A24’s The Green Knight definitely looks like a strong awards season contender, but it already deserves to win something for the film’s clever method of adapting to the COVID-19 pandemic by recentering its entire marketing campaign around the ominous line “One year hence…” – which now refers to both the Green Knight’s warning to Sir Gawain that sets the entire story into motion, and the rather meta aspect of the film being pushed back from its May 2020 release date to a new one at the end of July, 2021. A little more than one year hence, but close enough.
Sir Gawain | filmaffinity.com
The Green Knight‘s new full-length trailer, released today, should hopefully give general audiences some idea of what they’re in for, while piquing the interest of fantasy nerds, Arthurian legend lovers, and Medieval history buffs (a.k.a. me, me, and also me). The Green Knight should be of special interest to Tolkienverse fans who are at all interested in J.R.R. Tolkien’s scholarly work outside of Middle-earth – which included translating the poem of Sir Gawain And The Green Knight into Modern English on his own, and collaborating with his good friend and Viking Club cofounder E.V. Gordon to compile and annotate a Middle English edition of the text in 1925. That arcane bit of information is absolutely nonessential to understanding or enjoying this particular adaptation of The Green Knight, but it’s fun regardless.
I can’t speak to the quality of the adaptation just yet, but one thing I love about this trailer is how weird and macabre it is. It’s clearly leaning into the Celtic mythological influences on Arthurian legend, which means everything from a herd of giants to a talking fox (oh yeah, and the Green Knight himself: a towering man-tree hybrid who carries around his own decapitated head). Andrew Droz Palermo’s rich and vibrant cinematography is perfectly suited to this tale, which is built on layers of symbolism and allegory hidden in every innocuous detail – all obviously meaningful, despite their original and definitive meaning being unclear and a subject of heated debate.
Sir Gawain and the giants | Twitter | @DiscussingFilm
Some scholars argue that the poem is a deconstruction (either serious or semi-satirical) of Medieval chivalry, using the conflict between the Green Knight (quite literally representing nature at its most primal and chaotic) and Sir Gawain (a supposedly virtuous knight of King Arthur’s court) to comment on chivalry’s inability to restrain humankind’s darkest impulses. So…basically Amazon Prime’s gory superhero satire The Boys, but aimed at knights – who, if you think about it, made themselves out to be the superheroes of their era. Just based on the trailers, that particular reading of the poem appears to be the central theme of The Green Knight.
Dev Patel stars as Sir Gawain, but the film’s cast also includes Alicia Vikander and The Falcon And The Winter Soldier‘s Erin Kellyman – who’d you think the trailer would spotlight at least a little given her recent boost of popularity off the hit Marvel Disney+ series. Unfortunately, I suspect her role will be very small. Sir Gawain And The Green Knight has a lot of things to say about the dynamic between masculinity and femininity in the age of chivalry (though again, things which no modern scholar can interpret with any degree of certainty), but it’s too early to say if the film will dive into any of that, or give the women in Gawain’s story more prominent roles.
The Green Knight | nerdist.com
Hopefully, The Green Knight does really well at the box-office as well as with critics, so that Hollywood will start to take more of an interest in Arthurian and Celtic myth, after essentially reducing the former to “knights in shining armor” and “the sword in the stone”, and simply ignoring the latter outright for years. Next stop; Cú Chulainn, Finn McCool, and the Morrígan!
SPOILERS FOR SHADOW AND BONE AND THE GRISHAVERSE NOVELS AHEAD!
One week since the premiere of Netflix’s Shadow And Bone, and my series of individual episode reviews is finally complete…but I’m the type of person who becomes hooked on a single show for a lot longer than just one week, and I know a lot of you out there are the same way. And I know – from personal experience, because this is how Netflix is – that there’s nothing more agonizing than binge-watching a show in a single day and then having to wait for another season, sometimes for years.
