Jeffrey Wright Archives - The Wide Screen

October 17, 2021

“The Batman” 2nd Trailer Has Changed My Mind On Matt Reeves’ Vision

Hot take, but when the first trailer for Matt Reeves’ The Batman released at last year’s DC Fandome event, the truth is that I wasn’t immediately blown away by it like many were. That first trailer was very brief to be fair, on account of The Batman only being about 25% complete at the time, but the initial impression it gave me was that Reeves’ interpretation of the timeless character of Batman and the iconic locale of Gotham City would be very gritty and grounded in realism – which is fine if you like that sort of take on superheroes, but I’m somebody who generally enjoys more fantastical elements in comic-book stories.

That’s the reason why, as a rule, I’ll almost always gravitate towards the…shall we say, zanier corners of any cinematic universe – whether that be WandaVision in the MCU or Shazam! in the DCEU – but it’s a rule with enough exceptions (for instance, I thought the recent Black Widow movie would have benefited from being significantly more grounded) that I really have to explain why I feel this way specifically with regards to The Batman, before we discuss the new trailer released yesterday.

It’s partly because I feel as though gritty edgelord Batman has been done and overdone; not always well, but it’s hardly a novel concept in comics or on camera, either. The one truly new aspect that Matt Reeves is apparently bringing to his portrayal of Batman is an emphasis on the character’s role as a detective…which is something that the trailers haven’t shown a great deal of, probably for fear of clever fans piecing together clues and figuring out the film’s twists and turns months before it releases in March of next year.

But more importantly to me, it’s also because Batman and his rogues gallery are always more interesting to me when they’re allowed free rein to be eccentric, campy, and/or straight-up weird. The Riddler, the Penguin, and Catwoman, all of whom will have major roles in The Batman, all have an element of capricious whimsy baked into their characters that Matt Reeves seemed to be removing from all three – especially the Riddler, who is now a genuinely terrifying mastermind styled after the Zodiac Killer, but with little of the Riddler’s typical flair and colorful charisma. For me personally, that’s why The Batman‘s first trailer, while very well-edited, extremely atmospheric, and exceptionally beautiful, didn’t really affect me the way it did others.

But one year later, here we are at the end of the second annual DC Fandome event; and thanks to endless release date shuffling and excruciating delays, we’ve finally gotten to see only our second trailer for The Batman. It’s a full-length trailer this time, more seamlessly stitched-together than the first and with a lot more action and CGI to show off. And much to my surprise, I think this trailer may have changed my mind on Matt Reeves’ vision.

I knew I was going to like it more than the first teaser when the trailer opened with a scene of Paul Dano’s Riddler being apprehended and arrested by Gotham City police in a coffeeshop, while the camera lingers on the character’s iconic question-mark emblem written in the foam of his coffee. It’s a simple yet striking stylistic choice that feels very much in line with the Riddler’s established history and characterization while still serving this new persona that Reeves is crafting for the villain, and seemed so deliberately quirky (at least to my eye) that it immediately piqued my interest. I mean, it’s much too clean a question-mark. Realistically, it shouldn’t have held that perfect curlicue shape for that long. But that’s what I love about it.

And there are plenty more scenes like that sprinkled throughout this trailer. The character of Selena Kyle, as played by the fabulous Zoë Kravitz, looks to have sauntered straight off the comic-book page through a revolving door of stylish wigs and glamorous fits – emerging with a Catwoman suit that, while in need of a couple tweaks and refinements, will make for a good starting-point for her character. Her on-and-off clandestine romance with Batman is complemented by stunning shots of the Gotham City skyline at its most romantic, offering a welcome counterbalance to the chaos erupting in the streets far below.

But lest the villains should sneak in and steal the spotlight, the most over-the-top moment of all in this trailer is wholly Batman’s to own – because as many have pointed out and as Reeves seems to understand, Batman is a lot like his villains in that he excels at putting on a show. That’s why he dresses like a bat, lurks in a cave, emblazons his logo on the night sky, and why driving the Batmobile straight through a wall of fire to chase the Penguin, while his cape flaps in the wind behind him like bat-wings, is completely in-character for him. And that’s why the Batman should never be grounded too heavily in realism, in my opinion at least. You lose more than you gain.

