Clone Wars Archives - The Wide Screen

August 13, 2021

“The Bad Batch” Episode 16 – Clear Skies On Kamino

**SPOILERS FOR THE BAD BATCH AHEAD!**

I feel like I ought to apologize for how inconsistent and unreliable I’ve been when it comes to reviewing The Bad Batch. I’ve enjoyed almost the entire first season – there was a long stretch in the middle where it was slagging a bit, but to be honest the show has been very well-written, blessed with truly stunning animation and great voice-acting, and filled to the brim with the kind of obscure Star Wars lore that I love. And yet I’ve reviewed only a handful of episodes out of sixteen, in no particular order, and with barely any rhyme or reason. I am genuinely sorry about that, and I hope that the recently-announced second season of The Bad Batch will allow me a chance to make it up to my readers properly, with weekly reviews.

No promises, though. The biggest difficulty about reviewing any Star Wars animated show – be it The Bad Batch, The Clone Wars, or even sometimes Rebels – is when you get into the adventure-of-the-week episodes that are all…fine. Not great, not bad, just fine. And as much as I loved Rhea Perlman’s sassy crime-lord Cid, a lot of the episodes that involved the Bad Batch going on missions for her tended to lean towards being fine.

But as is so often the case with Star Wars animated series’, The Bad Batch gradually started planting seeds for big plot twists and major character choices down the line as it moved into the back-half of its first season. The two-part finale, which started with last week’s episode and concluded today, builds off those little things sprinkled throughout the season to give us something emotionally satisfying, epic, and consequential…and surprisingly dark and intense, as a bonus. Nobody even died in today’s episode, but that didn’t stop me from feeling terrified on behalf of all of my favorite characters.

Before we jump into the action, just a quick refresher on what’s going on since I didn’t actually review last week’s episode (again, sorry about that). The rain-battered ocean planet of Kamino, once home to the galaxy’s great clone armies, has been abandoned by the last of its cloning personnel, its conniving prime-minister has been executed by the Empire, and an Imperial fleet led by the vicious Admiral Rampart (voiced by Noshir Dalal) is currently unleashing hellfire on the planet’s cloning facilities from the stormy skies. Only the members of the Bad Batch are still stuck on the planet’s swiftly-disintegrating surface, scrambling to find a way back to their starship before everything is submerged in the abyss.

That was a great note on which to end last week’s episode and open today’s – wiping such an iconic Star Wars location off the map entirely, and simply because the Empire has no further plans for the clones but still can’t afford to have cloning technology fall into the hands of other buyers, is cruel, callous, and heartbreaking. Thanks to The Clone Wars‘ frequent use of the setting, we’ve grown attached to Kamino over the years, and we can all feel the clones’ pain at seeing the closest thing most of them have ever had to a home thoroughly destroyed. A brilliant touch is having a clone trooper deliver the news of Kamino’s destruction to Rampart, and hearing his voice crack slightly.

Meanwhile, down in the cloning facilities, that overwhelming pain – mingled with the fear of being crushed to death by the encroaching ocean – leads to some raw confessions from the members of the Bad Batch, who have to work alongside their treacherous former teammate, Crosshair (voiced, like most clones, by Dee Bradley Baker), to survive. Crosshair’s claim that he removed his inhibitor chip long ago but still willingly chose to side with the Empire despite the atrocities he’s witnessed them commit (and which he’s now engaged in himself), is horrifying to the Bad Batch, but it helped me finally realize why the Empire would deem human stormtroopers preferable to clones.

Because humans can be brainwashed, and unlike with clones, that brainwashing isn’t achieved via a piece of technology implanted in one’s head. Real brainwashing, the kind of brainwashing that is very much still utilized by fascists and far-right ideologies in the modern day to obtain an aggressive, twisted form of loyalty, can’t be surgically removed like an inhibitor chip, and the effects don’t just wear off on their own. Real brainwashing changes a person from the inside out, and unlearning it requires active participation from that person. That last part is crucial.

