John Walker Archives - Page 2 Of 3

March 26, 2021

“The Falcon And The Winter Soldier” Episode 2 Review!

**SPOILERS FOR THE FALCON AND THE WINTER SOLDIER AHEAD!**

The Falcon And The Winter Soldier got off to a bit of a slow start last week, drawing in a huge audience for Disney+ but generating fairly minimal buzz online – with the exception of some admittedly very thought-provoking niche discussions about whether Tony Stark should have paid the Avengers, and what Bucky’s reference to “tiger photos” said about his sexuality, if anything. Just MCU stan twitter at its finest.

Generally, though, there was some concern among fans that The Falcon And The Winter Soldier wouldn’t turn out to be a big conversation-starter like its predecessor, WandaVision, which consistently had even casual audiences going wild with theories – a crucial element of the series’ popularity that backfired in fans’ dumbstruck little faces towards the end. That concern has hopefully been assuaged today. Coming off a premiere I described as soft and fluffy fanfic (albeit a very good one), The Falcon And The Winter Soldier ratchets up the tension, the drama, and the stakes, for all our characters – even John-punchable-face-Walker (Wyatt Russell).

In some way, this is the closest thing to a Walker-centric episode…and hopefully the last time we’ll be asked to dive so deeply into the character’s psyche. During an extended opening sequence that had me terrified the whole episode was going to focus on his backstory, we learn that Walker is a golden boy in the U.S. military, the recipient of three Medals of Honor, and a really bad actor (to be clear, that’s Walker: not Russell, who’s doing a very good job), who’s apparently only trying to do the right thing by stepping into Captain America’s shoes. But as his marching band intro music plays over the Marvel title cards, it’s impossible to take him seriously.

Deep down, even Walker must realize or suspect that he’s a pawn: a tacky, suitably camera-friendly piece of sentient military propaganda designed by the U.S. Government to project a frighteningly familiar image of jingoistic nationalism to the rest of the world, while tales of his heroic exploits distract the media from the government’s more sinister operations elsewhere…in short, he’s the kind of manufactured, consumer-tested Build-A-Bigot that the modern GOP wishes they had, and have been trying to construct for years now (looking at you, Dan Crenshaw)…and he is everything Steve Rogers knew he couldn’t be in The First Avenger, when he too was trotted out as morale-boosting entertainment for the troops.

But while Walker leans into the commercialization of his character, posing with Cap’s shield and marketing action figures of himself, Sam Wilson (Anthony Mackie), the rightful heir to the legacy, has to get back to work fighting the mysterious Flag-Smashers: who serve a valid purpose in the story, but don’t feel very organically implemented, having just suddenly become the antagonists because Joaquin Torres (Danny Ramirez) has made them out to be. The Flag-Smashers don’t appear to be very well-organized villains, perhaps because they’re not all that villainous: their leader, Karli Morgenthau (Erin Kellyman), is implied to actually be helping people by smuggling medicine to refugee camps around Central and Eastern Europe.

In return, she and other Flag-Smashers are welcomed into the homes of civilians, calling back to a conversation Sam had last episode about the “tremendous amount of goodwill” that keeps superheroes functioning despite not being paid for their services to humanity. That being said, the Flag-Smashers are still heavily-armed and accompanied by an elite bodyguard of enhanced Super Soldiers, including Morgenthau herself. To deal with the heightened threat, Sam calls in Bucky Barnes (Sebastian Stan), who’s conveniently answering texts now. A result of his therapy working, or a plot device? We shall never know.

We all knew, however, that I wasn’t going to be able to make it through this review without geeking out over the heroes’ reunion – where the conversation quickly turns to “The Big Three”, Sam’s term for aliens, androids, and wizards; the Avengers’ most common enemies. In the back-and-forth, Bucky mockingly namedrops Gandalf, before smugly revealing that he read The Hobbit when it first came out, in 1937 – a miraculous feat given that the first American edition of the book wasn’t published until 1938, which means Bucky didn’t just pick this up on a whim: he literally would have had to order it all the way from England, because he’s just that much of a Tolkien nerd. By a lucky coincidence, yesterday was also Tolkien Reading Day!

The random yet endearing exchange continues the fluffy fanfic vibes I picked up from the premiere episode…and speaking of fanfic, are we gonna talk about the new SamBucky content, or what? Yes, yes, we are. And not just the banter, but the inherent sexual tension of them being forced to roll on top of each other during an action scene, or engage in a “soul-gazing exercise” at the orders of Bucky’s therapist (played by Amy Aquino, who is phenomenal). For me, it’s the way all the heteronormative “bromance” jokes and sight gags accidentally just make the situation more gay.

