Guardians of the Galaxy Vol. 3. But, surprisingly, this sequence of events could start much sooner than anticipated: Suicide Squad is moving at full speed ahead, and Guardians 3 is now rumored to start filming sometime next year. It seems to me that we could see the return of Star-Lord and his band of intergalactic bandits on May 6th, 2022.

Beyond that there’s also a July 29th, 2022 date that could fit a Captain Marvel sequel, something that is likely to start sooner than later, based on the film’s incredible box-office run and astonishing staying power. There is a peculiar February 18th, 2022 release date as well, one that intrigues me: it doesn’t seem well-suited to Guardians of the Galaxy, which has been a Summer franchise, but Shang-Chi looks to be moving too quickly to get pushed back so far. It’s possible this is where Black Panther 2 ends up, or it’s also conceivable that this slot will be changed in the coming months. So far Marvel’s president Kevin Feige has said nothing about when we’ll see any of these films.

And that’s what brings us full-circle, back to Spider-man: Far From Home. Feige is apparently waiting until that film debuts before he will unveil the official Phase 4 timeline: that reveal will probably be made at San Diego Comic Con in July. We don’t have long to wait.

What’s Next For The MCU? Phase 4 Predictions.

The ending of Avengers: Endgame leaves us with a bittersweet taste in our mouths. Things have changed in the Marvel Cinematic Universe, for better or worse, and now we have to continue on in a world that deals with Endgame‘s ramifications – a world with some new characters we don’t yet know much about, new storylines we’re not yet emotionally invested in: where do we go now, and who can we expect to see more from in the coming years?

Naturally, there are major spoilers for Avengers: Endgame ahead. If you haven’t seen the movie yet, I encourage you to go do so – like, now.

You’re back? Good, so let’s talk about what happened, and what happens next. The original Avengers (Tony Stark, Steve Rogers, Thor, Natasha Romanoff, Bruce Banner and Clint Barton) have had their stories concluded in a variety of different ways: Tony is dead, and likely to remain that way; Rogers has now gotten everything he wanted, including his dance with Peggy Carter, and his arc is finished – he’s not dead, but he’s now an old man; Thor has joined the (As)guardians of the Galaxy and seems likely to enjoy a whole bunch of new adventures; Romanoff’s broken body is lying at the foot of a cliff on the planet Vormir, where she sacrificed herself for the Soul Stone; Banner is now Professor Hulk, and his entire story seems to have ended; Barton has returned to his family.

Of these, Thor, Romanoff and Barton are probably going to continue on into the next phase of the MCU.

Thor has joined forces with the Guardians of the Galaxy, and will presumably be a key player in Guardians of the Galaxy Vol. 3, which seems likely to focus on an unresolved plot point from Endgame: Star-Lord, the Guardians’ leader, was temporarily reunited with his girlfriend Gamora, but she disappeared at some point afterwards. We see him searching for her at the end of the movie, so it looks like that could be a critical focus of the third Guardians installment. Star-Lord, thankfully, has help from Gamora’s sister, Nebula, who has been more than redeemed by events in Endgame – and from Thor, who has relinquished all of his other duties so he can join his friend Rocket Raccoon here on an intergalactic mission. Certainly Thor’s presence on the team will be welcomed by other Guardians such as Drax and Mantis, both of whom seemed infatuated with him in Avengers: Infinity War, and by Nebula and Rocket, who have now become friends with the God of Thunder. There’s already some tension between Thor and Star-Lord, however, about who gets to be captain. Considering the overwhelming support for Thor, I think Star-Lord’s in for a surprise – I wonder if this might carry through into real life. Star-Lord actor Chris Pratt has been the unchallenged star of the Guardians franchise for two movies now, but Chris Hemsworth’s Thor is a fan-favorite and could easily overshadow the rest of the group. Hopefully, Guardians of the Galaxy Vol. 3 director James Gunn, newly reinstated to the franchise, will be able to give all the characters their proper screentime.

