Last July, Guardians of the Galaxy director James Gunn was fired from Disney after old tweets of his surfaced, in which he had touched on multiple sensitive and offensive topics, making jokes of them. Gunn appeared to apologize, and the cast of Guardians of the Galaxy came out in support of him – most notably Dave Bautista, who plays the character Drax in the Marvel films. There was a social media debate that lasted for months, James Gunn retreated from Twitter, and there was even speculation that Dave Bautista would also be let go.
James Gunn then got picked up by Warner Brothers in October to direct the DC Suicide Squad sequel. Meanwhile, Disney appeared to be looking for someone new to helm the Guardians of the Galaxy Volume 3 film, but it seemed no one could be found. However, Disney CEO Bob Iger said he had supported the unanimous decision by Disney executives to fire Gunn, and, “I haven’t second-guessed their decision.”
Yeah, well, today, it became clear that he did.
Today, Disney brought James Gunn back to direct Guardians of the Galaxy Volume 3. There was fanfare about it too: Marvel directors such as Peyton Reed and Scott Derrickson welcomed him back, and Guardians of the Galaxy star Karen Gillan quoted the franchise’s mascot Groot with the line “we are groot”, as if to say the Guardians family is back together at last.
James Gunn himself has issued multiple apologies for his offensive statements, and it is worth noting that the tweets were brought to light for overtly political reasons: on the other hand, was this really the right move? As a marketing strategy, certainly, this doesn’t seem like a good idea: for Marvel fans, it has already proven divisive, with some saying the firing was misguided and provoked by politics, and others claiming that Gunn shouldn’t get a second chance after some of the remarks he made.
For myself, I believe that Disney should not have rehired Gunn: I just feel that this will increase rifts between the opposing sides of the fandom. A new director, such as Taika Waititi (Thor: Ragnarok), could have filled Gunn’s shoes easily. I also understand, though, that a lot of people believe the outrage that sparked the firing was itself contrived, and that the tweets were made long ago. But I don’t know if I, personally, can feel comfortable supporting this decision yet. If I can have solid proof that Gunn’s old tweets do not represent who he is as a person (proof other than his own apologies) then maybe…maybe I can get on board. But this is simply not the sort of controversy that should have to accompany the MCU going forward, nor was it unavoidable. Disney could have hired a new director: however, we know now that they never even considered the possibility. They always meant to bring him back on. Which means Bob Iger lied.
And that…that is what makes me so angry. Why fire him in the first place, if you knew he was blameless? Iger’s plan seems to have been to let the scandal die down for a few months before bringing him back into the MCU. This is something that, even if it is entirely innocent, simply doesn’t look good.
Will it prove to be a blunder for Disney? Will James Gunn be re-fired and re-hired again? Well, we don’t know yet. But I know that from this point on, Guardians of the Galaxy Volume 3 will become a hot-topic in the Marvel fandom, and maybe not in a good way. But who knows? Maybe Gunn (who apologized again today) really is a better person: maybe he isn’t the man that he implicated himself to be with those tweets: maybe.
The end of the MCU as we know it is almost upon us, and we have our first full length trailer for the movie that will bring it all crashing down into ruin and despair. Blood will be shed, heroes will die, Natasha Romanoff’s hair will change color again. Very few of our questions about this movie have been answered by this tantalizing teaser, which is the way I like it: honestly, I think at this point we don’t even need another trailer for Avengers: Endgame – the less we know, the more we are excited to find out.
So here it is! The trailer is so atmospheric, so dark – the opening scenes are black and white flashbacks to previous MCU movies: Iron Man, Captain America: The First Avenger, and Thor. Voice-over is provided by Tony Stark (Robert Downey Jr) and Peggy Carter (Hayley Atwell). The first new shot in this trailer is at 0:38, and here we see Hawkeye (Jeremy Renner) training a girl with a bow and arrow. Fans were quick to jump to the conclusion that this girl was none other than superheroine Kate Bishop, an archer from the comics who ends up taking the name Hawkeye herself. However, it seems more likely she is Hawkeye’s daughter, Lila Barton. Whoever she is, though, I have no doubt that she and the rest of Hawkeye’s family (who can be seen in the background) will be dusted in this scene, and this is where we’ll see the lovable archer’s transformation into the grim, sword-wielding, mohawk-wearing assassin that he is in the very next shot, at 0:43, where we see him meeting Black Widow (Scarlett Johansson). Here, he is Ronin, one of his darker aliases from the comics. Something to note about this scene is that he and Black Widow hold hands – could we see them get back together? Clearly, there are still some romantic feelings between the two. (And I’m here for it – those two were made for each other, and no one can tell me otherwise).
At 1:12, after a heartbreaking montage of characters from Avengers: Infinity War being turned to dust, we see Black Widow’s new look – her hair has grown out quite a bit, and looks quite good, part red, part blond. The fact that it’s grown so long, though, is reason for us to believe that some time has passed between Avengers: Infinity War and Avengers: Endgame. Some have speculated there could be a five-year gap between the two movies.
