Hayden Christensen Archives

June 1, 2022June 2, 2022

“Obi-Wan Kenobi” Gets Off To A Slow Start With First 2 Episodes

**SPOILERS FOR KENOBI EPISODES ONE AND TWO AHEAD!**

If Lucasfilm plans to rely on Disney+ original series’ like The Mandalorian, The Bad Batch, The Book Of Boba Fett, and now Obi-Wan Kenobi, to keep the Star Wars franchise fresh in peoples’ minds while they work out where to go with the films following the conclusion of the Skywalker Saga and the poor reception to The Rise Of Skywalker, then I’m going to need the writers and showrunners of these series’ to get some fresh ideas because I genuinely don’t know how many more world-weary middle-aged single father figures to rambunctious children I can take from a franchise that has literally all the space in the galaxy to do something different but won’t because it worked that one time in The Mandalorian.

And Pedro Pascal did it really well in The Mandalorian season one, to be fair, which is why we all fell in love with the trope in the first place and presumably why Pascal is now being typecast as world-weary middle-aged single father figures to rambunctious children even outside of Star Wars. But in the two years since The Mandalorian debuted, with the exception of The Clone Wars‘ final season, the anthology series Star Wars: Visions, and a couple of Lego holiday specials, Star Wars has shifted focus entirely to making stories about – and seemingly targeted at – middle-aged dads.

Is that necessarily a bad thing? No, of course not. It’s not even necessarily indicative of lazy storytelling, because there are many different types of middle-aged dads to be found in this world, and even more to be found amongst the stars, so it stands to reason that there should be a number of subtly different stories to be told about middle-aged dads, each one unique in its own way and worth telling. But I do think it’s worth examining why Star Wars has become…shall we say, a little bit obsessed with this trope recently, before I get into my thoughts on the first two episodes of Kenobi, specifically.

If Star Wars had a long history of telling stories about middle-aged dads/father figures with small children, it would be one thing, but discounting all of the Legends material that Disney decanonized and looking solely at the movies and series’ released prior to The Mandalorian in 2019, there really aren’t that many dads…in fact, absent fathers and the absence of fathers are two recurring themes in the Skywalker Saga, which begins with Anakin Skywalker being born out of a sci-fi Immaculate Conception, then becoming a remote and unapproachable figure in the lives of his children, then being exhumed by his grandson Ben as a stand-in father figure for Ben’s own neglectful father, Han Solo. The cycle theoretically breaks with Rey, an orphan who adopts the Skywalker name and becomes the spiritual descendant of Anakin Skywalker, but sadly we never learned enough about her as a character to say with certainty what she’d be like as a parent.

Then you’ve got the mentors like Qui-Gon Jinn, Obi-Wan Kenobi, Yoda, and Luke Skywalker, who will inevitably become the single most important person in the lives of their apprentices after about fifteen minutes of training before dying…but it’s hard to call any of these men (or in Yoda’s case, male-coded aliens) father figures. Maybe Qui-Gon Jinn, but even when Obi-Wan Kenobi (Ewan McGregor) calls out to the Force-ghost of his former Jedi master in the first two episodes of Kenobi, I don’t hear the desperation of a son needing a father’s advice, but rather a student seeking the approval of a respected teacher.

After Qui-Gon’s death in A Phantom Menace, I think Obi-Wan tried to be both a mentor and a father figure to Anakin Skywalker, but he was never able to enforce the Jedi Code because of his own complicated relationship with the damn thing, and gradually Anakin started to regard him as a lenient older brother – one whom he loved deeply, but whose guidance he rarely ever felt he needed. I don’t think it’s too much of a stretch to extrapolate from this that Obi-Wan regarded Anakin’s son Luke as a nephew, especially when you look at their interactions in A New Hope. As for Luke, his relationship with his own students appears to have always been impersonal.