Alina and Mal | tvinsider.com
In the meantime, obviously we’re going to have to speculate about Shadow And Bone season two – which Netflix is waiting to officially confirm, although What’s On Netflix, a site with a very strong track record specializing in exclusive information about the streaming service, reports that a second season was renewed behind-the-scenes back in March. And with the first season trending very well in its first week and word-of-mouth strong, it doesn’t seem at all unlikely that season two is coming. It’s just a matter of when – and of course, where we’ll pick up with our beloved cast of characters.
Now, most of my big elaborate theories about things tend to miss the mark by a couple hundred miles (i.e. the Grim Reaper hint in WandaVision means that Ultron is returning!), so this post is going to take each main character in Shadow And Bone one-by-one and just sort of…sketch out their potential paths forward, drawing on information given in the books but taking into account the sorts of changes that Shadow And Bone has already made to the source material.
Alina Starkov
Alina Starkov | netflix.com
Last time we saw Alina in season one, she and her best friend Mal (platonic soulmates until proven otherwise; sorry, Malina shippers) were headed into the unknown on a ship, but their journeys promise to run parallel to the Crows for at least a little while, and I won’t be surprised if the duo take refuge in Ketterdam now that they need a place to lay low while Alina works on a plan for how to destroy the Shadow-Fold. In Siege And Storm, the second book in the original Grisha trilogy, Alina and Mal hide away in the town of Cofton in Noyvi Zem (where they actually meet a younger Jesper Fahey), but having them stay in Ketterdam declutters the story and requires one less set. In the book, she goes hunting for the second of Morozova’s legendary Amplifiers, a leviathan known as the Sea Whip, crossing paths with the buccaneer Sturmhond (more on him in a minute).
But if Alina and Mal do stay in Ketterdam rather than Cofton, and with Shadow And Bone now caught up to the main events of Six Of Crows, Alina might come into contact with a very different kind of Amplifier without even needing to take her adventure on the high seas. The plot of Six Of Crows revolves around the creation of a mysterious and addictive new drug known as jurda parem, which affects Grisha, enhancing their powers enormously, and often to a dangerous degree. Squallers who take it gain the ability of flight, Durasts turn lead to gold…just imagine what a Sun-Summoner could do. The drug circulates in secret around Ketterdam, but jurda is grown in Noyvi Zem around Cofton, so Alina could come in contact with it there too.
Mal Oretsev
Mal Oretsev | netflixlife.com
In the books, you can usually expect Mal to simply tag along behind Alina wherever she goes, thereby robbing her and himself of much independence. His role as her protector quickly leads to him becoming obsessively overprotective, and it’s…a lot, honestly. Shadow And Bone‘s showrunner Eric Heisserer said he wanted “Malina” to share their first kiss in season one but that others on the creative team objected; and that he plans to get his way in season two (the only thing that could ruin this show for me). I’ve already made it clear that I’d prefer Mal and Alina to grow individually outside of their borderline constricting relationship with each other…but the fact that I can’t hazard a guess as to where Mal could go apart from her shows that they haven’t done enough even on the show to distinguish their arcs.
The Crows (As A Team)
The Crows | polygon.com
Although some fans have been pushing for the Crows to spinoff into their own series (and I’d love for that to happen), I suspect their story and Alina’s will continue to run side-by-side in Shadow And Bone. And while I do think there’s a good chance we’ll see them embark on their infamous Ice Court heist in season two, their first order of business upon returning to Ketterdam will be taking care of their current client, Dreesen, and Pekka Rollins – so far, all we know of Kaz’s plan for that is that he needs a Heartrender neither man would recognize. Thankfully, I have a theory about how this might play out. We never learn what Dreesen wants with Alina Starkov, only that he’s a “wealthy merchant”…and Six Of Crows kicks off with the death of a wealthy merchant who’s been taking Grisha captive and testing jurda parem on them.
