Taika Waititi To Direct “Thor 4”!

It’s official: Marvel’s Phase 4 line-up will include a fourth chapter in the saga of Norse thunder-god Thor Odinson, continuing on from what was previously believed to be the character’s final solo outing back in 2017, in Thor: Ragnarok. This is huge news – presumably, Marvel wanted to keep it secret for just a few days longer until they could reveal it at San Diego Comic Con, but word has gotten out prematurely.

This is something that a lot of fans have been pushing for, ever since Ragnarok, which proved to be Thor’s most popular film by far, both critically and financially. New Zealand director Taika Waititi brought a fun, zany flair to the character and invigorated what had been one of Marvel’s more stagnant franchises, paving the way for Thor’s hugely expanded role in Avengers: Infinity War, and in Avengers: Endgame. Chris Hemsworth is expected to return to the role, having already admitted that he wants to continue making Thor films, and that he, Waititi, and fellow co-star Tessa Thompson, have all discussed the possibility of a fourth film. Waititi has also been attached to Thor 4, and has in turn delayed production for his live-action Akira anime adaptation for Warner Brothers (poor WB).

As for the plot, that is still completely unknown, but there’s a lot of theories. Thor is expected to at least have a supporting role in the next Guardians of the Galaxy movie, since he joined their team at the end of Avengers: Endgame and was already thinking about renaming the group the “Asgardians of the Galaxy” – something which Guardians director James Gunn has already said won’t be happening: then again, considering that Gunn was recently fired from Disney and is still recovering from his own scandals, he really shouldn’t be calling the shots. But anyway, anything could happen in that film that could affect the plot of a Thor 4.

Another thing to consider is that a fourth film for Thor might not be set in his established homeland of Asgard (since it was destroyed), or even New Asgard, his colony on Earth (since he went off to space). And it also might not include much of the character’s usual supporting cast: aside from Thompson’s character Valkyrie, the rest of them are all kind of…dead. Odin is dead, Loki is dead, the Warriors Three are dead, Heimdall is dead, Lady Sif is just gone, Jane Foster isn’t coming back because Natalie Portman doesn’t want to come back, Hela is supposedly dead (though she’s the Goddess of Death, so I don’t know how that works). This could open the possibility of Thor starting over completely from scratch and gathering an entirely new cast, or it might mean that some of these characters will have to be resurrected. In the case of Loki, that’s not impossible: the trickster god is getting his own Disney Plus series, which suggests that his death in Infinity War was not entirely permanent. As for Hela, she was such a formidable villain, and Cate Blanchett is such an incredible onscreen presence, it seems a waste not to bring her back (especially since we never got to see her as Lady Death, something fans were hoping for before Infinity War came out). Maybe we could even get Jeff Goldblum’s Grandmaster to return for a brief cameo.

So what do you want to see? Are you happy that Waititi is returning to direct the film? How do you think Warner Brothers must feel about this? Leave your thoughts in the comments below!

Millie Bobby Brown Joins Marvel’s “The Eternals”!

Millie Bobby Brown, the teenage star of the hit Netflix show Stranger Things is enjoying what is hopefully only the promising beginning of a long career in the entertainment industry: she is still best known for her work on the show, since her film roles have tended to…not go quite as well. This year’s Godzilla: King of the Monsters is a good example – Brown was supposed to be one of the film’s main selling points, but wasn’t enough to garner any critical or, crucially, financial success for the film, which flopped.

Now, as people begin to wonder how long Stranger Things can last (I’m going to guess that, as long as it keeps drawing in record audiences, it will last for a long time), Brown is turning her attention to the movie industry with new fervor. She’s already snatched up the lead role in Enola Holmes, a film about the crime-solving younger sister of famous fictional detective Sherlock Holmes, who will be portrayed by Henry Cavill. And, according to one very peculiar reference in an article by Variety (I’ve noticed that Variety does this a lot), Brown might also be on her way to joining the Marvel Cinematic Universe.

The article in question talks about what Marvel will be showcasing at their eagerly-awaited Hall H presentation for San Diego Comic Con. Obviously, the event will be huge, but the article itself seems, at first glance, to just recap what we already guessed. Marvel president Kevin Feige will be there, and will officially announce projects such as Black Widow, Doctor Strange 2, Black Panther 2, Guardians of the Galaxy Vol. 3, and The Eternals“which has been widely reported to star Angelina Jolie, Kumail Nanjiani and Richard Madden, as well as “Stranger Things” lead Millie Bobby Brown”.