I would say the same of the Penguin too, but this is unfortunately an instance where I feel Matt Reeves has possibly missed the mark. Without his signature monocle, parasol, top hat, and flock of highly-trained penguins, this version of Oswald Cobblepot is Penguin in name only – and for the life of me, I still can’t figure out the reason behind casting Colin Farrell in the role only to bury him under a mountain of facial prosthetics and makeup, and then have him affect a boisterous Italian accent.

Stuff like that still gives me pause, and makes me concerned for how Matt Reeves will adapt other characters from Batman’s rogues gallery in the future, but I’m willing to give The Batman a chance. Visually, there’s no question that the film looks breathtaking – thanks in large part to cinematographer Greig Fraser, who also worked on Dune and Rogue One. It’s got action, it’s got mystery, it’s got an all-star cast. The only real question, for me at least, is whether it has the panache that I expect and demand from my Batman content.

Trailer Rating: 8.5/10

October 6, 2021

“What If…?” Episode 9 – A Hollow And Hectic Finale

**SPOILERS FOR WHAT IF…? AHEAD!**

Marvel Studios has churned out three live-action series’ for Disney+ this year, and it didn’t take them long to match or frequently surpass the quality of many of their movies. What If…?, on the other hand, has had scattered moments and two full episodes that I’d rank right up there alongside the best of WandaVision, The Falcon And The Winter Soldier, and Loki, but if this series is going to be a multi-season commitment for Marvel’s fledgling animation department (and it’s intended to be), then it’s going to need a little more work.

Leaving aside the fact that some episodes could be better described as mashups of two or more Marvel movies than actual “what if…?” scenarios, or the occasionally awkward facial animations and voice acting, What If…?‘s most consistent issue is that almost every episode is trying to squeeze an entire movie’s worth of plot and character development into the span of about twenty-five minutes, a good amount of which is often credits. This problem doesn’t necessarily have to be solved by making every episode forty to fifty minutes long, either. More focused writing would do wonders for What If…?.

For instance, this season finale didn’t need to be almost entirely an action sequence pitting the newly-formed “Guardians of the Multiverse” against Ultron (voiced by Ross Marquand), for several reasons. Firstly and probably most importantly, because it’s largely pointless. The Watcher (voiced by Jeffrey Wright)’s plan to defeat Ultron doesn’t actually rely on fighting him for a prolonged period of time, so this sequence feels like a waste of screentime that could have been better spent formulating a more efficient plan; perhaps one that would have given The Watcher something to do in this episode after how active he was last week.

And the longer this pointless sequence drags on, the more it robs Ultron of all the fear and awe he commanded in last week’s episode. Wielding all six Infinity Stones and possessed of reflexes and mental capacities beyond human comprehension, Ultron was capable of devouring entire galaxies last week – the only opponent who should logically stand a chance against him in battle for very long, out of this line-up at least, is Doctor Strange Supreme (Benedict Cumberbatch). I love seeing underdog characters use their unique skills to bring down an enemy twice their size, like when Star-Lord (Chadwick Boseman) gracefully snatches an Infinity Stone from Ultron’s collection using his “sticky fingers” technique, but Ultron is already depowered even before that, and it makes the whole battle less interesting.

The stakes are also surprisingly low for a series that’s so far been almost sadistic when it comes to killing off our favorite characters. For a moment, I hoped that Party Thor (Chris Hemsworth) at least would get to go out in a blaze of glory, after having served his only real purpose – unwitting bait for Ultron. But in fact, nobody dies. Technically not even Ultron, although it’s hard to describe what really happens to him: his body, or rather Vision’s body, gets taken over by the mind of Arnim Zola (Toby Jones), and his armor gets transferred to Erik Killmonger (Michael B. Jordan), who wants to use it to conquer the universe with the Infinity Stones, and both of them get locked up in a pocket dimension for all eternity, fighting over the Stones.