Meanwhile, Natasha Romanoff, the Black Widow, seemed to have a definitive conclusion in Endgame, sacrificing herself so that the other Avengers could win the Soul Stone and complete their construction of an Infinity Gauntlet. However, Romanoff is getting her own solo movie next year, and even though Black Widow seems to be a prequel, it doesn’t seem very Marvelous to make the very first move of the next phase be a callback to the past. I’ve speculated before that I feel Black Widow has a major connection to events in Phase 4, specifically the upcoming Eternals franchise, but that’s still just a guess. At the moment, all we know about Black Widow is that she’s dead. Her death, however, could hypothetically be reversed – Captain America returns the Soul Stone at the end of Endgame, which might be enough to undo Black Widow’s sacrifice and bring her back to life. Her movie is set to star Rachel Weisz, Florence Pugh and David Harbour (with some outlets also reporting that Emma Watson might still be involved in the project), and is going to be the stepping-stone into the next phase of the MCU. Whether or not Black Widow ends up being linked to the broader Marvel universe, though, it will still be a very interesting foray into an unexplored corner of the timeline, one that involves spies, political intrigue, and (hopefully) the often-alluded-to-but-never-properly-explained incident in Budapest that both Black Widow and Hawkeye remember so differently.

Speaking of Hawkeye, Clint Barton finished out Endgame still very much alive, and very much still the family man he’s always been. At the beginning of Endgame, we saw him and his daughter practicing archery, and now that he’s back he’ll presumably continue his lessons with her. However, everything might not be as happily-ever-after as it seems for Barton, who did a lot of questionable things during the time that his family was snapped out of existence by the Titan Thanos. Aside from renewing his semi-romantic relationship with Black Widow, Barton also adopted a new identity – under the name Ronin – and began systematically killing people across the globe. We even saw him dealing with Japanese criminals in a particularly vicious scene, which saw Hiroyuki Sanada wasted in a seemingly pointless cameo as one of Ronin’s victims. But could karma catch up with Hawkeye in the future? It’s been rumored that he’s getting his own streaming show on the new Disney Plus platform, where we might also see the Hawkeye mantle pass on to Kate Bishop, a comics character who has yet to enter the MCU. Maybe some figurative ghosts from Barton’s bloodstained past come back to haunt him and his family, and he has to team up with Bishop to stop them.

Interestingly, Hawkeye wouldn’t be alone on Disney Plus: Scarlet Witch, Vision, Loki, Winter Soldier and Falcon are the Marvel characters currently confirmed to be getting their own streaming shows. Scarlet Witch and Vision will be starring in the oddly-named WandaVision, which will see actors Elizabeth Olsen and Paul Bettany reprise their roles as the telepathic mutant (they’re allowed to use that word now, due to the FOX merger), and the deadpan android. Very few details are known about their show so far, except that it might take place in the 1950’s – which is confusing, to say the least, since neither Scarlet Witch nor Vision have shown any interest in time traveling previously, and Vision is actually dead at the moment. The Loki show, aptly titled Loki, could potentially explore one of Endgame‘s most intriguing moments – where Loki, in an alternate timeline, manages to escape with the Space Stone after the Battle of New York. This timeline, unlike others, might not have been affected by Captain America returning the Infinity Stones to their proper timelines at the end of the movie. This means we could see Loki on a wild, galaxy-hopping adventure through space and time in his own show: who wouldn’t be down for that?

Falcon & The Winter Soldier, on the other hand, is by far the most easy-to-understand of the three confirmed shows: at the end of Endgame, we saw Steve Rogers pass the title of Captain America to Falcon, who accepted it with the silent blessing of Bucky Barnes, the Winter Soldier, who stood nearby. A new Captain America means (most likely) more trouble with organizations like S.H.I.E.L.D and HYDRA, which can’t ever seem to get their act together. We’ll see Falcon and Winter Soldier team up against a new threat to American freedoms and values, while also coming to terms with what it means to be Captain America. Anthony Mackie and Sebastian Stan have such fantastic chemistry, both onscreen and off-screen, that I think this show will be a big hit.

