“Shadow And Bone” Episode 4 Review!

SPOILERS FOR SHADOW AND BONE AHEAD!

Although Shadow And Bone never pauses to translate the intimidating subtitle of its fourth episode, Otkazat’sya isn’t merely a full mouthful of syllables – it’s also the Ravkan term for any human not gifted with the Grisha ability to manipulate matter. And thus, it’s only fair that this episode shines the spotlight on the best and worst of regular human behavior: our endurance, our ingenuity, our capacity for heroic deeds and unforgivable cruelty (ahem, Matthias). Even though Alina Starkov (Jessie Mei Li) is still the main character, her arc in this episode is masterfully counterbalanced by that of her best friend, Mal Oretsev (Archie Renaux), himself an otkazat’sya.

Shadow And Bone
Mal Oretsev | esquire.com

Yes, this is the episode where the earnestness and humility of Renaux’s performance, combined with some excellent screenwriting, actually forced me to like Mal…the same character I swore up and down I’d hate simply because of how awful he was in the books.

It’s not even that Mal shares equal screentime with Alina, because he doesn’t – but as The Darkling (Ben Barnes) bends his will and effort toward seducing Alina and wrapping her ever more tightly around his finger, who Mal is and what he represents takes clearer shape in both her mind and ours’. The episode does a good job of leading Alina to the reasonable conclusion that Mal has abandoned her, without losing her any audience sympathy in the process even though we can see for ourselves that Mal has been fighting to get back to her in any way he can, and that he would never have intended to hold back her power because he never feared her strength – an impactful deviation from the books.

Mal, in fact, spends the entire episode tracking down the legendary beast known as Morozova’s Stag – a living Amplifier, which can dramatically enhance and focus the power of any Grisha who kills it and possesses its impressive rack of antlers. Shadow And Bone could perhaps have done a better job of portraying Alina’s lifelong spiritual connection to the Stag (it pops up in her dreams and childhood drawings a few times), not to mention Mal’s awareness of that fact, but he only ends up on the Stag’s trail after The Darkling issues an order to find the creature and bring it to the Little Palace – where Alina needs all the help she can get to tap into her Sun-Summoner abilities.

The episode works genuinely hard to show the difficulty of Alina’s training – and, importantly, the ease with which she embraces her power any time she’s near The Darkling, himself a living Amplifier (a fact that was revealed to Alina on the previous episode, only increasing her confusion over what’s a result of her emerging feelings for The Darkling, and what’s entirely his doing). Her entire training with Baghra (Zoë Wanamaker) could easily have been summed up into a single montage, but is wisely spread out over the course of the episode, allowing it to play a more integral part in Alina’s character development as Baghra coaxes her power out of her wholly removed from the influence of either The Darkling or Mal, strengthening her confidence.

But as Baghra’s training intensifies, so too does the irresistible force of The Darkling – who strategically opens up to Alina about his own (mostly falsified) lived experience of oppression; even revealing his true name, Aleksander. The “Darklina” scenes in this episode are brilliantly written, though they wouldn’t work half as well as they do if it weren’t for Mei Li and Barnes’ chemistry, and the undercurrent of romantic – and to an even larger degree, purely sexual – tension that ripples beneath the surface of all their interactions.

By the end of the episode, when Alina sneaks from her room to speak with Aleksander in the map room, and the two come dangerously close to sharing a first passionate kiss, you’ll find yourself rooting for Alina to make her move even as you simultaneously acknowledge that Mal is probably a better option in the long run (something I’d never say of book Mal, who is every bit as possessive and emotionally manipulative as The Darkling). Ben Barnes had fascinating things to say about how much of The Darkling’s attraction to Alina was real, but handling the subject in future seasons of Shadow And Bone is sure to be a tricky tightrope act.

Shadow And Bone
Darklina | sea.mashable.com

And speaking of tightropes (I promise this will make sense)…let’s turn our attention over to the Crows, who represent what I described earlier in this post as the best of human ingenuity. Without Nina Zenik (Danielle Galligan) around to help them infiltrate the Little Palace, Kaz Brekker (Freddy Carter) is forced to quickly devise a backup plan that involves breaking into the Ravkan Archives: a little warmup for the team’s future heists, the biggest and most daring of which are being reserved for later seasons. Kaz’s teammates Jesper Fahey (Kit Young) and Inej Ghafa (Amita Suman) both get to play a critical role in the heist, particularly Inej – who displays the quiet tenacity and flexibility (both literally and figuratively) that makes her so valuable to the team.