Blink and you’ll miss Bruce Banner (Mark Ruffalo) at 1:14. This poor guy, who was sidelined in Avengers: Infinity War, definitely needs more screentime to make up for that – but so far, we’ve seen very little of him, and no hint of whether he can transform into the Hulk yet.
Ant-Man (Paul Rudd) shows up for the first time in the trailer at 1:18, staring in bewilderment at posters that read MISSING. Last we saw Ant-Man, in Ant-Man And The Wasp, he was trapped inside the Quantum Realm: I believe this is just after he’s escaped, and he’s come back to find half of the world’s population missing – possibly including his own daughter, Cassie Lang: though others speculate that Cassie will be in Endgame, played by Emma Fuhrmann, and will be a superhero in her own right.
At 1:21, we see the Avengers’ Quinjet flying over New York City: interestingly, in the previous teaser we saw NYC looking very dark and lifeless, but here there are city lights shining.
Black Widow and Hawkeye still look pretty close in the next shot: seriously, can these two just GET BACK TOGETHER ALREADY?
Unfortunately, Hawkeye seems to be in danger: we see him running down a tunnel filled with fluorescent red light, running through water – and then suddenly the tunnel is filled with an explosion of fire. I don’t know how he’s going to make it out of that situation, or why he’s even in that situation to begin with, but I’m terrified for him.
1:29 shows us two old friends: Rocket Raccoon (Bradley Cooper) and War Machine (Don Cheadle). They seem to be gearing up for war. Rocket’s interactions with the other Avengers is something I’m looking forward to – I can only imagine how serious characters like Steve Rogers (Chris Evans) and Black Widow will deal with him.
Speaking of Steve, he looks pretty surprised to see Hawkeye in the next shot: granted, I would be too, if I saw someone with that haircut. I’m not sure exactly why losing his family would inspire Hawkeye to cut his hair into the ridiculous style, but, I mean, you do you, Clint.
In quick succession, we see Ant-Man at Avengers HQ (looking less than cheery), Thor powering up Stormbreaker, and Nebula (Karen Gillan) charging into a fight with a battle-cry: could she be taking vengeance on her father, Thanos, for what he did to Gamora (Zoe Saldana) in Avengers: Infinity War? I can’t imagine how she’ll take him on, since he’s armed with the Infinity Gauntlet, and she’s got…batons. But she is pretty formidable – though I’m not sure if she could top her incredible entrance in the third act of Infinity War, where she literally drove a spaceship straight into Thanos (which, by the way, didn’t even slow him down: Nebula, you gonna die).
Hawkeye’s back in the tunnel at 1:39, now wielding his bow again – somehow, I can’t imagine he’s facing off against Thanos in this scene (the tunnel doesn’t seem large enough to fit the gigantic purple Titan, first of all), but if not, then who is he up against? There have been rumors circulating for months that Thanos won’t be the main villain in Avengers: Endgame, or that he might even team up with the Avengers against another threat. Could Hawkeye be coming face to face with some greater villain? (And if so, will he make it out alive? Armed with a bow? Yeah, no.)
There’s a scene from the previous teaser of Black Widow target-shooting: though again, when does this scene take place? Here, she has long, fully blond hair.
At 1: 44, we have Steve Rogers, fully geared-up in the Captain America suit, looking very angry about something. Please, let it not be that Tony Stark has just died. I can’t take that kind of pain. I know that somebody has to die, but just…let it be, like, I don’t know, Drax. Oh wait, he’s already dead. Well, just, don’t take Tony Stark or Steve Rogers, please!
This shot of Steve is followed by a clip of a very tiny Ant-Man leaping through a bizarre landscape that seems to be composed of…a pencil, water, and a power-cord? I have no idea where he is, but if I had to bet, I’d guess either of two things: one, most likely to me, is that this is at the beginning of the film, and we’re seeing Ant-Man escaping from the Quantum Realm. Two, less likely I think, but more terrifying, is that this some weird fight sequence where Thanos is wielding the Reality Stone – which, if you remember from Infinity War, had the power to transform bullets into bubbles, among other things. Either way, things don’t look good for Ant-Man.
Finally, the money-shot of the Avengers walking (destination: unknown) in their new Quantum-Realm suits. The suits are fantastic, and look great. Steve is leading them, and behind him are Tony Stark, Black Widow, Nebula, Ant-Man, War Machine, and Hawkeye – I think Thor (Chris Hemsworth) is behind Black Widow too, though it’s kind of hard to tell. They look absolutely great, and this seems to confirm the theory that the Avengers would be going into the Quantum Realm – or back in time – to try and reverse the Snap that wiped out half the population of the universe. Some think they’ll be going back even further than that, to the Battle of New York from the first Avengers, for instance, and this would seem to be backed up by the fact that Steve Rogers is wearing his old Captain America suit in the shot at 1:44.