What was my point again? Oh yeah, dads don’t exist in Star Wars; at least as far as the Skywalkers are concerned (in case you’re wondering, moms do exist, but they either die in childbirth like Padmé Amidala or live long enough to become silent, stoic spectators in their sons’ lives, like Shmi Skywalker and even Leia Organa). But then The Mandalorian introduced Baby Yoda into our lives, and nothing has been the same since. Now, every middle-aged man in Star Wars has a child. Crucially, they’re never the biological fathers of these children – because Star Wars is about found-family, and there is something truly touching about characters from vastly different backgrounds forming profound emotional connections.

And for the most part, the trope has worked. I’ve made it clear in the past that, despite my gripes with The Mandalorian‘s sluggish pacing, I am deeply invested in the story of disillusioned bounty hunter Din Djarin coming to care for his pint-sized sidekick Grogu over the course of two seasons. I thought it was adorable when the battle-hardened clones of the Bad Batch adopted the experimental clone Omega and made her feel at home in their tight-knit family unit. I had far bigger issues with The Book Of Boba Fett than Fett randomly taking a teeny-bopper biker gang in off the streets of Mos Eisley (I never wrote about the show because, frankly, it bored me to death).

But my issues with Kenobi, while not limited to fatigue at the overuse of this trope, stem from the showrunners’ perplexing decision to put Kenobi through the single dad filter and saddle him with a small child – a ten-year old Princess Leia Organa (Vivien Lyra Blair), to be precise, kidnapped by mercenaries in the first episode and whisked away to a remote planet in an attempt to lure Kenobi out of hiding. That could have been a unique premise for some kind of sci-fi heist thriller, but Leia stays kidnapped for maybe twenty minutes total before Kenobi locates her in a storage unit, easily incapacitates her guards, and escapes.

Episode two concludes with the two characters returning to Alderaan, crisis seemingly averted, but it’s implied that they’ll get held up or forced to take a detour so that Obi-Wan Kenobi can learn an important life-lesson from Leia before they part ways – and so that Leia has a chance to meet her biological dad and Kenobi’s pursuer, Darth Vader (Hayden Christensen & James Earl Jones). She won’t be aware she’s just met her biological father, mind you, but fans will be and that’s all that really matters to Lucasfilm; at least based on the staggering number of thoroughly pointless callbacks and namedrops in these first two episodes.

Indeed, the stage is already set for just such an encounter, with ten-year old Leia struggling to reconcile her responsibilities as an Organa with her impulsivity, relentless curiosity, and recklessness – traits apparently common to all Skywalkers. She hates being cooped up in the royal palace, and frustrates her adoptive mother Breha (Simone Kessel) by skipping out on brunches with her cartoonishly pretentious cousins to go climb trees in the forest and watch starships all day, accompanied by an annoyingly cute droid that seems purposefully designed to sell merchandise. Every one of Leia’s scenes is written as if we don’t already know and weren’t literally just reminded in the recap preceding the episode that Leia is, in fact, still a Skywalker, but how could we forget when the characters stop dead in their tracks to tell us that Leia reminds them of someone (Anakin and Padmé. Don’t bother guessing or reading into it, it’s Anakin and Padmé).

Side-note, but there’s something extremely frustrating about the implication that most of Leia’s defining character traits come from her biological parents and not her adoptive parents who actually raised her, loved her, and gave her the life Anakin Skywalker was never going to be able to provide for her. Bail Organa (Jimmy Smits) has a lovely little monologue in the first episode to the general effect of “family is the people you choose, not the people chosen for you”, but his words are undermined by all the callbacks to the Skywalkers that serve only to pull focus from his and his wife’s contributions to the making of Princess Leia as we know her.

Kenobi‘s premise allows its writers to indulge in the kind of incessant namedrops and thinly-veiled references to other movies that quickly become cringeworthy than cute, but the blatant abuse of nostalgia works if the end-goal is to force viewers to look past the poor pacing, lackluster dialogue, and other technical and story issues. Forget that you just watched the same long, slow montage of Obi-Wan Kenobi taking the bus home from work and feeding his alien camel three times – there’s Temuera Morrison, cameoing as a clone trooper of the 501st! There’s that toy starship that Luke Skywalker played with in A New Hope exactly once, and it even has a completely unnecessary backstory now! That guy’s the Grand Inquisitor (Rupert Friend) from Star Wars: Rebels!