Fans of Six Of Crows know that the popular fan-pairing known as “Kanej” is destined for future seasons of Shadow And Bone, but there are unmistakable hints of the bond between Kaz and Inej in the way they share a deep understanding of the other’s exact movements and motions, acquired from a long partnership on the streets of Ketterdam. In Shadow And Bone, much is made out of their differences – particularly Inej’s reliance on her religious faith to help her cope with trauma and Kaz’s lack of faith because of his trauma – but that only helps to make their shared experiences a more powerful link between the two.

Inej isn’t defined by her pain, however, which is very important: and we see more aspects of her character emerge in this episode. When Kaz decides to infiltrate a traveling circus troupe to get into the Little Palace, Inej is called upon to play the part of a high-flying acrobatic dancer – a clever callback, which casual viewers might miss, to her backstory as a tightrope-walker (told you that reference would make sense) in the books. Jesper adds his sharpshooting precision to the mix, and two of the Crows have themselves an act worthy of Ravka’s upcoming winter fête. Kaz, the drama queen that he is, decides to make his own way to the Palace – brilliantly establishing his distaste for any theatrics but his own.

Beginning to edge towards the outskirts of the story and the limits of my interest, Nina Zenik reappears – only briefly, in the grand scheme of things, but the sequence in which she confronts her captor Matthias Helvar (Calahan Skogman) seems excruciatingly long. The worst of human behavior is on display here, as Matthias trots out the vicious (and these days, all too familiar) rhetoric of a bigoted ideology that’s been brainwashed into him. Shadow And Bone seems like it wants to depict Matthias as conflicted and sympathetic, but his and Nina’s subplot never has enough screentime to achieve that.

Shadow And Bone
Inej Ghafa | trendsmap.com

But if Shadow And Bone pulled off the impossible and made me like Mal Oretsev, I want to give the showrunners (and Skogman too, though I still don’t think his acting is on the same level as many of his costars) the chance to do the same with Matthias Helvar, as difficult as it may be. All the more reason to officially greenlight season two right about now, Netflix…

Episode Rating: 9/10

“Shadow And Bone” Episode 3 Review!

SPOILERS FOR SHADOW AND BONE AHEAD!

Despite leaving Ketterdam and the home-turf of our Crows behind, Shadow And Bone‘s third episode is the first to feel like it splits focus almost evenly between the series’ two main storylines, and even slightly favors the Crows: whom we catch up with in West Ravka as they race to kidnap Alina Starkov (Jessie Mei Li) before someone else does and reaps the benefit – while Alina herself basically just wanders around the Little Palace, getting acquainted with various Grisha and having other characters exposit information to her that will be important later in the season.

Shadow And Bone
Alina Starkov | latimes.com

Alina’s sequences are also nearly identical to the corresponding chunk of Shadow And Bone, the book on which the series is based – which should give you some idea of why that particular book is my least-favorite of Leigh Bardugo’s Grishaverse novels. They’re far more entertaining in the series thanks to Mei Li’s performance and the lavish production design on display in the Little Palace, but still could have benefited from a little trimming here and there.

Immediately, we start out with Alina narrating a letter to her best friend Mal Oretsev (Archie Renaux), whom she hasn’t had a chance to properly talk to since before entering the Shadow-Fold in episode one. Thankfully, the narration doesn’t completely halt the action in its tracks, but instead bleeds over a montage of Alina being prepared for her audience with the royal family of Ravka by the queen’s small army of servants – helmed by the fan-favorite Tailor, Genya Safin (Daisy Head). Shadow And Bone made the right choice by not explaining every Grisha’s powers upfront – allowing each one to make a big impression when they finally arrive, as Genya so undeniably does with her unique skillset.

Tailors have the ability to subtly alter or “modify” the human body, and Shadow And Bone‘s writing team seem well-aware of how easily that ability could cross over into the realm of problematic beauty standards and social commentary, based on how sparingly and precisely Genya’s powers are actually used – at first only to clean up Alina’s scars and bruises. Her physical appearance is never changed, an arrangement Alina insists upon after one of Genya’s maids makes a racist comment about Alina’s eyes that I feel would be irresponsible of me not to mention, given that some viewers of Asian descent have legitimate problems with this line and other instances of racism against Alina in the series.