Not everything is so simple, though. On the big screen, the MCU is going to continue getting larger and more complex, with the addition of the Eternals, a divine race of superhumans who will show up in theaters in late 2020, ushering in what could be Marvel’s most ambitious goal yet: a cosmic phase. It’s long been speculated that, after Endgame, things are going to get crazier in the MCU, with the addition of more out-there concepts such as Eternals, Deviants and Celestials, or characters like Galactus and the Silver Surfer. If that is what they’re doing, The Eternals is the perfect place to start this: the members of this ensemble team are relateable enough that they might be able to sell some of these strange new ideas to audiences, especially with the help of confirmed stars Angelina Jolie and Kumail Nanjiani. The film looks to be a crowded one, with rumors of five female leads and three male leads, including Marvel’s first openly gay male lead, and a female lead of color. This project is one that I’m highly anticipating.

After The Eternals, though, the MCU doesn’t look to be diving into otherworldly and galactic storylines: instead, we’ll probably first be returning to the tranquil African nation of Wakanda, where Black Panther and his sister Shuri will face some new, as yet unknown, threat to the throne. There are very few details about this eagerly-awaited sequel to the 2018 cultural phenomenon that was Black Panther, but you can be sure that the film will go into production as soon as possible.

Another sequel that has yet to be officially confirmed is Captain Marvel 2. Air-force pilot Carol Danvers flew higher, further, faster at the box-office this year, proving that a female superhero is more than capable of carrying her own franchise. While there is no word on when such a sequel might be released, it’s probably only a matter of time. Carol got her comics-accurate haircut and sash in Avengers: Endgame and looks like she’s ready to take on her undefeated foe from her solo movie, the Kree Supreme Intelligence, or possibly even her former mentor Yon-Rogg, who was allowed to escape unharmed at the end of Captain Marvel. The alien race of Skrulls, villains in the comics, were portrayed in a more sympathetic light in the MCU, but that doesn’t mean all of them are benevolent – I’ve already questioned whether one character established in Captain Marvel might walk down a dark path in a future movie. Endgame teased the appearance of several new female superheroes, including Valkyrie as the new Queen of Asgard and Ant-Man’s daughter Cassie Lang: it’s possible that, in a nod to the A-Force storyline from Marvel comics, we could see these heroines team up under the leadership of Carol Danvers to take on some cosmic threats.

But while battle rages among the stars, the earth itself might be threatened by more mystical forces – Doctor Strange, who became one of the Avengers’ most crucial players in Infinity War, is now unprotected by the Time Stone. This could leave him and the Sanctum Sanctorum open to attack by characters such as Karl Mordo, or even Dormammu. Magic is still pretty new to the MCU, and doesn’t yet have any clearly-established rules, so it will be interesting to see what director Scott Derrickson chooses to do with it here, in Doctor Strange 2, which will presumably see the Sorceror Supreme dealing with the fallout from Endgame. Hopefully we see him team up with the Scarlet  Witch, assuming she isn’t permanently relegated to Disney Plus.

Beyond even that, Marvel is already planning for its first film headed by an Asian lead – an origin story for the martial-arts master and spy Shang-Chi, whose appearance in the MCU doesn’t seem to have been foreshadowed by anything we’ve seen so far: unless it might be that the Japanese criminals from Endgame that Ronin killed were somehow associated with Shang-Chi’s infamous father, the crime syndicate Zheng Zu (previously known by the racist moniker Fu Manchu). Marvel’s president Kevin Feige has been surprisingly willing to discuss this particularly project, but there are still no concrete details.

And that’s all in the future. Only a few months away now is the last installment in Marvel’s Phase 3 – that is, Spider-man: Far From Home, which will pit the web-slinger Peter Parker against a reality-bending villain named Mysterio. While this isn’t officially part of Phase 4, according to Kevin Feige, it will still be an entertaining and exciting epilogue to the events of Avengers: Endgame, a much needed respite after huge battles and intergalactic politics, where we can sit back and enjoy some smaller-scale conflict for the safety of Spider-man’s neighborhood.

