SPOILERS FOR AGENTS OF S.H.I.E.L.D. SEASON 7, EPISODE 2
Coming off a solid premiere to the series’ seventh and final season, Agents Of S.H.I.E.L.D. finds new ways to tie back into the canon of the mainstream Marvel Cinematic Universe, subtly hinting that more connections between the two are on the way as the team continues their journey through the Marvel timeline. Much as they might have liked to not interfere with the course of history, the truth is that was never going to work – and episode 2 is where it all starts falling apart.
We pick up right where we left off last week, with the Agents coming to the realization that, to save S.H.I.E.L.D. from an invasion of Chronicom aliens, they must save Wilfred Malick (Darren Barnet), the man behind the creation of the shadowy organization known as HYDRA, S.H.I.E.L.D.’s arch-enemy in later years. While Director Mack (Henry Simmons) and Deke Shaw (Jeff Ward) unknowingly escort Malick on one of his missions, the rest of the team works against the clock to try and figure out what he’s planning, why the Chronicoms want him dead, and whether his life is really worth saving.
The answer to the first question is revealed fairly early in the episode, and is what brings this episode of Agents Of S.H.I.E.L.D into conjunction with the events of the MCU – Wilfred Malick’s secret mission, disguised as a job bootlegging illegal alcohol, is to deliver vials containing the ingredients which will later make their way into the Super Soldier Serum: the very same which will one day course through the veins of both Johann Schmidt (HYDRA’s Red Skull) and Steve Rogers (S.H.I.E.L.D.’s Captain America). Through this chance encounter, yet another link is forged between the two enemies.
But as for that last question – is Wilfred Malick worth saving? – well, that’s a question that haunts everyone on the team, but especially Daisy Johnson (Chloe Bennet). Not only does she argue bitterly with her teammates about how they can feel comfortable allowing the future head of HYDRA to survive, but she even takes the initiative in one critical moment and tries to have him killed. Her assassination attempt fails – mostly because Deke isn’t really the best person to carry out any sort of plan, much less one that involves killing someone. But in the long run, that’s probably fortunate: since without HYDRA, S.H.I.E.L.D. would never be formed and Captain America would never be created.
Not everyone, however, makes it out of this timeline unscathed – or even makes it out of this timeline, period. The quiet, contemplative Chronicom Enoch (Joel Stoffer) accidentally gets left behind in 1931 at the end of the episode while the rest of the team escapes through an unexpected time window. Thankfully, he uses his wits to get a job at the speakeasy owned by Ernest Koenig (Patton Oswalt), who forged a somewhat uneasy relationship with the Agents during their stay in his timeline, and even gets to take a ride on the Zephyr One during this episode, marveling at modern technology behind his wildest imagination and demanding to know whether S.H.I.E.L.D. is really a group of Martian space invaders. The stinger at the end of the episode sees Koenig probing Enoch for information about how to make robots – seemingly hinting at an explanation for why he has so many descendants in the future, and all of them are identical.
Agents “Yo-Yo” Rodriguez (Natalia Cordova-Buckley) and Melinda May (Ming-Na Wen) come out of their escapade in 1931 having sustained several more traumas. Though it was teased in the premiere that Yo-Yo hadn’t completely recovered from the incident in season 6 when she swallowed an alien bat and was almost killed by the resulting parasite, it is made explicit here when she fails to use her powers during a tense moment, prompting interrogation from Daisy. May, on the other hand, is still suffering from gaps in her memory and terrifying hallucinations sustained during the season 6 finale when she battled the death goddess Izel: she doesn’t know where or when she is, and she’s angry when she sees the LMD version of Phil Coulson (Clark Gregg), knowing full well that the Coulson she knew and loved is dead, and unwilling to let herself be tricked into trusting another duplicate of him.
Overall, I feel this episode is actually stronger than the premiere for a number of reasons. Yo-Yo, May and Jemma Simmons (Elizabeth Henstridge) each get to play a part in the action, whereas the premiere left them waiting on the ship, essentially just twiddling their thumbs. The character work is a little bit stronger, as is the dialogue. And while I appreciated last week’s storyline focused on saving Franklin D. Roosevelt, this week’s episode benefited from being able to plunge us into the action and the drama without needing any red herring diversions to deliver exposition.
Speaking of action, there’s one standout fight scene when May and Enoch clash in the hangar of the Zephyr One: Enoch, re-outfitted with upgraded Chronicom tech, is almost winning until May (who, I might add, is still just recently awake from a coma) traps him and goes to town on his synthetic skull with a fire-extinguisher. I’m very excited to see where May goes in this season – it’s not at all unusual for her to use brute force, but her behavior in this episode is sending up red flags all over the place: she’s responding to her near-death encounter in season 6 much like how Coulson reacted when he found out he had been resurrected early in the series. If that’s a parallel that Agents Of S.H.I.E.L.D. is interested in exploring, I’m here for it.
Once again, the Chronicoms are the weakest part of the story, and their villainy is tame and uninteresting. I was more intrigued by the possibility of HYDRA agents showing up to try and protect the Super Soldier Serum, but only one – a woman named Viola (Nora Zehetner) – actually appeared in person, and even she was either unconscious or unwillingly spitting out information in a German accent most of the time.
Now, all we can do is wait and see in which era of Marvel history the Agents will be dropped next – and whether or not they’ll get involved in any more MCU events on the long, uncertain road to the finale.
Last night, I had the chance to watch Avengers: Endgame again for the first time in a while. As on previous rewatches of the film, I found myself appreciating most of the first act of the movie (where, SPOILER ALERT I GUESS?, the Avengers kill Thanos), and most of the third act (where the Avengers kill Thanos a second time). I even liked a lot of stuff in my least-favorite part of the movie, that troublesome second act that has the team split up across different timelines and try to steal Infinity Stones from history.
But I still cringed at the absolute worst part of Avengers: Endgame – the scene in which Natasha Romanoff, the legendary Black Widow, sacrifices both her life and years of character development in exchange for the mysterious Soul Stone, willingly leaping from that accursed cliff on the godforsaken planet of Vormir to her very certain death. Cue the outrage. Natasha Romanoff, Marvel’s first (and for a long time, only) woman Avenger, was sacrificed in much the same way as another woman a year earlier: Gamora, who was tossed from the cliff by her own father. As womens’ bodies continue to pile up at the foot of that stupid cliff, fans (and especially, female fans) asked Marvel one simple favor: could you please stop fridging women?
Natasha Romanoff’s death is doubly infuriating because it came just before her long-awaited solo movie, Black Widow, which is supposed to explore an adventure in her past, before the events of Avengers: Endgame. But many are still clinging to a desperate hope that the Widow is still somewhere out there, either alive on earth or fighting to get back home. So let’s take a look at a couple ways Natasha could come back to life in the Marvel Cinematic Universe.
5: It Wasn’t Really Her.
This theory is a bit preposterous, but still worth noting: the idea is that Natasha Romanoff’s “sister”, Yelena Belova, who will make her debut in the Black Widow film, actually traded identities with Natasha before Avengers: Infinity War, or at some other point before Avengers: Endgame. There’s a little bit of evidence that supports this: Natasha wearing Yelena Belova’s jacket in Infinity War; a shot from a recent Black Widow trailer that shows Yelena Belova on a surgical table with a strange scar around her forehead, as if her face had been removed or changed. This option is undoubtedly the least appealing, not only because it would mean that the rest of Natasha’s awesome character beats in Endgame weren’t her own, but because this only changes the identity of the woman victim. As Infinity War Captain America would say: “We don’t trade lives.” Nonetheless, expect the super-spy sisters to swap identities frequently in the Black Widow film.
4: Multiverse Shenanigans.
As I mentioned previously, Gamora was the first person to lose her life on Vormir – but she has since returned, thanks to the time heist in Avengers: Endgame. Coincidentally, it was when Black Widow, Nebula, Hawkeye and War Machine traveled back to 2014 to retrieve the Power and Soul Stones that a 2014 version of Gamora was able to slip through into the present Marvel timeline, along with the 2014 Nebula and Thanos. If the Avengers wanted to bring Natasha back, they could simply find a version of her from another timeline – but that poses a whole bunch of other problems.