In the books, this merchant character is named Councilman Hoede, but it would be easy to switch the name to Dreesen. Hoede, it’s later revealed, was working on the jurda parem with a merchant named Jan Van Eck (who needs to be played by Richard E. Grant; this is not up for debate), who sends the Crows on the mission to the Ice Court. My theory is that when the Crows return to Ketterdam in season two, Jan Van Eck will end up taking care of Dreesen for them – not out of the kindness of his heart, but to cover his tracks and erase evidence of the link between the two merchants. Then he’ll track down the Crows with his own offer of five-million kruge to break into the Ice Court and kidnap jurda parem‘s creator, the Shu Han alchemist Bo Yul-Bayur.
Kaz Brekker
Kaz Brekker | geekculture.co
But if my theory is correct, that still doesn’t solve the problem of Pekka Rollins – whose agents will probably be waiting for Kaz Brekker and the Crows as soon as their ship docks in Ketterdam. Fighting Pekka gives Kaz a personal stake in season two, and provides an organic opportunity to peel back layers of his history with Pekka via flashbacks. In the books, this backstory is gradually revealed over the course of Six Of Crows, and I hope Shadow And Bone is similarly patient, rather than dumping it all at once. I also hope to see more of Kaz’s brilliance as a strategist: constructing bigger, more elaborate plans, and collecting information on everybody – including Jan Van Eck’s son, Wylan, whom in the books he lures into his gang as leverage over the merchant.
Inej Ghafa
Inej Ghafa | asiaone.com
While Inej will always be a major part of the Crows’ storyline, she also has her own character arc apart from the team – and the end of season one hints at that, with Inej suggesting to Kaz that she’s not committed to staying in Ketterdam. This is true to the books, where Inej has a lifelong dream to explore the world on her very own ship, but Shadow And Bone gives Inej an opportunity to pursue that dream much earlier than the books – especially since the buccaneer named Sturmhond might be rolling into town any day now. Another storyline worth exploring (and one that could tie into Sturmhond’s arc) is one from Crooked Kingdom, where Inej is hunted by an assassin named Dunyasha Lazareva, who claims to be an heiress to Ravka’s royal family – and whom Inej believes to be her “Shadow”.
Jesper Fahey
Jesper Fahey | elitedaily.com
Shadow And Bone‘s first season dropped numerous hints to the fact that Jesper is a Grisha Fabrikator – specifically a Durast capable of manipulating metals and other solid materials, something that possibly contributes to his skills as a sharpshooter. Ivan the Heartrender senses his power during one of their duels, but Jesper later shoots him dead, thus protecting his secret; which he’s kept hidden since watching his mother – herself a Durast – die while using her power to absorb poison into her own body. This could be explored through flashbacks in season two, but a major element of Jesper’s story going forward will be his relationship with Wylan Van Eck; the Six Of Crows duology’s most prominent LGBTQ+ romance.
Nina Zenik
Nina Zenik | elitedaily.com
With Nina’s backstory having already been adequately explored in Shadow And Bone‘s first season, she can only go forward from here. As in the books, she’ll be entering Ketterdam on the same ship as Matthias Helvar, but whereas the Fjerdan will be shipped off to Hellgate prison, Nina will be in need of work to survive – and in the show, she’s just made the acquaintance of Kaz Brekker, who’s looking for a Heartrender. In the books, it’s mentioned that Nina was forced to choose between working for Kaz or Pekka Rollins when she arrived in Ketterdam, ultimately choosing Kaz after Inej hand-delivered his business-proposal by scaling a six-story building in the pouring rain (a scene I’d love to see reenacted). I think the same will hold true in Shadow And Bone, but Nina’s previous service for The Darkling might be a cause for conflict if it ever comes up again.