Now, to be fair, I was excited for the Grand Inquisitor – even after the trailers gave it away that his distinctive character design hadn’t made the jump from animation to live-action particularly well. I was certainly not expecting his character to be rendered incompetent and seemingly killed off near the end of the second episode, several years before the events of Rebels season one. Regardless of whether he’s dead or alive, however, one thing became clear to me in the moment that Reva (Moses Ingram) impaled him and left his body on the floor of a cargo-bay; Kenobi is probably not aimed at fans of Rebels.

Nor is it designed to appeal to fans of the sequel trilogy. If I had to guess, I’d say that Kenobi is a last-ditch effort by Lucasfilm to try and win back the people most likely to have disliked Rebels and outright despised the sequel trilogy – middle-aged men, particularly those with strong emotional attachments to the characters and settings from the original trilogy and prequel trilogy we’ve seen popping up on Disney+ in all the aforementioned dad-centric Star Wars shows. How much of that is Favreau’s obsession with recapturing the original trilogy’s aesthetics and Filoni’s desire to redeem the public image of the prequels as part of a commitment to George Lucas, and how much of that is Lucasfilm learning all the wrong lessons from the poor reception to the sequel trilogy? I wish I knew.

Favreau and Filoni’s fingerprints are all over Kenobi, although they weren’t involved in the show until surprisingly late in the writing process. Ironically, it’s been confirmed that they were enlisted to tweak the show’s scripts after noticing troubling similarities to The Mandalorian, which raises the question of how much of a blatant Mandalorian rip-off Kenobi must have been that even its revised version still plays out like a Mandalorian rip-off, hitting most of the same beats and falling into all the same traps. Filoni also took the opportunity to insert the Grand Inquisitor, one of his own original characters, into the script (which, come to think of it, might explain why the writers killed him off first chance they got). And of course, Kenobi director Deborah Chow is one of Favreau and Filoni’s recruits, having worked on The Mandalorian season one.

It’s truly unfortunate that Chow and her talented cast are burdened with a writer’s room at war with itself, because here and there are glimmers of what Kenobi could be if it only knew what it was trying to be, and how to get to that point swiftly and directly. In Obi-Wan Kenobi’s self-imposed exile on Tatooine, I see the potential for a raw and unflinching character study, something wholly unlike anything we’ve seen before in Star Wars. You want to throw Darth Vader in there too, explore Kenobi’s guilt over losing his closest friend – his brother – to the Dark Side and the toll of isolation on a mind already fractured by that kind of anguish, sure! I’d be down for that.

Or…we could do another show about a grumpy middle-aged guy and a small child working together to fight bad guys while running around the galaxy. That works too, I guess. It’s just…not the kind of Obi-Wan Kenobi story I would have expected to be set after his self-imposed exile on Tatooine, that’s all. It makes you wonder why Kenobi would go back to Tatooine after this is over if he realizes now that Leia is every bit as important as Luke and requires the same constant surveillance to ensure that someone doesn’t…I don’t know, kidnap her again. Not like the high-profile daughter of a senator publicly opposed to the Empire’s authoritarianism might be in constant danger or anything.

I can nitpick stupid stuff like that, but we’d be here all day and it wouldn’t get us anywhere because ultimately, my problem with Kenobi is just that I’m not feeling the decision to make it another single dad story in the style of The Mandalorian, but I can’t fully explain why, even to myself. I just know it’s not working for me yet and I’m getting a bit tired of the trope, but if you enjoy all these stories about single dads, or if you can relate to them on an emotional level, or if you just think single dads are attractive, more power to you.

I debated publishing this post because I hate to be critical of something that people seem to be having a fun time with, especially when my issues with it aren’t concrete, but hey, it happens sometimes. I don’t like everything that Marvel’s been putting out lately, either, and it’s caused me to stop writing as frequently about either franchise.