3: Bruce Resurrected Her.
One of the plot-lines left over from Avengers: Age Of Ultron that went nowhere was the love story between Natasha Romanoff and Bruce Banner a.k.a. The Hulk. The two characters both regarded themselves as “monsters” (let’s not even get into the reasons why), and bonded over that. But after Bruce went missing for two years and the Avengers films switched directors, that story was mostly left unfinished. Except for the fact that, when Bruce Banner finally got his hands on a fully-operational Infinity Gauntlet at the end of Endgame and snapped his fingers to bring back the people that Thanos had dusted, he also tried to bring back Natasha. This is only mentioned in a throwaway line in the film’s final few minutes, but it’s still intriguing – could Bruce have been successful? How would he know? Natasha would presumably be resurrected on Vormir where she died, meaning she’d have to find her own way home.
2: Captain America Came To Bargain.
At the end of Avengers: Endgame, Captain America takes it upon himself to go back in time and return all the Infinity Stones the Avengers had taken from time. The Space Stone went back to New Jersey, the Time Stone back to the Sanctum Sanctorum, the Reality Stone…I don’t even want to know how he somehow injected it back into Jane Foster without her knowing. But the Soul Stone is the most interesting one: to bring it back, Captain America would have to return to Vormir, to the exact moment of Natasha’s death, and hand it over to…Red Skull, I guess. But does returning the Stone mean that Natasha’s life is also returned? If Natasha is to be brought back to life, this is by far the most likely explanation as to why.
1: Natasha, Daughter Of Ivan.
And then we come to my theory. I’ve always believed that there’s a reason the Black Widow solo film is supposed to kick off the epic, cosmic events of Marvel’s Phase 4. But what business does the decidedly human heroine have in this universe of gods, aliens and mythical lore? Well, my theory is rooted in comic lore and a very intriguing name that gets dropped minutes before Natasha’s death. Red Skull calls her “daughter of Ivan”, and Natasha comments that he must be telling the truth, because she didn’t even know her father’s name. But who is Ivan? While there are any number of Ivan so-and-so’s associated with Natasha in the comics, there’s also another character who goes by that name, who has a connection to the events about to unfold in the MCU: Ivan Druig is the alias that Druig, an Eternal (who will be played by Barry Keoghan in The Eternals), takes when he impersonates a sadistic Russian KGB officer and the leader of a small Soviet state named Vorozheika. If “Ivan” is Ivan Druig, and Natasha is Ivan’s daughter, that makes her a demigod – similar to how Peter Quill was revealed to be the son of a living planet. Druig might have an interest in resurrecting his daughter, maybe even giving her new powers in the process. If this were the case, Natasha could hold her own in the next phase of the MCU, while her film would have a major tie-in to The Eternals that would help to get audiences excited for that film.
What do you think of these theories? Do you even want to see Natasha brought back, or were you happy with her sacrifice? Share your own thoughts, theories and opinions in the comments below!
Since the day it was first announced, we’ve known (or at least strongly suspected) that the upcoming Disney+ miniseries The Falcon And The Winter Soldier will tackle some very controversial topics, that are likely to rile up certain viewers: the series will follow Sam Wilson, a black man, as he goes up against a white southern conservative “hometown hero” in a battle for the metaphorical mantle of Captain America. That alone is going to be enough to send social media into a frenzy when the show premieres this August. But a new rumor hints that Wilson might not want the mantle anyway (at least not initially) – and the reason why will rock the MCU to its foundations.
This rumor, tied into the recent casting of Supergirl actor Carl Lumbly in a key role, indicates that a dark and troubling secret about Captain America’s origins will be unearthed in the six-part series, and that this secret could deeply affect Sam Wilson. Imagine, for a moment, that the super soldier serum that turned Steve Rogers, a scrawny white kid from Brooklyn, into the massive, muscular guardian of American values, had been used on other men during the same time period, but with very different results. Imagine if these men had been injured, both physically and mentally, by the strenuous tests and experiments they went through, some to the point of death or suicide, and had received no compensation – much less recognition – for their sacrifices. Imagine if these men, who would of course be covered up by the government and kept secret for decades, were black.
In the comics, this is exactly what happens to men like Isaiah Bradley, who gave up their lives and livelihoods to become unknowing test subjects for the dangerous super soldier serum. 1940’s America being 1940’s America, these tests were carried out on people of color. Bradley’s character is based off the men who barely survived the unethical Tuskegee syphilis experiment, after being exposed to a then-untreatable virus and withheld medical aid for years. In the Marvel Cinematic Universe, Bradley can become the representative of these men, and their families and loved ones – at least metaphorically. He will also expose the horrific truth behind the creation of America’s most glorified hero.
In the comics, the experiments on Bradley and other African-American men were initiated after Steve Rogers’ creation, meaning that despite having nearly identical powers, Bradley is still considered the “Black Captain America” on the page. In the MCU, it’s unclear whether Marvel will go with that version of the story, or instead rewrite history still further and reveal that Bradley’s transformation happened before Rogers’, making Bradley Captain America, period. Either way, unless Bradley’s story occurs in flashbacks, it’s likely that the side effects of the serum will explain how he survives into the present day. We have no idea yet whether Bradley, as in the comics, will be left paralyzed and brain-damaged by the serum.
The uncovering of all these secrets is certain to cause ripples – not only does it force us, the audience, to retrospectively re-evaluate all of Steve’s accomplishments, but it forces Sam Wilson to rethink what he wants to do with the Captain America legacy: in particular, the star-spangled shield that will likely pass through several different hands over the duration of the show. Either he can give it up willingly, in light of the new revelations, or he can fight to reinvent the symbol and what it stands for.
What would you do, in Sam’s place, and what do you think he will do, assuming this rumor turns out to be true? Share your thoughts, theories and opinions in the comments below!
The Marvel Cinematic Universe has (in)famously had a hard time establishing romantic relationships between its characters: even the few love stories that have helped to define the overarching story have sometimes gone through ups and downs, or simply collided headfirst with a brick wall and died (looking at you, Thor & Jane). And yet they keep trying to master the same old boy-meets-girl (or Norse-god-meets-girl, or boy-meets-alien, or computer-program-meets-girl) formula. That’s why, in celebration of Valentine’s Day, I’ve set myself a challenge: trying to find the ten most romantic, endearing, adorable couples in the MCU and ranking them.
Disclaimer: “ships” or non-canon pairings aren’t being considered on this list because that would be cheating – most MCU “ships” are at least ten times better than the majority of actual onscreen pairings. It’s simply not fair to compare.
10: Thor & Jane Foster.
These two had something that looked like potential – I mean, if you squinted really hard. From the moment that Thor, the Norse God of Thunder and rightful heir to the throne of Asgard, crash-landed in the American Southwest, upsetting one of Jane Foster’s pseudo-scientific experiments, Marvel tried to convince audiences that a grand and glorious epic love-story for the ages was brewing – but all the magic (or “what your ancestors call magic”) words in the Marvel mythos couldn’t force Chris Hemsworth and Natalie Portman to look more than remotely disinterested in each other. And after Thor: The Dark World failed to turn up the heat, or really do anything at all, Portman had finally had enough: she quit the MCU, and Jane Foster was subsequently written out of the story. In Thor: Ragnarok, it was briefly mentioned that she broke up with the Thunder God offscreen – an uncomfortably awkward conclusion to what was supposed to be a cornerstone of Thor’s entire arc.
9: Stephen Strange & Christine Palmer.
I’m actually tempted to move this couple ever so slightly further up the list, because while they’re not exactly memorable, they’re also probably not as bad and/or boring as you remembered. Dr. Stephen Strange, a snobbish, arrogant surgeon, wasn’t just the on-and-off boyfriend of Dr. Christine Palmer – he was also her work-partner, and it was mentioned (though never really elaborated on) that the two had even pioneered an important new surgical technique, making the couple basically equal. And after Strange’s run-in with karma, it was Palmer who tried to help him recover his strength and rebuild his life: their heated argument about Strange’s future is the most powerful scene in the Doctor Strange movie, and carries a lot of emotional weight. Unfortunately, Rachel McAdams’ character basically fades into the background after that, and apart from being privy to a battle on the astral plane and trying (unsuccessfully) to save the Ancient One’s life, she really has nothing more to do in the story. And she’s not returning for the sequel, so I guess that’s the end of that.