And it’s what Omega (voiced by Michelle Ang) realizes, during several powerful encounters and conversations with Crosshair throughout this episode. Omega’s driving motivation throughout the show has been her own fierce and seemingly unconditional loyalty, so it might be strange to some viewers that she doesn’t try to force Crosshair to return to the Bad Batch at the end of the finale, or even force Hunter and the team to go back for him. But that’s what makes Omega’s loyalty so inspiring – because at the end of the day, she realizes that ultimately Crosshair has to take the first step. His issue isn’t an inhibitor chip that they can physically remove from his head; it’s something he needs to work on. She can’t do that for him.

And when Crosshair’s ready, if he still wants to rejoin the Bad Batch, Omega will be waiting for him. I think that’s a pretty awesome message to send. Most importantly, it doesn’t put the onus on Omega to fix Crosshair or save his soul. There was a lot of discourse about this topic in Raya And The Last Dragon, where the solution to a similar problem seemed to be that if you just keep putting your unconditional faith in a person who has repeatedly and unapologetically hurt you, they’ll eventually change. That’s…untrue, and while I enjoyed that movie, I much prefer The Bad Batch‘s approach to this particular topic. That’s why Crosshair and the Bad Batch splitting up will (hopefully) be healthy for both of them in season two.

The strong focus on Omega and Crosshair in this episode does mean that everybody else gets a little sidelined, with the possible exception of the Kaminoan medical service droid AZI-3 (voiced by Ben Diskin). This isn’t the first time AZI-3 has been integral to the story – in The Clone Wars, he and the clone trooper Fives came within a hair’s breadth of foiling the Empire’s plan with the inhibitor chips – but here he proves that he’s downright heroic, sacrificing himself to save Omega from drowning. Crosshair is able to save both Omega and the droid’s body, but it remains to be seen if AZI-3 will get powered up again in season two.

He’s the only character who “dies” in the finale, but as I mentioned, there’s still a lot of suspense. The episode leans heavily into elements and tropes of the survival genre, and at points feels very evocative of the Subnautica video games – which also involve swimming around alien oceans, evading fearsome sea-monsters and exploring subterranean ruins. As someone with a severe fear of the darkest depths of the ocean, I’m (naturally) obsessed with that premise, and seeing it brought to life in today’s episode of The Bad Batch was unexpected, but thrilling. And, yes, a little terrifying. I was glad when they arrived at the surface to discover clear skies on Kamino for the first time ever, but weirdly that and the black smoke still rising from the sea also felt very Subnautica to me.

Luckily, Kamino’s wealth of cloning knowledge will live on through the scientist Nala Se (Gwendoline Yeo), Omega’s mother figure, whom we see being transported on an Imperial shuttle to a forested planet at the end of the episode. If/when we rejoin her in season two, I wouldn’t be surprised if her top-secret cloning work with the Empire is directly linked to the events of The Mandalorian. Remember that Dr. Pershing, who was messing about with Grogu’s midi-chlorians in The Mandalorian, was himself a Kaminoan scientist – which means he had to have been one of the medical personnel evacuated from the planet along with Nala Se, which means we might see him in animated form next year when The Bad Batch returns for season two. Keep an eye out!

Episode Rating: 8.5/10

July 2, 2021

“The Bad Batch” Episode 10 Muses On Morality

**SPOILERS FOR THE BAD BATCH AHEAD!**

It’s been almost two months since The Bad Batch premiered on Disney+, and you may have noticed that in all that time I haven’t been reviewing episodes weekly. Make no mistake, I’ve kept up with the show, and now that it’s nearing the end of its first season I’m back with what I hope will prove to be consistent weekly reviews for the final seven episodes, but the slow-burn episodic nature of the story made it difficult for me to commit to a weekly format with my reviews. I don’t regret that decision, but I will say this: in the time that I haven’t been reviewing it, The Bad Batch has gotten progressively better and better.