Oh, one last thing before I go. I want to make it abundantly clear that regardless of your opinions on Kenobi, you should be able to express those opinions without resorting to racism, sexism, and other forms of bullying….and if, for whatever reason, you feel like you can’t, then there’s a better than even chance that you are a racist, a sexist, and a bully. And I will not tolerate the harassment of the show’s actors, who are just doing their jobs and putting in good performances, I might add, so if you’re tempted to spew that nonsense in my comments section, I will delete your comments and block you expeditiously.

Episode Rating: 5.5/10

March 10, 2022

“Kenobi” 1st Teaser Trailer Takes The Hermit Hero On One Last Joyride

**SPOILERS FOR STAR WARS: REBELS AND JEDI: FALLEN ORDER AHEAD!**

An intergalactic manhunt is afoot in the first teaser trailer for Lucasfilm’s long-awaited Kenobi series, coming to Disney+ this May on the 45th anniversary of Obi-Wan Kenobi’s very first appearance in Star Wars: Episode IV: A New Hope (at the time just Star Wars). Kenobi himself is one of the two primary targets of this manhunt, but the series looks to be so broad in scope from the trailer alone that I wouldn’t be at all surprised if several other Jedi show up – hiding in various far-flung corners of the galaxy, but leaving in their wake a “trail of compassion” that corrupted Jedi named Inquisitors know how to follow to its source.

This teaser trailer, with its heavy focus on the characters around Kenobi and their actions, gives me the distinct feeling that Obi-Wan Kenobi isn’t the driving force behind most of the main events in this series, which doesn’t surprise me all that much. I mean, his name is in the title, so I have to assume he’s at least somewhat integral to the story Lucasfilm has chosen to tell through his unique viewpoint, but (a) they also marketed The Book Of Boba Fett as a Boba Fett show, and…that was a lie, and (b) it’s not like Kenobi is a character who can freely move around the galaxy the same way Din Djarin can in The Mandalorian.

I mean that literally (for Kenobi to leave Tatooine even briefly gives the Inquisitors so many opportunities to track him that it’s a risk he can surely only afford to take once or twice), but I also mean it in the sense that Kenobi’s place in the Star Wars canon is fixed, whereas Din Djarin’s is fluid. No matter what actions Kenobi takes, he will still need to end up back on Tatooine in hiding because…that’s where we meet him in A New Hope. Wherever his journey takes him, he’s tethered to Tatooine – as is the Star Wars franchise as a whole, but that’s a different conversation.

When the source material doesn’t provide a solution to this problem (and in this case there’s very little source material, and even less of it is still canon), the answer is always to create original characters who can move freely, and who aren’t quite as limited in what they can say or do. Kenobi gives us the Inquisitor Reva, seemingly an antagonist but one with her own point-of-view and a large role that transcends the action on Tatooine and at the Citadel Inquisitorius. That also puts her in a position where she could bridge the gap between Obi-Wan Kenobi and his nemesis Darth Vader without the two ever needing to interact onscreen.

I fear that the temptation to just go full fan-service will prove too strong for Star Wars to resist, and that Kenobi and Vader will actually clash in a lightsaber battle that might be epic to witness, but will be robbed of any stakes by the knowledge that both these characters walk away unscathed, physically and emotionally – because by the time of A New Hope, when Vader tells Kenobi that “when I left you, I was but the learner, now I am the master”, he’s explicitly referring to their duel in Revenge Of The Sith, and Kenobi doesn’t rebut that statement (well, he does, but only to tell Vader that he’s become a “master of evil”, not to remind him that they actually had some other duel the Sith lord has forgotten about).

So any fight scene inserted between the two films must ultimately make so little impact on the characters involved that they fail to even remember it a mere fifteen years later, which makes it unnecessary filler – worse than a retcon, as it literally adds nothing to their dynamic and would instead strip away a layer of what was already there. Don’t get me wrong, I’m always down for a lightsaber battle, but if Kenobi has to fight anyone, I’d prefer it to be Reva or another Inquisitor – perhaps even the Grand Inquisitor.

