Marvel Archives - Page 5 Of 43 - The Wide Screen

September 6, 2021

“What If…?” Episode 4 Goes Fully Dark, And It’s Marvelous

**SPOILERS FOR WHAT IF…? AHEAD!**

Although What If…? hasn’t ignited the same level of heated discourse or enthusiastic speculation as any of Marvel’s live-action Disney+ series’ (a sad testament to the fact that animation is still viewed by many fans as somehow inherently less canon), last Wednesday’s episode had become the subject of intense scrutiny after it became widely known that it would focus on the character of Doctor Stephen Strange…specifically, a dark and twisted version of him who goes by the title of Doctor Strange Supreme (Benedict Cumberbatch).

This was largely because, coming off the first trailer for Spider-Man: No Way Home, one of many theories given for Marvel’s inconsistent characterization of Strange was that the Master of Mystic Arts had somehow been replaced by an evil doppelgänger from the Multiverse (or by Mephisto; yep, we’re doing that again). It’s a good theory: as a Doctor Strange fan baffled by some of his actions in the No Way Home trailer, I really like it. And then lo and behold, here comes What If…? with an entire episode built upon that very concept.

Now having seen the episode in question…yeah, I’m pretty sure this is another WandaVision situation where we played ourselves. I still love the evil Doctor Strange theory, mind you, and I’m not writing it off until we see how Doctor Strange Supreme’s character arc continues across What If…? season one, but I don’t know if there’s any real connection to No Way Home. And that’s okay, because like the WandaVision finale, What If…? episode four is great storytelling first and foremost.

Some of that is perhaps attributable to length: this episode is the longest of the four by a minute or two, and it enjoys a steady pacing that feels urgent without becoming frantic. But what sets it apart from the rest of What If…?, and elevates it to a place alongside WandaVision and the most sophisticated episodes of Loki and The Falcon And The Winter Soldier, is the mature tone it’s able to capture. The episode earns and owns its darkest moments with a forcefulness that was once severely lacking from the franchise, and a sensitivity that evolves from WandaVision‘s nuanced handling of discussions about death and grief.

Usually, it’s Star Wars that’s not afraid to get bleak and depressing, even in their animated shows aimed (at least initially) at kids. But watching Doctor Strange Supreme lose his sanity, his soul, his loved ones, and ultimately his entire universe in a desperate attempt to cheat death that ends with him trapped in the crystallized remnants of what was once a timeline, begging What If…?‘s dispassionate narrator The Watcher (voiced by Jeffrey Wright) for mercy, demonstrates quite powerfully that having an anthology of self-contained short stories in which to explore risky ideas can only be a good thing creatively.

The episode doesn’t even wait that long to go fully dark. The Nexus Event that kicks off Doctor Strange Supreme’s alternate timeline is the death of his girlfriend, Doctor Christine Palmer (Rachel McAdams), in the first few minutes. It’s admittedly an odd change, given that it relies so heavily on a chemistry between the two that was…never really there in Doctor Strange, but in this timeline apparently Strange really loves Palmer. The two surgeons are therefore on their way to a romantic dinner date when Strange’s car goes flying off a cliff – but in this timeline, Strange is miraculously unscathed and Palmer dies.

At first, this change doesn’t appear to have major ramifications: Doctor Strange still becomes a sorcerer and fights Dormammu (and somehow still survives that astral plane battle in the hospital where Christine saved his life in the original movie). It’s only when he gets his hands on the Time Stone that things take a turn for the worse, as Strange tries to revisit the moment of Palmer’s death and reverse it, only to discover that no matter what he changes in the past, all he does is weaken the integrity of his own universe. Christine still dies, over and over and over again.

And at a certain point, it starts to get really uncomfortable. Christine dies multiple times in the car crash, even when Strange has her drive. She dies of food poisoning the one time they actually make it to their destination. She gets shot dead in a pizza parlor when Strange picks a different location for their date. She dies in a random fire the one time he tries to abandon her for her own sake. It’s a lot, honestly. And maybe if Christine were actually a three-dimensional character, it wouldn’t be so questionable, but neither live-action nor animation did a very good job of fleshing out her personality and interests.