The episode packs a lot into its back half, including a pretty long action sequence with the Flag-Smashers in rural Germany, which moves from an abandoned warehouse to a highway fight on the tops of two moving MAC trucks like a violent Euro Trucks Simulator mod (complete with random, seemingly driverless car that gets wrecked in the ensuing chaos while trying to pass). Things quickly go wrong: Falcon’s wings are somewhat limited on the narrow stretch of road, and Karli Morgenthau smashes his drone Redwing over her knee, while Bucky’s vibranium arm can’t save him from being dragged under a truck. And that’s when John Walker intervenes to “save” the duo, popping up in the first of many surprise appearances.

This is followed by what feels like an even longer sequence of Sam and Bucky being forced to ride back to the airport with Walker’s team after their humiliating defeat; a cringeworthy opportunity to see how fame has gotten to Walker’s head in a very short time. In the face of mediocrity, Sam keeps his cool, while Bucky loses his temper quickly and insults Walker, before jumping out of the vehicle when Walker’s companion, Lemar Hoskins (Cle Bennett), reveals his ridiculous code name, Battlestar. Sam, as a Black man, is forced by circumstances to remain civil – because the one time he gets angry and raises his voice, later in the episode, he’s immediately surrounded by cops who threaten him.

On that sad note, it’s time to talk about Isaiah Bradley (Carl Lumbly), who makes his long-awaited MCU debut surprisingly early. Revealed as a former enemy of Bucky’s from the Korean War era, Bradley it turns out is still alive after six decades lying low in Baltimore: having been experimented on using the longevity-inducing Super Soldier Serum, or some variant of it. In the comics, Bradley’s origin story dates back to World War II, when white doctors used and abused his body to test out their own versions of the Serum, giving him enhanced abilities and a lifetime of trauma. I’ve always believed this reveal would be most significant if Bradley predated Steve Rogers’ miraculous transformation, but there’s no indication that’s the case yet.

Bradley’s introduction sheds light on the MCU’s dark past, while the introduction of his teenaged grandson Eli (Elijah Richardson) illuminates its hopeful future. Eli might seem like a background character in The Falcon And The Winter Soldier, but comics readers will recognize him as a member of the Young Avengers. He may even be the first Young Avenger to enter the MCU in his final form, given the recast of Cassie Lang and the fact that Wiccan and Speed will presumably also be recast when they age up to teenagers. In the comics, his powers come from a blood transfusion from his enhanced grandfather.

The history of the Serum is quickly emerging as the through-line of the series’ plot: running parallel to, and beautifully intersecting with, the emotional through-line of Sam and Bucky (and even John Walker) learning what went into the making of Captain America, and what it takes to live up to his legacy. But with only vague hints from Bradley as to his origins, and with Walker revealing – and confirming through his action scenes – that he doesn’t have a drop of Serum in his veins, the Falcon and the Winter Soldier are forced to turn to someone else for help…someone who knows the Serum’s history intimately, and was presumed to have killed all the Super-Soldiers manufactured by HYDRA in Bucky’s image: Helmut Zemo (Daniel Brühl), who is exactly the type of thwarted sociopath that creepily plays chess with himself while brooding in prison.

Episode Rating: 9/10

March 19, 2021

“The Falcon And The Winter Soldier” Episode 1 Review!

**SPOILERS FOR THE FALCON AND THE WINTER SOLDIER AHEAD!**

If you had told me even as recently as yesterday that the first episode of Marvel’s The Falcon And The Winter Soldier would consist mostly of characters struggling to obtain bank loans or get back into the dating scene, I’d have told you that sounded more like a prompt for a fluffy domestic AU (Alternate Universe) fanfic, and that we’d be lucky to have something like that adapted to the small screen. But that’s…almost exactly what this episode is, from start to finish. It feels like soft, wholesome, fanfiction in the best way possible.

Although there are a few sequences of high-stakes, high-speed action throughout the episode, and it ends on a rather epic cliffhanger that’s got Twitter in an uproar, the forty-minute long pilot episode doesn’t advance the plot much further forward than what was already covered in the The Falcon And The Winter Soldier‘s synopsis, teasing only a little bit of upcoming drama while diving deep into the personal lives of our protagonists, Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan), whose plotlines don’t even intersect by the end. But like some of the best fanfics, the narrative is mostly just characters going about their daily lives and interacting with everyday scenarios and problems, but layered over with complex social commentary and the kind of attention to detail that we’ve almost always had to turn to fanfiction for, at least when it comes to the MCU proper (this was never a problem with Agents Of S.H.I.E.L.D., part of the reason why it remains peak Marvel TV).

