From Winter Soldier To WandaVision: Wanda’s MCU Journey.

I don’t usually write recaps. I mean, in some ways, all movie and TV reviews are just overly-detailed recaps embellished with a lot of flowery prose, but this is still pretty new ground for me. But it’s 2021, WandaVision is on its way to Disney+ in less than two weeks (!), and it’s time to try my hand at writing a comprehensive recap of Wanda Maximoff’s journey in the Marvel Cinematic Universe thus far. The timing of this post is in no way meant to deliberately precede the official Marvel recap that is set to be released shortly before the series premiere…okay, well, maybe it is: but only a little (ask yourself honestly, who would you trust to give you the most detailed information on Wanda Maximoff? The studio responsible with actually overseeing her character arc, or me?).

WandaVision
WandaVision | deadline.com

The purpose of any good recap is to muster up more hype (as if we could be any more hyped for WandaVision at this point), and to help give audiences – particularly newcomers to any given franchise – an idea of what’s come before, and what to expect. But I’ve realized that a good recap can also be helpful to me as a reviewer, because its existence means I don’t have to put as much exposition and background information into my actual reviews: I can jump straight into the action, while simply linking back to this recap. And now that we’re all up to speed, let’s get into it, shall we?

Wanda Maximoff’s MCU journey began in 2013, in the post-credits scene to Captain America: The Winter Soldier, where she and her twin brother Pietro Maximoff first appeared as haggard, world-weary lab experiments trapped in a frigid Eastern European fortress under the supervision of Baron Von Strucker, a nefarious scientist working with the covert Neo-Nazi organization, HYDRA. Von Strucker and HYDRA are largely unimportant to the story of the Maximoff twins except insofar as they allowed the twins access to the Mind Stone, one of the six Infinity Stones that preserve the integrity of the universe itself, as part of a larger attempt to use the Stone’s power to artificially enhance human beings into superhuman killing machines. What exactly happened during this series of experiments is still unknown: but by the time they left Von Strucker’s fortress, Pietro had super-speed, and Wanda was a dangerously unpredictable sorceress equipped with telekinesis, telepathy, and reality-altering magic. The fact that these aren’t powers one would typically associate with the Mind Stone’s sphere of influence, and the fact that Pietro and Wanda are two of the most notable mutants in the pages of Marvel Comics, has always suggested to fans that there’s something more going on here than Marvel has yet revealed.

This wouldn’t surprise me: even if the MCU wanted to retroactively confirm that Wanda and Pietro are both mutants (and I think they very much want to), they couldn’t have done so until just recently, when Disney bought out 20th Century Fox and thus obtained the rights to the Marvel mutants and Fantastic Four. Mutants are characters born with latent superhuman abilities that typically manifest themselves at the onset of puberty, with catastrophic results. In the comics, Wanda and Pietro are not only prominent mutants, but the children of telekinetic mutant terrorist Erik Lensherr, a.k.a. Magneto, one of the most famous comic-book villains of all time. But what about MCU Wanda and Pietro? The MCU has conveniently left the twins’ backstory vague: their parents supposedly died during a period of civil unrest in their hometown of Sokovia, but we don’t know that for sure, and we still don’t know their parents’ names. Additionally, it appears that Wanda and Pietro were the only test subjects who survived being exposed to the Mind Stone’s raw power: something that immediately suggests they at least had superhuman levels of endurance prior to the experiment. A recent Marvel tie-in book hinted that Wanda’s powers were “unlocked” by the Mind Stone. And footage from the recent WandaVision trailer shows a possible flashback to Wanda’s first encounter with the Stone, so I believe we’ll finally get a conclusive answer to this question that has long divided the fandom.

By 2014, Wanda and Pietro were strong enough to take on the Avengers during the siege of Sokovia. While Pietro wasted his time running rings around Hawkeye of all people, Wanda confronted Tony Stark himself and sent him into a prophetic trance: a neat trick, and one with major consequences – as Tony saw visions of his friends slaughtered by aliens, and became so obsessed with the idea of building “a suit of armor around the world” that he took the Mind Stone and implanted it into a weaponized supercomputer he named Ultron. The Mind Stone caused Ultron to come to life and quickly grow hostile towards his maker, irrationally arriving at the conclusion that to protect the human race, he had to…wipe them out with a meteor. Ultron brought the newly liberated Maximoff twins under his wing, while designing a humanoid synthetic body for himself – which the Avengers stole from him and into which they implanted Tony Stark’s A.I. personal assistant J.A.R.V.I.S., before using the Mind Stone to bring their creation to life. Thus, Vision was born: and his ability to live inextricably tied up with the Mind Stone, and its fate.

WandaVision
Wanda and Vision – WandaVision | uproxx.com

Wanda and Pietro betrayed Ultron during the second battle of Sokovia, in which Ultron tried to uproot the city from the planet’s surface and use it as his meteor. Pietro, sadly, was killed while protecting Sokovian citizens, and Wanda – sensing his death from afar – unleashed a tidal wave of chaos magic that tore through Ultron’s robot army: saving the day at a terrible personal cost. She herself killed Ultron, tearing out his heart and crumpling it into a tiny ball of shrapnel, just to give him some idea of how she’d felt. It was Vision, however, who put an end to the robot once and for all, laser-beaming him out of existence. Both Wanda and Vision officially joined the Avengers team soon afterwards, and started developing feelings for each other.