The problem only grows exponentially worse when the Ancient One (Tilda Swinton) explains that Christine has to die…in order for Strange to become a sorcerer. It’s a textbook example of “fridging” – killing a female character solely to motivate a male character. There’s no attempt to subvert this trope, or even to comment on it. If anything, it only opens a frightening new can of worms because the Ancient One suggests that the universe itself needs Christine to die for Strange to rise. The Nexus Event caused by her death is referred to as an Absolute Point in Time that cannot be changed or undone without destroying the universe, and it’s left somewhat unclear why that is.

Because if the whole point of Christine dying is to make sure Strange becomes a sorcerer, then it really shouldn’t matter how he gets to that point – just like it doesn’t seem to matter how Christine dies, only that she does die. I can totally get behind the idea that Doctor Strange is such a powerful mystic force that he (or some version of him) needs to exist in every universe and timeline; I don’t fully understand why his journey need be written in stone, especially since we know that other universes don’t require Christine’s death. Doesn’t that also throw out everything Sylvie and Loki did in the name of restoring free will to the Multiverse?

Interestingly, if Doctor Strange is so powerful that his universe literally balances upon him, that suggests he could be one of the MCU’s “Nexus Beings”, a group of characters in the comics who are considered the cornerstones of their respective timelines. Doctor Strange hasn’t been portrayed as a Nexus Being in the comics, but What If…? indicates that his power and influence puts him right up there alongside Kang the Conqueror, Vision, and the Scarlet Witch, all of whom are Nexus Beings in the comics and most likely in the MCU as well.

On that note, What If…? just might answer the burning question of what Scarlet Witch will be up to when we next meet her, in Doctor Strange And The Multiverse Of Madness. You’ll remember that Wanda Maximoff’s transformation into the Scarlet Witch during the WandaVision finale required her to absorb a large part of Agatha Harkness’ own magic and life-force into herself, weakening Agatha to the point of exhaustion. At the time, it seemed like a fairly simple way to incapacitate the witch. But What If…? reveals that power absorption has side effects, both good and bad. Mostly bad.

In the latest episode, Doctor Strange Supreme’s mission to bring back Christine leads him to the lost library of the ancient sorcerer Cagliostro, who was apparently one of the few people capable of undoing an Absolute Point in Time…but only by absorbing the powers of even greater mystical entities. Strange’s attempts to master this technique are not without some success (he gains the power he seeks, even if ultimately his universe implodes before he can spend more than a few moments with the resurrected Christine), but the experience transforms him into a horrible monster as he takes on the attributes of each creature he absorbs into his body: whether that’s a dragon, or the tentacled beast from episode one, or something that looks an awful lot like Mephisto.

It wasn’t until I rewatched the episode that I noticed the similarities to how Wanda’s first attempt at absorption also transformed her, albeit into a high-fashion sorceress rather than a grotesque demon. And that’s when I realized: if anyone in the main MCU timeline has reason to want to reverse an Absolute Point in Time, it’s Wanda. With the power she could gain from harvesting magical and cosmic forces far greater than herself, she could permanently undo the pain she’s experienced, and that her makeshift family suffered. She could even bring back her twin sons, whose voices she heard crying out to her in the WandaVision post-credits scene.

But first, she’d have to absorb a couple more beings – or perhaps, entire timelines and universes full of them. Good thing there’s an entire Multiverse gourmet buffet to choose from now, am I right? Maybe the demons and dark forces we once thought would be manipulating Wanda really ought to watch their backs because she could be coming to devour them. Though of course, the more powerful that Wanda grows, the more other entities will want to absorb her in turn…entities like, say, Mephisto. The possibilities are endlessly exciting, and I love how the MCU’s mystical side is developing its own complex ecosystem and food-chain.

Doctor Strange Supreme’s journey in What If…?, however, acts as a cautionary tale for anyone trying to obtain that kind of ultimate power. Consumed in his personal agenda, he neglects his duties to his universe and allows it to rot and die. He does bring back Christine, but she returns only to witness the end of all things as Strange Supreme’s timeline finally collapses, leaving him trapped in a purple orb. Strange Supreme will likely return in What If…?, but it’s still unclear how he’ll be rescued from his prison, or who would want to do so anyway. My best guess is that at some point, The Watcher will finally break his no-interference policy to save the Multiverse from an interdimensional threat, bringing several timelines together so that a new team of Avengers can form.

But for now, we leave Strange Supreme right where he deserves to be – and with the tone and atmosphere of What If…? altered irrevocably by his tragic ending, I can’t wait to see what dark and ominous tale of suspense comes next.

