Who Is Thrawn? The Star Wars Villain, Explained.

As I mentioned while reviewing yesterday’s episode of The Mandalorian, I am a huge fan of the Star Wars: Rebels animated series. I love the entire crew of the Ghost; I get a kick out of seeing Rebels references and Easter eggs pop up anywhere from Rogue One to The Rise Of Skywalker; and today, when it was teased that a major cliffhanger from the Rebels series finale will finally be resolved, I nearly screamed out loud because it’s about time. Whether it happens in future seasons of The Mandalorian or an entirely new spinoff series starring Ahsoka Tano (and Sabine Wren?), we are going to learn the whereabouts of one of Star Wars‘ most enduring antagonists, Grand Admiral Thrawn. And, probably, the lost Jedi Ezra Bridger. This could not get any better.

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Grand Admiral Thrawn | barnesandnoble.com

(No wait, actually it could. Please, Disney: cast Rahul Kohli as live-action Ezra Bridger. It’s the fan-cast that dreams are made of, and I will accept nothing less).

So let’s break it down. Even though we went over the basics in my review, I still feel like I have more to say (I always have more to say about Rebels), and anyway, it seems like fans of The Mandalorian are going to need more than a passing knowledge of Thrawn in order to fully understand what he could be up to, so many years after his initial disappearance at the end of Rebels.

Grand Admiral Thrawn, born Mitth’raw’nuruodo, was one of the Empire’s most terrifyingly efficient military leaders and strategists during the fight to suppress the rebellion. He’s been around in Star Wars canon for a long time, first appearing in the 1991 novel, Heir To The Empire. When Disney bought Lucasfilm and erased much of the old canon (now called “Legends”), Thrawn was nearly lost forever – but Dave Filoni swooped in and rescued the fan-favorite character from oblivion, giving him a key role in Star Wars: Rebels as the series’ main antagonist, and ultimate big bad. With his innate ability to strategize several steps ahead, and foresee every plausible outcome, the red-eyed Chiss alien commander is more like a super-computer than a living creature; his most “relatable” quality is his affection for art, which he steals from the worlds he plunders and assembles into a massive private collection.

In the waning years of the Galactic Empire, Thrawn’s attention was turned towards the remote planet Lothal, home to some of the Empire’s most valuable industrial centers. There, shortly before the battle in which the Death Star plans were stolen, setting off the events of A New Hope, Thrawn clashed with the Rebel forces led by Lothal native Ezra Bridger, a young Jedi with a deep connection to animals. All of Thrawn’s intricate plans were foiled by Bridger saving the day in a heroic, and completely unpredictable, act of self-sacrifice – by summoning an entire army of purrgil space whales from the other side of the galaxy. The purrgil grabbed both Thrawn and Ezra Bridger in their tentacles before shooting off into hyperspace at lightspeed, to a destination unknown. The moment leaves everyone – including the audience – in stunned silence, but Bridger’s actions end up saving Lothal: reeling from the loss of Thrawn, the Empire gives up on the backwater planet and turns its focus towards other, more urgent targets, while the core team of Rebels are free to go their separate ways, starting new lives.

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Ahsoka Tano and Sabine Wren | starwars.fandom.com

And as for Bridger and Thrawn…well, nobody knows. But Dave Filoni has confirmed that both characters survived the space-crossing. Most likely, they exited hyperspace somewhere in the outermost regions of the galaxy (or perhaps even further afield?), and have now spent the last decade or so trying to find their way back. The final scene of Rebels picks up with one of Ezra Bridger’s former crewmates on the Ghost, Mandalorian graffiti-artist Sabine Wren, some years after the fall of the Empire; as she embarks on her own journey to locate Bridger and finally bring him home to Lothal. We know she has help from Ahsoka Tano, who made a promise to Bridger before his disappearance that she would find him. And now, thanks to The Mandalorian, we know a little bit more about Tano’s involvement in this very personal quest.

The general consensus amongst fans is that The Mandalorian‘s latest episode takes place just before Ahsoka and Sabine team up in that final scene of Rebels. It makes sense: the episode ends with Ahsoka learning the new whereabouts of Grand Admiral Thrawn from one of his acolytes, which could give her some hint of where to find Ezra Bridger as well, or at least where to start looking. But if Thrawn is back (and apparently already conspiring with his old allies), that means the New Republic has more pressing concerns than finding Bridger – the Grand Admiral could very well be the mastermind behind other Mandalorian villains like Moff Gideon, and the driving force behind the plan to rebuild the Empire, making him the biggest threat in the galaxy. As I said in my review, I wouldn’t be surprised if we find out that The Mandalorian is all leading up to the story of how Thrawn created the First Order from the remnants of the Empire. This would even line up with Thrawn’s original story arc in the “Legends”, where he set up his own secret empire, united the remaining Imperials in the wake of the Empire’s fall, and battled the New Republic. Much like Palpatine in The Rise Of Skywalker, he cloned himself and became something of a recurring threat long after his actual death.