It’s a bold choice, particularly when most audiences were expecting nonstop action, but it’s a choice that’s already paying off. To name just one example, Bucky, who’s probably had more fanfic written about him than just about any other Marvel character ever, is finally utilizing the relative peace and quiet of the post-Blip MCU to conquer his inner demons and find healing with the help of a military therapist (a small but standout role brilliantly played by Amy Aquino). The refusal of Marvel superheroes to go to therapy has become a long-running joke in the fandom, making this whole subplot look and feel a lot like the intricate canon “fixes” that fanfic writers create every time a Marvel movies leaves them disappointed…particularly when you sprinkle in world-building details; like Bucky’s little list of people with whom he has to make amends, from a HYDRA agent he helped install in Congress to the elderly father of one of his victims; his adorable grin when he helps bring down the aforementioned HYDRA agent without even having to maim or kill anyone; or simply the fact that he sleeps on the floor of his apartment because he’s not used to beds, and still suffers from nightmares about his past.

Therapy and healing is the most natural progression for such a traumatized and battle-torn character, whose only just now getting the chance to actually explore the world again, and is…doing a pretty awful job of it, to be honest. He’s completely alone in the civilian world, and, given how badly he messes up a halfhearted attempt at a date (as the MCU once again tries to push the obviously false narrative that Bucky is straight, the only part of the episode that threatens to shatter the fanfic façade), he’s likely to remain alone for some time.

Meanwhile in Louisiana, the Falcon is taking a break from active duty to be with his extended family, who are already some of the loveliest, most genuine civilian characters in the MCU. The exploration of Sam Wilson’s backstory, across all his movie appearances thus far, has amounted to only a few lines about his military service, so it’s nice to finally learn something about the man behind the titanium wings, and for it to be a Black screenwriter (Malcolm Spellman) who gets to establish these new aspects of the character. Sam spends most of the episode trying to help out his sister Sarah (Adepero Oduye), whose small business is going down along with the rusty old fishing-trawler she inherited from their parents, but they’re approaching the same goal from very different perspectives – Sam, who spent five years as cosmic dust and has only been alive again for about six months, is still optimistic, convinced he can swoop in and save the day like he’s always done. Sarah, who survived the Snap, has no such delusions: she’s barely getting by raising two children on her own, and she can’t afford to entertain Sam’s overconfidence.

Their attempt to take out a bank loan is one of the strongest sequences in the episode: a fascinating look at how inadequately prepared superheroes are to return to civilian life, and a microcosm of how MCU society views its heroes in general, as symbols and props to be worshipped, names and logos to be slapped on merchandise, faces to be captured in selfies…but no humanity. There’s something deeply exploitative about it all, and it’s what inspires the Wilsons’ banker to think he can simultaneously reject their request for a loan while pleading with Falcon for a photo of him with his arms out, doing the wing-motions.

That it’s a white man getting away with this behavior makes it clear what Spellman’s script is trying to say about the exploitation of Black lives in every aspect of society, particularly in media and politics. How many times have Black women voters in a state like Georgia been called upon, even expected, to “save” America from our nation’s never-ending cycle of moral failings, only for white elected officials to, at best, ignore their needs completely? On my first viewing of this episode, I missed the point of the banker’s question to Sam, about who paid him to work as a superhero, and Sam’s loaded response that no one ever did.

It’s particularly interesting to see how that same concept plays into Sam’s decision earlier in the episode to give up Captain America’s legendary shield, handing it over to the Smithsonian so the symbol can officially be retired and a new one take its place…only for the US Government to promptly ignore that decision and hand-pick a “new Captain America”, a square-jawed patriotic puppet named John Walker (Wyatt Russell), who exists to be exploited as propaganda, to stamp his seal of approval on all the nation’s most controversial decisions, from war-crimes to nuclear weaponry. He is a tool of his government, without free will or an identity of his own, and he represents everything that Falcon was fighting against in Captain America: Civil War.

The core conflict of The Falcon And The Winter Soldier seems to be this one of the exploitation and commodification of superheroes, which makes the series’ apparent antagonists all the more intriguing – the terrorist group known as the Flag-Smashers are certainly violent, but their agenda to unite the world in anarchy with neither heroes nor symbols opens an opportunity for more commentary on similar topics, such as the dangers of celebrity worship. As of yet, we still don’t know how Bucky’s arch-nemesis Baron Zemo will play into things, though his name appears on the Winter Soldier’s list – and I can’t imagine Bucky will have a cute grin in store for the man who brainwashed him into attacking his best friend.