8: Peter Quill & Gamora.
I don’t really like either Peter Quill (a.k.a. Star-Lord, an interstellar pirate armed with braggadocio, semi-Celestial powers that have proved to be entirely inconsequential outside of his own movies, and an impressive playlist of golden oldies), or Gamora (a.k.a. The Most Dangerous Woman In The Galaxy, who never actually lived up to that title before her untimely death at the hands of male screenwriters who didn’t know what else to do with her her own father, Thanos): nonetheless, I have to admit they had a spark of chemistry in both Guardians Of The Galaxy movies – and their interactions in Avengers: Infinity War, during which Gamora nearly convinced Quill to kill her (long story), are pretty emotional. There was something there! It wasn’t much, maybe, but it also wasn’t not there – much to the dismay of Thor & Peter Quill shippers everywhere. But in the end, Quill failed (because doesn’t he always?), Gamora got tossed off a cliff, and here we are with nothing left of their relationship but a sad trail of bubbles.
7: Natasha Romanoff & Bruce Banner.
I like Avengers: Age Of Ultron. I know it’s unpopular to say this, but it’s honestly the best Avengers movie – not only because it references the events of Agents Of S.H.I.E.L.D., but also because it successfully balances almost all of the main characters while still being able to add a couple new ones to the mix. There’s a cohesive plot, the stakes are raised, and the Avengers get to interact with each other on a more personal, intimate level than ever before. And then there’s Natasha Romanoff’s random relationship with Bruce Banner – while it’s not a bad idea, and they make a cute couple, the basis for their coupling up is based on the problematic idea that they’re both “monsters”: Bruce, because he transforms into a giant green killing machine; Natasha, because she’s…infertile? The messaging is weird and kind of sexist, especially since it would have been way easier to make Natasha’s murderous past with the KGB the reason for her guilt and self-loathing. It’s a shame, because Natasha actually did have better interactions with Bruce than she ever had with her former love interest, Clint Barton, but for better or worse their story arc was completely abandoned in Avengers: Infinity War.
6: T’Challa & Nakia.
While there’s certainly an argument to be made that T’Challa, the catsuit-wearing guardian of the African nation of Wakanda, is slightly more low-key and subdued than many of his co-stars in Black Panther (let’s face it, he doesn’t have Okoye’s fiery energy, Killmonger’s smoldering charisma, or M’Baku’s macabre humor), there can be no denying that his relationship with Wakandan secret agent/humanitarian Nakia is super cute. The two are a power couple, with both characters having genuine hero moments – Nakia even briefly diverts the main focus of the film away from T’Challa, and considers becoming the Black Panther herself. By the end of the film, she’s also working around the world to help extend Wakandan aid to those in need. And when they’re onscreen together, they’re presented as a healthy, sturdy relationship that doesn’t have to rely on drama, troubling gender dynamics, or sarcastic banter to be interesting. They’re basically #CoupleGoals, and I love them.
5: Wanda Maximoff & The Vision.
Ah, the tragic story of the computer program who became a man…once, for no apparent reason, and never did so again. The Vision, a sentient computer program outfitted with a cool new body (that, unfortunately for him, came along with the Mind Stone, one of the most coveted objects in the galaxy), didn’t really show any signs of attraction to the troubled witch, Wanda Maximoff, until Captain America: Civil War, but when their romance finally kicked into gear, and the two began to bond over spicy food, things got good – and then immediately got weird again, when Wanda blasted Vision through a floor, before suddenly…ending up on the run with him in Scotland? Where Vision was suddenly able to turn into a human man, but only did so once, for reasons that were never explained? Yeah, so there’s some serious gaps in what we actually know about their relationship, but at least it ended on a strong note, with Wanda having to brutally murder her lover in an attempt to destroy the Mind Stone before Thanos could get to it, only to watch Thanos use the Time Stone to reverse all her hard work, murder Vision again, and use the Stones to wipe out half the galaxy, including Wanda herself. If it’s any consolation, the upcoming WandaVision series on Disney+ will feature Wanda resurrecting her dead partner, only to have him presumably die once again when her entire reality inevitably comes crashing down around her. Cheerful, am I right?
4: Scott Lang & Hope Van Dyne.
Technically, there have been two canon MCU power couples that call themselves Ant-Man and The Wasp: Hope Van Dyne’s parents, Hank Pym and Janet Van Dyne, and then Hope herself and her partner, reformed burglar/single father/world’s best grandma, Scott Lang. But the latter couple has the edge on its predecessor, mostly because Janet doesn’t actually show up until the end of the second Ant-Man film, and most of her flashbacks with Hank were cut out of the movie anyway. Scott and Hope share the spotlight (and the title-card) in Ant-Man And The Wasp, which focuses almost entirely on their relationship – and their exchanges of playful, witty banter, coupled with their fidelity and focus on family, make them one of the most endearing couples in the MCU.
3: Steve Rogers & Peggy Carter.
Specifically, their relationship in the first three Captain America films, before Avengers: Endgame happened. In the beginning, scrawny new recruit Steve Rogers and fast-talking, no-nonsense commanding officer Peggy Carter were actually quite a sweet pairing: they both had character arcs, and agency in their own stories. There was a quaint little 1940’s love story between them, but Peggy, by virtue of being in the military, wasn’t forced to play the damsel-in-distress or grieving-girlfriend-on-the-home-front roles: and in the post-war era, after Steve went down in the frigid Antarctic Ocean and was lost, she picked up her life and moved on, founding S.H.I.E.L.D. and starting a family. Her relationship with Steve after his resurrection from the ice was deeply emotional and interesting, and it was tragic when she passed away. But then to essentially reverse all the complexities of their post-The First Avenger relationship by having Steve go back in time and start all over with her, making her essentially a consolation prize for Steve after he failed to move on with his life, thus preventing her from moving on with hers? No, just no.
2: Tony Stark & Virginia “Pepper” Potts.
They’re the MCU’s original duo: how could they not come in near the top of the list? Tony was a sarcastic, cynical mess of a human being; a war-profiteer who didn’t care one iota about the countless people killed daily by his weapons of mass destruction; Pepper was the very opposite, a cool, collected woman with savvy business skills and a friendly disposition. It’s a trope, and a tired one at that. But their relationship evolved into so much more than that – Tony became Iron Man, and Pepper took over as CEO of Stark Industries. They constructed the Avengers Tower in New York City. In the five years after Avengers: Infinity War, they got married and had a daughter. In Avengers: Endgame, where they even got to fight in battle alongside each other, their decade-long relationship came to an end with Tony Stark’s tragic death. In that final moment, as the former “Merchant of Death” gave up his life to save the world, Pepper stayed beside him and her face was the last thing he ever saw. I’m not crying: you’re crying.
1: Leopold Fitz & Jemma Simmons.
Yes, I cheated! Fitz and Simmons, or “Fitzsimmons” as they’re more commonly known among the fandom, are not technically members of the MCU: they come from the Marvel TV division, where they made their debut on Agents Of S.H.I.E.L.D. and have endured through six grueling, torturous seasons of hardship, personal loss, tragedy and pure, wholesome romance. While they started out as the team’s two bumbling, socially-awkward scientists, it didn’t take long before the universe’s vendetta against them resulted in them standing up for S.H.I.E.L.D., and for each other, in incredible ways. Their tense, frantic struggle to figure their way out of an airtight box at the bottom of the ocean (long story) was one of the highlights of Season 1, as it showed just how powerful the two are as a team – so of course they were then split up. Jemma became an undercover spy, got eaten by a space monolith, was transported to another planet and had to survive on her own, fell in love with an astronaut who turned into an evil alien god, was possessed by the Kree, was possibly hinted to be bisexual (come on, we all know she had a thing for Daisy), and even met and defeated the demonic personification of her self-doubt: Leo lost his ability to communicate for a long period of time and became delusional, was possibly hinted to be bisexual (come on, we all know he had a thing for Mac), became a dashing secret agent, met his evil HYDRA doppelganger, fell in love with HYDRA’s cyborg overlord, and then got stuck in two different time-periods at once, which resulted in him dying but still being alive and yet somehow a space pirate in both timelines…it’s a wacky and confusing series, but their love for each other, which persists even against all odds, has always been at the heart of the story, and I would be lying if I didn’t say they’re the most romantic couple in what used to technically be part of (or at least adjacent to) the MCU.