When Captain America: Civil War rolled around in 2016, Wanda had dropped her vaguely Eastern European accent and acclimated to life as an Avenger. But not enough, apparently, to know that telekinetically flinging a suicide-bomber into the side of an office building maybe isn’t a great idea. Her actions proved to be the catalyst of civil war, quickly dividing the Avengers into two camps: those led by Tony Stark, who believed that superheroes needed to be regulated to minimize civilian casualties, and those led by Steve Rogers, who believed such regulation would only introduce more risks. Wanda, still traumatized by what she had done and viewed as emotionally unstable, was forced to stay back at headquarters under Vision’s surveillance. The two bonded over their foodie interests, but it wasn’t long before Wanda realized she was being confined and escaped with the help of Hawkeye, battling Vision on her way out.

The film’s third act pitted Wanda and Vision against each other again, but this time Wanda was ultimately arrested and taken to The Raft, a maximum-security submarine prison. From the time Steve Rogers arrived to break her out at the end of the film, to the time we reunited with her and Vision in Avengers: Infinity War, her life is a blur. On the run from most of the world’s governments and still regarded as one of the most dangerous Avengers, she went undercover, made up with Vision, and eloped with him to Glasgow, Scotland, where the two were still enjoying their honeymoon phase when Thanos’ minions arrived to kill them both. She (or possibly Vision himself: it’s hard to say) also discovered a way to disguise the android as a human being, a technique that will be reused for WandaVision, where the duo must pass for an average suburban couple.

But even as they were enjoying their romantic getaway, Thanos was assembling his Infinity Gauntlet, which required all six Infinity Stones to achieve full power. The Mad Titan dispatched his Black Order to retrieve the two Stones that remained on earth: one of which, the Mind Stone, was still embedded in Vision’s skull. Although the Black Order’s efforts were initially repelled, Wanda and the Avengers were forced to head to Wakanda to find scientists capable of separating the Mind Stone from Vision and destroying it without killing Vision in the process. It was hinted that this would have been possible, and Princess Shuri was already well underway with the process when the Black Order attacked again, but we may never know for sure unless this subject is brought up in WandaVision. Vision fled from Shuri’s lab with the Black Order in pursuit before the operation was complete, by this point realizing that the only way to render the Mind Stone unusable by Thanos was to have Wanda herself destroy it – and in so doing, Vision. The most heartbreaking scene in the film saw Wanda holding back Thanos with one hand while using the other to unmake the Mind Stone, all while staring into Vision’s eyes, never once losing sight of the man she loved. She was successful; Vision’s head exploded in a burst of light; and for a moment, audiences could breath a sigh of relief, assured that Thanos’ defeat was imminent.

But Thanos had already recovered the Time Stone from Doctor Strange, millions of light years away. He used that Stone’s powers to resurrect Vision, giving the android a few more moments to live before brutally ripping the Mind Stone out of his forehead, killing him again. Wanda’s pain at losing her lover twice in a span of seconds, at her sacrifice being all in vain, must have been devastating: it’s easy to understand why, when Thanos completed his Gauntlet and snapped his fingers, killing half of all living creatures including Wanda herself, she embraced death willingly.

But five years later, when Bruce Banner used a reconstructed version of the Gauntlet to snap half of all life back into existence, Wanda was one of those most eager to exact her vengeance on Thanos. Out of Avengers: Endgame‘s many highlights, the vicious duel between Wanda and Thanos stands out to me because of how deeply personal it is for Wanda – and because of how satisfying it is to see her go absolutely wild in that moment, caring nothing for mercy, controlled only by bloodlust. In a universe where many heroes are driven by some moral code, Wanda is refreshing in that she doesn’t have any code. She’s witnessed too much pain and human failure to believe in the unconquerable power of good. So when she singles out Thanos, she doesn’t waste a moment trying to rip him limb from limb: and she nearly succeeds, though Thanos is eventually able to catch her off-guard with a barrage of missiles.

WandaVision
Wanda Maximoff | io9.gizmodo.com

With her part in the battle complete, Wanda quietly disappeared under the radar. Last time we saw her, she was one of many heroes in attendance at Tony Stark’s funeral, and had a brief but touching conversation with Hawkeye on the subject of grief and memory. She seemed to be at peace: but we know from the WandaVision trailers that in the aftermath of Endgame she will be lured into an alternate reality where she and Vision are able to live happily ever after, with a house, friendly neighbors, and twins of their own. Modeled off the classic American sitcoms from which Wanda learned English, this utopian dreamscape is being manipulated by dark supernatural forces, and infiltrated from the real world by S.W.O.R.D. agents trying to rescue Wanda.

Has my recap been helpful? And what are you most excited for in WandaVision? Share your own thoughts, theories, and opinions, in the comments below!

New Details About “Loki”!

Disney’s upcoming streaming platform/Netflix competitor Disney Plus is set to debut in November, with a whole bunch of old and original content: a Lady & The Tramp remake with music by Janelle MonĂ¡e, a Toy Story spinoff based on the adventures of Little Bo Peep, a Frozen 2 documentary, and a National Geographic show hosted by Jeff Goldblum (which actually sounds really interesting). Of course, a treasure-trove of original Marvel content is expected to premiere on Disney Plus as well, including three six-episode miniseries: starring Falcon and the Winter Soldier, Wanda Maximoff and Vision, and Loki – and quite inventively titled Falcon & The Winter Soldier, WandaVision, and Loki, respectively. These three shows will likely be joined by an as yet unconfirmed Hawkeye show.

While filming for WandaVision is set to begin in the fall, plot details about these shows have been scarce: aside from some “plot leaks” that may or may not be true. Today, however, Avengers: Endgame directors Joe and Anthony Russo revealed something about the Loki show that might give us a clearer idea of what to expect.

Spoilers for Avengers: Endgame ahead!

New Details About "Loki"! 1
movieweb.com

If you recall, when the Avengers went back in time to the Battle of New York in an attempt to capture the Mind, Space and Time Stones, they almost succeeded, but not quite. Captain America was able to wrest the Mind Stone from…Captain America, and Bruce Banner convinced the Ancient One to give up the Time Stone under the condition that the Stones would be returned to their proper timelines after the Avengers had used them – but Iron Man and Ant-Man had a lot more difficulty on their end.