As previously noted, the production design is absolutely stunning in all of the Little Palace sequences – many of which were filmed in real-life palaces and museums scattered around Budapest. The distinctive “Tzarpunk” flavor of Bardugo’s novels is on full display during the audience with Ravka’s royal family, whom Alina and The Darkling (Ben Barnes) are called upon to bedazzle with a light-show that’s ultimately more of the pompous pageantry they’re forced to partake in at the king’s behest.

Shadow And Bone
Alina Starkov and The Darkling | nerdist.com

I can’t not mention the fact that, during this sequence, in which Alina is finally welcomed into the ranks of the Grisha and instructed to make herself at home, the camera lingers on her embrace with an unnamed Grisha who is none other than Shadow And Bone‘s author Leigh Bardugo, fittingly appearing in the bright purple kefta of a Grisha Fabrikator – a creator and inventor. As a writer myself, I know it’s every author’s dream to someday experience even a fraction of the joy and wonderment Bardugo must have been feeling in that moment, witnessing her stories and characters come to life so vividly.

Alina’s story then starts to meander a bit. We’re whisked away to Grisha training, which is actually the one thing I’d have liked to see more of – but an embarrassingly quick fight sequence between Alina and Zoya Nazyalensky (Sujaya Dasgupta), her rival for The Darkling’s affection, ends with everyone realizing it would make more sense for Alina to practice using her powers rather than her fists. So she’s transported to another part of the palace grounds, to go meet a mysterious old woman named Baghra (Zoë Wanamaker), who almost immediately dismisses her with a warning to work past her self-doubt and insecurities. Then she goes to dinner, and the Grisha lecture her about not training enough.

Apart from just not being all that interesting, Alina’s story in this episode also interrupts the far more compelling Six Of Crows subplot at extremely awkward moments – leading to some dizzying tonal shifts as we jump from epic Volcra battles in the Shadow-Fold to more slow, uncomfortable, palatial plotting. Landing in West Ravka on the wrong side of the Fold and following the guidance of the suspicious Conductor (Howard Charles), Kaz Brekker (Freddy Carter) and his gang nearly come face-to-face with a character whom they’ll only finally meet in the finale, and who – if the books are to be trusted – will play a major part in all their future storylines: the Irish-accented Grisha Heartrender Nina Zenik (Danielle Galligan), who is supposed to meet them at the edge of the Fold and help them infiltrate the Little Palace.

But although fate intervenes to send Kaz and Nina’s storylines spiraling in opposite directions before they get a chance to meet, we as the audience get to follow both of them simultaneously – as Nina meets and forms a connection with her captor, Fjerdan Matthias Helvar (Calahan Skogman), who will one day become the sixth member of the Crows. Nina’s subplot, unfortunately, is never really given the time and attention it needs to feel essential rather than distracting (and, no offense to Skogman, but I’ve never liked Matthias and Skogman’s performance does nothing to change that) but it’s Nina’s introductory scene – in which she uses her Heartrender abilities to persuade her landlord to let her evade rent for what is clearly not the first time – that gives me hope her role in season two will reflect more of her charismatic personality from the books.

Shadow And Bone
Jesper Fahey and Milo | popculture.com

Shadow And Bone, luckily, has fan-favorites to go around: and this is the episode where I think we all fell even deeper in love with Jesper Fahey (Kit Young) – for me, this is the episode where I discovered what I was missing all those times I felt annoyed or even bored by some of his chapters in the Six Of Crows duology. But did Six Of Crows ever feature Jesper effortlessly slaughtering an entire pack of Volcra in the Shadow-Fold while clinging for dear life to an emotional support goat named Milo (unnamed goat)? No, I didn’t think so.

Out of all the fan-favorites introduced or prominently featured in this episode, from Genya to Jesper to Leigh Bardugo herself, it’s Milo who gets the last bleat, because the fandom has already embraced him as an honorary seventh member of the Crows – and honestly, given what we see of our actual sixth member in this episode, I’d be willing to leave open a slot for Milo on the team.

Episode Rating: 8/10

“Shadow And Bone” 1st Trailer Needs More Crows

SPOILERS FOR SHADOW AND BONE AHEAD!