Episode Rating: 9.5/10

August 25, 2021

“What If…?” Episode 4 Is The Coulson Content I Needed Today

**SPOILERS FOR WHAT IF…? AHEAD!**

I appreciate that the premise of What If…? would suggest that anything is possible if you simply let a timeline spiral out of control, but let’s be honest: there is no timeline out there where I don’t start this review by penning some kind of heartfelt tribute to Clark Gregg’s Phil Coulson. Once an Agent, always an Agent.

It’s been a while since we’ve seen Coulson on our screens. The finale of Agents Of S.H.I.E.L.D. was only last year, bringing a (temporary?) end to the adventures of Coulson and his crew after seven incredible seasons…but technically the original Phil Coulson died at the end of season five, and was then replaced by a Life Model Decoy with all of Coulson’s memories, so you could say the last time that we’ve really seen Coulson – like, the OG Coulson – was in Captain Marvel, where he showed up briefly in sequences set during the 1990’s. Until today, that had been his last appearance in the MCU proper (since Agents Of S.H.I.E.L.D. is still considered to be on the fringes of MCU canon).

But the MCU keeps finding creative new ways to bring Coulson back, and at this point it’s getting mighty suspicious given all the recent rumors about Clark Gregg boarding the Secret Invasion Disney+ series (he skillfully avoided an interviewer’s question on the topic just the other day, using the kind of vague language that usually means the interviewee is wary of revealing too much). The MCU proper hasn’t ever addressed his first resurrection, the one that launched him from an untimely end in Avengers to a fresh start on Agents Of S.H.I.E.L.D., so all of his post-Avengers appearances in the MCU have been flashbacks, but things are starting to look up.

And who could resist bringing Coulson back into the MCU proper, after watching his performance here and seeing how his character continues to connect with fans? What If…? itself didn’t trend on Twitter this morning: but Coulson did, and even cracked into the top ten trends. Agents Of S.H.I.E.L.D. fans like myself were just happy to see him again, and MCU fans who don’t watch the “non-canon” TV shows were enthused because they barely got to know Coulson in the movies. Clark Gregg, meanwhile, is at the top of his game in What If…?, delivering rapid-fire humor and characteristic charm.

One of the great things about Coulson’s character is that he’s constantly evolving. He’s died and been resurrected so many times he makes it look like an Olympic sport, but every time he’s been brought back to life Gregg finds something new to bring to his performance. Today’s episode of What If…?, for instance, highlights an unexpected story element that Gregg apparently had a lot of fun with – Coulson having a crush on Thor (this has led to a lot of confusion online because some fans jumped to the conclusion that he was gay. I can easily believe that Coulson is bisexual or pansexual, but I will not be accepting any erasure of his slow-burn romance with Melinda May).

Anyway, Coulson’s ability to cheat death time and time again is a quirky bit of meta-context to have going into this episode, which is centered around the subject of death, rebirth, and the encouraging thought that some hopes and dreams can never really die….even if all but one of the original Avengers are murdered in a string of killings that range from unsettling but family-friendly (like Thor being impaled by a rogue arrow) to downright freakish (I’m sorry, did The Hulk just inflate and spontaneously combust?). And in What If…?, the dead stay dead.

Based on the events of that fateful week between Iron Man 2, The Incredible Hulk, and Thor, today’s episode envisions an alternate timeline where a serial killer haunts S.H.I.E.L.D., specifically targeting each of the candidates on Nick Fury (Samuel L. Jackson)’s Avengers Initiative shortlist for mysterious reasons. This timeline’s Nexus Event is the sudden murder of Tony Stark (voiced by Mick Wingert).

Or at least, so you’re led to believe throughout most of the episode. The big twist is that this timeline had actually branched much earlier, but where the episode falls apart as a good whodunnit mystery is that the twist (which could have been really well-done) relies on so much information that is nowhere discernible through any previous clues that it just comes out of left field, and feels totally unearned and frustrating because how was anyone supposed to guess that in this universe Hope Van Dyne of all people was recruited by S.H.I.E.L.D. and killed on a mission, or that her father Hank Pym (Michael Douglas) went off the deep end because of it?

It’s no fun to try and play along with a mystery where the answer is designed to be totally random, but at least the lead-up to the twist is thrilling and suspenseful – largely thanks to Lake Bell voicing Black Widow with a nearly-perfect blend of the wry humor sported by Widow in her earliest MCU appearances and the nuance and depth that only crept in later. She still dies by the end, but at least that fate is shared by all of her teammates so she doesn’t feel quite as singled out in What If…?. The lack of Scarlett Johansson’s voice is noticeable, but Bell is an experienced voice-actor with a lot of flexibility and range, so it’s not egregious.