Their mission was to intercept the past versions of Iron Man and Thor as the two Avengers victoriously escorted their prisoner Loki and the Space Stone into S.H.I.E.L.D custody – unfortunately for the present versions of Iron Man and Ant-Man, their attempt to send past Iron Man into cardiac arrest, causing a distraction, failed massively: the Incredible Hulk smashed into present Iron Man accidentally, sending Tony and the Space Stone flying across the room – and the Space Stone came to rest right at Loki’s feet. The trickster god being the trickster god, he wasted no time grabbing the Stone and teleporting himself away from his current predicament – and that is where his story in Avengers: Endgame ends, but apparently it’s just the beginning for Loki.

At the end of Endgame, Captain America is the hero who decides to go back in time once more in order to return all the Infinity Stones to their correct timelines: how he does this is not explained, but we know that Cap did his job and then decided to take some extra time off so he could spend an entire lifetime with Peggy Carter, the woman he loved in the 1940’s. This raises a whole bunch of timeline-questions and conundrums, but none of them are relevant to the topic of Loki.

According to the Russo Brothers, Peggy Carter wasn’t the only thing that distracted Cap from his mission: apparently he also felt it was his responsibility to track down the escaped Loki in that alternate timeline and follow him across the vast expanses of space – the timeline-questions and conundrums that this raises are most definitely relevant.

For instance, does this mean Loki and a younger version of Cap are still out there somewhere? We know from the Spider-man: Far From Home trailers that holes can open in between dimensions, allowing people from one reality to enter another: so could Loki and Cap abruptly appear out of nowhere in the present day MCU? If not, then what is the point of a Loki show if we know from the outset that Loki will be captured by Cap and all the things he does in the show will simply be undone? If alternate Loki shows up in the present timeline, would he still have the Space Stone? – it wouldn’t be surprising: the Space Stone, or Tesseract, has always been a key element in MCU movies, including Captain America: The First Avenger. Cap is no stranger to the Space Stone’s powers – maybe in order to track down Loki, he has to go back to his 1945 duel with the Red Skull, to take the Space Stone from him…but then where does Red Skull go, and what ramifications could that have for the events of Vormir, and the death of Black Widow? You see, time travel and reality-hopping are pretty complex ideas, and in a six-episode miniseries how much can you really do to explain them?

Does this also mean that the earlier rumors that Loki would depict the god traveling through time, influencing historical events, are untrue? As far as we know, the Space Stone does not have the ability to send the user through time. Which is kind of disappointing, because those rumors sounded awesome. Loki on the run from Captain America does sounds pretty intriguing, especially if it opens the door for Loki eventually returning to the MCU – considering how lame his Infinity War death was, for such a cunning character. It might give us a glimpse at planets and galaxies on the far side of the universe, and it just might explain once and for all why the Space Stone is so vitally important. The Russos did not say whether Tom Hiddleston and Chris Evans would reprise the roles of Loki and Captain America, but it seems likely at this point.

“Avengers: Endgame” Spoilers! Everything That Happened!

Well, this is going to be much easier to write than my non-spoiler review! Avengers: Endgame has so many twists, surprises, reveals and gasp-out-loud moments that it’s simply impossible not to talk about. So you, casual reader, have been warned! If you haven’t seen the movie yet – stop reading, leave, go see Avengers: Endgame and then come back.

So we’re just going to talk about the general plot, which has been, of course, a closely-guarded secret: I’ll probably have many other theories and interesting bits of news to share as more details about the movie come out, but for right now I think I should do my best just to explain everything that happened. It’s a very complex movie!

Endgame opens on the day of Thanos’ infamous Snap, with Hawkeye (Jeremy Renner) forced to witness his entire family get turned to dust, along with half of the world’s population. Then, the movie leaves him there, heartbroken and confused, so it can return to the really important stuff.

Did that sound unnaturally harsh to Hawkeye? Yes, intentionally so. He wasn’t my favorite character in this film, I can tell you.

So anyway, then we continue on, shortly after the events of Avengers: Infinity War, with Tony Stark (Robert Downey Jr) and the murderous blue assassin Nebula (Karen Gillan) both stranded in space, getting along pretty well. Within a few minutes, they are rescued by Captain Marvel (Brie Larson) who carries their spaceship to earth, where Tony is reunited with Pepper Potts (Gwyneth Paltrow). Together, the remaining Avengers put together their master plan to defeat Thanos and resurrect the Vanished. Everything goes smoothly: they quickly figure out where Thanos is hiding, on a planet called The Garden. Energy signatures suggest that Thanos has in fact used the Infinity Stones he collected in Infinity War again, but no one knows why. Therefore, the Avengers head off into outer space to find and defeat Thanos once and for all.

They find him on The Garden, an undefended paradise planet where the Mad Titan has taken up gardening and cooking as his chief hobbies. The Avengers blow up his house and hold him captive, demanding to know where the Infinity Stones are. The maimed and injured Thanos informs them that he destroyed the Stones not long ago, to prevent any chance of ever undoing the Snap. (This raises some important questions, such as: how does the universe survive without these apparently crucial elements of its existence?, but these questions aren’t answered).

Horrified by this answer, Thor (Chris Hemsworth) promptly beheads the Titan and leaves the house, striding away in silhouette.