Which Phase 4 movie are you most excited to see? Let me know in the comments. Considering the fast pace at which projects like The Eternals, Black Widow and Black Panther 2 are being rushed along, it seems likely we’ll get more details about these and other movies sooner than later.

“Avengers: Endgame” Spoilers! Everything That Happened!

Well, this is going to be much easier to write than my non-spoiler review! Avengers: Endgame has so many twists, surprises, reveals and gasp-out-loud moments that it’s simply impossible not to talk about. So you, casual reader, have been warned! If you haven’t seen the movie yet – stop reading, leave, go see Avengers: Endgame and then come back.

So we’re just going to talk about the general plot, which has been, of course, a closely-guarded secret: I’ll probably have many other theories and interesting bits of news to share as more details about the movie come out, but for right now I think I should do my best just to explain everything that happened. It’s a very complex movie!

Endgame opens on the day of Thanos’ infamous Snap, with Hawkeye (Jeremy Renner) forced to witness his entire family get turned to dust, along with half of the world’s population. Then, the movie leaves him there, heartbroken and confused, so it can return to the really important stuff.

Did that sound unnaturally harsh to Hawkeye? Yes, intentionally so. He wasn’t my favorite character in this film, I can tell you.

So anyway, then we continue on, shortly after the events of Avengers: Infinity War, with Tony Stark (Robert Downey Jr) and the murderous blue assassin Nebula (Karen Gillan) both stranded in space, getting along pretty well. Within a few minutes, they are rescued by Captain Marvel (Brie Larson) who carries their spaceship to earth, where Tony is reunited with Pepper Potts (Gwyneth Paltrow). Together, the remaining Avengers put together their master plan to defeat Thanos and resurrect the Vanished. Everything goes smoothly: they quickly figure out where Thanos is hiding, on a planet called The Garden. Energy signatures suggest that Thanos has in fact used the Infinity Stones he collected in Infinity War again, but no one knows why. Therefore, the Avengers head off into outer space to find and defeat Thanos once and for all.

They find him on The Garden, an undefended paradise planet where the Mad Titan has taken up gardening and cooking as his chief hobbies. The Avengers blow up his house and hold him captive, demanding to know where the Infinity Stones are. The maimed and injured Thanos informs them that he destroyed the Stones not long ago, to prevent any chance of ever undoing the Snap. (This raises some important questions, such as: how does the universe survive without these apparently crucial elements of its existence?, but these questions aren’t answered).

Horrified by this answer, Thor (Chris Hemsworth) promptly beheads the Titan and leaves the house, striding away in silhouette.

This, of course, all happens in the first act of the movie, and then the screen fades to black, and the ominous words FIVE YEARS LATER slowly appear. That’s right, the rumors of a huge time gap between Infinity War and Endgame were correct: five years of grief and despair set in on the planet Earth, splitting up the Avengers once again and causing some bizarre stuff to happen. Bruce Banner (Mark Ruffalo) rather randomly merges himself with the Hulk, combining his brains and the Hulk’s brawn to create Professor Hulk, a somewhat unusual character who might have needed just a little more CGI magic; Thor gains weight and becomes an alcoholic living in a fishing village in Norway with the last refugees of Asgard – including Valkyrie (Tessa Thompson), who unfortunately has far too little to do in this movie, and Korg (voiced by Taika Waititi), who has even less to do. Conveniently, it’s never once explained how either of these characters got off the besieged spacecraft where we last saw them in Thor: Ragnarok, or how they got to Earth. Hawkeye gets a mohawk and tattoos, and decides to pursue a life of crime in the streets of Tokyo under the name of Ronin. This is honestly so irrelevant, but it’s worth mentioning because…scratch that, it’s just irrelevant. Captain Marvel heads off into space for unknown reasons. Tony Stark gets married to Pepper and has a daughter named Morgan, and the whole family settles down somewhere by a lake. Captain America (Chris Evans) joins a therapy group, which also happens to be attended by Joe Russo, Avengers: Endgame director, who makes a cameo here as a man struggling to find love in this bleak and hopeless world.