Just as I had hoped, the series doesn’t shy away from exploring complicated and surprisingly mature topics – take, for example, today’s episode, which starts getting to the heart of the extraordinarily messy political situation left in the wake of the Clone Wars between the Old Republic and the recently defeated Confederacy of Independent Systems (or Separatists, as they were colloquially known during the Clone Wars). The Separatists were portrayed as the “bad guys” throughout the war, and with their armies of faceless droids and Sith Lord leadership, it wasn’t exactly hard to see why.

But only a handful of people in the Star Wars universe are aware at this time that Sheev Palpatine, whose Galactic Empire swiftly usurped the Old Republic after the defeat of the Separatists and the Jedi Purge, had not only engineered the conflict, but had been secretly puppeteering both sides – so only the audience gets to fully appreciate the irony of the Separatists remaining devoted to their cause after the war’s end and by default becoming “good guys”, leading to a brutal crackdown from the Emperor whose ascent to power is attributable to hijacking their cause in the first place…or the fact that Separatist tactics were later adopted by the Rebels who would go on to fight in the name of restoring the Old Republic.

Basically, the galaxy is in chaos. And when the Bad Batch are called in to rescue a former Separatist senator on the planet Raxus who has been arrested by Imperial forces, it starts an interesting conversation about who’s really “good” nowadays. Is anyone? Something I’ve always loved about Star Wars is the idea that Light and Dark co-exist in all of us, making it our responsibility to find balance in ourselves: because the Dark Side of the Force is not evil by nature, no more than the Light Side is inherently good – an important lesson that both Jedi and Sith failed to learn in their pride. It’s part of what makes the clear-cut “good triumphs over evil” ending of The Rise Of Skywalker so underwhelming in hindsight, because it reduces Light and Dark to being simply Good and Evil, without any nuance.

This episode of The Bad Batch begins to reverse some of the damage caused by The Rise Of Skywalker, highlighting both the humanity in characters our protagonists have always known as traitors and the moral gray zone in a character they’ve come to love – which is already a compelling enough concept as it is, but the real kicker is that the second character in question here is none other than sweet innocent Omega (voiced by Michelle Ang), who proves to be quite the shrewd businessperson and money-manager while racking up wins at dejarik (the hyper-aggressive holographic version of chess which has reappeared several times in Star Wars since its introduction). I mean, should we expect anything less of a character who was recently revealed to be Jango Fett’s exact genetic copy and the closest living relative of Boba Fett?

As for the other character, our imprisoned Separatist senator Avi Singh (voiced by Alexander Siddig), he’s a humanist who stands up to the Empire, recognizing in their blatant suppression of free speech the same authoritarian qualities he condemned in the New Republic (very timely episode, this). It’s admirable that he chooses to stand up to the Empire during a ceremony in which he is being pressured (quite literally, with stormtrooper guns at his back) to declare the Separatist movement dead and hand control of Raxus over to Palpatine – but his action proves reckless, and ultimately requires the Bad Batch to save him and take him off-world to escape from the Empire’s vengeance.

Perhaps therein lies an interesting parallel between Omega and Singh. Omega uses her “darker” qualities for good, to help the Bad Batch pay off their debts to the criminal entrepreneur Cid (voiced by Rhea Perlman) and earn herself a full-time place on the team, where Hunter (voiced, like all the Clones, by Dee Bradley Baker) realizes that her uncanny strategizing skills can be put to good use. But Singh, an almost cartoonishly “good” character with no understanding of the decisive action required from him, lacks those very same skills and ends up blowing a chance to help his people on the ground where his help would matter most. Star Wars has a lot of characters like these in authority positions where they do about as much good as their equivalents in real life: the perpetually concerned moderate Republicans and the willfully ineffective moderate Democrats.

A character who does take bold action is Singh’s trusty assistant, an RA-7 protocol droid named GS-8 (voiced by Sian Clifford), who contacts the Bad Batch and helps to rescue the senator from the chamber where he’s being held captive, while taking efforts to protect his estate and belongings from wanton destruction. And when you put it that way, she sounds a lot like any of the incredibly brave staffers and interns who helped protect the U.S. Capitol earlier this year, rushing Senators and Representatives to hiding places while making sure classified information and electoral ballots didn’t fall into the hands of domestic terrorists. I doubt this parallel was intentional, if only because the timing probably wouldn’t line up, but it’s still worth noting.