This, of course, all happens in the first act of the movie, and then the screen fades to black, and the ominous words FIVE YEARS LATER slowly appear. That’s right, the rumors of a huge time gap between Infinity War and Endgame were correct: five years of grief and despair set in on the planet Earth, splitting up the Avengers once again and causing some bizarre stuff to happen. Bruce Banner (Mark Ruffalo) rather randomly merges himself with the Hulk, combining his brains and the Hulk’s brawn to create Professor Hulk, a somewhat unusual character who might have needed just a little more CGI magic; Thor gains weight and becomes an alcoholic living in a fishing village in Norway with the last refugees of Asgard – including Valkyrie (Tessa Thompson), who unfortunately has far too little to do in this movie, and Korg (voiced by Taika Waititi), who has even less to do. Conveniently, it’s never once explained how either of these characters got off the besieged spacecraft where we last saw them in Thor: Ragnarok, or how they got to Earth. Hawkeye gets a mohawk and tattoos, and decides to pursue a life of crime in the streets of Tokyo under the name of Ronin. This is honestly so irrelevant, but it’s worth mentioning because…scratch that, it’s just irrelevant. Captain Marvel heads off into space for unknown reasons. Tony Stark gets married to Pepper and has a daughter named Morgan, and the whole family settles down somewhere by a lake. Captain America (Chris Evans) joins a therapy group, which also happens to be attended by Joe Russo, Avengers: Endgame director, who makes a cameo here as a man struggling to find love in this bleak and hopeless world.

And at this moment, when all seems lost, Ant-Man (Paul Rudd) shows up, saved by a stray rat. Having been trapped in the Quantum Realm for five years, Ant-Man knows nothing about Thanos, the Infinity Stones, the Snap – or the fate of his own daughter, Cassie. She turns out to be alive, in fact, but she’s now a teenager, nothing like the chirpy child that Ant-Man last knew in Ant-Man And The Wasp. His reunion with Cassie is one of the movie’s first truly emotional scenes, and sets the stage for what’s about to go down. He arrives at Avengers HQ with a new hope for the future: time travel is possible, but only by using the power of the Quantum Realm. His message revitalizes the Avengers in their darkest hour, and Captain America and Black Widow (Scarlett Johansson) start rounding up all their friends, seeking to reverse the Snap by going into the past and getting each of the Infinity Stones before Thanos.

Naturally, things don’t go exactly as planned. Tony Stark and Captain America don’t ever fully forgive each other for the Civil War they caused, which is one of the great tragedies of Endgame: Stark is unwilling to go back and reverse the Snap because he doesn’t want to lose everything he has now; his wife and daughter. Black Widow goes to Tokyo to find Hawkeye (or Ronin, or Irrelevant, or whatever you want to call him), and enlists him, while Professor Hulk manages to stir Thor from his drunken stupor in Norway long enough to get him back to Avengers HQ.

At this point in the movie, things are looking pretty terrifying: literally, as well as figuratively – Hawkeye looks awful in a mohawk, and Thor is not exactly the tall and muscular Norse God he once was. Tony’s hair is graying, and Black Widow’s hair is so many colors I’ve lost count.

But finally, after much trial and error (and Ant-Man getting turned into a baby, and some brief discussion about murdering a baby), the plan is ready to go. It’s best to just ignore how the time travel in this movie works – something about how changing an event in the past doesn’t actually change the future, but instead causes an alternate reality, which is itself dangerous, but not as dangerous as, say, accidentally murdering yourself in the past (a real concern of Nebula’s, as it turns out).

Tony Stark, Captain America, Professor Hulk and Ant-Man travel back to the Battle of New York, a crucial event in the first Avengers movie, in search of the Space Stone, Mind Stone and Time Stone. War Machine and Nebula (a bizarre pair, but rather endearing) set off to the planet Morag, where, in Guardians of the Galaxy, the Power Stone was once located. Thor and Rocket Raccoon hunt for Jane Foster (Natalie Portman), who was possessed by the Reality Stone in Thor: The Dark World. And Hawkeye and Black Widow are sent by Nebula to the planet Vormir to find and win the Soul Stone.

I’ve already mentioned Portman, but it’s incredible how many actors and actresses have reprized roles from previous Marvel movies: Robert Redford shows up as the HYDRA operative Alexander Pierce from Captain America: The Winter Soldier; Frank Grillo is Crossbones once more, and has a truly fantastic encounter with his future enemy Captain America in an elevator very much like the one where, in Winter Soldier, he and his cronies beat up the Captain during the HYDRA takeover of S.H.I.E.L.D. This time, however, Cap is able to escape by whispering the password “Hail Hydra”, in a clever nod to the previous movies. Tilda Swinton puts on her saffron robes and bald-cap once more to play the Ancient One, who died in Doctor Strange, but is still keeper of the Time Stone during the Battle of New York, and has a great conversation with Bruce Banner before relinquishing the Stone, entrusting him with a promise to return all the Infinity Stones to the exact time and place they were taken from after they’re used to reverse the snap – didn’t I say, just ignore the time travel science? Rene Russo also appears as Thor’s dead mother Frigga, and is able to impart some wisdom to her misguided son (including, but not limited to, “eat a salad”). Their appearances here are brilliant nostalgic callbacks to the First and Second Phases of the MCU. And you never get the sense that they’re just replaying what they did in those prior films: each of them brings something new to the table. My personal favorite, though it was the briefest, was the mostly offscreen attack on Jane Foster by everybody’s favorite trash-panda, Rocket Raccoon, who runs off with the Reality Stone just in time.

Thor and Rocket are the luckiest of the team. Captain America ends up coming face to face with himself in the past; Tony Stark gives himself cardiac arrest; and Loki (Tom Hiddleston) escapes with the Space Stone, forcing Tony and Cap to go further back in time to 1970, where they have to infiltrate S.H.I.E.L.D. headquarters: there, Tony runs into his own father, Howard Stark (John Slattery) and gives him parenting advice, and Captain America accidentally ends up in the office of his former girlfriend Peggy Carter (Hayley Atwell) – plus, there’s an awesome Stan Lee cameo, and young Michael Douglas playing the original Ant-Man, Hank Pym.