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Grand Admiral Thrawn | usatoday.com

Ezra, meanwhile, can’t be too far off. In fact, The Mandalorian dropped a subtle reference to him in this latest episode, with the sudden (and suspiciously random) appearance of a loth-cat in the streets of Calodan. Loth-cats are native to Lothal, and act as Bridger’s spirit guides throughout Star Wars: Rebels, communicating the will of his planet’s thriving ecosystem. They’re cute and all, but their semi-mystical powers and connections to the Force make them even more fascinating. Interestingly, this is the second loth-cat to show up in The Mandalorian: the first having almost eaten Baby Yoda (back when he was still Baby Yoda) in season one. Is a pattern emerging?

So what do you think? Are you excited to see Thrawn return to Star Wars, and make his live-action debut? Share your own thoughts, theories, and opinions, in the comments below!

“Star Wars: The Force Awakens” Review!

We are officially in the last leg of the long journey to Star Wars: The Rise Of Skywalker, which means that the mighty Skywalker Saga, a story spanning forty years across films, books, comics, cartoons and video games is finally coming to a close – which in turn means that it’s time to reflect on that nine-part saga and take a good long look at the films that predate and inform Rise Of Skywalker‘s epic conclusion.

To do that, we’re going to have to discuss spoilers for each of the eight films in the Saga, so…SPOILERS AHEAD.

Star Wars: The Force Awakens

"Star Wars: The Force Awakens" Review! 1
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A lot gets made of the fact that, when designing the story structure of The Force Awakens, director J.J. Abrams used the first Star Wars movie as a template instead of trying to make sense of George Lucas’ fabulous script draft which would have explored the backstory of the mysterious, microbiotic Whills, yet another previously unknown species which apparently live inside Force-sensitive beings. Tell me, dear reader: would you rather be forced to sit through another trilogy about midi-chlorian biology, or something that actually focuses on…oh, I don’t know, an actual story? Doesn’t mean Abrams couldn’t have gone for something a little more fresh, but it’s a Star Wars tradition at this point to start out basic.

And let’s not pretend like A New Hope isn’t an awesome movie to try and repeat. The Force Awakens, thankfully, is a good copy of a very good movie. Could be worse: it could have been a clone of Attack Of The Clones, for instance!

There are several crucial differences between Lucas’ original film, and Abrams’ wildly successful remake, which is one of the highest-grossing movies of all time. Abrams’ Star Wars film, the first produced under the Disney banner, is more committed to having a diverse cast representing many different demographics. The story has a strong thematic core, and does break away from A New Hope at the very end to set up an intriguing cliffhanger and a fascinating conflict between our protagonist and her sworn enemy. And the film overall has a sense of self-awareness that allows for some fun bits of meta-humor: not quite as much as The Last Jedi, but still quite good.

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Rey (Daisy Ridley) is not Luke Skywalker. Though she may live a nearly identical life on a nearly identical planet, she is in many ways his opposite. For instance, Rey is compelled to eventual action by her desire to do good, not by any personal motivation – in fact, if she had her way, she would be flying back to the dusty sand-pit of Jakku as fast as possible to await her parents’ return. Ridley does a very good job of selling Rey’s resilience, practicality and the feeling that she truly is a nobody. Rey clearly has a strong connection to Skywalkers of old, and it remains to be seen whether The Rise Of Skywalker will reveal a missing link between her family and theirs, but she is at first reluctant to accept any of the duties bestowed upon her. She doesn’t have any princesses to save, any helpful Kenobi to guide her (actually, there is a Kenobi-lookalike living not far away on Jakku, but he gets murdered by the First Order within the first five minutes), or any known reason to get involved besides wanting to help the Rebellion in their time to need. For her archenemy, Kylo Ren (Adam Driver), it’s a personal affront to his strong sense of heritage to see a “nobody” daring to intrude on the Skywalker Saga.

Kylo Ren is not Darth Vader, and the First Order is not the Empire. Whereas the Empire was modeled strongly after the Nazi regime, the First Order are their modern counterparts, neo-Nazis. Kylo Ren is no tragic hero in the style of Anakin Skywalker, no matter how much he yearns to wear the helm of Vader and declare himself a Sith Lord: Kylo, with his idiotic accouterments of darkness and unintelligible muffled voice, is Vader’s cheap knock-off – an elitist, privileged white boy who runs away from home only to be brainwashed by cultists and madmen. As for the First Order, we’ve never actually had a clear idea of where they came from or how they established power in the galaxy, but their acolytes are obviously under the impression that they’re following in the footsteps of history’s forgotten heroes, as you do when you’re a neo-Nazi. And yes, there were many ways to get this point across that didn’t involve the First Order somehow having all the same Imperial technology and agendas, all the way down to having Stormtroopers who are just as bad at firing weapons.

