Bee Gees Biopic In Development At Paramount!

I’ve gotta get a message to you, dear film-aficionado: get your fancasts ready, jive to the sweet sounds of 70’s pop, and rejoice – the Bee Gees, one of the world’s most beloved and recognizable music groups, are finally getting their own movie. Following the huge success of films like Bohemian Rhapsody (the Academy-Award winning Queen biopic), and Rocketman (the Academy-Award hopeful and Elton John biopic), and the promise of more to come (a…Boy George biopic?), the Bee Gees, whose personal lives are a dramatic and compelling story of triumph and heartbreak, accompanied by an upbeat disco soundtrack, were inevitably going to end up on the big screen at some point – nonetheless, it’s very exciting to see it happen in the lifetime of Barry Gibb, the last surviving member of the band (Maurice died in 2003 of medical complications at the age of 53, while Robin died from cancer in 2012, aged 62).

Bee Gees Biopic In Development At Paramount! 1
bbc.co.uk

It’s also exciting that Paramount will be the ones to make the film. While that’s not entirely surprising (they are, after all, the studio that brought you Rocketman, mentioned above), it is especially fitting since it was a Paramount movie, Saturday Night Fever, that helped to turn the Bee Gees into the household name they are today: the film’s soundtrack, for which the group wrote iconic songs such as “Stayin’ Alive”, became the best-selling movie soundtrack of all time upon its release in 1977 and, in the words of music supervisor Bill Oakes, “breathed new life into a genre that was actually dying”. And now, perhaps because of that fateful union of film and music, the Bee Gees themselves will be stayin’ alive in the memory of filmgoers for years to come. It brings a tear to the eye, that’s for sure.

Paramount has bought the rights to the story of Barry, Robin and Maurice Gibb, and all of their music, and Bohemian Rhapsody producer Graham King is already attached to the film. So, while Paramount searches for a writer and director, it’s time for us fans to start considering who should be cast in the lead roles (since, obviously, that’s the most important question). Share your suggestions in the comments below!

“Judy” Trailer!

While it’s only a little more than a minute long and features no dialogue, the first trailer for the Judy Garland biopic Judy is a poignant and powerful statement about one of the 20th Century’s most tragic and beloved celebrities: it goes straight for the heart – and it doesn’t miss.

Firstly, there’s no denying that Renée Zellweger looks the part: and no surprise, considering the two-hour long transformation Zellweger had to go through daily on set to become Garland. The trailer features a heartbreaking rendition of Over The Rainbow by Zellweger herself, who makes it her own in a new – yet immediately familiar – fashion. The song, in fact, looks to be one of the key focuses of the movie, which will be set in the year leading up to Garland’s death at the age of 47, during which the singer and actress performed in London at a series of famous concerts. We catch brief glimpses of her life onstage in the trailer, including song-and-dance routines and filming for the 1939 classic The Wizard of Oz. Garland’s Oz co-star Margaret Hamilton will even make an appearance, played by Fenella Woolgar.

But Judy will also look into Garland’s personal life, with Game of Thrones‘ Bella Ramsey portraying her daughter Lorna, while Finn Wittrock and Rufus Sewell will play Garland’s fifth and third husbands, respectively. There are hints of her drug addiction and her struggles with a life of stardom. Biopics such as these have a tendency to dig a little too deep into the dark sides of the people they portray, but musical biopics can leave us with an uplifting feeling even when the story being told is uniquely depressing. Just as Bohemian Rhapsody showed Freddie Mercury’s legacy of great music, so Judy must also: showing us the tragedy of her passing, but reminding us of the hope she left behind.

Judy has to compete with many other musical biopics, but the legacy of its larger-than-life protagonist will probably boost it into consideration for awards season, just like Bohemian Rhapsody before it. Hopefully we’ll get another trailer – one that perhaps doesn’t aim to rip out our heartstrings?

Trailer Rating: 10/10

91st Academy Awards

Last night, we were treated to one of the most memorable ceremonies in recent years. Rebounding from a string of controversies and setbacks, the show did indeed go on – and turned out to be surprisingly good. Without a host, the show flowed much more smoothly and we were spared a good deal of annoying jokes. The spotlight was instead turned on the movies themselves: all eight Best Picture nominees seemed relatively tied, but in the end it was Green Book that surprisingly edged past the competition – not without controversy of its own. There were some shocking snubs – both Lady Gaga and Glenn Close were defeated by Olivia Colman of The Favourite (Colman had, in my opinion, one of the best and most genuine acceptance speeches of the night). There were well-deserved wins: Spike Lee, writer of BlacKkKlansman, was honored with the Oscar for Best Adapted Screenplay; Alfonso Cuaron took home the Oscars for Best Director, Best Foreign Language Film, and Best Cinematography, all for his semi-autobiographical film Roma; Spider-Man: Into the Spiderverse was honored with the Best Animated Feature award; Rami Malek’s phenomenal performance as Freddie Mercury in Bohemian Rhapsody earned him the award for Best Actor.

The presenters did a fantastic job keeping the show moving along, but each still got ample time to shine: whether that was Jason Momoa in a pink velvet suit, Brie Larson and Samuel L. Jackson representing the upcoming Marvel movie Captain Marvel, or a whimsically attired Melissa McCarthy. There were some missteps – Awkwafina and John Mulaney’s presentation of Best Animated Short and Best Live Action Short was particularly cringe-worthy, and there was a bit of difficult with the Makeup and Hairstyling team from Vice, who didn’t seem at all prepared for their victory (which, considering they were only up against two other nominees, neither of whom had any chance of winning, is a little peculiar). And the performances were not all the best: I’m not particularly fond of either Lady Gaga or Bradley Cooper, so having to watch them cuddle up together while singing “Shallow” was rather boring – similarly, the Mary Poppins Returns soundtrack is not even remotely comparable to that of the original, so “The Place Where Lost Things Go” could not be helped by the impressive vocals of Bette Midler. And as for “When A Cowboy Trades His Spurs For Wings”, well…the less said about that, the better.

In the end, it was Julia Roberts who presented the final award, for Best Picture, and it was the cast and crew of Green Book who took the stage to accept that award, much to the surprise of critics who had predicted a clean sweep for Roma. Personally, I was expecting The Favourite to win, and was shocked by the result: Green Book has been clouded in controversy these past few months. Spike Lee even got up and tried to leave the theater after the movie was announced Best Picture, and his anger is in some ways understandable: the Academy does seem to still be stuck in a thirty-year old worldview, especially when it comes to race relations and diversity. It’s a shame, because up to that point we had seen an astonishing number of people of color take the stage to accept various awards, including Ruth E. Carter, the first African-American woman to win the Best Costume Design Oscar; and Regina King, who was Best Supporting Actress for her work in If Beale Street Could Talk. Presenters had included civil rights activist John Lewis, sports legend Serena Williams, and comedian Trevor Noah. After so much progress was achieved last night, to suddenly find ourselves talking about this setback is pretty disheartening. And I say this with all possible respect for Green Book, which is a very good movie, and whose stars, Viggo Mortensen and Mahershala Ali, are both terrific actors (Ali even won the Oscar for Best Supporting Oscar last night, also for Green Book). It seems inevitable now that every time Best Picture is called, the entertainment industry collectively rolls its eyes: that’s no surprise. What is somewhat surprising is how willfully blind the Academy must have been, deciding that this was the right choice. Over A Star Is Born, yeah, of course. But over films like BlacKkKlansman, or Roma? No, Green Book probably didn’t earn that win. I would much rather have had Black Panther take the award, to be honest. The progressive superhero movie won just three Oscars, and could have made much more of a positive impact than Green Book.