Matthias Helvar
Matthias Helvar | elitedaily.com
While Nina gets deluged with opportunities, Matthias will be rotting in Hellgate next time we see him – and blaming the Heartrender for his troubles. In Six Of Crows, he spends months imprisoned, but the physical and emotional toll it takes on him is apparent thanks to two things that won’t work in the show: firstly, his long golden locks are shaved off (whereas in the show, he’s only had short hair); and secondly, he’s forced to kill wolves, sacred animals to the Fjerdans, in prison cage-fights. Shadow And Bone worked some wolf-imagery into the Fjerdan costume design, but never touched on the significance of that choice, unfortunately. Regardless, it won’t be long before Kaz has a reason to break Matthias out of Hellgate, whether for his first-hand knowledge of the Ice-Court or something else.
The Darkling
The Darkling | tvline.com
After staggering from the Shadow-Fold with Volcra scars lacing his beautiful face and his fabulous black kefta irreparably shredded, The Darkling is going to be on a war-path in season two – and in Shadow And Bone‘s closing moments, he displays the ability to command an army of shadow warriors called nichevo’ya, who will become his greatest weapon in the ongoing battle for Ravka. In the books, he hunts down Alina, and forces her to join him on a quest for the second Amplifier, employing the privateer named Sturmhond to guide them through the frigid northern seas. In the show, if Alina remains in Ketterdam, that means The Darkling may have another chance to match wits with Kaz Brekker when he comes for her…but directly tying him into the Ice Court heist will be difficult.
Honorable Mentions:
Nikolai Lantsov
There are few characters who pop up more frequently throughout the Grishaverse than Nikolai Lantsov, the illegitimate prince of Ravka who first appears while disguised as a privateer named Sturmhond and pretending to work with The Darkling. Nikolai’s charisma wins him many fans among the general population, but he suffers the constant disdain of his older brother Vasily – an incompetent elitist who gets exactly what he deserves in the end. In Shadow And Bone, the Ravkan royal family hasn’t been very well-established yet, nor has any mention been made of the young prince and his flying ship, but Nikolai is coming in season two; and we can expect his casting to be a big deal.
Wylan Van Eck
Although I’ve never loved Wylan’s character as much as I love some of the other Crows, I’m very interested to see how he’ll be adapted. His backstory certainly lends itself to dramatic adaptation, with his father Jan Van Eck disowning him on account of his dyslexia and attempting to have him murdered to protect the Van Eck family’s reputation in high society. Wylan goes into hiding and changes his name, setting himself up as a “passable” demolitions expert while retaining some of his aristocratic snobbery. Ironically, it’s his connection to Jan that lands him on the Ice Court heist, as Kaz is under the impression that he can be used as leverage over Jan; learning too late that the merchant would happily kill his own son. Eric Heisserer has promised that Wylan will “a hundred percent” be in Shadow And Bone‘s second season.
So which Grishaverse character is your favorite, and where do you want to see them end up in season two? Share your own thoughts, theories, and opinions, in the comments below!
Although surprisingly never used in the first season of Shadow And Bone, not even as an episode subtitle, that seemingly simple phrase is a guiding principle of the Grisha in Leigh Bardugo’s original novels. All Grisha are born with the ability to manipulate matter, but their own individual qualities, both good and bad (and in the Grishaverse, defined as “Etovost”, the “thatness” of a thing that makes it unique) help pull them in the direction of a specific type of matter: whether it be water, for Tidemakers; or wind, for Squallers; or blood, for Heartrenders. What determines this connection is sometimes pretty mysterious, so being a Grisha is like living a Buzzfeed personality quiz.
Alina Starkov | cinemablend.com
But what makes a Sun-Summoner?
That’s a big question, and the finale of Shadow And Bone‘s first season isn’t able to fully answer it in the amount of time it has to wrap up everybody’s current stories while starting a bunch of new ones. But if “like calls to like”, then what about Alina Starkov (Jessie Mei Li) makes her and her alone naturally compelled towards light? Is it her ability to selflessly fight for a world that’s never fought for her, or the courage it takes to finally start fighting for and believing in herself? There’s several options, each in my opinion valid, but it would be nice to have a specific thing to point to during the climactic moment in the finale when Alina rises to her feet and rejects The Darkling (Ben Barnes) with a single line: “This is what I am.”