The Killmonger twist is one of many plot beats and character moments in this episode that required more time to develop organically. The entire build-up to Killmonger’s betrayal is one or two shots of him silently staring at an Ultron droid’s helmet. Similarly, Captain Carter (Hayley Atwell) sees one photo of Steve Rogers and suddenly wants to leave her timeline to go back and live with him. She ultimately decides against it, which I’m choosing to interpret as a jab at Steve’s out-of-character ending in Avengers: Endgame, but the whole scene feels too rushed to make this conflict or its resolution particularly interesting.

This feeling that we’re racing against the clock is compounded by another problem: none of the Guardians of the Multiverse actually know each other prior to this episode, and we don’t know them all that well – heck, this is our first time even meeting Gamora (voiced by Cynthia McWilliams), Destroyer of Thanos, because for some reason her individual episode got moved to season two – so they’re building relationships entirely from scratch, and without even so much as a common understanding of the universe to unite them.

The episode could have played on the radical differences between them to build bonds or create rifts and divisions, but this is an idea we only see realized through Captain Carter’s relationships with the two Black Widows (both voiced by Lake Bell). In her own timeline, their flirty banter is identical to that of Steve Rogers and Black Widow – which would be a lot more surprising and refreshing if it didn’t feel like What If…?‘s Captain Carter is literally just a reskin of Captain America. When she meets the haggard Black Widow of last week’s episode, she tells her things about herself that this timeline’s Widow wouldn’t have told a soul, proving her trustworthiness and unintentionally revealing that she and Widow are closer than Steve and Widow.

But that’s it. Other interactions, which could have been just as emotional if not more so, are ignored completely. Killmonger seeing T’Challa alive after murdering him in episode six should have been a humbling moment for him. Gamora talking about killing her timeline’s Thanos could have caused a clash with T’Challa, who successfully persuaded his timeline’s Thanos to see the error of his ways. And although zombie Wanda Maximoff shows up to fight Ultron and seems briefly confused by something, it would have been nice – and even more heartbreaking – to have explicit confirmation that she recognized her beloved Vision’s face on the android’s body.

Nonetheless, What If…? aims for an unearned heartfelt tone in its final minutes, as the Guardians go their separate ways. Obviously, the two endings that most fans will be talking about for weeks to come are Captain Carter’s and Doctor Strange Supreme’s: in a mid-credits scene, the former discovers the derelict HYDRA Stomper suit from episode one and is informed that someone is inside, setting up a Winter Soldier-type storyline for season two, while the latter is put in charge of protecting the pocket dimension where Zola and Killmonger are being kept, establishing him as The Watcher’s right-hand man and a being of infinitely more power than he could ever have obtained on his own. But neither ending really moved me.

What did tug at my heartstrings was Black Widow being given a second chance by The Watcher, being dropped into the timeline that lost its Black Widow back in episode three, and helping Captain America and Captain Marvel take down Loki (Tom Hiddleston), even though I thought somebody ought to have warned her that Hawkeye, Thor, and Bruce Banner had also died in that timeline. What did break my heart was seeing T’Challa fly off to save the galaxy once again, this time with Peter Quill (voiced by Brian T. Delaney) by his side, and knowing now that Marvel wanted to give the character his own spin-off series.

These characters, even their alternate versions, are what we fall in love with, they’re why we watch, and my only hope for season two of What If…? is that Marvel gives them the space and time to really shine.

Episode Rating: 6.5/10

September 29, 2021

“What If…?” Episode 8 Fixes The Worst Part Of Age Of Ultron

**SPOILERS FOR WHAT IF…? AHEAD!**

Marvel’s What If…? has been working overtime to try and rectify the faults of some not-so-great or downright bad MCU films, from Thor to The Incredible Hulk to Ant-Man And The Wasp, and in today’s episode they’re tackling Age Of Ultron. Even when they’ve succeeded at doing so, I can’t say I’ve been strongly tempted to go back and rewatch any of these movies, but I’ve always been especially conflicted about Age Of Ultron because it’s a movie that has no right to be as bad as it was, and yet in hindsight it’s so obvious why it failed.