Meanwhile, on the planet Vormir, Hawkeye and Black Widow’s story suddenly reaches the conclusion that nobody even knew was still coming – after all, Hawkeye and Black Widow haven’t been a couple for years, and there’s never been much of a concerted effort to get them back together, or even to hint at any shared romantic tension between them. Which is part of the reason that the following plot point falls rather flat – no pun intended, as you’ll soon see. Yes, because to get the Soul Stone, you must sacrifice that which you love – specifically, you must throw the person you love over a cliff. Hawkeye and Black Widow suddenly find themselves in an emotional mess, as both of them try desperately to commit suicide and prevent the other from also dying.

The fight that follows is actually really dramatic, and I was on the edge of my seat wondering how they were going to find a way out of the inescapable scenario. But I soon realized there was no happy ending – just as Hawkeye takes the leap, Black Widow jumps on him, and both accidentally fall off the cliff. Hawkeye just barely manages to get out his grappling hook, and they find themselves hanging in mid-air. Black Widow pleads with Hawkeye, telling him that he has a family that needs him, while she has nothing to live for. Finally, she lets go of his hand and falls to her death.

And, yeah, that’s how she dies. Black Widow, Natasha Romanoff, the first (and for a while, the only) female Avenger, dropped from a cliff so she can serve as a cheap tool to move the story along. Hawkeye gets the Soul Stone, and leaves Vormir, abandoning Natasha’s broken body on the rocks – a woman deprived of a character arc for years, now suddenly is forced back into an old romance so she can get killed off at the first possible opportunity, far from her home planet, somewhere in the desolation of space where no one will ever bury her bones. It’s not just sad and shocking, it’s a death that shouldn’t have happened, and it’s already become a topic of much controversy.

It’s hard to move on from something like that, but of course Black Widow’s death is not the most significant event here: that would be too much to ask for. Her death doesn’t move the plot except to deliver the Soul Stone into Hawkeye’s hands, and the Soul Stone is just another part of the Infinity Gauntlet, which now only requires one more Infinity Stone.

We left Nebula and War Machine on the planet Morag, and here we find them again. War Machine manages to escape with the Power Stone, but Nebula is unable to get away from the planet. Turns out, she’s not the only person looking for the Stone at this time – Thanos, Gamora (Zoe Saldana) and Nebula are here too. Yeah, Thanos: this is 2014, and the Mad Titan is still on his hunt for Infinity Stones. And this other Nebula is Nebula before she turned against her father. This Nebula (we’ll call her Evil Nebula) ends up revealing visions of her own future to Thanos, who thus sees everything from the Avengers’ plan to his own death. In an attempt to change his fate, Thanos abducts Good Nebula and holds her captive, while Evil Nebula disguises herself as Good Nebula (by attaching one strip of metal to her head), and travels forward in time to join the other Avengers. This time travel stuff is confusing, but it sure is exciting.

The Avengers are reassembled at their headquarters and start inserting the Stones into their new Infinity Gauntlet. I have to hand it to Mark Ruffalo here – for an entirely CGI construction, Professor Hulk manages to convey the most despairing reaction to the news of Black Widow’s death, and he is the one who picks up the Gauntlet and wields it: immediately, he is tortured with agony as he tries to snap his fingers. He just barely has the strength. While this is going on, Evil Nebula is busy messing with the controls of the time machine, which nobody notices. We hear a snap, something goes flying up from the time machine and smashes through the ceiling, and then all is silent.

Until Hawkeye’s phone starts ringing. For a fraction of a heartbeat, I thought it was somehow (impossibly) Black Widow on the line, but no, it was Hawkeye’s wife, Laura. Outside, birds start singing. But just as you thought you were out of the Soulworld –

The entire building explodes. That thing that Evil Nebula summoned through the time machine? That was Thanos’ spaceship, and he arrives in full glory, blowing up Avengers HQ and crushing everyone under rubble and debris. Far below the building, War Machine and Rocket Raccoon are frantically struggling to escape while Professor Hulk holds up the ceiling of a collapsed room. Hawkeye grabs the Infinity Gauntlet and runs, but quickly realizes he’s being chased by Thanos’ horde of alien monsters. He ends up running into Evil Nebula, who tries to take the Gauntlet from him, and there’s a confrontation in the tunnel with him, her, and also Good Nebula and Gamora herself, who has decided to betray Thanos. Evil Nebula gets shot, which (oddly) has absolutely no effect on Good Nebula, and they all get out of there safely.

Meanwhile, Tony Stark suits up as Iron Man and goes to find Thanos himself, followed by Captain America and Thor. There’s a lot I could say about the confrontation with Thanos, but I’ll keep it brief. They start fighting, obviously, and things starts going badly. Tony gets tossed aside, and Thanos grabs Thor’s own weapon, Stormbreaker, and drives it slowly but surely into Thor’s chest.

And then, suddenly, Captain America jumps in wielding – double take – the Hammer of Thor, Mjolnir, the hammer that can only be wielded by one who is worthy. Thor speaks for everyone when he yells excitedly “I knew it!”. The theater burst into applause at this moment. This is a moment that Marvel fans have been waiting for since it was teased in Avengers: Age of Ultron, and only now have we finally received the payoff. The next few moments are just a blur of lightning and thunder as Captain America goes up against the Mad Titan wielding Mjolnir and his vibranium shield – which soon gets broken to pieces by Thanos’ battle-ax. Thanos steps back and admires his handiwork, and then begins to monologue, as he always does in these types of situations, talking about how he once thought he could save the world. But, he realizes now, there is no chance of that anymore. The world – the entire universe, in fact – must be remade. Entire armies of alien monsters and the full force of the Black Order disembark from Thanos’ spaceship and march towards Captain America, who stands alone against them all.