Say what now?

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It’s entirely possible that Variety has confirmation of this casting, and just decided, for whatever reason, to randomly drop it as an aside in an article about Comic Con. As I said, they do that sort of stuff a lot. But it is interesting that they don’t actually reference any sources, saying instead that these are just the cast-members “widely reported to star”. Is that confirmation or what? Considering that Brown is currently at the peak of her popularity, wouldn’t it have made sense to, I don’t know, address this major casting announcement in a separate article?

It doesn’t even seem possible that they would be basing this information off the rumors going around a few months ago that Brown had been cast in The Eternals, rumors which Brown herself strongly denied, claiming she didn’t even know what The Eternals was, and that the rumors were “a waste of time”. But, then again, this is not the first time Brown has been associated with Marvel – back in 2017, she was seen visiting Avengers directors Joe and Anthony Russo while they were filming Infinity War and Endgame: and interestingly, a lot of rumors were going around before Endgame‘s release that two characters from The Eternals would be in in the film, specifically in a post-credits scene. It’s important to note that one of these two characters was rumored to be a teenage female, known as “Piper”.

If Brown has been cast as “Piper”, whoever that may be, she will not be the first Stranger Things star to join the Marvel Cinematic Universe: David Harbour, who play Brown’s character’s father on the show, was cast in the upcoming Black Widow movie, also in an undisclosed role.

So what do you think? Is this a slip-up by Variety, or has Millie Bobby Brown actually been cast in The Eternals? How would you feel about this casting? Leave your thoughts in the comments below, and be patient: all will be revealed at San Diego Comic Con!

“Spider-Man: Far From Home” SPOILER Review!

If you haven’t seen Spider-man: Far From Home yet, make sure you get out of here and into a theater now, because you don’t want to miss it, and you definitely don’t want to get spoiled!

I have a feeling that the spoilers are, in large part, what make Far From Home such a fun movie: as I wrote in my nonspoiler review, it’s virtually impossible to talk about the film without giving anything away, because there are dozens of little shocks and surprises, not to mention a couple of huge, mind-blowing plot twists. And we can talk about them all now! We’ll discuss them in order of importance.

Surprisingly, one of the smallest, most insignificant surprises in the movie has to do with the consequences of Avengers: Endgame – or, rather, the lack thereof. The film opens with an emotional tribute to fallen heroes of previous movies, set to Whitney Houston’s “I Will Always Love You”, which then gives way to some exposition about what happened after Endgame: namely, the moment at which half of the human population suddenly reappeared. Unfortunately, this is all covered in a matter of seconds, with just one quick shot of dusted highschool students suddenly reappearing on the basketball court where they had been dusted five years earlier by Thanos’ infamous Snap. Thanos would be outraged to hear that people have begun calling this moment…the Blip. It’s a dumb name, and it does kind of undermine the huge drama of Endgame, but it is exactly what people these days would call such an event – a blip, a minor nuisance for those who were dusted.

But let’s talk about that, actually. In Far From Home, we mostly see things from the perspective of those who were Dusted, and have since Blipped back into existence, five years later, but still the same age. Peter Parker (Tom Holland), and all but one of his classmates were victims of the Snap, as was Peter’s Aunt May (Marisa Tomei). Leaving aside the fact that this is highly implausible considering that the Dusting was random and indiscriminate, these characters all have something in common, something I couldn’t quite place a finger on while watching the film: entitlement. The Dusted make up the vast majority of this film’s cast, and almost all of them have the same attitude of nonchalance and, dare I say, arrogance. They died and came back to life, but for them, the entire span of time between the Snap and the Blip was a matter of minutes: meanwhile, in the world around them, people have gotten married, had kids, died. One Dusted character comments on “how weird” it is that his younger brother is now older than him, but why don’t we stop to think about how it must feel for that younger/older brother, who has probably been dealing with emotional trauma, possibly even living as an only child, but now has to re-adapt to life with a sibling? The film only focuses on one character who survived the Dusting and has grown up in the intervening five years – Brad Davis (Remy Hii), who is treated throughout the film as a threat to Peter’s relationship with MJ (Zendaya), and something of an antagonist. But it’s the Dusted who actually come off as ungrateful and selfish, willfully endangering their lives time and time again. A lot of people wondered why, if Peter had just been Dusted, Aunt May would immediately thereafter let him go on a field-trip to Europe. Well, because Aunt May was just as dismissive of the Snap as any of the Dusted: sure, she had a funny experience where she reappeared in her old apartment only to discover that a new family had moved in – but she still got the apartment back, didn’t she?