In that brief shining moment, Alina is answering to no one – not The Darkling, and not Mal Oretsev (Archie Renaux). Some fans are angry that this scene didn’t play out as in the books, with Mal being thrown off The Darkling’s skiff in the Shadow-Fold, and Alina literally jumping overboard to follow him into the darkness, thereby abandoning everyone on the skiff to the Volcra. But apart from the fact that there are now several other major characters on the skiff in this version who kind of need to survive into season two, that scene in the books is exemplary of everything I dislike about the original Grisha Trilogy. It doesn’t empower Alina: it merely solidifies “apathy towards everyone except Mal” as her defining character trait.
That being said, there are other, better, ways to inject some internal darkness back into Alina’s character over the course of Shadow And Bone – and I hope showrunner Eric Heisserer (who made the right choice not to have her massacre a literal boatload of people for Mal) will do just that. It doesn’t ever have to be to that level of carnage and certainly not for the same reasons, but villainy can be pretty empowering too when it feels earned and organic.
Shadow And Bone‘s season finale spotlights several forms of empowerment, and the battle in the Shadow-Fold isn’t simply an epic and thrilling set-piece (though it is very much that too) but also a great way to bring the characters’ personalities into the forefront as they clash onscreen, their strengths and weaknesses playing off each other cleverly. Of course, being in the Fold means the resulting melee is a bit dark, but on a scale of one to Game Of Thrones’ The Long Night, this is a “dark-enough-for-monsters-to-jump-out-unexpectedly-but-not-so-dark-you-can’t-tell-who’s-who” kind of dark.
Alina’s big hero moment is more of an introspective epiphany than a feat of physical strength – although, upon receiving a vision of Morozova’s Stag and realizing that the animal rewarded her mercy in episode seven by bestowing its powers upon her, she does take one of Inej Ghafa (Amita Suman)’s knives and thrust it upwards into The Darkling’s palm, cutting the piece of the Stag’s antlers from his flesh and breaking his control over her. It’s a triumphant moment that finally frees up Alina to be more powerful than ever before – not that we get to see any of that power, mind you, since The Darkling’s loyal Heartrender Ivan (Simon Sears) defeats her a few moments later.
And despite no longer abandoning them all to chase after Mal, Alina is too late to save either the group of foreign dignitaries onboard the skiff (Ivan mows them down instead), or the West Ravkan city of Novokribirsk; which gets consumed by the Shadow-Fold as a warning from The Darkling to the rest of the world that he’s not afraid to kill hundreds of thousands of his own civilians to protect Ravkan interests. General Zlatan (Tom Weston-Jones) and the West Ravkan independence movement come to an untimely end, as does – presumably – Zoya Nazyalensky (Sujaya Dasgupta)’s aunt and extended family, whom she had just been talking about wanting to visit earlier in the episode.
Zoya, who happens to be standing on the skiff watching this all unfold in horror, wastes no time joining forces with Alina and the Crows to bring down The Darkling (and he has the audacity to act surprised). She and Inej share a few epic fight scenes, combining Inej’s skill for hand-to-hand combat and knife-throwing with Zoya’s ability to control the wind. That the two women are also Shadow And Bone‘s most prominent characters of South Asian descent (in-universe, their heritage is Suli) adds another layer to their awe-inspiring team up.
Zoya Nazyalensky | cbr.com
In a battle where some of the highlights include Inej stabbing The Darkling, Kaz Brekker (Freddy Carter) attacking a Volcra with his cane, and Jesper Fahey (Kit Young) shooting Ivan dead and scolding himself for being slightly attracted to the villainous Heartrender, I think the wrestling-match between Mal and The Darkling was supposed to stand out more than it did. But The Darkling can slice people in half with a blade of shadow, so stooping to Mal’s level is a choice that needed to be justified somehow…particularly since Mal – who admits earlier in the episode that he’s not the “smart one” of the team – ends up outwitting the Grisha, distracting him while a Volcra sneaks up on him from behind.
