“Frozen 2” Trailer!

Disney is preparing two last box-office juggernauts for the end of this very profitable year – but in the event that Star Wars is a wildcard disaster, there’s one franchise you can always count on to turn in a profit, whether through ticket sales, accompanying merch, and Olaf waffle-makers: Frozen.

This new trailer finally delivers some of the classic hallmarks of the first film, including, of course, Olaf himself. As someone who intensely dislikes Olaf (when I’m not secretly laughing at all his jokes) it gives me great joy that this trailer ends with a brief scene of him running through a forest being pursued by every imaginable danger. Melt, you over-commercialized snowman! Melt!

There are no songs to be heard, which is something of a disappointment, but in place of that we get lots of action, epic visuals, and an interesting little mystery. Finally, we have some idea of what the film’s plot might be – Queen Elsa is being called to an enchanted forest far away in the north, somewhere her father once visited, before war broke out, and some sort of tidal wave of Autumn leaves drove everyone away. Now, those Autumn leaves sweep through the city of Arendelle, threatening to….um, well, I can’t actually think of why leaves would be so terrifying, but then again, Stephen King has a horror novel about killer grass, so what do I know? Maybe these leaves refuse to be raked. That would be evil.

To understand the calling, Elsa, her sister Anna, along with Kristoff, Olaf, and the reindeer Sven, travel north to the magical woodlands. They immediately run into some high-stakes danger: we see Elsa leaping over ice pillars through what might be a cave; the whole team getting picked up by a tornado; Anna and Kristoff on the run from a stone giant; Elsa surrounded by a raging pink wildfire in the forest. But we also get to see them fighting back – and the visual spectacle is wild. Elsa’s underwater battle with the ghost-horse from the second trailer, for instance, here leads to her literally rising above the waves in what looks like an ice-chariot before looping electric-blue reins around the horse in a stunning display of sparkle and shadow, before riding off across the surface of the ocean.

Oh yeah, and apparently there’s people who want to take over Arendelle for some reason? They might be connected to the attack of the Autumn leaves, so maybe they’re the ones who drove everyone away to begin with – or maybe they want Elsa’s powers for themselves? Do they have anything to do with Elsa’s powers? That bit is still a little unclear. I guess we’ll have to find out when Frozen 2 hits theaters this November.

So what do you think? Are you prepared to go into the unknown with Elsa and Anna, or does all this sword-fighting and epic magic miss the point of Frozen? Share your thoughts in the comments below!

Trailer Rating: 8/10

Disney+ Cancels Muppets Series (And More!)

Amidst all the good news about the upcoming Disney+ streaming platform, and its almost endless catalog of movies from Disney animation, Pixar, Marvel, Star Wars, and National Geographic, thousands of episodes from Disney Channel TV shows, and its (mostly) new,  original content, there’s still some bad news. And, partially because it’s newsworthy, and partially because I’m still bitter at Disney+ for making me use the + symbol (why am I still mad about that?), we’re going to discuss the not-so-great headlines that last night began plaguing the Mouse House. It’s not just about Muppets, I can assure you.

However, the Muppets are the most important part of the equation, so we’ll talk about them first: Disney has officially chosen to scrap an idea for a Muppets comedy series posed to them by Josh Gad, star of Frozen and its upcoming sequel, Frozen 2. The project, titled Muppets Live Another Day, would have been a sequel to the 1984 hit, The Muppets Take Manhattan, taking place soon after the events of that film. Adam Horowitz and Eddy Kitsis had already been brought onboard to help Gad write and produce the series: apparently, creative differences with Disney executives forced the three showrunners to leave – but now, instead of doing anything with the property, Disney+ has chosen to throw out the idea entirely. We don’t know anything about the disagreements that caused the rift, or whether this is because of Disney’s decision, announced recently at the D23 Expo, to reboot Jim Henson’s The Muppet Show: perhaps two would have been too much Muppet material for the streaming service? Either way, this does make one wonder whether Josh Gad will run into this problem again as he sets out to produce a live-action remake of Disney’s The Hunchback Of Notre-Dame – it’s not easy being Olaf.