No words can ever express my shocked, baffled joy when I heard the long-silenced voice of Falcon (Anthony Mackie) saying “On your left” to Cap, as a ring of glowing orange light suddenly opened in the air next to the lone hero. First on the battlefield are Black Panther (Chadwick Boseman), Okoye (Danai Gurira) and Shuri (Letitia Wright) representing the country of Wakanda. The Vanished are returning. Falcon appears, and Winter Soldier (Sebastian Stan), and M’Baku (Winston Duke), and then another portal opens: and there’s Doctor Strange (Benedict Cumberbatch), Mantis (Pom Klementieff), Drax (Dave Bautista), Star-Lord (Chris Pratt), and Spider-man (Tom Holland). Wong (Benedict Wong) is there, and Wasp (Evangeline Lilly), Groot (voiced by Vin Diesel), Scarlet Witch (Elizabeth Olsen), Valkyrie, Korg, and Pepper Potts herself. Every Marvel superhero is gathered to fight alongside Captain America, Thor, and Iron Man. Ant-Man rescues the Avengers trapped under the building, and so he, War Machine, Rocket Raccoon, and Professor Hulk all join the battle as well. Hawkeye, Nebula and Gamora show up too.

The following fight is the greatest battle in a superhero movie, ever. Every character here has so much depth and so much development that’s been established over so many movies – you know each and every one of them as if they’re old friends, as they charge into the fray. The Infinity Gauntlet is the focal point of the battle, as one hero after another grabs the precious object and tries to get it away from Thanos: even Spider-man has it at one point! You’ve never seen a fight scene with this many characters, this many character arcs coming to a conclusion. There are some great moments here: an especially notable one, in my opinion, was the grand entrance of Captain Marvel herself, as she hurtled through the earth’s atmosphere and plowed through Thanos’ spaceship, before leading all of the Marvel heroines into the thick of the fight. Women were the standouts here: from Gamora’s fantastic reunion with Star-Lord (whom she doesn’t even remember), to Scarlet Witch’s encounter with Thanos, who mockingly tells her that he doesn’t even know who she is. “But you will,” she responds, as she tears away his armor and easily disarms him.

But, alas, these good things cannot last. Thanos gets the Infinity Gauntlet at last, and prepares to snap his fingers and destroy the earth. But Captain Marvel grabs his hand and holds his fingers apart with superhuman strength, as she absorbs power directly from the Gauntlet – so Thanos simply punches her with the Power Stone in his other hand, and sends her flying. The last duel is between him and Tony Stark, the rematch of their fight in Infinity War. Things seem hopeless, and Thanos isn’t oblivious to that fact: “I am inevitable,” he boasts.

Tony realizes he’s unable to get the Infinity Gauntlet off the Titan’s hand – so, using his wits, he simply grabs the Infinity Stones and fits them into his own armor. “And I am Iron Man,” he says, and snaps his fingers.

You know what happens next. You have to know. The Stones are too powerful for anybody to wield, much less a mortal. Tony lives just long enough to see that his sacrifice was not in vain, as Thanos and his minions fade away into dust and vanish. Surrounded by his friends, and with Pepper at his side, Tony Stark, who started these ten glorious years of Marvel history, slips away. The battle is won, but it cost us everything. The world has been saved, but not for Tony. The arc reactor implanted in his chest that has kept him alive all this time…goes dark.

After that, there’s really not much left to say. There’s a funeral, of course, for Tony, and all the Marvel characters are in attendance. Characters get fitting conclusions, for the most part. Thor passes on the rule of Asgard to Valkyrie, who looks particularly majestic and resplendent as she accepts his offer and becomes Queen. Thor then sets off with the Guardians of the Galaxy as they go to look for Gamora, who mysteriously disappeared during the battle. Guardians of the Galaxy Vol. 3 obviously has a lot of explaining to do. Spider-man goes back to school, which is presumably where Spider-man: Far From Home will pick up when it comes out a few months from now. Captain Marvel’s whereabouts are currently unknown. Ant-Man’s family is reunited. Hawkeye returns to his wife and children.

And as for Captain America, he gets the most bittersweet ending. He feels it’s his duty to go back in time and return all the Infinity Stones to their proper timelines, so as to avoid, you know, the destruction of the universe. He’s only gone for a few seconds, but it’s a few seconds too many. He returns as an old man, and informs his comrades, Falcon and Winter Soldier, that he was actually gone for years: he lived out the rest of his life with his old girlfriend Peggy Carter, and he finally got to dance with her – after ten years of waiting, it finally happened. Now, as an old man, he’s passing on the Captain America mantle to someone new: he chooses Falcon, Sam Wilson, to be the new Captain. And there the movie ends.

This is only a synopsis, of course, not a full review, but I hope it’s illuminated some aspects and made everything a bit clearer to understand. I’ll have more stuff to share about Avengers: Endgame probably in the coming days and weeks. The fates of each of the characters definitely deserves more attention, so I’ll be exploring that in greater detail very soon! Stay tuned!

“Avengers: Infinity Wars” Movie Review!

With Avengers: Endgame only a few days away, it makes sense to revisit the first part of the Infinity Saga – Avengers: Infinity Wars, one of the greatest movies of the past year and the beginning of the end of the current phase of the MCU. This movie is such a monolith of pop culture that it could be easy to overlook the fact that, first and foremost, it’s a film just like any other, and should be reviewed as such. So here’s my comprehensive and complete analysis of everything in Avengers: Infinity Wars that you need to remember before going into Avengers: Endgame, plus everything you need to know about Infinity Wars itself, as a film.

SPOILERS for Avengers: Infinity Wars ahead. Obviously.