I like the Six Of Crows duology more than the original Grisha trilogy. I know, I know, real original, right? But as someone who infinitely prefers reading an action-packed heist adventure with a diverse crew of antiheroes to wading through endless chapters of Alina and Mal bickering over literally everything, I’m going to stick with my boring Grishaverse opinion. And thus, it’s no surprise that the first trailer for Netflix’s adaptation of Shadow And Bone didn’t really pique my interest fully, because…there’s a lot of Alina, and a lot of Mal, and while I believe actors Jessie Mei Li and Archie Renaux are probably going to put in the work to try and make their characters engaging and relatable…I’m still not convinced that’s possible yet.

Shadow And Bone
Alina And The Darkling | deadline.com

To give credit where credit is due, the Grisha trilogy (the first of multiple series’ by Leigh Bardugo set in the Grishaverse, where magic runs rampant in a gritty late 19th-Century-inspired fantasy world) does incorporate one of my all-time favorite tropes: palace intrigue and political scheming. And the first season of Shadow And Bone, which will adapt the first book in the bestselling trilogy alongside some wholly original stories featuring the Six Of Crows cast, seems to feature just as much palace intrigue as the books – if not more. For those unfamiliar with the premise of the book, Alina Starkov (played by Jessie Mei Li in the Netflix adaptation) starts out a humble orphaned mapmaker before discovering her magical ability to conjure sunlight: a gift that comes in handy when your kingdom is split in half by a demon-infested ocean of inky, uncharted darkness, hindering trade and leaving those trapped behind “The Shadow Fold” struggling. Alina gets recruited into the Grisha, a small army of sorcerers who operate at the upper echelons of high society, all while maneuvering political and religious crises, and a love-triangle involving her best friend Mal and her Grisha partner: the infamous Darkling.

The love-triangle is fairly unpopular in the fandom, with both of Alina’s potential love-interests being widely hated-on for various reasons (the Darkling is a backstabbing tyrant, Mal is…Mal), and it doesn’t feature too heavily in the first trailer for Shadow And Bone, which wisely focuses attention on the series’ spectacular CGI budget and action sequences, some of which seem to be infused with a dose of horror. The catalyst for Shadow And Bone‘s events, Alina’s attempted crossing of the Shadow Fold and the reveal of her powers, is getting a perfect page-to-screen adaptation, by the looks of it – the dreadful silence inside the Fold, the rush of wings as volcra demons amass in the darkness, the suspense, and then the reveal of one monster about to bite a man’s head off from behind: good stuff. Don’t be fooled by the books’ YA rating: the Grisha trilogy and particularly the Six Of Crows duology get really dark (and not just because the Darkling can literally conjure up shadows).

Shadow And Bone
Six (well, three) Of Crows | syfy.com

Unfortunately, the trailer just barely squeezes in individual shots of the three main Six Of Crows characters who will be introduced in season one, implying that they and their subplots will not be a primary focus until season two at least. That saddens me greatly, because I already think I’m going to love them: Freddy Carter has won me over with his portrayal of crime lord Kaz Brekker, just from the intensity of his glare and the confidence with which he swings his cane; Kit Young looks radiant and fun as chaotic bisexual sharpshooter Jesper Fahey; and Amita Suman as assassin Inej Ghafa appears to be taking the lethal energy she displayed in her first-look image, and applying it brilliantly to her physical acting. Of the three Crows, she stands out the most – ironically, since her whole storyline revolves around being undetectable. I want her to have epic fight sequences, Netflix! Don’t force me to sit through hours of “Malina” content when I could be watching Inej brutally knife people!

With the series’ in-universe timeline still a confusing mystery and plot details for the Crows’ subplot a secret, I still don’t understand how the two vastly different storylines will intertwine organically – though the showrunners insist there’s a connection. But with the characters of Nina and Mathias still completely absent from the conversation (except for an embarrassingly bad first-look image that conveyed nothing whatsoever of their characters’ rich and unique backstories or personalities), and Wylan Van Eck not appearing in season one, don’t expect any tease of the actual Six Of Crows plot until the season finale, at least.

I feel like Shadow And Bone fans will collectively raise their eyebrows at me if I don’t talk about the Darkling at all, especially given that he’s the series’ main selling-point, but honestly – what is there to say? He’s got fantastic hair, the kind of luscious mane that practically requires a soft breeze to be rippling through it at all times. But Ben Barnes, despite looking and sounding the part, isn’t really radiating the kind of palpable seductive charisma I had anticipated from arguably the only truly iconic character in the Grisha trilogy. I’m willing to believe this is the fault of Netflix’s marketing, though, as it seems reluctant to reveal the Darkling as the series’ main villain.