And at this moment, when all seems lost, Ant-Man (Paul Rudd) shows up, saved by a stray rat. Having been trapped in the Quantum Realm for five years, Ant-Man knows nothing about Thanos, the Infinity Stones, the Snap – or the fate of his own daughter, Cassie. She turns out to be alive, in fact, but she’s now a teenager, nothing like the chirpy child that Ant-Man last knew in Ant-Man And The Wasp. His reunion with Cassie is one of the movie’s first truly emotional scenes, and sets the stage for what’s about to go down. He arrives at Avengers HQ with a new hope for the future: time travel is possible, but only by using the power of the Quantum Realm. His message revitalizes the Avengers in their darkest hour, and Captain America and Black Widow (Scarlett Johansson) start rounding up all their friends, seeking to reverse the Snap by going into the past and getting each of the Infinity Stones before Thanos.

Naturally, things don’t go exactly as planned. Tony Stark and Captain America don’t ever fully forgive each other for the Civil War they caused, which is one of the great tragedies of Endgame: Stark is unwilling to go back and reverse the Snap because he doesn’t want to lose everything he has now; his wife and daughter. Black Widow goes to Tokyo to find Hawkeye (or Ronin, or Irrelevant, or whatever you want to call him), and enlists him, while Professor Hulk manages to stir Thor from his drunken stupor in Norway long enough to get him back to Avengers HQ.

At this point in the movie, things are looking pretty terrifying: literally, as well as figuratively – Hawkeye looks awful in a mohawk, and Thor is not exactly the tall and muscular Norse God he once was. Tony’s hair is graying, and Black Widow’s hair is so many colors I’ve lost count.

But finally, after much trial and error (and Ant-Man getting turned into a baby, and some brief discussion about murdering a baby), the plan is ready to go. It’s best to just ignore how the time travel in this movie works – something about how changing an event in the past doesn’t actually change the future, but instead causes an alternate reality, which is itself dangerous, but not as dangerous as, say, accidentally murdering yourself in the past (a real concern of Nebula’s, as it turns out).

Tony Stark, Captain America, Professor Hulk and Ant-Man travel back to the Battle of New York, a crucial event in the first Avengers movie, in search of the Space Stone, Mind Stone and Time Stone. War Machine and Nebula (a bizarre pair, but rather endearing) set off to the planet Morag, where, in Guardians of the Galaxy, the Power Stone was once located. Thor and Rocket Raccoon hunt for Jane Foster (Natalie Portman), who was possessed by the Reality Stone in Thor: The Dark World. And Hawkeye and Black Widow are sent by Nebula to the planet Vormir to find and win the Soul Stone.

I’ve already mentioned Portman, but it’s incredible how many actors and actresses have reprized roles from previous Marvel movies: Robert Redford shows up as the HYDRA operative Alexander Pierce from Captain America: The Winter Soldier; Frank Grillo is Crossbones once more, and has a truly fantastic encounter with his future enemy Captain America in an elevator very much like the one where, in Winter Soldier, he and his cronies beat up the Captain during the HYDRA takeover of S.H.I.E.L.D. This time, however, Cap is able to escape by whispering the password “Hail Hydra”, in a clever nod to the previous movies. Tilda Swinton puts on her saffron robes and bald-cap once more to play the Ancient One, who died in Doctor Strange, but is still keeper of the Time Stone during the Battle of New York, and has a great conversation with Bruce Banner before relinquishing the Stone, entrusting him with a promise to return all the Infinity Stones to the exact time and place they were taken from after they’re used to reverse the snap – didn’t I say, just ignore the time travel science? Rene Russo also appears as Thor’s dead mother Frigga, and is able to impart some wisdom to her misguided son (including, but not limited to, “eat a salad”). Their appearances here are brilliant nostalgic callbacks to the First and Second Phases of the MCU. And you never get the sense that they’re just replaying what they did in those prior films: each of them brings something new to the table. My personal favorite, though it was the briefest, was the mostly offscreen attack on Jane Foster by everybody’s favorite trash-panda, Rocket Raccoon, who runs off with the Reality Stone just in time.