Set to make his live-action debut in Kenobi after first appearing in the animated series Star Wars: Rebels, the Grand Inquisitor was a Pau’an Jedi Knight who turned to the Dark Side and assisted Darth Vader in hunting Jedi during the twenty years between Revenge Of The Sith and A New Hope. He ultimately killed himself after failing to capture the Jedi Kanan Jarrus, deeming that Vader’s wrath would be worse than death, but Kenobi catches up with him at the height of his reign of terror.

As Rebels fans have been quick to point out, he looks a bit…different. Not worse, necessarily, just…different. His head is more round than it is elongated, which has led to a lot of (probably unfair) comparisons to the live-action Pau’ans who appeared in Revenge Of The Sith with elongated heads and looked more like the Grand Inquisitor than Kenobi‘s version of the character. But what’s important to remember is that those Pau’ans were side characters who never did any fighting. I’m not a stunt choreographer, but I have a sneaking suspicion that top-heavy Pau’an heads, much like Togruta tendrils, aren’t exactly conducive to jumping and twirling and stunts in general.

Ultimately, as long as the Grand Inquisitor is appropriately terrifying in live-action, that’s all that really matters. On the flip-side, Kenobi has an opportunity to flesh out the Grand Inquisitor’s character – and all the Inquisitors, for that matter – in a way that Rebels never did. The Jedi: Fallen Order video game franchise has done slightly more in that regard, even featuring a morally conflicted Inquisitor named Trilla Suduri, but we still know surprisingly little about these former Jedi who chose to devote themselves to the task of hunting and killing people who used to be their friends, mentors, and apprentices.

The Grand Inquisitor, for instance, was a Jedi Temple Guard who fell to the dark side after witnessing the Jedi Order’s harsh treatment of Ahsoka Tano during the Clone Wars. His real name, the name of his Jedi master, and all details regarding his training are a mystery. Rebels‘ Seventh Sister and Fifth Brother, the latter of whom will reappear in Kenobi, are even more enigmatic. But the fact that Reva even has a name attached to her character, a name that represents a tangible attachment to her past life (one she’s perhaps unwilling to sever?), gives me hope that, like Trilla Suduri, she’ll be a three-dimensional character in stark contrast to her uniform Brothers and Sisters.

Pulling the strings behind all the Inquisitors is the shadowy figure of Darth Vader, whose true identity is still a mystery at this point in the timeline – one to which audiences already know the answer, mind you, but watching characters in-universe come to the same realization on their own never fails to make me emotional. And if Ahsoka’s reaction when she found out was devastating, then the mixture of guilt, anger, and heartbreak that Obi-Wan Kenobi is sure to feel when he first hears of the reappearance of Darth Vader and starts connecting dots is going to be…a lot.

Interestingly, the question of when and how Kenobi discovered that Anakin Skywalker was still alive following the events of Revenge Of The Sith has never properly been answered – not by the current Star Wars canon, at least. That offers the Kenobi series at least one key plot-point around which to construct an early episode, leaving several more in which the character can grapple with the ramifications of his discovery and ultimately make up his mind to seek out Darth Vader, who at this point in the timeline is still the stuff of rumors; the full extent of his power having not yet been revealed to the galaxy.

I know everyone is gearing up for the rematch of the century between Kenobi and Vader, and I also know that the discourse around this show will be unbearable because the two characters will either never meet, leading a certain demographic of fans to complain that their demands aren’t being met and that Star Wars (but like, especially Kathleen Kennedy) hates the fans, or they will meet, and it will create a whole bunch of weird plot-holes, or they’ll fight in some kind of vision and fans will be split down the middle on whether they’re satisfied by it. It’s gonna be a mess regardless.

But hey, I love a good mess. And frankly, without Jon Favreau attached in any capacity, I actually have higher hopes for Kenobi than for most of Lucasfilm’s other Disney+ series’, which have recently begun to suffer from their monotonous stylistic consistency and obsession with Tatooine, as evidenced by The Book Of Boba Fett‘s failure to hold audiences’ interest (including mine). Kenobi, ironically, is the one series that arguably ought to stick to a Tatooine setting but is instead choosing to take its famously cloistered protagonist on one last spin around the galaxy – and we’ll just have to wait and see whether this approach pays off.