The action scenes at the senator’s estate are very well-choreographed, making good use of the Bad Batch’s individual talents – although, interestingly, this is one of their first times fighting the Empire’s new legions of stormtroopers, and I noticed they had their guns set to stun for most of the battle. Clones are used to mowing down rows of droids, but aren’t quite as accustomed to turning on other sentient beings – with one notable exception. As the show quietly lays the groundwork for stormtroopers supplanting Clones (and continues to offer no valid explanation for why the Empire views this as a profitable exchange), I wonder if this will ever be touched on again.

Heading into next week, it’s pretty cool that Omega will finally get to join the Bad Batch on all their missions, although I’ll miss getting to check in with the endearingly practical Cid and her crew more regularly. Omega is this show’s true star and I appreciate that she’s easing into that role – not so abruptly that it feels like a heel-turn for her shy, reserved character, but not so slowly that it feels grating, either. Basically, Omega is doing in a single season of The Bad Batch what Baby Yoda still hasn’t done in two seasons of The Mandalorian, which is to become a reliable team-player. I’m gonna end this here before I start ranting about how Disney+ is exploiting Baby Yoda for cuteness without developing the character further, but you get the gist.

Episode Rating: 9/10

May 4, 2021

“The Bad Batch” Episode 1 Review!

**SPOILERS FOR THE BAD BATCH AHEAD!**

I’m gonna be honest, the Bad Batch didn’t make much of an impression on me when they debuted in The Clone Wars‘ final season just last year. The concept – an elite team of genetically-defective clones whose individual mutations give them special abilities – was admittedly quite intriguing, but the execution was only okay, never elevating the material. And despite their uniqueness being so crucial to their very existence, there wasn’t ever enough time in that season to clearly distinguish their character arcs; only their physical appearances, skills, and a handful of archetypal traits.

But now the Bad Batch have an entire sixteen-episode series in which to extensively explore both their team dynamic and individual storylines; and the series’ premiere event (which clocks in at 71 minutes, longer than any episode of The Mandalorian, or even Marvel’s Disney+ originals) sets an appropriately dark and sophisticated tone for that journey, much like the final season of The Clone Wars. The first episode dives into the fascinating question of what happened to the Old Republic’s clone armies after they had played their part in initiating Order 66: mindlessly slaughtering the Jedi and clearing a path for Emperor Palpatine (Ian McDiarmid) to conquer the galaxy.

While most Star Wars media has looked at Order 66 from the perspective of the Jedi who survived it and went into hiding, The Bad Batch picks up with the clones themselves, who have nowhere to hide from the shame and guilt of what they’re slowly beginning to realize was the entire purpose for their existence all along. The Bad Batch themselves didn’t even kill any Jedi – the inhibitor chips planted in their brains are faulty, giving them their unique personalities and casual disregard for orders – but they won’t turn their backs on other clones: especially not the one member of their team unit, Crosshair (voiced, like all clones, by Dee Bradley Baker), whose inhibitor chip is still working strongly enough to give him internal conflict as he fights between his programming and what he knows to be right.

Star Wars loves inflicting an undue amount of pain and grief on its fans, so it’s no surprise that The Bad Batch opens by once again reliving Order 66 – but what did surprise me was that we finally get to see the death of the Jedi Depa Billaba (Archie Panjabi), and the fateful moment at which she told her young padawan, Caleb Dume (Freddie Prinze Jr.) to flee before the clones could kill him too, burdening him with years of guilt and setting him on the path to become the rogue knight Kanan Jarrus, whom we would later meet in Star Wars: Rebels. Is it slightly distracting that Dume – a young teen at this point in the timeline – has an adult man’s voice? Maybe, but Prinze Jr. is iconic and frankly irreplaceable in this role.