Anyway…while we’re on the subject of Aunt May, let me move on from my angry tirade – May is not an important character in the film, but she does have a very adorable flirtatious relationship with Tony Stark’s aide, Happy Hogan (Jon Favreau). And at the end of the movie, when Peter confronts them and asks for the truth, May breaks Happy’s heart by revealing that it wasn’t meant to be a serious relationship – just a fling. Hopefully May rethinks that, because these two made one cute couple (honestly, when you think about it, it’s another example of how ungrateful the Dusted are).

Happy isn’t the only constant reminder of Tony Stark in Far From Home: aside from a brief mention of Tony’s wife Pepper Potts, there’s also some new surprises. We learn early on in the film that, before his death, Tony built a pair of glasses which control the hugely dangerous E.D.I.T.H (Even Dead, I’m The Hero) technology: this includes an almost infinite supply of killer drones and some really scary satellites orbiting the planet. Naturally, he also entrusted these glasses to Peter Parker, a scared and overwhelmed teenage boy. Just like any of Tony’s creations, these E.D.I.T.H glasses can be used for good or bad purposes – Peter makes this clear when he accidentally uses them to call a drone-strike on his rival, Brad Davis: even worse, he then gives the glasses to Quentin Beck (Jake Gyllenhaal), a man he’s known for a couple of days – even though he does eventually get them back, the E.D.I.T.H drones also capture him on camera, killing Beck. We’ll get to that later, though.

First, let’s talk about Beck himself. This one honestly shouldn’t have come as a surprise: we learn about halfway through the movie that Beck, who seems really nice and friendly, is actually a mentally unstable con-man trying to get revenge on his former boss, Tony Stark, who he believes stole his life-work and gave him no credit. With a team of disgruntled former Stark Industries employees, Beck has created an elaborate smoke-and-mirrors ruse – he pretends to be from another world in the Marvel multiverse, a warrior hunting huge creatures called Elementals, which wreak havoc across Europe. In reality, the Elementals are all special effects, and Beck is hunting Peter Parker, trying to win him over with kindness and get the E.D.I.T.H glasses from him. Jake Gyllenhaal brings a lot of charisma to the role – and his abrupt transformation from sweet, gentle Quentin Beck, to the over-the-top theatrical villainy of “Mysterio”, as he calls himself, is handled with ease. Granted, the actual scene in which his evil plans are revealed is…not quite as great. Gyllenhaal has to dump a lot of exposition and backstory while monologuing to his henchmen, and the dialogue itself is a bit wooden – but the delivery is as good as it can be, and Gyllenhaal was clearly having the time of his life while filming. He reminded me a great deal of Count Olaf from A Series of Unfortunate Events in that one scene. And he was detestable: from his snarky smile to his outfit, I wanted to punch him in the face. I didn’t think he could get worse.

He got worse.

I mentioned in my nonspoiler review that fans of Peter Parker will be traumatized by this movie: I stand by that. After getting the E.D.I.T.H glasses, Mysterio learns that Peter and MJ have uncovered his secret identity and are trying to reach Nick Fury (Samuel L. Jackson) at a S.H.I.E.L.D office in Berlin. Mysterio lures Peter into a trap, using special effects and illusions to fool him into an abandoned warehouse where he tries to murder him. What follows is some of the most nightmarish and imaginative stuff I’ve ever seen in a superhero movie: a sequence reminiscent of the “A Friend Like Me” musical number in Aladdin – but with disorienting green fog, spiders, and hundreds of Mysterio clones instead of singing genies and magic carpets. There are moments of dead silence, where we follow Peter as he tries to find a way out of the CGI darkness, only to run into a graveyard where he is confronted by a zombie apparition of Tony Stark. There’s a scene where Peter is surrounded by mirror images of himself, which suddenly come to life and try to strangle him. It goes on for an excruciatingly long time, with no end in sight – there’s one point at which you think the illusion is over, when Nick Fury shoots Mysterio in the back…but that’s a deception too. And then Peter Parker gets hit by a train.