At the same time, a smaller bombshell dropped: Disney has scrapped a comedy series titled Four Dads, which would have been their first property focused on LGBTQ characters – while this story hasn’t been making the rounds as much as the Muppets, it’s potentially more devastating. Disney’s commitment to diversity, and especially LGBTQ representation, is still weak: while a Love, Simon spinoff series based on the gay romance film of the same name is coming to Disney+, it is rumored to be significantly different from the film. And as for gay characters in Disney films, they’re few and far between (and when they do show up, they’re stereotypes: next year’s Jungle Cruise will mark the appearance of Disney’s first officially out gay character, portrayed by a straight actor – the character is rumored to be very campy, effeminate, and played for laughs: great work, Disney).

These aren’t the first Disney+ shows to get tossed in the trash. Back in August, it was reported that Book Of Enchantment, a series about the origins of iconic Disney villains such as Ursula, Maleficent, The Beast, and The Wicked Queen, was scrapped because the studio felt it was too dark, even after significant rewrites by Jason Reed, who apparently tried unsuccessfully to insert more humor into the show’s scripts. Personally, that whole idea sounded really cool, so I’m not forgiving Disney for this one – even if they do feel like Disney+ should be squeaky-clean: I mean, seriously, how dark could it have been?

The three cancellations may not have much in common, but it certainly looks like Disney has a very clear picture of what their streaming service should be: whether it’s a good picture is hard to tell. Will we end up missing these shows in the long run? Share your thoughts in the comments below!

Marvel’s “Hawkeye” Aims To Cast Hailee Steinfeld!

Marvel Studios’ upcoming Disney+ series, Hawkeye, centered on the post-Endgame adventures of the former Avenger and expert marksman, has apparently just scored another win, mere days after landing Mad Men screenwriter Jonathan Igla.

Singer and actress Hailee Steinfeld, the Oscar-nominated star of True Grit and Bumblebee, is apparently in early talks to star alongside Jeremy Renner in the miniseries, as Hawkeye’s young apprentice Kate Bishop, a crucial member of the Young Avengers. Kate Bishop, an expert archer, fencer, and strategist, has long been rumored to make her Marvel Cinematic Universe debut in Hawkeye, but this confirmation is an exciting stepping-stone on the path toward having the Young Avengers team finally assembled in the MCU – with other Disney+ shows like WandaVision, Ms. Marvel and Loki also possibly hinting at the gang of teen superheroes, it sounds like the family-friendly streaming service could eventually be home to the team: which, honestly, seems like a great fit. Though, considering that Steinfeld is twenty-two years old already, this makes it look like Marvel’s casting choices for the Young Avengers will be skewing slightly older than expected.

We don’t really know anything about the plot of Hawkeye, or how much of it will be about Jeremy Renner’s iteration of the character versus Steinfeld’s fresher, younger take. But a quick look at Kate Bishop’s character bio opens some interesting possibilities for potential plot points: in the comics, Bishop has also donned the nickname “Hawkingbird” because she stitched her own outfit together from bits and pieces of Hawkeye’s attire, as well as that of another hero, Mockingbird, a.k.a. Bobbi Morse. Morse has already shown up elsewhere in Marvel, on ABC’s Agents of S.H.I.E.L.D., played by Adrianne Palicki – while both she and her partner, Lance Hunter, were forced to retire from the S.H.I.E.L.D. team early on, both characters are still very much alive in the MCU – and in fact, almost got their own spinoff series on  ABC, which was cancelled before airing a pilot. Palicki would probably be willing to work with Marvel again on the Hawkeye series, and her character, displaying super strength, agility and martial arts prowess, seems like a good fit for this mostly powered-down group of civilian heroes: plus, the retired agent would probably have a lot in common with Hawkeye himself, who notoriously left the main Avengers team to be with his family.

So what do you think about the casting? Is Hailee Steinfeld a good fit for archer-extraordinaire Kate Bishop? Could this be an opportunity to have Agents of S.H.I.E.L.D. crossover with the main MCU? Share your thoughts in the comments below!