What Jarrus left out of his tragic backstory was that the Bad Batch were witnesses to this horrific moment, and that it was the team’s commander, Hunter, who allowed him to escape even though Crosshair was prepared to kill the young Jedi. Much of the episode’s first half revolves around this decision and its ramifications, including the wedge it drives between Hunter and Crosshair – eventually leading the sharpshooter to betray the team and join forces with Admiral Tarkin (Stephen Stanton).

But even with Tarkin and Dume’s cameos, the episode feels like it’s kicking off a fresh and unique story that will organically weave these and other cameos into the narrative (whereas The Mandalorian simply shoehorned them in wherever possible), while keeping the focus on our core cast of characters. The Bad Batch, thankfully, are all pretty interesting once you get to know a little bit more about them: I particularly adore Wrecker, the team’s big scary muscly sweetheart, and Tech, who’s an endearingly snarky know-it-all. Echo is the only member who still feels in need of a personality boost, but his character was originally a regular clone before joining the Batch, so that’s not entirely surprising.

The team also gains a new member in this episode – a young girl (voiced by Michelle Ang) with an adventurous streak, whose backstory is still something of a mystery. Ominously named Omega, she comes from the cloning facilities of Kamino, where she works as a medical assistant to the Kaminoan doctor Nala Se (Gwendoline Yeo), but the episode doesn’t take long to confirm that she is in fact another defective clone. Since all clones are assigned male at birth, Omega’s gender identity is pretty significant – although I’m wary of concluding from this that she’s meant to be a trans character, as some fans have been saying. Unfortunately, I feel her distinctive white-blonde hair and possible Force-sensitivity give away that she’s more likely an early prototype of a Palpatine clone.

But even if that is the case, I like her character a lot – and her wide-eyed reaction to traveling through hyperspace for the first time made the simple plot device feel magical again after nine movies. Hopefully she survives through The Bad Batch, and doesn’t transform into Snoke from the sequel trilogy or something like that, but I genuinely won’t be surprised if her character is meant to explain away some of the plot-holes in The Rise Of Skywalker.

I want to believe that the show is too sophisticated to go down that route, however, because in other regards it displays the same level of subtlety and thematic cohesion found in most of Dave Filoni’s animated projects. On that note, The Bad Batch can certainly be enjoyed by both adults and kids, but the premiere’s longer runtime combined with its darker, more contemplative tone may cause the audience to skew a little older. The action scenes are fun and lively (teamwork is always cool, especially when it involves characters cleverly building off each other’s strengths), but there’s not a lot of fighting in this particular episode.

Considering that I went into The Bad Batch expecting to be bored out of my mind by characters who I hadn’t really liked when they first showed up, I regard all of this as a huge win – and I’m excited to see where the series goes from here. I’m not sure if it’ll be my next obsession like Rebels was, but I will continue to review it because I like Star Wars, even when it seems purposefully designed to cause me emotional distress.

Episode Rating: 8/10

December 4, 2020

“The Mandalorian” Chapter 14 Review! SPOILERS!

**SPOILERS FOR THE MANDALORIAN AHEAD!**

Well, in case you were wondering, I don’t regret writing an entire, extensive, blog post detailing the geography, history, and ecosystem of the Jedi planet of Tython, because it was extremely fun to write. That this is the first episode of The Mandalorian that doesn’t really do a whole lot of worldbuilding is both surprising (considering the setting which, as you know from my post, is rich with Star Wars lore) and saddening (for the same reasons). There are fans who are currently annoyed because Tython is no longer in the Deep Core of the galaxy, and has instead been moved to the Outer Rim – contradicting even the new, official, canon – but I’m just disappointed that the set design was so small-scale this week. There’s one ring of standing stones, a measly excuse for a mountain (I mean, maybe it was just a very crumbled Tho Yor? It’s open for interpretation), and a severe lack of wild beasts. And don’t even get me started on how there were no Force-storms.

But hey, I begrudgingly respect Boba Fett (Temuera Morrison) again, so there’s that!