So what do you think of my top ten, and would you have chosen differently? Did I leave your favorite couple off my list? Share your thoughts in the comments below!
The Marvel Cinematic Universe is about to expand onto the Disney+ streaming platform, and the first teaser trailer for their upcoming content, while extraordinarily brief (a mere thirty seconds) has already given us boatloads of new material to examine in excruciating detail. This teaser gives us our first good look at The Falcon And The Winter Soldier and WandaVision, as well as a tiny hint of Loki.
We start with a quick shot (that should go without saying: every shot in this teaser is quick) of Sam Wilson, the MCU’s new Captain America training in his backyard with the shield of his former mentor, throwing it discus-style at trees. In the same location, later in the teaser, he shakes hands with his best friend, Bucky Barnes, who has cut his hair short. There’s shots of people in yellow and black outfits sky-diving over a desert, followed by Wilson, wearing his Falcon uniform, flying through a canyon. Bucky wields a shotgun, and confronts the series’ antagonist, Baron Zemo. There’s a shot of bullets slipping through Bucky’s vibranium fingers, while Zemo watches with an impassive stare. Is Bucky being brainwashed once again by the master manipulator? Just before the series’ title font appears, we catch a glimpse of another Falcon And The Winter Soldier villain, U.S. Agent a.k.a. John Walker, attending a rally at a football game (not dissimilar to the Super Bowl, at which this trailer debuted): Walker is seen carrying Captain America’s shield, and his appearance on the field is greeted with red, white and blue fireworks, a marching band, and ecstatic reactions from the crowd – in the comics, Walker is a government puppet who takes up the Captain America mantle after concerns that Wilson, a black man, is unfit to carry the title. This series is verging into deeply divisive political territory, and I can’t wait.
I was thrilled to see that, but I was shocked when I saw that the teaser continued with a look at WandaVision, probably the most anticipated Marvel Disney+ series, and the one that we seem to know the most about. The series, which will follow Wanda Maximoff, a.k.a. Scarlet Witch, as she veers off the edge and into insanity, is positioned to be the MCU’s most mind-bending venture yet, and it already looks outstanding: it starts off in black and white, channeling 50’s sit-com I Love Lucy, with Wanda, dressed in bridal attire, swooping through the door of her quaint suburban dream-house and into the arms of her cyborg husband, The Vision. But it looks like successive episodes of the series will take us on a trip through television history, as other shots seem to echo The Brady Bunch, and 80’s TV soap operas. Wanda progresses through a number of different looks in a couple seconds – going from demure, prim and proper 50’s attire to long hippie hair and hoop earrings, to plaid flannel, overalls and frizzy hair, to…hold on a moment! Blink and you’ll miss it, but there’s a single shot of Wanda Maximoff wearing her comics-accurate Scarlet Witch costume, complete with the bright red cape and half-moon tiara. 2020 can’t get any better.
Except it can, because the WandaVision teaser gets even more crazy from there, with a real-life, modern Wanda reeling as she watches 50’s Wanda on a retro TV, while confronting Vision in an entirely black-and-white house. Both characters stumble backwards, as if their entire reality is crumbling around them. Maybe it is. Who knows? All I know is that a few moments later, we see Wanda and Vision staring down at two cribs, from which pops a baby-pacifier that, once again, is so hard to see you could easily miss it. But for those who paused the trailer ten-thousand times (a.k.a. me), that’s a shocking revelation – Wanda’s twin children, Wiccan and Speed, are indeed going to be members of the Vision family, and this is our first (albeit technically offscreen) look at the Young Avengers in the MCU.
And that’s not all, because then there’s a title reveal for Loki, and a shot of the trickster god wearing a prison-uniform marked with a strange logo, and smiling as he whispers: “I’m gonna burn this place to the ground”. Not sure entirely how he plans to do that while locked up, but he’s Loki, so he probably won’t remain imprisoned for long. Seeing him alive, and back to his own tricks, is a welcome relief.
I’m honestly so excited for all three of these shows, and I want to have the power to time-travel into the near future so I can enjoy all three right now, without having to wait months. Falcon And The Winter Soldier, the closest of the three to release, comes out sometime in August, while WandaVision will probably premiere in October. As for Loki, the release date should be early Spring of 2021.
So what do you think? Which of the three looks the best, and why? Share your own thoughts, theories and opinions in the comments below!
Ah, the drama. Earlier this morning, Marvel Cinematic Universe star Sebastian Stan made headlines by seemingly expressing his disappointment with the ending of his Marvel character’s story arc in Avengers: Endgame (and was welcomed by Star Wars star John Boyega into the small but steadily growing community of actors unhappy with how they were treated in the final installment of their respective franchises). I say “seemingly” because it’s kind of unclear whether or not Stan’s vague, single-emoji response to an angry fan’s social media post was an expression of sympathy or not. But since Stan hasn’t clarified his position, and the internet is having a field-day with this story, let’s assume for a moment that Stan really doesn’t like the conclusion to the long and tumultuous history of Bucky Barnes, a.k.a. The Winter Soldier, in the MCU.
First of all, we have to take a look at the post which stirred up all this controversy and drama. The tweet, itself a response to an official Marvel post about Bucky’s relationship with Steve Rogers, a.k.a. Captain America, read: “Together until the end of the line. Or until bad, inconsistent, out-of-character writing turns Steve Rogers into his own anti-thesis. Shouldn’t it be “together until the end of the lie” now?” The author’s harsh condemnation of certain Avengers: Endgame plotlines would have been controversial regardless of whether it was spotted by a certain Marvel actor (who doesn’t even have Twitter, which makes the whole situation even weirder), but the fact that Stan posted a single wide-eyed emoji (which, according to the internet, could mean anything from shock to embarrassment), is what’s got everyone talking. Why is he angry about this whole “end of the line” business anyway, and what would he have preferred to the ending we got?
together until the end of the line. Or until bad, inconsistent, out-of character writing turns Steve Rogers into his own anti-thesis. Shouldn't it be "together until the end of the lie" now?
Before we go any further, let me make it clear that I don’t necessarily disagree with either Stan or the fan, but that doesn’t mean this post is going to devolve into an embittered, anti-Endgame tirade. I like Endgame: I like it less now than I did upon first viewing, because I’ve identified many of the film’s flaws, and I’m not entirely satisfied with the many of the film’s decision, especially with regards to the final choices of characters like Tony Stark, Natasha Romanoff, and, yes, Steve Rogers, but I still really like it. I don’t think the Russo Brothers are bad directors, or that Disney/Marvel are evil for not creating the perfect movie, or that anybody has to be “cancelled” by the MCU fandom. I’m not the type to start unnecessary drama (though, if you’d like me to, I could start by saying that Avengers: Infinity War is a complete and utter mess: but I won’t). No, I just want to discuss what I feel is one of the most uninspired and uncomfortable decisions made by the Avengers: Endgame writing team.
Which just so happens to be the conclusion to Steve Rogers’ and Bucky Barnes’ relationship.
In the MCU, these two characters, more than probably any other duo (with the exception of Thor and his brother Loki), have constantly been paired up in increasingly dramatic and thrilling situations that have tested their loyalty to each other time and time again: and yet, despite everything, they’ve always found a way back to each other’s side. Steve gets frozen in the Arctic Ocean for seventy years? No biggie. Bucky is horribly maimed in a wartime accident and becomes the brainwashed servant of a malicious organization operating deep within the most secure counter-intelligence group in the world? Not a problem. Their relationship was important to the plot of Captain America: The First Avenger, crucial (obviously) to Captain America: The Winter Soldier, and pivotal to Captain America: Civil War, in which it was a dispute over Bucky’s safety that led Steve to disobey the Sokovia Accords and start a conflict with Tony Stark that led to the titular civil war which broke up the Avengers, which in turn led to Steve and Bucky going on the run, which in part contributed to Thanos’ victory in Avengers: Infinity War, which set in motion all the events of Avengers: Endgame and thus everything that will happen in the MCU for decades to come. It’s not like Bucky is some side-character: he’s a really big deal.