Thor and Rocket are the luckiest of the team. Captain America ends up coming face to face with himself in the past; Tony Stark gives himself cardiac arrest; and Loki (Tom Hiddleston) escapes with the Space Stone, forcing Tony and Cap to go further back in time to 1970, where they have to infiltrate S.H.I.E.L.D. headquarters: there, Tony runs into his own father, Howard Stark (John Slattery) and gives him parenting advice, and Captain America accidentally ends up in the office of his former girlfriend Peggy Carter (Hayley Atwell) – plus, there’s an awesome Stan Lee cameo, and young Michael Douglas playing the original Ant-Man, Hank Pym.

Meanwhile, on the planet Vormir, Hawkeye and Black Widow’s story suddenly reaches the conclusion that nobody even knew was still coming – after all, Hawkeye and Black Widow haven’t been a couple for years, and there’s never been much of a concerted effort to get them back together, or even to hint at any shared romantic tension between them. Which is part of the reason that the following plot point falls rather flat – no pun intended, as you’ll soon see. Yes, because to get the Soul Stone, you must sacrifice that which you love – specifically, you must throw the person you love over a cliff. Hawkeye and Black Widow suddenly find themselves in an emotional mess, as both of them try desperately to commit suicide and prevent the other from also dying.

The fight that follows is actually really dramatic, and I was on the edge of my seat wondering how they were going to find a way out of the inescapable scenario. But I soon realized there was no happy ending – just as Hawkeye takes the leap, Black Widow jumps on him, and both accidentally fall off the cliff. Hawkeye just barely manages to get out his grappling hook, and they find themselves hanging in mid-air. Black Widow pleads with Hawkeye, telling him that he has a family that needs him, while she has nothing to live for. Finally, she lets go of his hand and falls to her death.

And, yeah, that’s how she dies. Black Widow, Natasha Romanoff, the first (and for a while, the only) female Avenger, dropped from a cliff so she can serve as a cheap tool to move the story along. Hawkeye gets the Soul Stone, and leaves Vormir, abandoning Natasha’s broken body on the rocks – a woman deprived of a character arc for years, now suddenly is forced back into an old romance so she can get killed off at the first possible opportunity, far from her home planet, somewhere in the desolation of space where no one will ever bury her bones. It’s not just sad and shocking, it’s a death that shouldn’t have happened, and it’s already become a topic of much controversy.

It’s hard to move on from something like that, but of course Black Widow’s death is not the most significant event here: that would be too much to ask for. Her death doesn’t move the plot except to deliver the Soul Stone into Hawkeye’s hands, and the Soul Stone is just another part of the Infinity Gauntlet, which now only requires one more Infinity Stone.

We left Nebula and War Machine on the planet Morag, and here we find them again. War Machine manages to escape with the Power Stone, but Nebula is unable to get away from the planet. Turns out, she’s not the only person looking for the Stone at this time – Thanos, Gamora (Zoe Saldana) and Nebula are here too. Yeah, Thanos: this is 2014, and the Mad Titan is still on his hunt for Infinity Stones. And this other Nebula is Nebula before she turned against her father. This Nebula (we’ll call her Evil Nebula) ends up revealing visions of her own future to Thanos, who thus sees everything from the Avengers’ plan to his own death. In an attempt to change his fate, Thanos abducts Good Nebula and holds her captive, while Evil Nebula disguises herself as Good Nebula (by attaching one strip of metal to her head), and travels forward in time to join the other Avengers. This time travel stuff is confusing, but it sure is exciting.