If you’ve been reading my blog for a while, you probably know that Boba Fett has never been one of my favorite Star Wars characters, and I didn’t squeal with excitement when he was teased in The Mandalorian‘s season two premiere because…I just didn’t find him all that interesting. He was the first Mandalorian introduced to the galaxy far, far away, so I suppose he deserves some kind of recognition for that – but he’s become outdated by other, far cooler Mandalorians, who have graced our screens since: even by his own father, Jango Fett, whom we saw in Attack Of The Clones. And no matter where Boba Fett showed up, whether it was in Return Of The Jedi or several excruciating episodes of Clone Wars, he always came off as stubborn and stuck-up to me. In fact, seeing his childhood in Clone Wars made it obvious that he had always been an arrogant, entitled, bully. He never changed or developed, and that made him boring.

So, unsurprisingly, the reason why he finally worked for me in this chapter of The Mandalorian is because Temuera Morrison (who previously played Jango Fett) brings a regal, commanding screen presence to this role that the character has never had before, as well as a maturity and sense of growth. Boba Fett was once little more than a banged-up suit of armor, but now he actually feels like a character: and an interesting one, too. He’s been humiliated countless times in the past – in fact, it’s become something of a running joke – but it feels like the writing has allowed him to learn from those mistakes at last, rather than simply erasing them from existence so he can be “cool”. It’s far cooler, in my opinion, for him to have undergone some serious character development during his time as a desert rogue.

But of course, that doesn’t mean the old banged-up suit of armor can’t still be important. In fact, it plays a major part in the awkward interactions between Din Djarin (our Mandalorian, voiced and sometimes played by Pedro Pascal) and Boba Fett, as it turns out Fett has been tracking the Razor Crest all the way from Tatooine (side-note: Temuera Morrison’s pronunciation of Tatooine as “TATween” is an extremely soothing vocal experience), hunting the armor that belongs to him…though why he didn’t take it from the far less experienced Cobb Vanth is a mystery to me. Tython was as good a place as any to finally corner Djarin, and better yet, this episode wasn’t already staked out for the live-action debut of a Clone Wars character, and/or a back-door pilot for an eventual spinoff (though Boba Fett is getting a spinoff, for which I am now a little bit more excited). Fett is initially disinterested in bargaining for the armor, and even threatens the Child as an intimidation tactic, telling Djarin that he has an accomplice with a sniper’s rifle trained on the baby.

It doesn’t take long for Djarin to figure out that accomplice’s name and identity: Fennec Shand (Ming-Na Wen), the same sniper he encountered on the sands of Tatooine back in season one. But she was far too awesome to bleed out at the hands of a wannabe gangster like Toro Calican, and it seems that Boba Fett patched her back up again with some new metallic upgrades. And while her debut episode in season one was so dark that you couldn’t see her amazing orange-and-black costume, this episode takes place in broad daylight and allows us a much better look at the character.

But anyway, back to the armor. Din Djarin is once again clueless, and completely makes a fool out of himself in front of one of the most revered Mandalorians in the galaxy, demanding evidence that Boba Fett is actually Mandalorian before he can give him the armor. And despite how awkward it all is, and how badly it reflects on Djarin, I kind of love that Djarin never shuts up about history and tradition, yet seems to know extremely little about his own culture’s history, and is constantly being called out on it. He’s definitely bold: I’ll give him that. Meanwhile, Boba Fett has an entire genealogy and Fett family history embedded in the chain code of his armor. Remember when I said after Chapter 11 that Din Djarin and his clan being revealed as the odd ones out in Mandalorian society made him a lot more interesting? This is the perfect payoff to that setup.