On the one hand, there’s a lot to like about it. As the only Avengers movie taking place between the team’s formation and their disintegration, Age Of Ultron gave us some much-needed insight into the Avengers’ family dynamic, and the relationships at play within the group. It introduced us to Wanda Maximoff and Vision, both enduring fan-favorites. It brought us that epic opening action sequence that spun directly out of events on Agents Of S.H.I.E.L.D., and which is still the closest the MCU ever came to linking up with Marvel TV.

But…for every great character moment came a cringeworthy interaction between Black Widow and The Hulk, laced with misogyny. Despite introducing us to Wanda, she was burdened with terrible writing and a ridiculously bad Eastern European accent, while her character’s Romani heritage from the comics was erased and has yet to be restored in the MCU. And apart from that one opening action sequence, the battles were largely unmemorable, and the villain Ultron was a comical caricature with no depth or nuance to his motivations.

Unsurprisingly, most of these problems can be traced back to director Joss Whedon. The extent of Whedon’s reprehensible behavior on multiple sets throughout his career is still just being brought to light, thanks to people like Ray Fisher and Charisma Carpenter speaking up about his abuses of power. Whedon’s tyrannical arrogance is how we ended up with a theatrical cut of Justice League so bad that Warner Brothers had to release a better version of the same movie earlier this year, and it’s how we ended up with an Age Of Ultron movie so bad that What If…? had to at least try and fix it.

So of course today’s episode of What If…? is perfectly suited for me, or anybody who’s ever wished that the best elements of Age Of Ultron could be isolated and transplanted into another, better, movie (or in this case, a thirty-minute long animated episode of streaming television), discarding everything that didn’t work…which is most of Whedon’s movie, to be honest. The first and foremost change is that in this new timeline, Ultron (voiced by Ross Marquand) is actually a legitimate threat.

Within the first couple of minutes, we’re treated to an unhappy alternate ending to Age Of Ultron that’s arguably – no, definitely better than the actual third act of that movie. Ultron gets his hands on Vision and downloads his consciousness into the android’s body, before shortcutting his plan to exterminate the human race by simply cracking the world’s nuclear codes and raining fire from the skies. It’s a lot easier and less melodramatic than building giant propeller engines beneath a random Eastern European city, and trying to use said city as a meteor to cause global extinction.

But what do you know, it’s also less effective. Because while almost everyone on earth dies in the nuclear firestorm, two Avengers survive – Natasha Romanoff (voiced by Lake Bell) and Clint Barton (Jeremy Renner). Not exactly useless now, are they? How they survived the initial apocalypse is left a mystery, but it’s very clear when we pick up with them again that they’ve been on their own for quite some time, using their wits to scrape by. On their own, neither of them is strong enough to take on Ultron, but Romanoff comes up with a classic Black Widow plan to save the day, which involves breaking into the apocalypse-proof KGB archives in Moscow – and finding the key to resurrecting HYDRA’s own villainous AI, Arnim Zola (Toby Jones).

Even though I’m pretty much indifferent towards MCU Hawkeye, there is something inspiring about watching these two characters in particular as they struggle to overcome an opponent they know is far too strong at this point to be dispatched with an arrow or a kick. Neither of them has a superpower (beyond Hawkeye’s precision), neither has a great weapon (Natasha finds her father’s shield from his days as Red Guardian, but that’s later), and neither should logically have survived a catastrophe of this scale in the first place. But they did, so they’ll be the ones to stop Ultron or they’ll die trying.

And rest assured that both heroes get to prove themselves in battle against Ultron’s hordes of sentry bots. Their fast-paced fight scenes make good use of What If…?‘s sleek animation style and fluid character movements, and Natasha in particular has some very cool moments, while Hawkeye makes the sacrifice play to save his friend (and Zola’s delightfully chatty consciousness in a robot body) in a scene evocative of Natasha’s self-sacrifice in Endgame. But in this universe at least, only another computer program like Zola has a chance of combating Ultron.