And then, suddenly, he wasn’t.
At the end of Civil War, Bucky was sent to the African nation of Wakanda to recuperate from his injuries, and since then has shown up a handful of times onscreen, spoken a couple lines of dialogue, and has acted as little more than an extra in fight-scenes. In the post-credits scene of Black Panther, he’s not even that – he wakes up in Wakanda and gets the title of “White Wolf”, which seems to forebode big developments down the line. In Infinity War, he is gifted a seriously cool new vibranium arm that seems designed to wreak havoc on the battlefield but…doesn’t; and then, after being dusted by Thanos, he disappears for five years until the Endgame finale, where he has little more than a cameo as the guy standing silently but supportively behind Steve as he, Steve, makes some of the stupidest decisions of his unnaturally long life. And yes, he’s now getting his own Disney+ series (in which he will co-star alongside Anthony Mackie’s Falcon), but that can’t erase the fact that the conclusion of his relationship with the most important person in his life amounted to a brief exchange using dialogue recycled from their first movie. Meanwhile, Steve gets to enjoy a fairytale ending while everyone else in the MCU suffers irreversible pain and hardship; he goes back in time and unabashedly robs a strong, independent woman of her own agency and story arc, just so he can make good on a promise he made twenty-something movies ago. Was it so absolutely necessary that he have his dance with Peggy Carter, thereby creating his own alternate universe in which she never remarried after his disappearance, or had her own family, or moved on with her life?
No. It was, in my opinion, blatant fan-service that makes little to no sense given everything that has happened to Steve over the years. His entire arc has been one of trying to survive in the modern world, to find purpose and meaning in an era that no longer requires his antiquated morals and services, trying to adapt to society. At first, he fought with tooth and nail and Frisbee-shield: he pined after Peggy and he clung to Bucky, and he shook his head at newfangled customs. But he was beginning to change, to evolve, when Endgame happened – in Winter Soldier, he was forced to take a good long look at the government he had blindly followed into battle for decades, and in Civil War he actually fought back against all forms of government, becoming a rogue anarchist. He even had a new love-interest (albeit one who was related to his former love-interest, which made the whole situation highly disturbing and awkward). And then, after all that development, what does he do, first chance he gets? Hops in a time-machine and fills out an entire lifespan with Peggy Carter, thereby shattering any hope that he would move on with his own life, and stealing Peggy’s own opportunity to do so. And for Sebastian Stan and many other outraged viewers, the worst part of this was that it prevented Steve from having any time to interact with Bucky, a friend he had actually known for some time in both the past and present, and with whom he had a complex, meaningful relationship – for whom he had fought the entire world, for whom he had risked his own life countless times: a friend he had believed in when no one else would.
Steve’s ending is uninspired because it does nothing new with the character, but instead harps back on what made him interesting ten years ago: it reverses years of development in an attempt to make his story come full-circle. And unfortunately, this is similar to what happens to many other Avengers in the same movie: Tony Stark, who spent much of his life wondering how he would die and how many people he could save while doing it, died saving the entire world; Natasha Romanoff, whose every waking moment was spent giving thanks to her family and wondering when she would have to sacrifice everything for them, sacrificed everything, including her life, for them; Clint Barton, who just wanted a boring, middle-American family and a farmhouse in the middle of nowhere, got all that after briefly turning into a bloodthirsty ninja and exacting vengeance on all the Asian crime-lords who had absolutely nothing to do with his family getting dusted by Thanos. Each of those endings tries to employ the full-circle trick, but they almost all fail because the full-circle trick doesn’t always work, and isn’t always that interesting, for the same reason why most people like the concept of free will more than fate – the idea that your destiny is predetermined is, honestly, kind of boring. There’s no surprise, no tension.
I can’t claim to understand what went into the making of Avengers: Endgame, or why the screenwriters and directors chose to do what they did with the story: but one thing that most Marvel fans have noticed (and have already speculated could explain the sudden disappearance of Bucky Barnes) is that soon after The Winter Soldier‘s release, a vocal division of the fandom rose up to demand that Steve and Bucky’s relationship go an extra step further and develop into a romantic dynamic. While both actors, Chris Evans and Sebastian Stan, were very supportive of the idea, it seems that higher-ups at Marvel were nervous even to acknowledge the idea of a Steve/Bucky love story, and tried to backpedal: they gave Steve a new, temporary female love interest, and even wrote in a conversation between the two where they talk about the extremely-straight-and-not-at-all-gay relationships that they had back in the 1940’s. And it didn’t take long before Bucky suddenly started vanishing from the movies and getting less and less screen-time. Maybe this is because of cowardice, or maybe it’s simply because the Russo Brothers didn’t want another gay character distracting from that crucial five-second cameo from the Unnamed Gay Man in Avengers: Endgame, but either way it does seem to have had a negative impact on how Marvel treated Bucky Barnes.
Now, we don’t know if this is why Stan doesn’t like the ending to Steve and Bucky’s relationship (technically, we don’t even know if he doesn’t like their ending). A single emoji can say a lot, but in this case it’s vague enough that I’m basing most of my assumptions off the original tweet, which said the Endgame plotline was “bad” (which is entirely subjective), “inconsistent” (which I’ve argued is an accurate assertion), and “out-of-character” (there’s no good answer to this one: after all, Steve is the character who rebelled against the very political structure that created him, but he’s also the same character who couldn’t even find a prospective date outside of his 1945 girlfriend’s immediate family). Now I leave it up to you, my dear jury, to decide for yourselves who’s right and who’s wrong in this debate. In my personal opinion, I have to agree with many of the claims made in the original tweet, but I’m also not going to sit here and say that Avengers: Endgame is poorly-written, as if it didn’t masterfully handle the extraordinarily large cast of characters across several timelines and in multiple parallel realities, right up until that iffy ending.
So what do you think? Is Sebastian Stan well within his rights to raise his voice, despite still being employed by Marvel (even John Boyega waited until after he was done with Star Wars to give them a piece of his mind), or does he come off as merely disgruntled? What do you, personally, think of the ending to Steve and Bucky’s story, and if you could rewrite it, would you? Share your thoughts, theories and opinions in the comments below!
Disney+ is speeding towards its launch date on the 12th of this month, and people are already eager to finally have the streaming service and its boatload of content, both old and original, at their fingertips. But those of us who are Marvel fans, and have thus already watched all of the Marvel films that will be on Disney+ about ten times over, are looking much further ahead to when we will finally have original Marvel content to stream on the platform. There are eight Disney+ exclusive miniseries in the works, but all of them are still a long way off. So here I am to tide you over, while you wait, with all the latest updates on Marvel’s venture into the world of streaming.
The Falcon And The Winter Soldier: first up is the series which will follow Sam Wilson (“The Falcon”) and Bucky Barnes (“The Winter Soldier”) as they fight evil in the name of the late great Captain America. Rumors suggest that the duo will face off against one of Marvel’s most controversial villains – US Agent John Walker, a Southern conservative who receives the title of Captain America from the US Government after the powers that be decide that Falcon, a black man, isn’t fit to carry the Captain’s shield and legacy. Created in the Reagan era as a warning against hyper-patriotism, Walker is an interesting character to explore, especially given the current political climate. Baron Zemo, first seen in Captain America: Civil War, will also serve as an antagonist in the show, and one of the central plot elements is rumored to be a killer virus that Falcon and Winter Soldier will have to stop from spreading across the United States – it’s unclear what the virus will be, but the Russo Brothers originally planned to use a similar storyline for Civil War, in which Captain America would have to stop the spread of the Madbomb virus, which turns people into mindless, bloodthirsty berserkers: Madbomb could be brought back for The Falcon And The Winter Soldier, and would make for a pretty compelling story. Thankfully, we only have to wait until next Autumn to find out how the two superheroes will deal with that onslaught of dangerous threats: the show is currently filming in Atlanta, Georgia.