The Avengers are reassembled at their headquarters and start inserting the Stones into their new Infinity Gauntlet. I have to hand it to Mark Ruffalo here – for an entirely CGI construction, Professor Hulk manages to convey the most despairing reaction to the news of Black Widow’s death, and he is the one who picks up the Gauntlet and wields it: immediately, he is tortured with agony as he tries to snap his fingers. He just barely has the strength. While this is going on, Evil Nebula is busy messing with the controls of the time machine, which nobody notices. We hear a snap, something goes flying up from the time machine and smashes through the ceiling, and then all is silent.

Until Hawkeye’s phone starts ringing. For a fraction of a heartbeat, I thought it was somehow (impossibly) Black Widow on the line, but no, it was Hawkeye’s wife, Laura. Outside, birds start singing. But just as you thought you were out of the Soulworld –

The entire building explodes. That thing that Evil Nebula summoned through the time machine? That was Thanos’ spaceship, and he arrives in full glory, blowing up Avengers HQ and crushing everyone under rubble and debris. Far below the building, War Machine and Rocket Raccoon are frantically struggling to escape while Professor Hulk holds up the ceiling of a collapsed room. Hawkeye grabs the Infinity Gauntlet and runs, but quickly realizes he’s being chased by Thanos’ horde of alien monsters. He ends up running into Evil Nebula, who tries to take the Gauntlet from him, and there’s a confrontation in the tunnel with him, her, and also Good Nebula and Gamora herself, who has decided to betray Thanos. Evil Nebula gets shot, which (oddly) has absolutely no effect on Good Nebula, and they all get out of there safely.

Meanwhile, Tony Stark suits up as Iron Man and goes to find Thanos himself, followed by Captain America and Thor. There’s a lot I could say about the confrontation with Thanos, but I’ll keep it brief. They start fighting, obviously, and things starts going badly. Tony gets tossed aside, and Thanos grabs Thor’s own weapon, Stormbreaker, and drives it slowly but surely into Thor’s chest.

And then, suddenly, Captain America jumps in wielding – double take – the Hammer of Thor, Mjolnir, the hammer that can only be wielded by one who is worthy. Thor speaks for everyone when he yells excitedly “I knew it!”. The theater burst into applause at this moment. This is a moment that Marvel fans have been waiting for since it was teased in Avengers: Age of Ultron, and only now have we finally received the payoff. The next few moments are just a blur of lightning and thunder as Captain America goes up against the Mad Titan wielding Mjolnir and his vibranium shield – which soon gets broken to pieces by Thanos’ battle-ax. Thanos steps back and admires his handiwork, and then begins to monologue, as he always does in these types of situations, talking about how he once thought he could save the world. But, he realizes now, there is no chance of that anymore. The world – the entire universe, in fact – must be remade. Entire armies of alien monsters and the full force of the Black Order disembark from Thanos’ spaceship and march towards Captain America, who stands alone against them all.

No words can ever express my shocked, baffled joy when I heard the long-silenced voice of Falcon (Anthony Mackie) saying “On your left” to Cap, as a ring of glowing orange light suddenly opened in the air next to the lone hero. First on the battlefield are Black Panther (Chadwick Boseman), Okoye (Danai Gurira) and Shuri (Letitia Wright) representing the country of Wakanda. The Vanished are returning. Falcon appears, and Winter Soldier (Sebastian Stan), and M’Baku (Winston Duke), and then another portal opens: and there’s Doctor Strange (Benedict Cumberbatch), Mantis (Pom Klementieff), Drax (Dave Bautista), Star-Lord (Chris Pratt), and Spider-man (Tom Holland). Wong (Benedict Wong) is there, and Wasp (Evangeline Lilly), Groot (voiced by Vin Diesel), Scarlet Witch (Elizabeth Olsen), Valkyrie, Korg, and Pepper Potts herself. Every Marvel superhero is gathered to fight alongside Captain America, Thor, and Iron Man. Ant-Man rescues the Avengers trapped under the building, and so he, War Machine, Rocket Raccoon, and Professor Hulk all join the battle as well. Hawkeye, Nebula and Gamora show up too.