More than ScarJo, what’s missing from Bell’s Black Widow performance is a great animated action sequence that really puts you back in that 2010 headspace when Black Widow was still a lethal spy and assassin who used her wits to get the upper hand in a fight. She does break out of the back of an armored van, but we barely get to see her in action there. And her final one-on-one fight with Hank Pym in a darkly-lit library is eerie and intense, but not exactly flattering to the Widow given that she’s not able to land a single punch or kick on Pym before dying (and yet somehow in the Black Widow movie, she’s able to survive a fall from the stratosphere).

A more evenly-balanced fight ensues at the end of the episode, when Hank Pym suits up in the Yellowjacket armor to duel Nick Fury over his daughter’s grave, only to get more than he bargained for when he realizes that Nick Fury is actually Loki (Tom Hiddleston) in disguise. Out of context that probably sounds even weirder than Hank Pym turning into a serial killer (to be honest, that character regression totally tracks; it’s just poorly-handled), but the fight is well-established, allows for an interesting clash of science and magic, and highlights three characters who have never been very action-oriented in live-action.

But Fury’s alliance with Loki quickly disintegrates when the God of Mischief decides to stick around on earth and simply…take over. With no Avengers ready to challenge him, his conquest is swift and decisive, and it could have ended the episode on a really sour note were it not for another twist: Fury calls in Captain Marvel (voiced by Alexandra Daniels) as back-up. And just as things are getting really interesting, that’s where the episode ends abruptly.

Now, I know last week’s episode kind of did the same thing, but that was left a little more open to interpretation. The threat of Ego didn’t necessarily feel urgent. This plays like the first half of a two-parter, and I’m left wondering where’s the second half where Nick Fury and his new Avengers take on Loki and the entire Asgardian army. You can’t just tease the possibility of war between gods and mortals, and then not follow through with that! My desperate hope is that the episode of What If…? that was reportedly moved from season one to season two because of time-constraints is the one that picks up this story thread again.

As is, this is a decent episode; nothing more. Seeing Coulson again made me happy, but honestly I think the people most likely to get a kick out of this episode are the three or four die-hard fans of The Incredible Hulk. Not only does What If…? recreate an iconic moment from the much-maligned Universal movie with Mark Ruffalo’s Bruce Banner supplanting Edward Norton’s version, but the character of Betty Ross shows up for the first time in official MCU canon. Much to my dismay, Ross is not voiced by Liv Tyler (Stephanie Panisello takes the role instead), but hopefully this clears the last hurdle that prevented Tyler from returning in the She-Hulk series; her character’s disputed canonicity.

Ah, well. Perhaps, taking a page out of Coulson’s book, this storyline could pop up again somewhere down the line when we least expect it, and we might even get to see Nick Fury’s new Avengers in a future episode or season of What If…?, with Captain Marvel, Captain America, Betty Ross, and/or whoever else makes the cut. Never say never, am I right?

Episode Rating: 7.9/10

August 24, 2021

“Spider-Man: No Way Home” 1st Trailer Review!

Considered by many the Holy Grail of long-awaited movie trailers, the first official teaser for Spider-Man: No Way Home finally dropped last night after several tiresome months of pleading from fans; and much like the Holy Grail itself (at least if Indiana Jones And The Last Crusade is to be believed), it’s maybe not the flashiest thing in the world. Not, in my opinion, deserving of all the drama that surrounded its release and its premature leak. But at this point, I honestly don’t think the content of the trailer mattered that much. This thing was going to be big no matter what, simply because of the hype that had been built up around it, and the potency of name recognition.

Now, as sacrilegious as it may be to write these words, Spider-Man: No Way Home is not one of my most-anticipated MCU movies; not even close. I’m excited for all the Multiverse stuff because that’s more my groove, but it’s the thought of everything in between involving the unrealized potential of Tom Holland’s Peter Parker that gives me pause. I’m happy for everyone who’s happy to see that version of the character again; I’m just more intrigued by the ~~possibility~~ certainty of Tobey Maguire and Andrew Garfield appearing as Variants of Peter Parker pulled from their own universes into the MCU timeline.