WandaVision: a direct tie-in to Doctor Strange In The Multiverse Of Madness, which will release in the summer of 2021, WandaVision will explore the life of Wanda Maximoff after the events of Avengers: Endgame, as she descends into insanity and constructs an elaborate alternate reality for herself and a resurrected version of her dead lover, the Vision. A new rumor suggests that when Vision is brought back to life in the series, he will appear as the White Vision, an alternate version of the character that became very popular in the 1980’s – basically just Vision, but without any human emotions or memories of his past life. The series is also apparently looking to cast two babies, which strongly implies that Wanda Maximoff’s twin children from the comics, the heroes Wiccan and Speed, will make their MCU debuts in this show. WandaVision will probably begin filming fairly soon. Randall Park and Kat Dennings will reprise their roles as comedic relief characters Jimmy Woo and Darcy, respectively, while Teyonah Parris joins the series as Monica Rambeau, whom we last saw as a child in Captain Marvel.
Hawkeye: an upcoming Marvel project that has generated some controversy already is the Hawkeye miniseries which will focus on the current Hawkeye, Clint Barton, and the future one, Kate Bishop. Jeremy Renner, who plays Barton in the MCU, has been the target of a whole bunch of allegations from his ex-wife recently, accusing him of physical and emotional abuse. There’s still no official word on whether or not Renner will remain as the star of the series, though reliable sources have hinted that Disney has considered recasting the actor if the allegations are true. According to Marvel executive Trinh Tran, one major element for the series will be explaining Barton’s origins: presumably his time as a circus performer, and then as an Agent of S.H.I.E.L.D. – maybe even another tantalizing reference to the infamous Budapest incident. The series doesn’t have a production start date, but will release in Autumn of 2021. Hawkeye is just a boring character in general, though (at least, in my opinion), so no one is really too upset that we have to wait a little longer for this series. Just sayin’.
Ms. Marvel: speaking of Agents of S.H.I.E.L.D., a prominent member of the S.H.I.E.L.D. team could be joining the MCU through the Ms. Marvel series. The show, which will start production in April of next year, has just hired Krista Husar, the casting director from the ABC TV series Agents Of S.H.I.E.L.D, leading to speculation that Ms. Marvel might be looking to cast actress Chloe Bennet, who plays Inhuman heroine Daisy Johnson on S.H.I.E.L.D., in the Marvel Cinematic Universe: it could be a stretch, but it would make sense story-wise, since Ms. Marvel is already rumored to include multiple Inhuman characters, including the Royal Family of Attilan, and, of course, Ms. Marvel herself. Marvel is currently looking for an actress to play the shape-shifting teenager, and is now casting her entire family, including her parents Yusuf and Muneeba, and her brother Amir. A villain is also reportedly being cast for the series – and here’s where I want to take a moment to just admire the fact that, if the rumors are reliable, then Disney+’s roster of characters will be weirder than anything we’ve seen from the MCU before: because apparently the villain that Marvel is looking to cast is none other than (bear with me here) The Inventor – a clone of legendary genius Thomas Edison who, due to an accident with his DNA, ends up becoming an anthropomorphic bird-man hybrid who operates out of Bayonne, New Jersey. Between that and Ms. Marvel herself being a walking rubber-band, this series is shaping up to be…interesting, to say the least. Even Ms. Marvel’s original creator, G. Willow Wilson, is afraid the lead character will look “really creepy” in the live-action format.
Moon Knight: finally, the Moon Knight series is also getting off to a good start, with casting underway for a Jewish actor to portray troubled antihero Marc Spector, the former CIA mercenary who becomes the unwitting servant of the Egyptian moon god Khonshu (these premises are crazy!). And a recent rumor indicates that Marvel is looking to adapt another absolutely bonkers villain for the small-screen story: Stained Glass Scarlet, the psychic, crossbow-wielding ninja nun/vigilante/former prison guard who kills her own son after he turns to a life of crime, and forms a telepathic bond with Spector through his dreams, is apparently destined for a place in the series as a lead antagonist. In the comics, she has something close to a redemption arc, in which Spector learns to pity her, and eventually allows her to escape from the police. How much of that will be transferred over to live-action is still unclear.
At this point I can only imagine what the casting calls will be like for series’ such as She-Hulk or Loki. It looks like Disney+ will be home to some of the wackiest heroes and villains from the Marvel Comics, and I hope to hear of more in the near future: from the reality-bending antics of WandaVision to the polymorphous weirdness of Ms. Marvel, it looks like there’s plenty of room for more insanely unique storylines on the small screen.
So what do you think? Share your own thoughts and theories in the comments below!
Do I even have time to talk about anything that’s not Marvel on this blog? Probably not. Probably never. Certainly not with the amount of Marvel content that’s just been announced for Disney’s new Disney+ streaming service.
(Don’t worry: I will certainly talk about some of the other Disney+ reveals that were dropped at tonight’s D23 panel in California, possibly even that AWESOME trailer for The World According To Jeff Goldblum; but basically, it’s Jeff Goldblum being himself, and that’s all you need to know).
So let’s break down all the Marvel content you’ll be seeing on Disney+ in coming years, starting with The Falcon & The Winter Soldier, which should air in fall 2020. The main cast, including Anthony Mackie, Sebastian Stan, Emily VanCamp and Daniel Brühl, were all confirmed, as well as one surprising addition: Wyatt Russell will be joining the show as the probable antagonist John Walker, a US agent who, in comics lore, is genetically modified to become a super-soldier of comparable strength to Captain America – Walker is an extremist/basically terrorist who is endorsed by the United States government, leading to a confrontation between him and Falcon. There will certainly be a lot of ruminations on what it means to bear the mantle and shield of the iconic hero in the upcoming series, as both characters fight for the honor of being the one true Captain America.
Next up was Loki, about which we learned almost nothing new. It will be six episodes long, air in spring of 2021, and link the events of Avengers: Endgame and the upcoming film Thor: Love And Thunder, by exploring what happened to the god of mischief after he vanished into an alternate timeline with the Tesseract. No cast has been officially confirmed, though I’ve been seeing rumors that Idris Elba’s Heimdall will be returning for the series, as well as a new character played by legendary actor Ian McKellen (another clear indicator, if true, that Marvel will be ignoring Fox X-Men continuity). Michael Waldron will helm the series.
WandaVision was also confirmed at the panel for a summer 2021 release date: one of the weirdest upcoming Marvel projects, the show does not yet have a director attached, but it does have a screenwriter in Jac Schaeffer (who is also writing Marvel’s Black Widow), and a large and surprising cast: alongside Elizabeth Olsen’s Scarlet Witch, and Paul Bettany’s Vision, the following have been confirmed: Teyonah Parris will play a grown-up version of Captain Marvel‘s Monica Rambeau; Kat Dennings will return to the role of Darcy, a fan-favorite last seen in Thor: The Dark World; Randall Parks will reprise the role of Agent Jimmy Woo, a lovable and humorous cop; and Kathryn Hahn will play an unnamed “nosy neighbor”, in what was described by Marvel president Kevin Feige as a mix between an epic MCU adventure and old episodes of 50’s sitcoms. Honestly, that sounds amazing: the show will apparently also include some horror elements, and will be absolutely bizarre.
For some reason, absolutely nothing was said about the Hawkeye show. That can’t have been an accidental omission, but it’s surprising nonetheless.
The What If? animated series planned for summer 2021 teased a series of 23 episodes for each existing Marvel movie; episodes in which there will be drastic changes to current MCU canon, resulting in alternate realities. Almost all of the main Marvel cast will be lending their voices to the series: Hayley Atwell has been receiving the most attention, however, since she gets to portray a version of Peggy Carter who took the super-soldier serum during World War II and became Captain Britain. Variations on Captain America and Star Lord were also shown.
Following that were three of the night’s most startling and crowd-pleasing reveals. A Ms. Marvel series documenting the origins of Kamala Khan, one of Marvel’s only Muslim superheroines was already widely rumored, and actress Mindy Kaling had supposedly approached the studio with ideas for the show: the rumors were officially confirmed today, and it looks like Khan will not only be the star of a Disney+ series, but will also make appearances in MCU movies going forward (probably Captain Marvel films, since the teenage heroine from Jersey City is known for being a Captain Marvel fangirl). Comedian Bisha K. Ali will produce the show.