Trailer Review: 8/10

December 12, 2020

Ahsoka Among 9 New Star Wars Series Titles Revealed!

Lucasfilm had plenty of new Star Wars content to offer fans at the Disney Investors Meeting on Thursday evening, including multiple series heading straight to the Disney+ streaming service: one returning favorite (the third season of The Mandalorian, which will drop near the end of 2021), and nine new titles. As has long been reported, characters like Ahsoka Tano, Obi-Wan Kenobi, and Lando Calrissian will each be getting their own spinoffs, although there were several big surprises among the new reveals – and a few notable absences. Star Wars also seems to be setting up a mysterious (but presumably massive) crossover event between some of these upcoming series.

First up we have Kenobi, which will follow the titular Jedi Master during his time in exile on Tatooine. A beautiful new, desert-inspired logo for the series was unveiled, and a sizzle reel was played for Disney investors but hidden from general audiences. But what captured the internet’s attention was the reveal that prequel trilogy star Hayden Christensen will be reprising the role of Anakin Skywalker/Darth Vader in the series. How this will work is currently unclear: between Revenge Of The Sith and A New Hope, Kenobi and Vader never had any interaction with each other – but Lucasfilm president Kathleen Kennedy promised fans that the Jedi and Sith will take another crack at each other, in the “rematch of the century”. My theory is that some sort of Force projection or vision will make this possible, but who knows? This is Star Wars: canon has been rewritten countless times before.

Ahsoka, based on the adventures of former Jedi Knight Ahsoka Tano, will presumably follow Rosario Dawson’s version of the fan-favorite character after her brief appearance in The Mandalorian‘s second season. The title logo, which features a star-chart similar to the map of the World Between Worlds, seems to indicate a connection to the Star Wars: Rebels animated series, where the World Between Worlds first debuted. This probably means that Ahsoka will travel through the World Between Worlds on her journey, and she’ll likely team up with Rebels heroine Sabine Wren on her quest to locate the long-lost Jedi Ezra Bridger (fingers crossed Rahul Kohli plays him in live-action) and Grand Admiral Thrawn.

Rangers Of The New Republic is a bit more vague. Jon Favreau and Dave Filoni, the creatives behind The Mandalorian and Ahsoka, will work on this series too – its existence probably explains the reason why New Republic characters have been popping up frequently throughout The Mandalorian: particularly X-Wing pilot Carson Teva, played by Kim’s Convenience‘s Paul Sun-Hyung Lee. Unfortunately, New Republic marshal Cara Dune will likely also return, putting bigot and anti-masker Gina Carano in a lead role in Star Wars. This is among the series’ I’m least excited for (partially because of Carano, partially because the New Republic is pretty uninteresting to me; especially without Carrie Fisher around to reprise the role of Leia Organa), but it’s apparently one of three that will lead into a massive crossover event including characters from The Mandalorian and Ahsoka. I expect this crossover to focus on the return of Grand Admiral Thrawn and Ezra Bridger; the final showdown between Din Djarin and Moff Gideon; and the rise of the First Order. Strangely, a Boba Fett series rumored to be in the works was not included among the new title reveals.

Lando has the potential to be a great series, thanks to the involvement of Dear White People‘s Justin Simien. Little else is known, and the sizzle reel played for investors was hidden from general audiences: but there’s a possibility that both Billy Dee Williams and Donald Glover will reprise the role. The colorful logo for the series and the party music played during the sizzle reel interval hopefully reflects the show’s playful, groovy bent – I’d gladly take a break from Star Wars‘ doom, gloom, and darkness, if it means exploring the glittery upper echelon of galactic society. Explicit confirmation of Lando’s pansexuality (teased by the Solo writers prior to the film’s release, without payoff) would also be nice.