That’s something that becomes abundantly clear as Ultron leaves earth and sweeps through the universe, seeking out life in every corner of the cosmos and eradicating it as part of his objective to protect existence from itself. He obliterates Asgard, Xandar, Ego, and The Sovereign, killing the Guardians of the Galaxy in the process. He cuts Thanos in half with his laser-beam like a slice of salami meat, and takes the Infinity Stones from his corpse, adding them to his already impressive arsenal of weaponry. Captain Marvel (voiced by Alexandra Daniels) puts up a good fight, but Ultron kills her too, releasing a shock-wave that annihilates an entire string of nearby planets. He is without equal in the universe.

But the Marvel Cinematic Universe is a Marvel Cinematic Multiverse now, and Ultron becomes aware of that fact when he overhears What If…?‘s narrator, The Watcher (voiced by Jeffrey Wright), talking about him from outside the boundary of his own universe. Something similar happened in episode four when Doctor Strange Supreme (Benedict Cumberbatch) reached a level of power where he became capable of communicating with The Watcher through the boundary, but the difference – and what ultimately makes Strange Supreme slightly less of a villain than Ultron – is that he didn’t literally break the fourth wall to try and attack The Watcher. Strange Supreme’s greatest flaw was his humanity, but humans are capable of feeling regret and guilt, and even in rare cases of admitting wrongdoing.

Ultron is not human, however, and he has no conscience, which means there’s nothing to prevent him from trying what Strange Supreme would not. What follows is a clash of titans unlike anything we’ve seen in the MCU up until this point, and we just saw Captain Marvel go up against Thor last week. The Watcher is a cosmic entity of indescribable power and intellect, and Ultron is a mercilessly destructive computer program clothed in the synthetic flesh of Vision and spangled with Infinity Stones – when they throw punches, they break holes in the very fabric of reality. At one point, Ultron even goes full Galactus and swallows a star-system whole (but since he’s using Vision’s body, and Vision canonically doesn’t have a digestive system, that should have been the end of him).

The Watcher is a surprisingly good fighter, and Jeffrey Wright finally gets something to do in this show (not that the little motivational speeches weren’t cute and all), but even he is no match for Ultron and must ultimately run and hide. It’s only then that The Watcher realizes it’s up to him to stop Ultron, even if it means breaking his ancient oath to never intervene with the natural course of history. The countless tragedies that The Watcher watched and never did anything to avert apparently weren’t enough to make him question his oath, but losing a fight with a computer is the last straw.

To add insult to injury, the only place where The Watcher can hide is in the remains of Doctor Strange Supreme’s former universe. But in a lucky twist of fate, Strange Supreme might just be The Watcher’s best bet at defeating Ultron. We also know of several other characters who will join the unofficial Guardians of the Multiverse team in next week’s episode, including Party Thor (not sure how much help he’s gonna be, but okay), Killmonger, T’Challa as Star-Lord, and Captain Carter, not to mention survivor Black Widow and AI Arnim Zola. That’s a weird line-up of characters right there, the kind that could only come about via the Multiverse, and frankly I can’t wait to see how they interact.

I’m also scared, because the stakes are unusually high going into the finale, and we don’t have any assurance that all of these characters will survive the confrontation with Ultron. The Watcher will presumably live to narrate another season of What If…?, and Captain Carter’s apparently headed for the movies, but everybody else is in serious danger. That’s a testament to the fact that What If…? is largely unafraid to kill off beloved heroes, and to the fact that Ultron is more threatening now than he ever was in Age Of Ultron. It’s never too late for redemption in the MCU.

Episode Rating: 8.5/10

September 6, 2021

“What If…?” Episode 4 Goes Fully Dark, And It’s Marvelous

**SPOILERS FOR WHAT IF…? AHEAD!**

Although What If…? hasn’t ignited the same level of heated discourse or enthusiastic speculation as any of Marvel’s live-action Disney+ series’ (a sad testament to the fact that animation is still viewed by many fans as somehow inherently less canon), last Wednesday’s episode had become the subject of intense scrutiny after it became widely known that it would focus on the character of Doctor Stephen Strange…specifically, a dark and twisted version of him who goes by the title of Doctor Strange Supreme (Benedict Cumberbatch).