Viewers new to Shadow And Bone who have undoubtedly heard the phrase “Six Of Crows” tossed around a lot in coverage of the series might be quick to assume that the six characters who stumble out of the Shadow-Fold together are the titular “Six” – and I’d be interested to see how that alternate-universe version of the team would work – but Zoya soon departs on her own, explaining that she has a personal duty to her family to search for their remains, even if it means re-entering the Fold. You’ll want to read Six Of Crows if only to better understand Kaz Brekker’s warning to Zoya not to linger too long with the dead.
Everyone else ends up on a ship bound for Ketterdam, including Nina Zenik (Danielle Galligan) and Matthias Helvar (Calahan Skogman), whose story finally catches up chronologically and geographically with that of the Crows in a sequence remarkably similar to the books – the only major difference being that it’s an established character, the no-longer-lovable Heartrender Fedyor (Julian Kostov), who confronts Nina and Matthias in a seaside tavern (interrupting a perfectly good meal of waffles) and forces Nina to make a choice that will haunt her for a long time. To save Matthias from the Grisha, she pretends he’s a slaver and turns him over to a group of Kerch bounty-hunters instead, hitching a ride with them as a “witness” and promising Matthias she’ll drop the charges in court once they reach Ketterdam.
The novelty of watching storylines from different corners of the Grishaverse converge is one that Shadow And Bone can sustain well into season two – depending on how long Alina and Mal stay in Ketterdam alongside our beloved Crows, and what kind of devious plan Kaz has concocted to deal with Pekka Rollins and their mysterious mustachioed client that apparently requires the services of a Grisha Heartrender (one of whom, Nina herself, just happens to be sitting within earshot). With Inej being noncommittal about staying with the Crows (and honestly, good for her; but the pain on Kaz’s face broke my heart) and Malina still being platonic for the moment, there’s a lot of directions Shadow And Bone could take to keep things fresh and exciting.
The Darkling | laptrinhx.com
But one plot point that hasn’t been changed from the books (and why would it be?) is The Darkling’s return. I mean, you didn’t think the Volcra really ate him, did you? Alina may not be strong enough yet to tear down that Fold, even with an Amplifier, but The Darkling’s control of merzost has allowed him to stagger back from the brink of death covered in scars and stronger than before, with the power to create giant demonic warriors of pure shadow called Nichevo’ya that obey his every command.
If “like calls to like”, then it’s pretty clear what qualities The Darkling possesses.
In yesterday’s review of Shadow And Bone episode six, I probably angered a whole bunch of Malina shippers by suggesting that the couple should be platonic soulmates, so today…I’m about to do it again. I’m sorry! But the ship wars surrounding Shadow And Bone are almost as epic and brutally violent as any of the in-universe conflicts, and none more so than the fight over The Darkling (Ben Barnes), and the nature of his relationship with Alina Starkov (Jessie Mei Li), dubbed “Darklina” by fans: something that episode seven dives into while exploring The Darkling’s origins and agendas in a way that some viewers have criticized for humanizing the villain.
The Darkling | classicfm.com
Now, how you feel about this varies from person to person, and I can’t and won’t tell anyone how they should feel about the ship, or make broad assumptions about their character if they do ship it. I can only give you my own reading of Darklina, which, as I mentioned in yesterday’s post, is not something I personally ship. And that’s not an attack specifically on Darklina – I also don’t ship Malina, or Helnik (we covered that one yesterday too), or even one of the Grishaverse’s most popular pairings, “Wesper” – the coupling of Jesper Fahey (Kit Young) and Six Of Crows‘ Wylan Van Eck, who hasn’t even appeared in Shadow And Bone yet.