One of the few Star Wars series’ to reveal new footage at the presentation, Andor will explore the backstory of Rogue One antihero Cassian Andor, as a fighter and secret agent for the young Rebellion. Spanning twelve episodes and featuring a cast of over two-hundred named characters (!), the series also stars Adria Arjona, Stellan Skarsgård, Fiona Shaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly, who will reprise her role as Rebel leader Mon Mothma. For Star Wars: Rebels fans who were let down by the lack of a Rebels animated sequel series announcement, Andor is a must-watch: I thoroughly expect some characters from the animated series to pop up in live-action, with General Hera Syndulla being the most likely candidate in my opinion. This series will drop in 2022.

An animated series titled The Bad Batch will premiere next year – a trailer dropped, which I reviewed yesterday. The only other animated series revealed was one simply titled Visions, which will explore new corners of the Star Wars galaxy through the perspective of anime – and produced with the help of some of Japan’s leading anime studios. This seems likely to be an anthology of standalone episodes, much like another newly revealed Disney+ project which is being called an animated series by most outlets: A Droid Story, which will star C-3PO, R2-D2, and a new droid character.

The Acolyte | comicbook.com

Finally (and most excitingly, to my mind), we have The Acolyte, an original series from Leslye Headland, one of the visionaries behind Netflix’s brilliant dark psychological comedy, Russian Doll. The Acolyte is set further back in Star Wars‘ timeline than any existing live-action property, during the mysterious era known as the High Republic: which will be further explored in a series of novels and comic books set to release next year. Said to be female-led and featuring martial arts elements, The Acolyte focuses on the Dark Side of the Force, and sounds like it might be our most in-depth look yet at the hierarchy of the Sith, and their heyday. The logo – with a prominent lightsaber gouge slashing the title – also hints at something very new, unique, and cool.

So what are you most excited for? The Acolyte is my most-anticipated Star Wars series, but maybe you’re more interested in Ahsoka, or Lando…or A Droid Story? Share your own thoughts, theories, and opinions, in the comments below!

May 1, 2020May 1, 2020

“The Clone Wars”: Season 7, Episode 11 Review!

**SPOILERS FOR THE CLONE WARS AHEAD**

In its penultimate episode, The Clone Wars ties back into the events of the main Star Wars films in a way that could almost have felt jarring under worse direction – but with all the ingenuity and creative thinking that has made the series beloved by fans, this episode, fittingly titled Shattered, actually finds very clever ways to keep us, the audience, firmly invested in the stories of the series’ original characters while also throwing them into the midst of one of the films’ most memorable sequences: the brutal execution of Order 66.

All through the episode’s opening minutes, the haunting score keeps us on edge, waiting for that moment when millions of clone troopers all around the galaxy – clone troopers who, through the series’ run, we’ve come to love for their individuality – will simultaneously become mindless servants of Chancellor Palpatine (voiced here by Ian McDiarmid, using dialogue from Revenge Of The Sith) and turn on the Jedi Order with guns blazing, bringing the Clone Wars to an abrupt, violent end. After last week’s episode, where Darth Maul (Sam Witwer) was captured by the forces of former Jedi commander Ahsoka Tano (Ashley Eckstein), one would expect a triumphant, victorious atmosphere – but there’s little joy or comfort to be found on the planet Mandalore as new leader Bo-Katan (Katee Sackhoff) turns her attention to the grim task of rebuilding her peoples’ society from the ground up, and Ahsoka prepares to bring Darth Maul into the custody of the Jedi on Coruscant, while still weighing in her mind the Sith Lord’s terrible prophecies.