This was largely because, coming off the first trailer for Spider-Man: No Way Home, one of many theories given for Marvel’s inconsistent characterization of Strange was that the Master of Mystic Arts had somehow been replaced by an evil doppelgänger from the Multiverse (or by Mephisto; yep, we’re doing that again). It’s a good theory: as a Doctor Strange fan baffled by some of his actions in the No Way Home trailer, I really like it. And then lo and behold, here comes What If…? with an entire episode built upon that very concept.

Now having seen the episode in question…yeah, I’m pretty sure this is another WandaVision situation where we played ourselves. I still love the evil Doctor Strange theory, mind you, and I’m not writing it off until we see how Doctor Strange Supreme’s character arc continues across What If…? season one, but I don’t know if there’s any real connection to No Way Home. And that’s okay, because like the WandaVision finale, What If…? episode four is great storytelling first and foremost.

Some of that is perhaps attributable to length: this episode is the longest of the four by a minute or two, and it enjoys a steady pacing that feels urgent without becoming frantic. But what sets it apart from the rest of What If…?, and elevates it to a place alongside WandaVision and the most sophisticated episodes of Loki and The Falcon And The Winter Soldier, is the mature tone it’s able to capture. The episode earns and owns its darkest moments with a forcefulness that was once severely lacking from the franchise, and a sensitivity that evolves from WandaVision‘s nuanced handling of discussions about death and grief.

Usually, it’s Star Wars that’s not afraid to get bleak and depressing, even in their animated shows aimed (at least initially) at kids. But watching Doctor Strange Supreme lose his sanity, his soul, his loved ones, and ultimately his entire universe in a desperate attempt to cheat death that ends with him trapped in the crystallized remnants of what was once a timeline, begging What If…?‘s dispassionate narrator The Watcher (voiced by Jeffrey Wright) for mercy, demonstrates quite powerfully that having an anthology of self-contained short stories in which to explore risky ideas can only be a good thing creatively.

The episode doesn’t even wait that long to go fully dark. The Nexus Event that kicks off Doctor Strange Supreme’s alternate timeline is the death of his girlfriend, Doctor Christine Palmer (Rachel McAdams), in the first few minutes. It’s admittedly an odd change, given that it relies so heavily on a chemistry between the two that was…never really there in Doctor Strange, but in this timeline apparently Strange really loves Palmer. The two surgeons are therefore on their way to a romantic dinner date when Strange’s car goes flying off a cliff – but in this timeline, Strange is miraculously unscathed and Palmer dies.

At first, this change doesn’t appear to have major ramifications: Doctor Strange still becomes a sorcerer and fights Dormammu (and somehow still survives that astral plane battle in the hospital where Christine saved his life in the original movie). It’s only when he gets his hands on the Time Stone that things take a turn for the worse, as Strange tries to revisit the moment of Palmer’s death and reverse it, only to discover that no matter what he changes in the past, all he does is weaken the integrity of his own universe. Christine still dies, over and over and over again.

And at a certain point, it starts to get really uncomfortable. Christine dies multiple times in the car crash, even when Strange has her drive. She dies of food poisoning the one time they actually make it to their destination. She gets shot dead in a pizza parlor when Strange picks a different location for their date. She dies in a random fire the one time he tries to abandon her for her own sake. It’s a lot, honestly. And maybe if Christine were actually a three-dimensional character, it wouldn’t be so questionable, but neither live-action nor animation did a very good job of fleshing out her personality and interests.

The problem only grows exponentially worse when the Ancient One (Tilda Swinton) explains that Christine has to die…in order for Strange to become a sorcerer. It’s a textbook example of “fridging” – killing a female character solely to motivate a male character. There’s no attempt to subvert this trope, or even to comment on it. If anything, it only opens a frightening new can of worms because the Ancient One suggests that the universe itself needs Christine to die for Strange to rise. The Nexus Event caused by her death is referred to as an Absolute Point in Time that cannot be changed or undone without destroying the universe, and it’s left somewhat unclear why that is.