So, in case, you’ve forgotten everything that happened (how could you?), we’ll start out with a brief summary of events: the film picks up where the 2017 film Thor: Ragnarok left off, with Thor (Chris Hemsworth) and Loki (Tom Hiddleston) among the last survivors of an attack on their spaceship. It is soon revealed that the attackers are led by none other than the Mad Titan Thanos (voiced by Josh Brolin), who is hunting for the six incredibly powerful Infinity Stones that have been scattered across the universe. Having already been armed with the Power Stone, Thanos is able to force Loki to divulge the location of his next target, the Space Stone – which, unsurprisingly, turns out to be in Loki’s possession. During the ensuing fight, The Hulk (Mark Ruffalo) gets sent hurtling off into space, headed for earth, and Loki gets strangled by Thanos. The spaceship blows up (with Thor inside, still cradling his dead brother’s body), and Thanos and his minions go their separate ways, pursuing the other Stones.

This opening scene is fantastic: it sets the mood for the rest of the film (grim and tragic), and kills off two characters very quickly – Loki, and Thor’s best friend Heimdall (Idris Elba). It also sets up some important questions for Avengers: Endgame – (1) is Loki really dead? (2) What happened to two other characters, Valkyrie and Korg, who were on that spaceship before the attack? (3) Is this whole thing really Thor’s story?

These questions don’t have answers yet, but there are a number of good theories out there: (1) Loki was holding the Space Stone during the fight, so it’s possible he was able to use it to escape across the galaxy, leaving a clone of himself to die. (2) It has been confirmed that Valkyrie (Tessa Thompson) escaped the attack, and that she will be returning for Avengers: Endgame – it’s still a mystery where she went, though, or what her purpose in Endgame could be. The fate of Korg (voiced by Taika Waititi) remains unknown. (3) This question has been asked a lot. Infinity Wars starts with Thor, and it ends with Thor (more on that later). The heroic Asgardian god doesn’t actually have very much to do throughout the film, but in Infinity Wars he was undeniably the only Avenger with a clear motive to stop Thanos. And it’s worth noting that Infinity Wars and Endgame are just two halves of one movie, according to the directors, Joe and Anthony Russo. If Thor was the protagonist in the first half, will that carry through into the second? I’d suspect not. While Thor is a crucial member of the team, Endgame truly belongs to Iron Man and Captain America. That’s my opinion, and you’ll see why in a minute.

But enough about Endgame! Back to Infinity Wars: so we follow the Hulk as he crashes through the earth’s atmosphere and rips a hole through the roof of the New York Sanctum, interrupting a conversation between Doctor Strange (Benedict Cumberbatch) and Wong (Benedict Wong) about deli food and metaphysics – the Hulk, however, has now turned back into his human self, Bruce Banner, and is babbling about Thanos. Strange and Banner decide to awkwardly interrupt an intimate moment between Tony Stark (Robert Downey Jr) and his girlfriend Pepper Potts (Gwyneth Paltrow). They themselves are then interrupted by Thanos’ minions landing in New York City, looking for the Time Stone, which just happens to be owned by Doctor Strange himself. This alien invasion also interrupts a certain school field-trip to MOMA, during which Peter Parker (Tom Holland) escapes out of a school-bus window and goes to help Tony Stark. Things don’t exactly turn out well, however, and Doctor Strange gets captured and sucked into a spaceship, where alien telepath Ebony Maw (voiced by Tom Vaughan-Lawlor) attempts to perform surgery on him but is interrupted by Tony and Peter, who have crept aboard the spaceship. Using techniques learned from Aliens and a good amount of help from Doctor Strange’s magical cloak, the heroes manage to toss Ebony Maw out into the freezing depths of space, and hijack the ship.

And, of course, there are more hints about Endgame here too: most notably the fact that after Tony gets on the alien spaceship, he makes a call to Pepper – as the connection goes out, Pepper tells him either “I’m going to-,” or “I’m going too-“. The latter seems more likely when one takes into consideration that Gwyneth Paltrow posted a photo of herself from the Avengers: Endgame set wearing a superhero suit. Could we see Pepper suit up and fly off into space to follow Tony in Endgame, or is she going somewhere else? Or is it just a misdirection?

Now, obviously, we’ve still only discussed Thor and Tony Stark, and Infinity Wars wouldn’t be much of an Avengers film without Captain America, Black Widow and Hawkeye – which is exactly why Infinity Wars is not a proper Avengers film in my opinion. Captain America (Chris Evans) and Black Widow (Scarlett Johansson) get maybe five or six minutes of screentime each, while Hawkeye (Jeremy Renner) doesn’t show up at all. Instead, we get a fast but admittedly impressive fight scene in Scotland as Scarlet Witch (Elizabeth Olsen) defends her robot boyfriend Vision (Paul Bettany) from getting a certain Mind Stone ripped out of his forehead by Thanos’ minions, who interrupt them during a romantic moment – what is with all the interruptions in this movie? Nobody can finish a conversation without having magic doctors pop out of portals or aliens stab them through the chest! Thankfully, Captain America and Black Widow spend their five minutes of screentime rescuing Scarlet Witch and Vision and then ferrying them to the nation of Wakanda, where they hope the genius inventor Shuri (Letitia Wright) can separate the Mind Stone from Vision’s body by non-life threatening surgical methods.