And this trailer gives me just enough of what I needed to hold my interest in No Way Home – Multiverse shenanigans involving all our favorite past iterations of iconic Spider-Man characters who have somehow never been reinvented for the MCU. Alfred Molina returns as the 2004 version of Doc Ock from Spider-Man 2, looking just as fabulous as always even though his mechanical tentacles are very obviously all CGI this time around, and we don’t really get a clear shot of them. We can hear Willem Dafoe’s Green Goblin laugh for the first time since 2002’s Spider-Man, and he’s even still using his original pumpkin-bombs. There’s hints to Jamie Foxx’s Electro, Sandman, and a blurry shape that is possibly Lizard.

That’s a pretty awesome team of super-villains right there, just one member short of a true Sinister Six line-up. For Tom Holland’s sake, I hope one of his own villains completes the team; preferably Mysterio. It would be kind of awkward if in two whole solo movies he didn’t have a single villain worthy of making the cut. But that could be attributable to the fact that the MCU uses Spider-Man mostly for crossover events, and doesn’t put nearly as much effort into fleshing out his own corner of the universe. Even his solo movies have become crossover events, and Spider-Man: No Way Home is going to be the biggest one yet.

And unfortunately, Peter Parker had to go and rope Doctor Strange into his mess. The danger of crossover events is that directors and writers get to take a stab at characters they don’t usually direct or write, and it leads to…very weird inconsistencies. Like Doctor Strange apparently risking the stability of the cosmos for the sake of a teenager whom he vowed he would kill if it meant ensuring the stability of said cosmos just a few months before this film is set. And I genuinely cannot believe the number of people I’ve seen defend this plot point adamantly, claiming that it makes sense because Doctor Strange…texted while driving in his first movie. It’s funny, because I seem to remember that moment being the impetus for a whole lot of character development that pushed him to become the antithesis of everything he had been, but I guess that can all be ignored now?

On the flip-side, you can just have fun and make wild theories about how this Doctor Strange is possibly a Skrull shapeshifter, or Mysterio disguised by one of his illusions, or the evil Doctor Strange Variant whom we’re about to meet in What If…?, or even Mephisto (who at this point has become so widely-known, even among general audiences, that I think Marvel has to use him somewhere down the line). That’s what I plan on doing, because the thought of Doctor Strange actually having his entire personality rewritten to suit the plot of a Spider-Man movie is disheartening.

But I wouldn’t put it past Jon Watts to do that. His weak direction and lack of vision is consistently a major problem with the MCU’s Spider-Man franchise, and that’s what terrifies me about the future of the Fantastic Four under his guidance. I really liked Spider-Man: Far From Home when it came out, and I’m sure that somewhere on this blog you can still find a review where my younger self rambled on for hours about how it was the best MCU movie of all time, but…my thoughts on that film have changed somewhat in the intervening two years. I still think Tom Holland is very well-cast, but the writing he’s burdened with does him no favors.

And all that being said, I’m still excited to see him share the screen with Tobey Maguire and Andrew Garfield, because he’s still Spider-Man. The thing about the Spider-Man brand is that no matter how many iterations of the character there may be (and there have been a lot), the iconic image of the webslinger is already too firmly etched into the public consciousness to be disrupted by even the worst film adaptation. We all have our own version of Spider-Man that comes closest to matching that timeless ideal – for me, it’s probably the version who cameoed randomly in old episodes of The Electric Company – and that’s a wonderful thing. So celebrate it, and enjoy the trailer.

Seriously, it’s got Doc Ock. If nothing else, celebrate that.

Trailer Rating: 7.5/10

August 19, 2021

Gods And Monsters Clash In “Eternals” 2nd – And Final – Trailer

There’s been some speculation for a while that, given the unyielding November release date for Eternals, Marvel might be positioning their grand epic of gods and monsters for an awards season run. They got all the way to a Best Picture nomination at the Oscars with Black Panther, and won three awards there in other categories, so we know it’s not impossible. But can Eternals match that film’s success in a field where Marvel has traditionally been excluded, or even improve on it?

If Marvel’s ultimate goal here is nominations or wins in any of the “Big Five” Oscar categories (Best Picture, Best Director, Best Screenplay, Best Actor, and Best Actress), then they’ve already got a tried-and-true weapon in their arsenal: director Chloé Zhao, who plowed through the last awards season like a juggernaut, picking up a string of Golden Globes, BAFTAs, and Academy Awards for her introspective drama Nomadland. Her signature style and name is all over the second and final trailer for Eternals (somehow we skipped right from teaser to final trailer), which was released today at a time beneficial to the West Coast.