Shadow And Bone
The Darkling And Alina | tvinsider.com

So while the rest of you are busy digging your trenches in the endless Darklina vs Malina shipping war, I’ll be over here minding my own business (I always preferred Alina’s dynamic with Nikolai anyway, and he won’t be in season one), and happily stanning my Six (well, three, for right now) of Crows.

Trailer Rating: 6.5/10

Middle-earth Explained: Eregion And The Rings Of Power

The recent reveal of an official synopsis for Amazon Prime’s The Lord Of The Rings adaptation has left us all excited to jump back into Middle-earth and revel in the many joys it has to offer us. But to get fully prepared for Amazon’s upcoming series requires more than just a movie marathon or even a reread of J.R.R. Tolkien’s The Lord Of The Rings – Amazon is pulling from Tolkien’s extensive deep lore for their series, and diving into regions of Middle-earth previously unexplored by either the films or main books.

Eregion
Eregion in ruins | aminoapps.com

Eregion, however, has a rare distinction in that, although it’s glimpsed in both the books (the Fellowship of the Ring passes through its ruins on their journey south from Rivendell), and the movies (in fact, it’s the very first location you see in Jackson’s trilogy, while Cate Blanchett is narrating the history of the One Ring), its most prominent exposure to date is in the deeply flawed Middle-earth video games, Shadow Of Mordor and Shadow Of War. These games break Tolkien lore in ways that are frankly appalling (Shelob is a shape-shifting sorceress, Isildur is a Nazgûl, and Celebrimbor’s ghost becomes one half of Sauron’s fiery eye). But they did at least give players a basic rundown of the history of Celebrimbor, Eregion, and the forging of the Rings of Power in the Second Age – events that will be pivotal to Amazon’s series, set in the same time-frame. That being said, the non-canonical and hyperbolic nature of the games makes them a faulty source for accurate information…which is my long-winded way of saying “trust me instead”.

I recounted some of the ancient history of the Elves in Middle-earth while discussing Lindon and the Grey Havens, so what immediately follows may be familiar to some of my readers. But while the paths of Lindon and Eregion diverged early in the Second Age, they have a common root in the First Age, during a mythical, peaceful era before the creation of the sun and moon and thus beyond the margins of recorded history. During this time-before-time, Middle-earth was only one half of a flat, disc-shaped world – its other half being the paradisiacal continent known as Valinor, where a pantheon of benevolent gods named Valar presided over a flourishing community of Elves well-versed in all the arts and sciences available to them: and even some beyond our modern capabilities. In the absence of a sun, Valinor’s primary light source was a duo of glowing trees, which is a random important detail.

The most creative-minded Elves in Valinor were the Noldor Elves, and the greatest among them was Fëanor, an inventor who had foresight as well as unparalleled skill and an indomitable ego. He’s a bit of a divisive figure in-universe: everyone had mad respect for his accomplishments, and he did create a trinity of magical gems called Silmarils to house the light of the Two Trees of Valinor, because he accurately predicted that the evil Morgoth would kill the Trees and plunge Valinor into darkness…he just didn’t foresee the bit where Morgoth also stole the Silmarils. Fëanor’s backup plan for his backup plan involved leading most of the Noldor on a wild-goose chase to Middle-earth to try and find Morgoth, killing any Elves who stood in their way: all of this, mind you, against the orders of the Valar, who forbade any of them to return to Valinor after what they had done. And then Fëanor got himself killed roughly ten minutes into the expedition (yes, minutes: while the Noldor were freaking out, the Valar had gone and fixed the whole light-source problem by creating the sun, adding insult to injury), leaving his followers leaderless and stranded in Middle-earth with Morgoth, and saddling his descendants with an unbreakable oath to recover the Silmarils or die trying.

Only Tolkien could take this comedic gold and write it as an epic tragedy.

Eregion
Celebrimbor | aminoapps.com

Needless to say, the Noldor were really angry and really confused about their life-choices by the time the First Age ended and the Valar finally arrived to set things straight, casting Morgoth into the void. The Valar offered them all a choice to return to Valinor and repent for their crimes, but most of the Noldor refused out of pride, bitterness, or a desire to prove they could be self-sufficient. For some, it was all three – plus an almost subliminal urge to build Middle-earth into a mirror image of Valinor and rival the glory of the gods. Never a good idea, especially when the gods are real and prone to violence. But the main proponent of this philosophy was Fëanor’s grandson, Celebrimbor, so…yeah, not surprising at all.