Because if the whole point of Christine dying is to make sure Strange becomes a sorcerer, then it really shouldn’t matter how he gets to that point – just like it doesn’t seem to matter how Christine dies, only that she does die. I can totally get behind the idea that Doctor Strange is such a powerful mystic force that he (or some version of him) needs to exist in every universe and timeline; I don’t fully understand why his journey need be written in stone, especially since we know that other universes don’t require Christine’s death. Doesn’t that also throw out everything Sylvie and Loki did in the name of restoring free will to the Multiverse?

Interestingly, if Doctor Strange is so powerful that his universe literally balances upon him, that suggests he could be one of the MCU’s “Nexus Beings”, a group of characters in the comics who are considered the cornerstones of their respective timelines. Doctor Strange hasn’t been portrayed as a Nexus Being in the comics, but What If…? indicates that his power and influence puts him right up there alongside Kang the Conqueror, Vision, and the Scarlet Witch, all of whom are Nexus Beings in the comics and most likely in the MCU as well.

On that note, What If…? just might answer the burning question of what Scarlet Witch will be up to when we next meet her, in Doctor Strange And The Multiverse Of Madness. You’ll remember that Wanda Maximoff’s transformation into the Scarlet Witch during the WandaVision finale required her to absorb a large part of Agatha Harkness’ own magic and life-force into herself, weakening Agatha to the point of exhaustion. At the time, it seemed like a fairly simple way to incapacitate the witch. But What If…? reveals that power absorption has side effects, both good and bad. Mostly bad.

In the latest episode, Doctor Strange Supreme’s mission to bring back Christine leads him to the lost library of the ancient sorcerer Cagliostro, who was apparently one of the few people capable of undoing an Absolute Point in Time…but only by absorbing the powers of even greater mystical entities. Strange’s attempts to master this technique are not without some success (he gains the power he seeks, even if ultimately his universe implodes before he can spend more than a few moments with the resurrected Christine), but the experience transforms him into a horrible monster as he takes on the attributes of each creature he absorbs into his body: whether that’s a dragon, or the tentacled beast from episode one, or something that looks an awful lot like Mephisto.

It wasn’t until I rewatched the episode that I noticed the similarities to how Wanda’s first attempt at absorption also transformed her, albeit into a high-fashion sorceress rather than a grotesque demon. And that’s when I realized: if anyone in the main MCU timeline has reason to want to reverse an Absolute Point in Time, it’s Wanda. With the power she could gain from harvesting magical and cosmic forces far greater than herself, she could permanently undo the pain she’s experienced, and that her makeshift family suffered. She could even bring back her twin sons, whose voices she heard crying out to her in the WandaVision post-credits scene.

But first, she’d have to absorb a couple more beings – or perhaps, entire timelines and universes full of them. Good thing there’s an entire Multiverse gourmet buffet to choose from now, am I right? Maybe the demons and dark forces we once thought would be manipulating Wanda really ought to watch their backs because she could be coming to devour them. Though of course, the more powerful that Wanda grows, the more other entities will want to absorb her in turn…entities like, say, Mephisto. The possibilities are endlessly exciting, and I love how the MCU’s mystical side is developing its own complex ecosystem and food-chain.

Doctor Strange Supreme’s journey in What If…?, however, acts as a cautionary tale for anyone trying to obtain that kind of ultimate power. Consumed in his personal agenda, he neglects his duties to his universe and allows it to rot and die. He does bring back Christine, but she returns only to witness the end of all things as Strange Supreme’s timeline finally collapses, leaving him trapped in a purple orb. Strange Supreme will likely return in What If…?, but it’s still unclear how he’ll be rescued from his prison, or who would want to do so anyway. My best guess is that at some point, The Watcher will finally break his no-interference policy to save the Multiverse from an interdimensional threat, bringing several timelines together so that a new team of Avengers can form.

But for now, we leave Strange Supreme right where he deserves to be – and with the tone and atmosphere of What If…? altered irrevocably by his tragic ending, I can’t wait to see what dark and ominous tale of suspense comes next.

Episode Rating: 9.5/10