If you’re just here for the action sequences, I’m afraid this pilot might be a bit of a letdown. Bucky doesn’t get to do much fighting at all, while Falcon’s mid-air hostage rescue in Tunisia is definitely a lot of fun (and marks the return of Winter Soldier villain Georges Batroc, a role reprised by Georges St-Pierre) but drags a little. What I’m looking for from Falcon’s action sequences is unique usage of his signature wings, and I think there’s still work to be done in that area.

But if you’ve managed to move on from feelings of post-WandaVision depression and are ready for a new series, then The Falcon And The Winter Soldier offers something that feels familiar and enjoyable, but hides just as many dark and mature themes below its surface as WandaVision. The difference is that, whereas WandaVision was about torturing Wanda to the brink of despair, The Falcon And The Winter Soldier is soft and fluffy, and features unforgettable moments like Bucky shaking hands with a Maneki-neko “waving cat” statue. Good stuff.

Episode Rating: 8.5/10

December 11, 2020

“The Falcon And The Winter Soldier” 1st Trailer Review!

A number of Marvel fans have been worried – understandably, to some extent – that the big budgets for the upcoming slate of Marvel Disney+ series won’t be enough to keep the shows from looking “too TV”, by which I assume they mean cheap and small-scale. The first trailer for WandaVision, which some viewers didn’t understand was intentionally aiming to replicate the low-budget practicality of classic sitcoms, only underscored those fears. But if nothing else, the first trailer for The Falcon And The Winter Soldier should be enough to convince even the most skeptical critic that these series will maintain a high level of quality, and cinematic visuals of which most movies would be lucky to boast.

The Falcon And The Winter Soldier feels the most like a traditional Marvel action movie out of all the Disney+ series we’ve heard about so far, but that’s not a knock on the series by any means. Rather, it feels like a continuation of the very best Marvel movies, specifically the latter two installments in the Captain America trilogy – as it should, since it follows Cap’s sidekicks in the aftermath of his surprise retirement and decision to pass the torch (or, well, the shield) to his longtime friend Sam Wilson. The fight scenes are fast-paced, tightly-edited, and visceral; the tone is that of an atmospheric spy thriller, with some natural buddy cop humor; and the characters are heroes we’ve grown to love – Wilson’s Falcon and Bucky Barnes’ Winter Soldier.

From what we’ve heard, the main conflict of The Falcon And The Winter Soldier revolves around a plot to usurp Wilson, a Black man, as the rightful owner of the shield and the new Captain America, by replacing him with a jingoistic white southern guy named John Walker. However, the trailer is still hiding many details pertaining to that storyline, and instead devotes significant screentime to a completely new supervillain played by Solo actress Erin Kellyman – whom we see sporting a black mask marked with a red handprint, and leading a team of ruffians, believed to be the anarchist militia group known as Flag-Smasher. It’s possible Kellyman’s character is also using the name Flag-Smasher as her supervillain identity: in the comics, this character is male, and a frequent opponent of Captain America, who represents everything he most despises. John Walker, on the other hand, appears just once in the entire trailer: making his debut at a hometown football game, to thunderous applause.

That being said, there’s no reason to fear that the series’ extremely political through-line has been watered down to avoid controversy: Falcon’s first line in the trailer addresses how the legacy of Captain America’s shield is “complicated”, an obvious reference to the storyline in the comics – which the show is believed to feature prominently – where an early and dangerous prototype of the Super Soldier serum was tested on Black men during World War II by racist doctors, mirroring the real-life horrors of the infamous Tuskegee “Study”, during which African-American men were subjected to syphilis and denied treatment even after it became available. Just as Loki is venturing into the realm of historical fiction, it seems The Falcon And The Winter Soldier will do the same, including important social commentary on issues of racism, white supremacy, and white privilege.

The trailer’s second biggest reveal has to be our first look at the island of Madripoor, a fictional nation located in the Indian Ocean and home to frequent battles between Marvel’s most notable heroes and villains in the comics. The Falcon And The Winter Soldier makes it looks very futuristic, a bit like Cyberpunk 2077‘s Night City, with a dark and mysterious criminal underworld supporting towering skyscrapers and hotels. Wilson and Barnes’ business in Madripoor is still unknown, but they appear to be undercover – probably hunting an enemy or looking to strike a deal with somebody shady. To fit in with Madripoor’s clubbing scene, it seems Wilson has a brand new outfit, including a bright red jacket with golden tracery that we’ve seen in set photos, but which looks even better under proper lighting. Bucky’s idea of a disguise is a basic haircut (which, to be fair, looks pretty decent now); at least Wilson has some style.