Next, a Moon Knight series was confirmed, and received probably the best Disney+ title logo so far. Marc Spector, the Moon Knight, is a very complex character who some thought might have been better suited for a Hulu series, where he could have been darker, grittier, and more risque. Well, we’ll see. I have faith in the series, if only because its logo is actually awesome. No director or cast is attached.
Finally, She-Hulk, a.k.a. Jennifer Walters, is confirmed for a series: one of Marvel Comics’ most beloved heroines, the quick-witted lawyer retains her human personality when she transforms into a female equivalent of Bruce Banner’s Hulk, meaning she’s “the brains and the brawn” right from the get-go, whereas Banner had to progress through several films before reaching that point in his transformation. No director or cast is attached, but fans are already rallying for the series to be a superhero action/courtroom drama crossover.
So…what do you think of Marvel’s upcoming slate of shows? Personally, each and every one sounds awesome, and I can’t wait for a chance to sit down and try to figure out more about them: expect many more theories and predictions in the days ahead!
Until then, go watch the trailer for Jeff Goldblum’s new show. You’ll thank me.
Marvel’s Phase 4 announcements at last night’s San Diego Comic-Con presentation didn’t just include a detailed outline of the movies they will be releasing over the next few years – all of their Disney Plus streaming shows were also officially announced, and even received logos and some casting announcements. There’s so much to go over in this post. Let’s start with the simplest stuff.
So Falcon And The Winter Soldier is coming to Disney Plus in Fall of 2020, and will bring with it a newly redesigned version of the villain Baron Zemo, still played by Daniel Brühl, but no longer looking quite as…dare I say, boring…as he did in Captain America: Civil War. This time around, he’s sporting a comics-accurate mask, and promises to be much more physically intimidating as well. That show looks promising, but there wasn’t much to talk about. Emily Van Camp, who will star alongside Anthony Mackie and Sebastian Stan, was not present at last night’s panel, so that presentation mostly consisted of the two leads passing around Captain America’s shield for a minute or two.
Loki arrives in the spring of 2021: Tom Hiddleston, who returned to Comic-Con to thunderous applause, will also be returning to the iconic role – Marvel president Kevin Feige confirmed that the Loki we see in the show will indeed be the one from the past who escaped with the Tesseract in Avengers: Endgame, leaving open the possibility of a return – maybe, somehow, Loki will find a way back into the current timeline.
A Hawkeye series was also confirmed last night, and it was revealed that archer, and sometimes Avenger, Clint Barton will be training Kate Bishop, a character who was rumored to appear in Endgame but turned out to be Barton’s daughter. There was no clue as to who would be playing Bishop, but Jeremy Renner will return to the role of Hawkeye – that will be in fall of 2021.
In one of Marvel’s more unusual panels of the night, a What If? animated series was confirmed for the summer of 2021 – Jeffrey Wright will star as The Watcher, a cosmic entity who observes the world’s history. Many of the Marvel stars will be joining the show for voice-acting work, starting with Hayley Atwell and Chris Evans in an episode which will explore what would have happened if Peggy Carter had taken the Super Soldier serum. It sounds…decent. But it will presumably feature the concept of the Multiverse, and that’s where things get interesting.
WandaVision is the Disney Plus show I’m most looking forward to, and we can expect that to drop in spring of 2021 – it will star Elizabeth Olsen as Wanda Maximoff the Scarlet Witch, and Paul Bettany as the android Vision (Vision kind of died back in Avengers: Infinity War, and Bettany gave no indication of how he will be returning). The show will be set in the 1950s and have a corresponding retro flair (no explanation for that either), and it will also star Teyonah Parris as Monica Rambeau. That’s right, the sweet little girl from Captain Marvel, whom we last saw in the 1990s, will now be an adult…in the 1950s. If you’re confused now, prepare to be even more baffled as time goes on: Olsen said that this show is “weird”.
Is it any wonder, then, that the events of WandaVision will apparently lead directly into the most bizarre, freaky movie of the next phase – Doctor Strange In The Multiverse Of Madness. With a title like that, the film is already promising some seriously trippy weirdness, but apparently it’s like nothing we’ve ever seen before in the MCU – Benedict Cumberbatch came onstage to talk about how this film will stray near, or over, the boundaries of what can be done in a PG-13 film. Apparently it will be Marvel’s first real horror film, and will feature Nightmare as the villain. And, just as many of us had hoped, Scarlet Witch will also be in the film, presumably because of something that happens in WandaVision – possibly, she gets targeted by Doctor Strange’s nemesis Baron Mordo, whom we last saw embarking on a mission to kill magical beings across the world.
Oh yeah, and the title suggests that the whole concept of a Multiverse is real – in Spider-man: Far From Home, we thought we had seen the last of that idea when Quentin Beck revealed that his scriptwriter had made it all up. Looks like that scriptwriter knew a little more than he let on to Beck, because Doctor Strange is about to set out into the Mad Multiverse. This opens so many other possibilities, it’s hard to even think about right now.
Which of these upcoming projects interests you the most? Are you excited that the Multiverse is real? Do you like the idea of Maximoff and Strange teaming up? Share your thoughts in the comments below!
AVENGERS: ENDGAME SPOILERS! (have you seriously not seen the movie yet? What is taking you so long?)
The Marvel Cinematic Universe has been suspiciously quiet these past couple of days: no Agents of S.H.I.E.L.D episode last week, a disappointing trailer for Jessica Jones Season 3 on Netflix, and only a few stray behind-the-scenes images of Scarlett Johansson filming the Black Widow movie. As the release date for Spider-man: Far From Home draws closer and closer, we’re looking towards an uncertain future for the MCU, one populated by largely unfamiliar faces – such as the Eternals, and Shang-Chi, both set to make their film debuts in the next couple of years. Characters like Black Panther, Captain Marvel and Doctor Strange are expected to become the next “holy trinity” of Marveldom, replacing beloved heroes like Iron Man, Captain America, and Thor – well, maybe not Thor: the God of Thunder is still very much alive after the events of Avengers: Endgame, and has jetted off to S P A C E with the Guardians of the Galaxy.
It’s Thor’s brother Loki whom we’re discussing today, however. Loki’s familiar face is now just cosmic ash floating in the space between stars, ever since Thanos strangled him in Avengers: Infinity War, and then snapped his neck, and then blew up his spaceship using the Power Stone – the chances of him ever coming back to life are slim to none at this point. Unless, like many, you believe that Loki got off the spaceship just in time, and it was one of his clones that met a horrible fate at the gloved hand of giant purple Josh Brolin.
But, due to the events of Endgame, Loki doesn’t need to be alive to still be around in the MCU. When the Avengers went back in time to the 2012 Battle of New York, looking for the Space, Time and Mind Infinity Stones, they inevitably ran into 2012 Loki, who had just been defeated by the 2012 Avengers, and was being escorted into S.H.I.E.L.D custody along with the Space Stone. While Captain America was able to snatch the Mind Stone from…himself, and Bruce Banner persuaded the Ancient One to relinquish the Time Stone, the Space Stone wasn’t so easily won. In fact, it wasn’t won at all: due to the present-day Avengers interfering with the 2012 Avengers, Loki ended up grabbing the Space Stone and escaping in a flash of blue light, forcing Tony Stark and Captain America to go even further back in time, to 1970, to get the Space Stone from Tony’s father Howard Stark.
But that’s where things get tricky. At the end of Endgame, Captain America heroically volunteers to go back in time once more and replace all the Infinity Stones they stole, to the exact moment at which they were taken: thus erasing all the messy alternate timelines that had been opened due to the time traveling. The Time Stone will be easily returned to the Ancient One; the Mind Stone can be quietly snuck back into Loki’s scepter; the Space Stone can be put back into its safe in S.H.I.E.L.D HQ, circa 1970…
But Loki’s escape still happens. Captain America would have no way of returning the Space Stone to 2012, because he didn’t take it from the 2012 timeline: he and Tony took it from 1970. In this elaborate game of alternate realities and dimension-hopping, the 2012 Loki is still out there, somewhere in the universe, armed with the Space Stone. And this is a feral, unreformed Loki; one who still wants to kill his brother Thor, and is possibly still suffering from the effects of 2012 Thanos’ mind-control. In other words, this Loki is still a villain, and he has an Infinity Stone, and he needs to be stopped, or else bad things are going to happen.