"Star Wars: The Force Awakens" Review! 3
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Speaking of Stormtroopers, the character of FN-2187 a.k.a. “Finn” (John Boyega) has no equal in the original trilogy. As a First Order foot-soldier sickened by the horrors of warfare and struggling between his fear of the Order and his instinct to run, Finn represents everybody trapped in a dark place, looking for a way to escape. But after he does achieve his freedom, the film really never has anything more to do with his character, and so slowly but surely he becomes comic relief, with even his few distinguishing features watered down or made into jokes: oops, no, he was never really a great stormtrooper after all – turns out, he was a janitor. Whoops, he got his hands on a lightsaber for a moment there – but he’ll be stuck with a random blaster-gun from now on. After a while, it’s simply pathetic to watch as he gets dumbed down, tripped up, or otherwise undermined by a script that never seems to remember it’s dealing with a literal Stormtrooper.

The original characters are not the same characters we knew. We see Luke Skywalker (Mark Hamill) only very briefly, but exposition allows us to understand that after the events of Return Of The Jedi, the legendary Skywalker went into hiding after his new Jedi temple produced the villainous Kylo Ren: much of the plot of The Force Awakens revolves around trying to track down the last Jedi and enlist him to fight the First Order. Leia Organa (Carrie Fisher), on the other hand, has aged gracefully into her responsibilities as commander of the Resistance, a group of battle-worn veterans who apparently only got to enjoy a decade or two of peace before going back onto the battlefield. Even C-3PO (Anthony Daniels) is hardly recognizable anymore with his new red arm, while R2-D2 (Kenny Baker) has gone into low-power mode, awaiting the return of Skywalker (the latter development, besides being a necessary plot-point, also seems contrived to keep our attention on the new droid, BB-8). But the most startling change has come over Han Solo (Harrison Ford), whom we last cracking jokes and wooing Leia after the Battle of Endor. Han in The Force Awakens is no hero, but instead a worn-out pirate back to his old ways: he’s fled from his duties as a parent, having given up all hope on his wayward son, Kylo Ren (whose given-name is actually Ben Solo). It’s fun and charming to see Han seeking adventure in the great unknown with his usual rogue’s gallery of weird-looking alien villains, but it’s not long before he’s reluctantly drawn back into the fate of the Skywalker family, as he’s called upon to track down Kylo Ren and bring him home. The relationship that he develops with fellow pilot Rey has led to much speculation that the two are father and daughter, but that theory doesn’t make much sense to me (though Abrams plays his cards just right, so that every theory about Rey’s parentage seems like it could have a seed of truth): I think Han saw Rey as the child he never had, the child Kylo could have been if he had been a better father. When Han eventually comes face-to-face with his son, Kylo seems almost to hesitate, to waver, asking aloud for guidance and help. There are many theories about what exactly occurs in this moment, and what was going through both characters’ heads as they both realized what needed to happen. But whoever it was that ignited the blade, somehow Kylo Ren’s lightsaber ended up embedded in Han Solo’s chest. Most likely it was Kylo with the guidance of his Sith master Snoke (voiced by Andy Serkis), but maybe it was Han acting quickly and selflessly to ensure that his son would be kept alive by the First Order; maybe that would ease the burden of patricide off of Kylo’s shoulders; maybe that would preserve a small glimmer of light within his dark, corrupted soul. Whatever you choose to believe, I think we can all agree that in this case, Han never even had a chance to shoot first.

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He also never gets a proper burial, as Starkiller Base explodes shortly after his death, meaning that his body is merely stardust in the vacuum of space. Maybe that’s how he would have wanted it. It’s certainly how Harrison Ford wanted it: he had been waiting for that moment since 1983.

Starkiller Base is not…no, actually, Starkiller is basically just the Death Star, isn’t it? Except bigger and covered in trees for whatever reason. Is it an actual planet that was converted into a gigantic weapons-system for the First Order? If not, and it was man-made, why would you waste time terraforming the place – especially since you know the entire planet will get blown up in a couple of minutes by two or three fighter pilots? Beyond being annoying redundant, the reveal that Starkiller is 5.5 times the size of the Death Star is honestly insulting to the pilots and brave Rebels who lost their lives disabling that weapon back when it was considered the biggest thing in the franchise.

"Star Wars: The Force Awakens" Review! 5
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Pretty much everything else is precisely what you think it is: Poe Dameron (Oscar Isaac) is a more morally-pure Han Solo (though even that is apparently set to change, with the character possibly meeting some unsavory rogues from his own past in The Rise Of Skywalker). The Resistance is virtually no different than the Rebellion of yesteryear – they’ve got the same tech, the same military commanders, the same call-signals.

The Force Awakens is not A New Hope.

It’s the same hope, with a different name, and a slightly different story, told from a new perspective and through the eyes of a modern, diverse cast of characters. It’s, admittedly, not the most groundbreaking installment in the saga’s history. But this same hope is what’s been keeping the Star Wars story going strong for over forty years, and it hasn’t failed yet: it’s the hope that rebellions are built on, the hope that lights a fire that will restore the Republic, or ignite Resistance, or burn the First Order down, or do pretty much anything you want it to – it’s all the classic charm of Lucasfilm, mixed in with a little sprinkle of Disney magic, and I must say, I quite enjoy the taste.

Movie Rating: 7.9/10