Marvel’s Ghost Returning? Thunderbolts Explained!

It’s time for another Marvel theory! (I feel like I randomly make up times for Marvel theories because I don’t actually have a well-defined schedule for anything: well, we’ll say today is MCU Theory Saturday).

For today’s theory, we’re looking at some interesting comments made recently by Ant-Man And The Wasp actress Hannah John-Kamen (star of Netflix’s new series, The Dark Crystal: Age Of Resistance): the actress hinted coyly that her Marvel character, Ghost, might make an unexpected return to the big screen. Obviously, she can’t reveal too much about details – she mentioned that signing a contract with Marvel is like taking a blood oath not to spoil anything – but her words have already sparked a fair amount of debate among Marvel fans over where the quantum-phasing antihero could show up again.

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Some speculate that John-Kamen could be referring to a voice-acting role in the upcoming animated Disney+ series What If…?, which will explore 23 alternate timelines branching out from each of the 23 Marvel Cinematic Universe films: presumably, the Ant-Man And The Wasp episode will feature at least a bit part for Ghost, who was the central antagonist of the 2017 summer blockbuster. But that’s too easy an answer for me: I like a little more substance to my theories, so I’m going to say that, even if Ghost does show up there, there could be another place for the villain-turned-heroine to make an appearance – and in the main Marvel timeline, at that.

Over and over, for the past year or two, we’ve seen rumors that Marvel is considering a film (or even film franchise) based off the Thunderbolts or Dark Avengers comic runs, two relatively similar stories that could easily be merged into one cohesive whole. In Thunderbolts, the one most likely to be adapted, a group of reformed villains and antiheroes comes together, sometimes under the leadership of Norman Osborn, sometimes under Helmut Zemo (who has already shown up once in the MCU, and will return in Falcon And The Winter Soldier next year). to sell their services to government organizations: lots of chaos results, as some of them revert back to their villainous ways, backhanded deals get made, and political mayhem erupts in their wake. The actual team roster has been pretty fluid throughout the years, but one notable iteration (Osborn’s Thunderbolts) included Ghost. Since Norman Osborn is a Sony character, and Sony isn’t sharing with Marvel anymore, it looks like Zemo could take his place as leader of the team, with no problems. Other Thunderbolts members have also been featured in the MCU already, but in bit parts, such as Justin Hammer, and Thaddeus Ross (the human alias of Red Hulk). Yelena Belova and Taskmaster, both of whom will make their MCU debuts in next year’s Black Widow, are also key members of the comic team.

It’s always a tricky business, handling villains and antiheroes and trying to make them sympathetic, but Marvel has done a pretty good job in their movies of achieving this: Ghost, for instance, was originally Ava Starr, who was debilitated by a condition that made her body literally fade in and out of existence and visibility – something which also allowed her to walk through walls and disappear from sight. While Ghost’s condition was at least temporarily healed by Janet Van Dyne and her Quantum Realm powers, it seems that she wasn’t fully cured by the end of Ant-Man And The Wasp, since the whole reason that Scott Lang went microscopic and got trapped in the Quantum Realm for five years was because he was looking for more antidote for her. She and her guardian, Bill Foster, haven’t been seen since, but John-Kamen confirmed that Ghost, at least, never died. Whether she was snapped by Thanos is unknown: it’s possible that she survived, and had to endure five more years of her excruciating pain – perhaps she’s been driven back to her dark ways, and is once again wreaking havoc? How long did she hold out hope for Lang’s return? Where is she now? All these questions could be answered in a Thunderbolts movie.

Then again, maybe she’s going to have a role in the third Ant-Man film: however, as of right now, there actually isn’t a third Ant-Man film, so…that’s a bit of an obstacle. Personally, if there is an Ant-Man 3, I hope that we get to see one of Marvel’s craziest villains (and another part-time Thunderbolts member), Gypsy Moth, on the big screen, but I wouldn’t mind seeing Ghost show up again, whether as an antagonist or in a supporting role.

How would you feel about Ghost returning to the MCU as a semi-reformed villain? Could Marvel pull off a Thunderbolts movie? Share your thoughts in the comments below!