The action set-pieces are to die for (and I assume that, in a series as gritty as this one looks to be, lots of characters will die): we’ve got motorcycle chases, fights on top of trucks, brutal one-on-one duels, and plenty of high-flying stunts thanks to Falcon’s trusty pair of wings, which look more fast and flexible than ever before. To tell the truth, I’ve always thought Falcon’s wings looked cumbersome in past Marvel appearances – so whether he’s actually tinkered with the suit to produce better results, or if the CGI is just better, this is definitely an upgrade. Bucky’s vibranium arm, courtesy of Wakanda, is still…just an arm: I hope we get to see some of its other cool features at some point, because Wakandan tech is usually a lot more reliable.

Suffice it to say, there’s a lot of stuff I think is still being kept from us, and this first look is just the tip of the iceberg. The Falcon And The Winter Soldier will premiere in March, leaving plenty of time for us to get another trailer, presumably while WandaVision is still airing.

Trailer Rating: 8/10

February 20, 2020February 25, 2020

“The Falcon And The Winter Soldier” Can – And Should – Rewrite MCU History!

Since the day it was first announced, we’ve known (or at least strongly suspected) that the upcoming Disney+ miniseries The Falcon And The Winter Soldier will tackle some very controversial topics, that are likely to rile up certain viewers: the series will follow Sam Wilson, a black man, as he goes up against a white southern conservative “hometown hero” in a battle for the metaphorical mantle of Captain America. That alone is going to be enough to send social media into a frenzy when the show premieres this August. But a new rumor hints that Wilson might not want the mantle anyway (at least not initially) – and the reason why will rock the MCU to its foundations.

This rumor, tied into the recent casting of Supergirl actor Carl Lumbly in a key role, indicates that a dark and troubling secret about Captain America’s origins will be unearthed in the six-part series, and that this secret could deeply affect Sam Wilson. Imagine, for a moment, that the super soldier serum that turned Steve Rogers, a scrawny white kid from Brooklyn, into the massive, muscular guardian of American values, had been used on other men during the same time period, but with very different results. Imagine if these men had been injured, both physically and mentally, by the strenuous tests and experiments they went through, some to the point of death or suicide, and had received no compensation – much less recognition – for their sacrifices. Imagine if these men, who would of course be covered up by the government and kept secret for decades, were black.

Carl Lumbly a.k.a. Isaiah Bradley — jamaicans.com

In the comics, this is exactly what happens to men like Isaiah Bradley, who gave up their lives and livelihoods to become unknowing test subjects for the dangerous super soldier serum. 1940’s America being 1940’s America, these tests were carried out on people of color. Bradley’s character is based off the men who barely survived the unethical Tuskegee syphilis experiment, after being exposed to a then-untreatable virus and withheld medical aid for years. In the Marvel Cinematic Universe, Bradley can become the representative of these men, and their families and loved ones – at least metaphorically. He will also expose the horrific truth behind the creation of America’s most glorified hero.

In the comics, the experiments on Bradley and other African-American men were initiated after Steve Rogers’ creation, meaning that despite having nearly identical powers, Bradley is still considered the “Black Captain America” on the page. In the MCU, it’s unclear whether Marvel will go with that version of the story, or instead rewrite history still further and reveal that Bradley’s transformation happened before Rogers’, making Bradley Captain America, period. Either way, unless Bradley’s story occurs in flashbacks, it’s likely that the side effects of the serum will explain how he survives into the present day. We have no idea yet whether Bradley, as in the comics, will be left paralyzed and brain-damaged by the serum.

Additionally, the introduction of Isaiah Bradley will open the door to another important Marvel character: Bradley’s grandson, Elijah, who possesses powers very similar to the two Captain Americas, and is the only member of the Young Avengers team still unaccounted for in the MCU.

The uncovering of all these secrets is certain to cause ripples – not only does it force us, the audience, to retrospectively re-evaluate all of Steve’s accomplishments, but it forces Sam Wilson to rethink what he wants to do with the Captain America legacy: in particular, the star-spangled shield that will likely pass through several different hands over the duration of the show. Either he can give it up willingly, in light of the new revelations, or he can fight to reinvent the symbol and what it stands for.

Captain America Shield — wallpapercave.com

What would you do, in Sam’s place, and what do you think he will do, assuming this rumor turns out to be true? Share your thoughts, theories and opinions in the comments below!