But purely from a story-telling perspective, it usually makes sense to humanize villains in one way or another: for one thing, it just helps keep the story interesting and engaging. The notable exception to the rule (and even this is not consistent, as I’ll explain) is when a villain is specifically intended to represent some indefensible evil, such as systemic racism, environmental destruction, or capitalism. But while you could make a convincing argument for why The Darkling represents the indefensible evil of abuse, that ironically means humanizing him is more necessary, if anything.
Abusers are often only able to do evil things because of their ability to pass as decent people or even as victims. The Darkling (in my opinion, doesn’t have to be shared by anyone else) is a predator, who subtly nurtures Alina’s insecurities to make her more dependent on him for security and comfort – this is demonstrated when Alina discovers that it was him, working through the Tailor Genya Safin (Daisy Head), who was preventing her letters from reaching Mal Oretsev (Archie Renaux) and vice versa, leading Alina to believe she had been abandoned by her best friend. To me, humanizing The Darkling is essential to understanding not only how he operates, but the full extent of his evil.
Shadow And Bone doesn’t even do a great job of humanizing him for the audience: the episode is frontloaded with flashbacks to The Darkling’s origin story, but these sequences run a bit too long, and could have been streamlined to better explain several major plot-points – including The Darkling’s relationship with the Grisha Healer Luda (Lucy Griffiths), who appears to have been a critical part of his early successes. She is killed off in her first scene, and we never learn more about her, so the emotional impact of her death isn’t felt: even during her short onscreen lifespan, I think most of us were still distracted by Ben Barnes having his Prince Caspian hair back (the wigs in these flashbacks for Barnes and Zoë Wanamaker are…not it).
This same problem comes up again when we watch The Darkling create the Shadow-Fold, something that should have cleared up the entire mystery about why he did so, but doesn’t fully. The explanation, such as it is, is that The Darkling – who was being pursued by agents of the Ravkan king for unspecified reasons – only consciously intended to bend the king’s army to his will: but by using forbidden merzost magic to do so, he unconsciously inflicted upon the world a seething flesh wound of darkness, mutilating Ravka and transforming everyone caught in his hellish outpouring of power into terrible demons.
That’s a decent enough explanation (though different from the books), but in the limited time Shadow And Bone has to explain what merzost even is, the entire concept feels rushed. And given that, in creating the Fold, The Darkling ends up accidentally following his mother Baghra (Zoë Wanamaker)’s advice to create “a problem only Grisha can solve” to win back his prestige, I would have either made that his intention from the start or at least more obviously in the back of his mind while he was using merzost. It’s a pretty brilliant idea because of how it plays into a key theme in Shadow And Bone, which is that victors write the history books, and the Darkling’s had time to craft an elaborate falsified version of events.
The Darkling, after all, is immortal – and “patient”, something he explains to Mal later in the episode. He’s faked his own death and changed his name and persona countless times without mortals ever being able to catch on: but in every life he’s lived in Ravka, he’s also been able to subtly alter and revise the story of the Shadow-Fold’s creation over time, until the “Black Heretic” was an entirely separate person whose real name – Aleksander, the name he still carries in secret – was lost and long-forgotten, and he was merely one of the Heretic’s descendants working to undo his forefather’s crimes.
Ironically, the anti-Grisha bigotry that sparked the creation of the Fold is also erased from history by Ravka itself, as the Fold’s very existence forces the entire country to rely on Grisha for survival and defense (therefore making the rise of modern technology even more threatening to the Grisha). And while most of that is left in subtext for the viewer to conclude on their own (not that it takes a great deal of guesswork), it still helps to inject some conflict into The Darkling’s character arc, giving him a sort of tragic nobility.
Morozova’s Stag | indiewire.com
But the flashbacks ultimately don’t help flesh out his character as much as his interactions with Alina later, after following her and Mal to the location of Morozova’s Stag – one of three magical beasts whose bones and life-forces act as Amplifiers to a Grisha’s natural power, supposedly only for the Grisha who strikes the killing blow. Alina can’t bring herself to shoot or stab the Stag as it lays dying in the snow, but The Darkling has no such reservations: using The Cut, he brutally decapitates the Stag, slicing its crown of antlers straight off. Alina, now his prisoner, can only watch in horror.