D23 MCU Concept Art!

If you weren’t previously hyped for Marvel’s multitude of newly announced Disney+ content, prepare to be. We have a lot to discuss.

Over the weekend, Disney Studios sated the appetites of rabid fans at their D23 Expo with some exclusive reveals, including brief footage, concept art, and official posters for some upcoming projects. But now the public can share in the fun, as some of this stuff, specifically the concept art and posters, are being released. And we, being ravenous fans with a desire to nitpick and study every inch of new material, are going through this stuff with a fine-toothed comb, looking for clues.

The first official poster for The Falcon And The Winter Soldier dropped earlier today, sparking a heated discussion about the most trivial of subjects. Yes, Bucky Barnes, whose gloriously long hair has been a trademark of the character’s appearance since 2013, has finally visited a barber, it seems. Either that, or the graphic designer made a huge blunder by choosing to use 1940’s Bucky as a reference for this poster, rather than modern, stylish-Jesus Bucky.

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Apart from Bucky’s new haircut, we can see that the Winter Soldier is donning a slightly new, streamlined outfit, as well as his vibranium arm (which still hasn’t seen any real action: here’s hoping we get to see some epic metal-arm fight scenes in the show). Falcon, who was entrusted with Captain America’s shield in Avengers: Endgame, is…not holding the shield, for whatever reason, and is also positioned behind Bucky, looking more like a supporting character than the lead. Perhaps both men are leads, but it does seem a little unusual to place the Marvel Cinematic Universe’s new shield-bearer in the background. Then again, he does also show up in the top right-corner of the poster, flying across the sky, looking very much like a patriotic fighter-plane. In fact, the poster does seem to be going for a “war-movie” vibe – the pale watercolor sky, the ever-so-slightly antiquated heroic poses from Bucky and Falcon, the red, white and blue logo: it looks almost 1940’s to me – but again, considering that Falcon isn’t a time-displaced character like Bucky, that choice seems peculiar. Who’s the lead on this show, really?

Speaking of old-fashioned stylistic choices, though, the first official concept art/poster for the WandaVision series is blatantly dated: and both lead actress Elizabeth Olsen and Marvel president Kevin Feige have said as much. The show is said to have a retro, 1950’s sitcom style – at first, this seemed like it might have just been a creative reference for the showrunners to draw on, but this art suggests that the entire series will, in fact, look and feel like I Love Lucy, combined with idealized, bright and sunny ads ripped from the pages of an old Sears catalog.

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It’s an even more peculiar stylistic choice than that on the previous poster, because neither Wanda Maximoff nor her (currently deceased) partner Vision have any real connection to the 1950’s. Yet here they are, dressed in period-appropriate fashion and sporting upper-class bemused smiles, surrounded by the accouterments of a typical “nuclear family”.

Wanda, the Scarlet Witch, has some untapped potential in the MCU that could explain this perplexing choice – in the comics, she has the ability to warp reality and create entire “pocket dimensions” that exist alongside our own. In such a faux reality, Wanda could presumably resurrect her dead lover and create a perfect, cheery little family for herself in a quaint little suburb: according to reports from D23, Wanda and Vision will have a nosy next-door neighbor, played by Kathryn Hahn, and a bunch of other comedic castmates – including the Thor franchise’s underdog Darcy, and Agent Jimmy Woo. Another sign that Scarlet Witch will use more comics-accurate powers in the new series is a hint, in this poster, of her more comics-accurate costume: Wanda’s shadow, in the top left-hand corner, sports her traditional crescent-moon tiara, something that hasn’t appeared in the MCU as of yet. Fans have been dying to see it on Elizabeth Olsen’s brow, and this poster gives me hope that we will.

Don’t expect WandaVision to be all canned laughter and sunshine, though – the series is rumored to head into dark, even macabre or paranormal territory, which makes sense, considering that it will always lead directly into the events of Doctor Strange In The Multiverse Of Madness, which is being hyped up as Marvel’s first horror film.

What do you think of the new concept art? Does it look cool, or outdated? Share your thoughts in the comments below!