Just as the situation is cooling down and Din Djarin has finally struck a deal with Boba Fett to give him the armor in exchange for help protecting Grogu (who by this point has already reached the seeing stone and is seated there, encased in a protective Force bubble), Imperial stormtroopers arrive. Director Robert Rodriguez, whose previous credits include Alita: Battle Angel, delivers on brutal, fast-paced, action, and stunning visuals. He gives us the Din Djarin/Fennec Shand team-up I knew we needed the moment I first saw her character, though Shand gets plenty of solo moments to shine – and Ming-Na Wen, who played a Marvel superhero on seven seasons of Agents Of S.H.I.E.L.D., gets to show off her extensive fighting skills and agility. Rodriguez’ inventive use of Boba Fett’s legendary armor also deserves praise: especially since, last time we saw Fett using his jetpack, he was careening into a sarlacc pit (too soon?). Fett reclaims the old suit a bit prematurely, sneaking into the Razor Crest during the chaos and stealing it from among Djarin’s possessions – dangerous, but still easier than trying to educate Djarin about Mandalorian history. Like Djarin, his suit also comes equipped with a version of the “whistling birds”, and in his time on Tatooine he’s also picked up a Tusken Raider staff, which he uses viciously. There’s something so refreshing about watching Mandalorians smash large, heavy objects against stormtrooper armor.

Fett also owns a gunship, none other than the Slave One itself, and…well, I don’t know how he got his hands on it again, but I’m willing to go along with it because the Empire blows up the Razor Crest after the first wave of stormtroopers is unsuccessful, and Din Djarin is now in need of a ship. We all made fun of the Razor Crest, and how it needed to be repaired every ten minutes: but I do feel bad that it’s now just a heap of burning scrap metal, far beyond repair. The episode is aptly subtitled The Tragedy.

If that were the only tragedy, I’d probably manage. But it’s not. As many had guessed online given the short amount of episodes left in season two, Grogu is captured by dark troopers (the giant, hulking droid troopers teased at the end of Chapter 12), moments before Djarin and Shand reach the seeing stone to intercept them. As they fly back to the Imperial star-cruiser hovering in Tython’s atmosphere, we can just see the itty-bitty baby staring down at Din Djarin with wide eyes. This is the kind of tragedy that hurts. But of course, it gives us a clear direction for the remaining two episodes: and direction is something The Mandalorian has sorely lacked up until this point.

Collecting what little he can from the wreckage of his old ship, including the beskar steel spear given to him by Ahsoka Tano last week and the strangely significant metal ball that has been Grogu’s favorite toy for ages, Djarin determines to rescue the baby: and both Fett and Shand swear to help him since technically they never fulfilled their end of the deal, to protect the child. For some reason, they immediately pack up and head back to the planet Nevarro, where Djarin enlists the help of Cara Dune (Gina Carano, whose permanent smirk is growing extremely tiresome), now an official New Republic marshal, to locate a currently incarcerated individual whom Djarin hopes will be able to track down Gideon: Miggs Mayfield (Bill Burr), Imperial sharpshooter turned deadly mercenary. Djarin turned him in to the New Republic back in season one, and it appears Mayfield has been stuck doing heavy labor ever since, so I’m not sure what bond of friendship exists between the two that Djarin thinks he can exploit. Mayfield, you may recall, thought that Grogu was either Djarin’s pet or illegitimate child, so I don’t think the promise of being able to help the baby will be quite enough in this case.

And speaking of Grogu, he’s stuck in a holding cell on the Imperial starship; but his subplot is far from over. Moff Gideon (Giancarlo Esposito) arrives to interrogate the baby, only to find that Grogu is using his re-awakened Force powers to violently bash in the heads of his stormtrooper guards. Gideon is quickly able to subdue the exhausted infant, but doesn’t reveal any ulterior motive beyond what we already knew – he wants Dr. Pershing alerted immediately that the Empire has recovered its “donor”: for more on that, see my post regarding midi-chlorians. He does reveal the ancient Darksaber to Grogu, marking its first appearance since the season one finale. It takes this show a long time to pay off its various hints and teases.

The big question now is whether or not Grogu was able to contact anyone through the Force while seated on the seeing stone. Tython may have been a big disappointment, but if Grogu was able to summon a Jedi (or even better, a whole bunch of Jedi), the side-mission there might not have been in vain.

Episode Rating: 7.5/10