The Darkling doesn’t give Alina any choice when it comes to using the Amplifier – in an intense ritual presided over by Grisha Fabrikator David Kostyk (Luke Pasqualino), he has the Stag’s antlers melded into a small medallion embedded into his own hand, and a multi-pronged collar that becomes rooted in Alina’s spine and shoulders like body-horror jewelry, allowing him to access and harness Alina’s Summoning abilities without her consent. But once that’s done and she’s under his control whether or not she wants to be, then he offers her a chance to rule alongside him – a chance she rejects utterly. Shadow And Bone book fans all got a squeal of excitement out of hearing Ben Barnes say the iconic line: “Fine. Make me your villain”.
The beauty of this line in the show is the added context that The Darkling knows that, whether or not this generation remembers him as a villain, it’ll only take him a few more to change the historical record again. But as book readers know, Darklina doesn’t simply go away now – the romantic connection that Alina and Aleksander shared is something intrinsic to all their interactions going forward, even though Alina is well aware of his strengths as a manipulator and liar. And as Alina herself levels up to challenge his power (something happening much faster in the show than the books), becoming his equal in raw power, the ship only becomes more…shippable.
I know Malinas are extremely overprotective of their ship because they feel they have to be (which is fitting, considering that’s Mal’s defining character trait in the books); and I know Darklinas are defensive of their ship because they get made out to be the villains of the Grishaverse fandom (again, weirdly fitting); so where does that leave us angsty Kanej shippers who are just here for Kaz Brekker (Freddy Carter) doing everything in his power to keep Inej Ghafa (Amita Suman) from quitting the mission without telling her it’s because he depends on her? Somewhere between happy and heartbroken, that’s where.
(And if you ship Jesper with his emotional support goat, Milo (goat), you’re in luck; because Milo returns in this episode and saves the day again, playing an instrumental role in freeing Mal from The Darkling’s prison and setting the entire finale into motion. In return he gets a nice little bit of, like, I don’t know, is that cheese or something that Mal feeds him? “Good with goats” is officially the only thing I look for in a partner, and Mal has passed the test with flying colors).
One thing Shadow And Bone doesn’t have much time to explore in season one is the wealth of material in all three of the Crows’ individual backstories – except for Inej, about whom we’ve already learned a great deal in a very organic manner. In this episode, a single glance from her speaks volumes about the things she suffered while indentured to the brothel owner Tante Heleen, that required her to learn how to patch up wounds while she was still a child. And that’s as much as you need to know. I think there are cases where “tell, don’t show” is acceptable, and, while I’m excited for Shadow And Bone‘s second season to explore Kaz and Jesper’s backstories through flashbacks, it would be difficult to do much more than what’s already been done with Inej.
The Crows already have history together, though, as a team unit – and you can feel it in their iconic motto: “No mourners, no funerals”, which Kaz uses in Shadow And Bone as the Crows board a skiff bound across the Shadow-Fold disguised as foreign ambassadors (and can we just talk about Inej wearing a bowler-hat and suit? Because I feel like we haven’t talked about that enough), having given up on their mission to kidnap Alina – or at least, so Kaz claims. It’s a remarkable coincidence then that they end up sharing the skiff with Alina and The Darkling, not to mention the stowaway Mal, and the Grisha Squaller Zoya Nazyalensky (Sujaya Dasgupta).
Kaz Brekker, Inej Ghafa, and Jesper Fahey | nerdist.com
As the skiff slips into the haunted darkness of the Fold and everyone’s storylines promise to converge in the season finale, you can’t help but wonder why everyone in the Grishaverse doesn’t have an emotional support goat for times like these (I mean, Alina technically has an emotional support stag, but it’s not very huggable anymore as a result of being dead and headless).