I’ve already covered in a previous post how the Russo Brothers have suggested that Captain America might take it upon himself to hunt down this rogue Loki and wrestle him back into his proper timeline – but seriously, how is that going to work? We’re talking about Loki, the Trickster God, here. He’s not going to go down easily, and that’s presumably why we’re getting a Loki miniseries on the Disney Plus streaming platform. While the series, titled Loki, has not yet begun filming, it would appear that actor Tom Hiddleston is outfitted, styled and ready to go. Marvel President Kevin Feige was at a meeting for Disney investors and shareholders when he unveiled a picture of Hiddleston looking dark and suave, standing on a city street in full Asgardian costume, in front of a marquee for…Steven Spielberg’s Jaws?
Now…that’s completely in line with the earliest rumors we had about the show, that it would be a prequel focusing on Loki’s meddling in human history. But the events of Endgame and the hints offered by the Russo Brothers, have suggested that Loki will be using the Space Stone to evade capture and try to make his way back into our present timeline. The Space Stone, however, only gives its user the ability to travel…well, through space. Not through time. There are a few possibilities for why this image shows Loki comfortably situated in the year 1975 – one is that he also has the Time Stone, somehow; by stealing it from the Ancient One? Or from Captain America, when he comes to return it to the Ancient One? This theory seems unlikely. It’s possible that the Space Stone has the power to travel through time as well as space, but that somewhat negates the whole purpose of it being the Space Stone to begin with. Then again, maybe Loki has the power to travel back in time? He’s never had that power before, but maybe. The image could also dispel all those rumors about Loki being about 2012 Loki at all: maybe the things we saw in Endgame were just a cruel misdirect, and the Russo Brothers were lying about Cap’s involvement. Maybe this is from a flashback scene, and the majority of the series isn’t set in the past: but it seems peculiar to tease time travel if it’s not the focus of the show.
We don’t know anything for certain, yet, but we are expected to get more details about Loki and all upcoming Marvel projects at San Diego Comic Con and Disney’s D23 in August. Stay tuned for more information!
Marvel’s highly-anticipated Black Widow solo movie was expected to begin filming next month, at Pinewood Studios in London, but apparently things have been moving quicker than anticipated, as leaked photos show that Black Widow star Scarlett Johansson has arrived in Norway.
Johansson touched down in the Ørsta Municipality in a private plane, but cameras still managed to catch a glimpse of her (or, at least, someone who looks identical to her) being driven around the picturesque Norwegian landscape. However, it seems like the actress is here, not for sightseeing, but for filming, as other photos show signs with Black Widow‘s working title “Blue Bayou” written on them in a distinctly Cyrillic typeface. The Russian assassin Natasha Romanoff is clearly on her way to Norway.
There’s no good reason as to why, just yet, but it’s easy to imagine that Norway, with its fjords, mountains and miles of uncharted wilderness, could be the perfect place for some impressive action sequences, or a secret KGB hideout. Norway is also, notably, where Thor builds New Asgard in Avengers: Endgame, but it seems unlikely that there’s any correlation – Black Widow is expected to be a prequel, set before the events of Romanoff’s first appearance in Iron Man 2. Other rumors, yet to be confirmed, suggest that the movie will take place in between Captain America: Civil War and Avengers: Infinity War, following Romanoff as she flees from the law and the restrictions of the Sokovia Accords, helped by a rogue Steve Rogers. The problem with that scenario is that the film would kind of need…Steve Rogers, not to mention Falcon, and possibly Scarlet Witch and Vision. Those would be all great additions to the film’s cast, admittedly, but this is a solo film, not a team-up, and Captain America’s time in the Marvel Cinematic Universe is supposedly over. It’s probably best to keep the focus on Widow herself, and have it be a prequel, where we can finally learn the truth about the Red Room program, and maybe even see some classic comics characters like Yelena Belova (expected to be portrayed by Florence Pugh, of Fighting With My Family).
That doesn’t rule out the possibility of characters like Hawkeye and Nick Fury appearing, since both had close relationships with Black Widow. And it seems likely that we’ll finally see what happened in Budapest. Rumors have been circulating like wildfire – most recently, some speculation that star David Harbour will be playing The Thing, one of the Fantastic Four, in Black Widow…despite the fact that this (a) makes no sense, and (b) wouldn’t work due to the timing of the Disney/Fox merger.
One last thing to note is that Scarlett Johansson was wearing the red braids she sported in Avengers: Endgame, not the iconic short red haircut seen in earlier films, or even her curly hairstyle from Iron Man 2. While it’s possible that this was Johansson’s own stylistic choice, it’s definitely an intriguing one, one that might bode well for the many people who want this movie to be a sequel. The behind-the-scenes video showing Johansson’s hairstyle can be found here.
With filming having now begun, expect more updates, castings, and theories to follow!
Marvel always has something going on – today had been relatively quiet, as the world calmed down after the epic Game of Thrones finale last night, but the Marvel Cinematic Universe still managed to grab some headlines this evening with the news that the upcoming Falcon & The Winter Soldier streaming show for Disney Plus will start filming in the fall, under the direction of Emmy-nominee and BAFTA-winner Kari Skogland, written by Malcom Spellman of Empire; the show will apparently premiere in August of 2020.
This news would be big enough on its own to be worth an entire post, but Marvel went one step further and even teased us with two very intriguing casting-announcements: one being Emily VanCamp, and the other Daniel Brühl, both of whom will be reprising previous roles in the MCU – those of Sharon Carter (Agent 13) and Helmut Zemo, respectively.
The VanCamp reveal might not be so startling if it weren’t for the fact that Sharon Carter’s character has been almost erased from Marvel continuity, just like…well, all her fellow Agents of S.H.I.E.L.D, whose existence on the ABC network has left them too far away to share in the enormous success of the MCU proper. Carter’s unfortunate romantic relationship with her great-aunt’s former boyfriend (long story) also made her character unpopular with fans – and certain cast members. Her subsequent disappearance has not done her any favors either: I’m willing to bet most people have either forgotten her entirely or at least have forgotten what role she plays in the MCU – they’d be forgiven for that, because Sharon Carter really has nothing to do in the MCU, except flirt with Steve Rogers at her great-aunt’s funeral (yeah, that’s not creepy at all), or at other randomly inconvenient moments. Bringing her back is an interesting choice, one that could lead to potential complications – maybe this time she’ll end up with her great-aunt’s former boyfriend’s best friend Bucky Barnes, considering that he’s still single.
The Stucky shippers would riot.
Adding VanCamp – and thus, Sharon Carter – to the cast raises the possibility of Martin Freeman’s character Everett Ross also returning, since one of the only things that Carter did in Captain America: Civil War – besides flirting with Steve, of course – was standing solemnly next to Ross. Freeman already hinted that he might return to the MCU at some point after his popularity in Black Panther, so the possibility is open.
But the big reveal is the Daniel Brühl casting – Helmut Zemo was one of the most peculiar and unsettling Marvel villains to date, and his Civil War storyline was basically left open-ended, with Zemo seemingly unfazed by his imprisonment and still smirking when last we saw him: his plan to divide the Avengers, unlike those of many other villains, actually had lasting repercussions in the MCU, and in some part contributed to the crushing defeat suffered at the hands of Thanos in Avengers: Infinity War. The return of Zemo was being rumored a few weeks ago, but the confirmation is an exciting development: in the comics, Zemo heads the Masters of Evil, a team of dangerous supervillains – and, considering how many villains are still around in the MCU, not doing much of anything, there are plenty of candidates to choose from if one were to assemble a team like this: even Marvel president Kevin Feige hinted at the possibility.
So the groundwork has been laid for something truly spectacular – or at least something with potential. With shooting set to begin this fall, it looks like we won’t have to wait long before we get more details on this upcoming project.