By now, the plot is literally jumping everywhere in the universe. The Guardians of the Galaxy find Thor still alive, floating in space, and rescue him: he promptly steals their escape-pod and flies off with their captain, Rocket Raccoon (voiced by Bradley Cooper) and their talking tree, Groot (voiced by Vin Diesel). Meanwhile, Star-Lord (Chris Pratt) takes the remaining Guardians on a suicide mission to stop Thanos from getting his hands on the Reality Stone…which fails…massively. Thanos’ daughter Gamora (Zoe Saldana) tries to kill him, and then, in desperation, calls on Star-Lord to kill her – which also fails, massively. So the Reality Stone now belongs to Thanos, and so does Gamora, Thor is lost in space with a raccoon which he thinks is a rabbit, Tony and his crew are looking for Thanos, Thanos’ minions are hunting Vision, Scarlet Witch is having a crisis because Vision keeps telling her she needs to kill him, Black Widow and Bruce Banner have literally two lines of dialogue to address their entire romantic history, and those two lines are, respectively, “Bruce” and “Nat”. And meanwhile Bucky Barnes (Sebastian Stan) is getting a new metal arm that has absolutely no consequence on anything that happens later in the story, and – oh god, not flashbacks too!

(Actually, the flashback is one of the best scenes in the movie, as Gamora reminisces about her first encounter with Thanos. Young Gamora learns to balance a knife on her fingertip while her people are systematically slaughtered by firing squad in the background – beautiful, heart-wrenching stuff, and all complimented nicely by some beautiful music).

Eventually, the plots and subplots start to come together, after a rocky first act. Gamora agrees to lead Thanos to the Soul Stone, located on a desolate planet, where (surprise, surprise) the movie has time to reveal that Red Skull is still alive, even though he has absolutely no consequence on anything that happens later in the story. Though presumably there’ll be more time to deal with the effects of this reveal in Endgame, where we might see a final showdown between the Red Skull and his arch-nemesis Captain America. Thanos learns that the Soul Stone demands a sacrifice before it can be won: specifically, that which you most love. Thankfully, Thanos came to this planet with Gamora, the only person he ever truly loved! Thankfully there’s a giant cliff nearby that is just perfect for throwing people off of! Thankfully the so-called “fiercest woman in the galaxy” chooses this moment to resort to trying to ineffectively punch Thanos’ arm as he throws her off of the aforementioned cliff!

With four of six Infinity Stones now in his grasp, Thanos promptly heads to his ancient homeworld of Titan to go deal with Tony Stark and Doctor Strange, who by now have run into the other Guardians of the Galaxy. On earth, the nation of Wakanda comes under attack from Thanos’ minions while Shuri works frantically to try and get the Mind Stone out of Vision’s head. Meanwhile, Thor is skiing around a frozen star (okay, fine, he’s lighting the forges of Nidavellir or whatever, but it looked like skiing to me). And…Peter Dinklage is an awesome actor, but this movie is already overcrowded with characters – did we really need a giant Peter Dinklage manning the forges of Nidavellir and loading us down with boring exposition? The only interesting part about this sequence is the fact that there’s an Infinity Gauntlet up there in Nidavellir, which may or may not be important in Endgame.

But finally…we get to the moment we’ve all been waiting for. Thanos arrives on Titan and uses the full power of his own Infinity Gauntlet to wreak havoc on the planet. What follows is one of the best fight-scenes in any movie, ever: nanotech weaponry, a moon pulled from its orbit, Doctor Strange transforming into a Hindu deity, the robot assassin Nebula (Karen Gillan) crashing her own spaceship straight into Thanos – and all of it is in vain, because idiot Star-Lord goes and starts punching Thanos in the face while they have the Titan sedated. Seriously, Star-Lord?

After that, the rest of the movie is just tragedy after tragedy. Doctor Strange gives Thanos the Time Stone in exchange for Thanos sparing Tony Stark’s life. There’s apparently a reason for this: Doctor Strange looked into the future and saw only one outcome in which the Avengers win the Infinity War. But to win, Tony Stark has to live, and Thanos has to get the Time Stone.

And Thanos doesn’t waste a single moment before teleporting to Wakanda and going after Vision – whose operation has not been going well. The poor robot literally gets thrown out of a window, on a surgical table, down a cliff. And then (finally) Scarlet Witch puts an end to the whole thing by blasting him in the head and destroying the Mind Stone.

Good thing Thanos didn’t literally just receive the ability to turn back time!

As if having his surgery rudely interrupted by aliens and getting killed by his own girlfriend wasn’t enough, Vision then has to endure being brought back to life and killed again – as Thanos simply reaches into his forehead and plucks out the Mind Stone.

Nobody saves the day in this movie. Not Doctor Strange, who tells Tony sadly that it was “the only way”. Not Tony himself, who is still recovering from having a very large piece of metal shoved into his chest. Not even Thor, when he finally shows up in Wakanda wielding an incredibly ugly ax. Thanos gets what he wants: a fully-powered Infinity Gauntlet that allows him to wipe out half of all life with a snap of his fingers – which he does, without hesitation. The audience is forced to watch in horror as beloved characters turn into ash and disappear: Doctor Strange, Black Panther, Spider-man, Star-Lord (serves him right), Scarlet Witch, etc, etc. Who gave Marvel the right to do this?

Even worse, who gave Marvel the right to use such sloppy CGI on the Hulkbuster suit that Bruce Banner wears during the Battle of Wakanda? And for that matter, the Battle of Wakanda is filmed in such a boring fashion that it’s a crime all in itself: boring color palette and boring choreography make that fight scene one of the most forgettable in any recent Marvel film.

I’m not trying to look for fault in the film, of course. The film is quite good, overall. But the storyline is all over the place, and certain characters (ahem, Star-Lord) did not need anywhere near as much screentime as they got, while other characters (ahem, Captain America) got little to no screentime, when they should have been stars. Hopefully, everything will be resolved in the second half of this still very incomplete movie, which is only a few days away now. Half of the Marvel universe is currently dust, the villain has won and is relaxing on some paradise planet, and the Avengers are all split up across the galaxy.

Let’s hope Captain Marvel (Brie Larson) can do something about this problem when she arrives on earth…

Movie Rating: 9.5/10