The following fight is the greatest battle in a superhero movie, ever. Every character here has so much depth and so much development that’s been established over so many movies – you know each and every one of them as if they’re old friends, as they charge into the fray. The Infinity Gauntlet is the focal point of the battle, as one hero after another grabs the precious object and tries to get it away from Thanos: even Spider-man has it at one point! You’ve never seen a fight scene with this many characters, this many character arcs coming to a conclusion. There are some great moments here: an especially notable one, in my opinion, was the grand entrance of Captain Marvel herself, as she hurtled through the earth’s atmosphere and plowed through Thanos’ spaceship, before leading all of the Marvel heroines into the thick of the fight. Women were the standouts here: from Gamora’s fantastic reunion with Star-Lord (whom she doesn’t even remember), to Scarlet Witch’s encounter with Thanos, who mockingly tells her that he doesn’t even know who she is. “But you will,” she responds, as she tears away his armor and easily disarms him.

But, alas, these good things cannot last. Thanos gets the Infinity Gauntlet at last, and prepares to snap his fingers and destroy the earth. But Captain Marvel grabs his hand and holds his fingers apart with superhuman strength, as she absorbs power directly from the Gauntlet – so Thanos simply punches her with the Power Stone in his other hand, and sends her flying. The last duel is between him and Tony Stark, the rematch of their fight in Infinity War. Things seem hopeless, and Thanos isn’t oblivious to that fact: “I am inevitable,” he boasts.

Tony realizes he’s unable to get the Infinity Gauntlet off the Titan’s hand – so, using his wits, he simply grabs the Infinity Stones and fits them into his own armor. “And I am Iron Man,” he says, and snaps his fingers.

You know what happens next. You have to know. The Stones are too powerful for anybody to wield, much less a mortal. Tony lives just long enough to see that his sacrifice was not in vain, as Thanos and his minions fade away into dust and vanish. Surrounded by his friends, and with Pepper at his side, Tony Stark, who started these ten glorious years of Marvel history, slips away. The battle is won, but it cost us everything. The world has been saved, but not for Tony. The arc reactor implanted in his chest that has kept him alive all this time…goes dark.

After that, there’s really not much left to say. There’s a funeral, of course, for Tony, and all the Marvel characters are in attendance. Characters get fitting conclusions, for the most part. Thor passes on the rule of Asgard to Valkyrie, who looks particularly majestic and resplendent as she accepts his offer and becomes Queen. Thor then sets off with the Guardians of the Galaxy as they go to look for Gamora, who mysteriously disappeared during the battle. Guardians of the Galaxy Vol. 3 obviously has a lot of explaining to do. Spider-man goes back to school, which is presumably where Spider-man: Far From Home will pick up when it comes out a few months from now. Captain Marvel’s whereabouts are currently unknown. Ant-Man’s family is reunited. Hawkeye returns to his wife and children.

And as for Captain America, he gets the most bittersweet ending. He feels it’s his duty to go back in time and return all the Infinity Stones to their proper timelines, so as to avoid, you know, the destruction of the universe. He’s only gone for a few seconds, but it’s a few seconds too many. He returns as an old man, and informs his comrades, Falcon and Winter Soldier, that he was actually gone for years: he lived out the rest of his life with his old girlfriend Peggy Carter, and he finally got to dance with her – after ten years of waiting, it finally happened. Now, as an old man, he’s passing on the Captain America mantle to someone new: he chooses Falcon, Sam Wilson, to be the new Captain. And there the movie ends.

This is only a synopsis, of course, not a full review, but I hope it’s illuminated some aspects and made everything a bit clearer to understand. I’ll have more stuff to share about Avengers: Endgame probably in the coming days and weeks. The fates of each of the characters definitely deserves more attention, so I’ll be exploring that in greater detail very soon! Stay tuned!