Celebrimbor lived in Lindon under King Gil-galad during the early years of the Second Age, but eventually grew bored and struck off on his own. Charismatic like his grandfather, he attracted a large following – and was soon able to build his own kingdom in the foothills of the Misty Mountains, which he called Eregion. Celebrimbor was actually a decent leader. He was on good terms with the neighboring Dwarves of Khazad-dûm, with whom he traded knowledge and precious mithril steel (also, him and Narvi the Dwarf were totally doing the whole “forbidden love” thing centuries before Tauriel and Kili, or Legolas and Gimli). He promoted the arts, set up a guild of crafts-people, and began work on his agenda to make heaven a place on Middle-earth. Eregion even attracted guests like Galadriel and Celeborn, who lived there for a time.

But Celebrimbor’s frantic urge to outdo the Valar made him the perfect target for Sauron, a fallen angel who had served Morgoth, and who now rose to fill the power-vacuum left in his wake. A tyrannical perfectionist, Sauron’s ultimate goal was similar to Celebrimbor’s – he too wanted to elevate Middle-earth above and beyond its mortal limitations, but he was uniquely hindered by his inability to create real beauty. Nonetheless, wearing the beautiful disguise of an Elven emissary from Valinor named Annatar, he was able to infiltrate Eregion and seduce the Noldor with his repeated assurances that the Valar wished for them to redesign Middle-earth in the image of paradise. Thus, Sauron was able to harness the skill of the Elves for his own purposes.

Together, each learning from the other, Celebrimbor and Annatar forged sixteen Rings of Power. These were not distributed immediately to Men and Dwarves, as the movies indicate (Tolkien toyed with the notion that Celebrimbor only gave away one in his lifetime: to Durin III, King of Khazad-dûm, as a token of friendship). Celebrimbor had designed these Rings to be worn by Elves, to help and heal Middle-earth; and it was Sauron’s secret hope that he could control the Elves through their Rings, into which he had poured dark magic of his own. In Second Age 1600, having sufficiently mastered the art of Ring-making and confident that the Noldor would wear the Rings he had helped make for them, Sauron left Eregion and returned to his own land, in foul Mordor. But he underestimated the perfectionism he had instilled in his followers: the Noldor he had left behind continued work on three more Rings of their own, far greater than the sixteen.

In Mordor, Sauron secretly forged One Ring – a Master Ring with the power to ensnare all others and their wearers. But as soon as he put it on, Celebrimbor became aware of his treachery, and demanded that the newly-finished Three Rings be distributed swiftly to the greatest leaders of the Elven people, Gil-galad, Galadriel, and Círdan, and hidden from Sauron forever. They were not made by Sauron, so he could not control them from afar, but they were made with knowledge learned from him; and were thus tied to his fate, and that of the One Ring.

Eregion
Sauron Forges The One Ring | rainbowdark.com

Sauron nonetheless perceived that Eregion was his greatest threat, and threw all his force against the Elven kingdom. With the help of orc-armies, he ransacked and destroyed the forges of the Noldor, and captured Celebrimbor. The king was ruthlessly tortured until he revealed the locations of the sixteen Rings (or fifteen, assuming Durin III already had one), which Sauron quickly recovered. But he would say nothing of the Three Rings, and Sauron eventually had him killed, thus ending the line of Fëanor. His brutally-mangled body was hung on a pole and used by Sauron’s armies as a banner in their war against the Elves.

With Eregion destroyed, no new Rings would ever be forged, nor would Celebrimbor’s purpose for them be achieved. Middle-earth sank further into darkness and despair as Sauron begrudgingly distributed his stolen Rings among Dwarves and Men, since his plan to control the Elves had backfired. Men were easily corruptible, but the Dwarves proved resistant, and their rings became the foundations of great treasure-hoards under the earth. The Three Rings were not used during the Second Age.

The survivors from Eregion dispersed across Middle-earth, mainly to Lindon and the refuge of Rivendell, but many became disheartened, sailing back to the Undying Lands in Valinor. By the end of the Third Age, Eregion was a tumbled heap of ruins, and even the stones on which its foundations had been built had long since forgotten the Elves, their Rings of Power, and all their dreams of paradise. Now that’s tragic.