The title – Avengers: Endgame lights up in brilliant purple, and the screen goes black. Is the trailer over? No, wait, I don’t think so…
Thor is walking towards a woman who has her back turned. She turns to face us – CAROL DANVERS! Yes, Carol Danvers, a.k.a Captain Marvel, (Brie Larson) is here, in Avengers HQ, and, boy, does she look fantastic or what? She stares back at Thor steadily as he extends his hand past her shoulder, testing her reflexes: his axe, Stormbreaker, flies into his hand.
Carol just barely flinches, and glances down at Stormbreaker with some curiosity.
Thor grins. “I like this one”, he says, and the screen goes black.
Just from that one scene, I already know Thor and Carol’s dynamic will be one of the best parts of this movie: Carol’s new wardrobe, also, looks to be pretty snazzy – she looks quite glamorous. I wonder if they’ll be friends, or perhaps…more than friends?
Okay, so April 26th needs to just arrive now, so that I can see this movie. I’ve got a lot of questions, like, why isn’t Thanos shown or even mentioned in the trailer – he also was absent from the second teaser, and only his armor was seen in the first teaser. What is the plan that the Avengers have for bringing back half the population? Will they time travel – where to, or when to? How do Tony and Nebula go from “lost in space” to “wearing fancy new outfits, walking alongside the other Avengers on earth”? What is going on?
Last night, we were treated to one of the most memorable ceremonies in recent years. Rebounding from a string of controversies and setbacks, the show did indeed go on – and turned out to be surprisingly good. Without a host, the show flowed much more smoothly and we were spared a good deal of annoying jokes. The spotlight was instead turned on the movies themselves: all eight Best Picture nominees seemed relatively tied, but in the end it was Green Book that surprisingly edged past the competition – not without controversy of its own. There were some shocking snubs – both Lady Gaga and Glenn Close were defeated by Olivia Colman of The Favourite (Colman had, in my opinion, one of the best and most genuine acceptance speeches of the night). There were well-deserved wins: Spike Lee, writer of BlacKkKlansman, was honored with the Oscar for Best Adapted Screenplay; Alfonso Cuaron took home the Oscars for Best Director, Best Foreign Language Film, and Best Cinematography, all for his semi-autobiographical film Roma; Spider-Man: Into the Spiderverse was honored with the Best Animated Feature award; Rami Malek’s phenomenal performance as Freddie Mercury in Bohemian Rhapsody earned him the award for Best Actor.
The presenters did a fantastic job keeping the show moving along, but each still got ample time to shine: whether that was Jason Momoa in a pink velvet suit, Brie Larson and Samuel L. Jackson representing the upcoming Marvel movie Captain Marvel, or a whimsically attired Melissa McCarthy. There were some missteps – Awkwafina and John Mulaney’s presentation of Best Animated Short and Best Live Action Short was particularly cringe-worthy, and there was a bit of difficult with the Makeup and Hairstyling team from Vice, who didn’t seem at all prepared for their victory (which, considering they were only up against two other nominees, neither of whom had any chance of winning, is a little peculiar). And the performances were not all the best: I’m not particularly fond of either Lady Gaga or Bradley Cooper, so having to watch them cuddle up together while singing “Shallow” was rather boring – similarly, the Mary Poppins Returns soundtrack is not even remotely comparable to that of the original, so “The Place Where Lost Things Go” could not be helped by the impressive vocals of Bette Midler. And as for “When A Cowboy Trades His Spurs For Wings”, well…the less said about that, the better.
In the end, it was Julia Roberts who presented the final award, for Best Picture, and it was the cast and crew of Green Book who took the stage to accept that award, much to the surprise of critics who had predicted a clean sweep for Roma. Personally, I was expecting The Favourite to win, and was shocked by the result: Green Book has been clouded in controversy these past few months. Spike Lee even got up and tried to leave the theater after the movie was announced Best Picture, and his anger is in some ways understandable: the Academy does seem to still be stuck in a thirty-year old worldview, especially when it comes to race relations and diversity. It’s a shame, because up to that point we had seen an astonishing number of people of color take the stage to accept various awards, including Ruth E. Carter, the first African-American woman to win the Best Costume Design Oscar; and Regina King, who was Best Supporting Actress for her work in If Beale Street Could Talk. Presenters had included civil rights activist John Lewis, sports legend Serena Williams, and comedian Trevor Noah. After so much progress was achieved last night, to suddenly find ourselves talking about this setback is pretty disheartening. And I say this with all possible respect for Green Book, which is a very good movie, and whose stars, Viggo Mortensen and Mahershala Ali, are both terrific actors (Ali even won the Oscar for Best Supporting Oscar last night, also for Green Book). It seems inevitable now that every time Best Picture is called, the entertainment industry collectively rolls its eyes: that’s no surprise. What is somewhat surprising is how willfully blind the Academy must have been, deciding that this was the right choice. Over A Star Is Born, yeah, of course. But over films like BlacKkKlansman, or Roma? No, Green Book probably didn’t earn that win. I would much rather have had Black Panther take the award, to be honest. The progressive superhero movie won just three Oscars, and could have made much more of a positive impact than Green Book.