As I suspected, the Jedi Purge is set into motion during Ahsoka’s journey through hyperspace, moments after she has a telepathic Force vision of Anakin Skywalker‘s (partially voiced by Matt Lanter, partially using Hayden Christensen’s dialogue) turn to the Dark Side and the violent death of Jedi Master Mace Windu (voiced by TC Carson, with some dialogue by Samuel L. Jackson) during his fight with Palpatine in the Chancellor’s offices. Thankfully, The Clone Wars‘ method of showing the Purge doesn’t involve actually reenacting any of the notable Jedi deaths from Revenge Of The Sith through another devastating montage – instead, we witness the whole event through Ahsoka’s eyes, as her entire crew begins firing on her without warning, forcing her to make a daring escape. Despite the fact that, earlier in the episode, Mace Windu insists on calling Ahsoka a “citizen” rather than a Jedi and other members of the Order seem to subtly demean her for her choice to become a neutral rogue, it appears that Palpatine wasn’t willing to make an exception for the padawan whose banishment he had partially orchestrated.

Ahsoka isn’t completely alone in the episode, however: during the initial attack, she can easily see that her long-time friend Captain Rex (voiced, like all clones, by Dee Bradley Baker) has tears streaming down his face as he pulls the trigger on her with shaking fingers – meaning that, despite how effective Palpatine’s brainwashing has been, there’s still hope for any clone who can successfully remove the inhibitor chip planted inside their brain. When she unearths sealed documents and testimonies from Rex, she also stumbles upon evidence regarding the mysterious cases of Fives, who, in the series’ sixth season, discovered the plot to exterminate the Jedi far too early and was personally tortured by Palpatine to the point of madness. It’s a harsh reminder of another of The Clone Wars‘ most powerful, emotional story arcs, but a beautifully fitting way to give Fives the justice he deserves, even if it is a little too late to save most of the Jedi. The main thrust of the narrative in this episode follows Ahsoka as she tries to corner Rex and get him into the medical bay, with the intention of removing the inhibitor and freeing him.

Another character she has to free is Darth Maul himself, whom she actually saves from execution – somewhere along the line, Palpatine must have added Maul’s name to his long hit-list. Maul, even without the aid of his classic lightsaber, is still able to give Ahsoka the distraction she needs, keeping the clone troopers busy with his savage fighting techniques: he beheads people, he slices people in half, he even uses the Force to cut one man’s arm off in an automatic door. As of the end of the episode, we don’t know where he is now or what he plans to do once the ship is cleared of hostiles – will he and Ahsoka have to make a deal in the series’ final episode? Will he have already escaped by the time she and Rex are free? We have no clue, yet. But, since one of the unexpected joys of this season has been watching Ahsoka and Darth Maul put aside their differences to fight a common enemy, I really hope they get at least one final encounter.

There are a bunch of notable moments from this episode. Ahsoka and Master Yoda (Tom Kane) have their last conversation ever, via hologram: both are reluctant to say too much to the other, unfortunately, which makes their dialogue far sadder – neither one gets to say all the things that should have been said in that moment. Ahsoka also chooses to withhold the information Maul gave her last week regarding Anakin and his pull to the Dark Side: information which would definitely have been helpful just a few minutes later. There’s a cute scene where Ahsoka recruits her starship’s team of maintenance droids for help – which provides some organic cheerfulness in an otherwise dark and ominous story. The episode ends with Ahsoka connecting to Rex through the Force and locating his inhibitor chip – something which causes Rex to see through his brainwashing, convincing him to help Ahsoka. But, judging by the huge army of clones currently trying to break down the medical bay doors, I suspect the duo will need help if they’re going to escape from the starship: which is also, if I’m not mistaken, still on its way to Coruscant, the new heart of the Galactic Empire and Palpatine’s reign of terror.

All in all, it’s been an emotional journey, and I’m excited (though also sad) that we’ll get to finish it on May the 4th, when the series finale premieres. In the meantime, we have the whole weekend to cry over the thousands of dead Jedi now littering the Star Wars galaxy, the uncertain fate of Ahsoka Tano, and the fall of Anakin Skywalker. Like most Star Wars stories, The Clone Wars seems destined to end in bittersweet tragedy – but I’ve had a great time getting here. We’ve traveled from one corner of the universe to the other alongside Ahsoka, Rex, and the gang, and I’m glad we’ll at least get the chance to properly say goodbye to them as well.

Episode Rating: 9/10