Although I initially had my reservations about Netflix’s fast-paced attempts to expand a single season of The Witcher into a multi-medium franchise with prequels and spinoffs before the second season had even started filming (in fact, it still hasn’t wrapped), I have since changed my mind for two reasons. Firstly, because The Witcher has proven to be my go-to rewatchable comfort show during quarantine, and I’ve plunged deeper into the grimdark fantasy’s extensive lore (both book-canon and video game-canon, mind you) with each successive rewatch. I appreciate the series more now than ever before, and I’m itching to return to The Continent and explore more of its monster-infested forests, bogs, and mountains.
Secondly, because Jodie Turner-Smith joining The Witcher‘s prequel spinoff in a lead role is the kind of casting that immediately sets this prequel, titled Blood Origin, apart from a crowd of fantasy stories that will soon flood every streaming service imaginable. Turner-Smith’s filmography is still relatively sparse, but her breakout role in 2019’s Queen & Slim is finally paying off – with Turner-Smith having just recently landed the role of Tudor queen Anne Boleyn in a psychological drama based on her life and execution, and now joining Netflix’s Blood Origin in a lead role that has the potential to elevate her to a whole new level of success.
From the brief description we’ve been given by Deadline, Turner-Smith’s role already sounds intriguing – she will play a character named Éile, “an elite warrior blessed with the voice of a goddess, who has left her clan and position as Queen’s guardian to follow her heart as a nomadic musician.” But “A grand reckoning on the continent will force her to return to the way of the blade in her quest for vengeance and redemption”. What Deadline doesn’t note is that The Illuminerdi broke exclusive details about the casting call for Éile’s character back in November, which additionally confirm that she comes “from a Clan of Elves that use knives as their primary weapon”. At the time, Netflix was interested in actresses with a history of dance and stunt work, suggesting that Jodie Turner-Smith’s part will be strongly action-oriented.
Black heroines in the fantasy genre are rare, but Black action heroines (in any genre) are rarer still. The Witcher has thus far mostly excelled at portraying complex women with a variety of strengths and weaknesses, from endearingly brutish queens like Calinthe to politically-savvy sorceresses like Yennefer. The exceptions to the rule, unfortunately, were characters like Eithné and Fringilla Vigo, both Black women, and both suffering from cardboard-thin characterizations. Fringilla in particular deserved better writing. Her pivotal part in the season finale should have been thrilling, but ultimately disappointed because she wasn’t morally complex enough to sympathize with, nor evil enough to actually hate. With Éile having to balance being a heaven-sent singer and a knife-wielding warrior, I imagine her character will be far more compelling.
Blood Origin will follow her journey during or shortly after The Conjunction Of The Spheres, an era of chaos in The Continent’s prehistory, when worlds and dimensions collided violently, scattering their inhabitants far and wide. With Humans and Elves forced to live in close proximity with an assortment of abhorrent monsters and bloodthirsty demons, powerful sorcerers began construction on the first Witchers – elite mutant assassins capable of hunting and killing the great beasts roaming in the wilderness. Blood Origin was originally believed to follow the first Witcher’s journey (and rumors swirled that he would be played by Jason Momoa), but I hope for Jodie Turner-Smith’s sake that she’s either the actual protagonist, or at least doesn’t get overshadowed in her role.
But what do you think of Jodie Turner-Smith’s casting? And tell me, honestly, how many times have you rewatched The Witcher during quarantine? Share your own thoughts, theories, and opinions, in the comments below!