That signature style of Zhao’s relies heavily on her affinity for stark, unforgiving natural environments, and her sensitive use of natural light: so from the moment this trailer opens with Salma Hayek’s Ajak traveling by horse across a barren plain with cloud-speckled skies above her, you know Zhao is going to be bringing all of that to the unconventional source material. And this marriage of Marvel’s earth-shattering spectacle with Zhao’s indie filmmaking techniques and stripped-back sensibilities is perfect for the story of Eternals itself; of otherworldly beings accessing the hidden depths of their own humanity, and becoming one with the people of Earth whom they’ve loved from afar for seven-thousand years.

The Eternals, as it turns out, have one job and one job only on Earth – to eradicate a horde of demonic chimeras known as the Deviants. But it seems they may have been a little too good at that: because in the modern day, post-Endgame, the Deviants have been in hiding for millennia and the Eternals have been forced to wait around until they return. Since they’re not supposed to interfere with human affairs that don’t involve the Deviants, that’s forced some of them into an uncomfortable position where they can only watch from the sidelines as humans tear themselves to pieces. Some have already broken the rules entirely and gone to live among the human race, while others have retreated into themselves.

And then there’s Angelina Jolie’s Thena, who I think might secretly be the most important character in the movie. Her mission, as the greatest warrior among the Eternals, was always to lead the charge against the Deviants; but for her, there’s another layer to her internal conflict. While many of the Eternals fell in love with humans and abandoned their divine purpose, Thena is the only one who fell in love with a Deviant – and not just any Deviant, but their leader, a tentacled eldritch being named Kro. I wasn’t sure if this would be carried over from the comics, but the trailer shows Kro lifting Thena into a tender embrace and caressing her face in a way that is equal parts disturbing and…no, actually, it’s just straight-up disturbing. There’s a lot of tentacles going on.

Her teammates have done a bit better for themselves. The matter-manipulating sorceress Sersi is entangled in a love triangle between her Eternal husband Ikaris, from whom she’s now estranged, and Kit Harington’s Dane Whitman – who finally gets to talk in this trailer! We don’t get to see Phastos’ partner, but we know he’s supposed to be Marvel’s first openly gay character, and that he has a husband in the film. As for Kumail Nanjiani’s Kingo, he’s just living his best life as a Bollywood movie-star. Makkari, Marvel’s first deaf superhero and a speedster who travels by leaping, also seems pretty comfy on Earth, but we haven’t seen much of her lifestyle yet.

On the flip-side, we can see that Ajak mostly keeps to herself and avoids interactions with humans, while the brooding telepath Druig has started a cult in the woods where he mind-controls people – definitely a healthy way of channeling boredom into productivity. Sprite, who is permanently trapped in the body of a child, seems to have entered her gleefully nihilistic phase of wanting the world to be destroyed so that she can finally be released from her humanoid vessel. Even space-gods in the MCU need therapy, it turns out.

But Sprite might be close to getting her wish, since it seems that another group of divine beings known as the Celestials are on their way to Earth to review the Eternals’ accomplishments and pass judgment on the planet as a whole. The Celestials are the gods whom the Eternals serve, and in Marvel Comics lore they’re actually pretty important – but this trailer provides our first good look at them since a flashback in Guardians Of The Galaxy. They’re massive geometrical creatures rendered in vibrant jewel-tones, straight out of the pages of a Jack Kirby comic. I also have a hard time believing they can be killed by mere Eternals, so I suspect the resolution to that storyline will involve the Eternals pleading with the Celestials on behalf of the human race rather than fighting them in some big space-battle.

I can even think of a way to achieve that which would be comics-accurate and visually stunning. In the comics, the Eternals have the power to sync up their minds and become one being comprised of pure light, known as the Uni-Mind. The Uni-Mind embodies all of them at once, and as such would be the perfect vessel for an exploration of the interconnectedness of humanity.

And I’d be here for it, just saying. Based on everything we know about Eternals, it’s the kind of film where it wouldn’t feel jarring to have it end with a dramatized outpouring of raw emotion, as overly earnest as that might seem on paper. If anyone could pull it off, it would be Zhao, whose love for the planet and respect for ordinary people defines so much of her work. And it would certainly give the film that emotional punch it’ll need if it’s gonna be a serious contender during awards season.

Trailer Rating: 8.5/10