He survives this, of course. How, I don’t know, but at least he manages to finally break free from Mysterio’s illusions – watching Peter be tortured both physically and mentally, not knowing who he could trust or what he could do to escape: it was heartbreaking. I nearly cried when Peter climbed, bloodied and bruised, up onto the side of the speeding bullet-train. I nearly cried again when he was wandering, lost and confused, through a picturesque Dutch village. I did cry when he finally met up with Happy Hogan again: he was crying, I was crying.

Then Led Zeppelin started playing. That dried my tears pretty quickly.

One more thing about Mysterio before we move to the third act surprises: the whole concept of the Multiverse, teased in the first few trailers for the film – it’s all a lie, concocted by Quentin Beck’s professional scriptwriters. There is no rift between dimensions, no Earth 616 – as of right now, there is still only one reality in the Marvel Cinematic Universe, which is honestly fine by me. It does mean we can probably dismiss all those rumors about the X-Men or the Fantastic Four coming from an alternate world in the Multiverse.

Now, for the big battle at the end. This happens in London, on the Tower Bridge, where Mysterio uses the E.D.I.T.H drones to create one “Avengers-level threat” for him to single-handedly defeat. Things get a little messy when Peter Parker disables the drones and exposes the illusion, leading to an epic battle where Peter has to go through Mysterio’s nightmare world again in order to get to him. Meanwhile, his friends, such as MJ and Ned (Jacob Batalon) are trapped in a museum, using medieval weapons to take on the killer-bots: this is what I called a Disney-Channel moment in my nonspoiler review – it’s silly, but fun. In the end, though, no amount of plot armor was going to save those kids from being horribly murdered – it’s only when Mysterio shuts down E.D.I.T.H by himself, while trying to fool Peter into thinking that he’s surrendered, that the teens are able to escape. But here’s where things get really cool – and, again, traumatic. Mysterio falls back, seemingly humbled, telling Peter that he regrets everything. For a few moments, the audience is fooled – and then, suddenly, Peter spins around and grabs a gun from the real Mysterio, who has been standing nearby, invisible. There’s a single gunshot in the dead silence, and Mysterio slumps to the ground, dead – all¬†thanks to Peter’s “spidey-sense” (though, it’s worth mentioning that there’s a running joke in the movie where everybody refers to “spidey-sense” as the “Peter-tingle”, something that Peter loudly objects to on multiple occasions).

But Mysterio’s legacy lives on, just as he wanted it to: turns out, he was filming the whole battle, and his henchmen edited the preserved footage to make it look like Mysterio was murdered. This is revealed in a shocking mid-credits scene, in which the footage is broadcast on national television by conspiracy network, The Daily Bugle, along with Peter Parker’s name and image: in a horrifying parallel to Tony Stark’s own declaration “I am Iron Man” at the end of the first Iron Man movie, Peter’s own identity has now been unintentionally revealed to the world. It’s likely that the third Spider-man movie will see the young web-slinger, armed with E.D.I.T.H, on the run from a host of villains who will be coming after him, not to mention his family and friends.

And, finally, one more surprise is revealed at the very end of the movie, but it’s so big that I think it warrants its own post, so I’ll only cover it a little here: basically, in the post-credits scene, Nick Fury and his partner Maria Hill (Cobie Smulders) are revealed to have been Skrulls – specifically, Talos and Soren, who we already know from the Captain Marvel solo movie. We overhear their conversation with the real Nick Fury, as they inform him that they’ve successfully delivered Tony’s glasses to Peter. Nick Fury himself is shown to be lounging on a tropical beach, which itself is merely a hologram: turns out, Fury is in space, on a vast starship manned by Skrulls, commanding what looks to be an army of soldiers or workers in a sort of cosmic version of S.H.I.E.L.D., again paralleling the end of the first Iron Man, in which Nick Fury first appeared onscreen and recruited Tony Stark into the Avengers Initiative. Eleven years later, Fury is assembling some sort of new team for Phase 4. I have a few guesses as to what might be going on there, but we’ll discuss that another time.

With the end of that post-credits scene, the Infinity Saga is officially over. The story of Tony Stark has been concluded, but there are dozens of new stories we can’t wait to see unfold on the big screen. We even have a bunch of new questions: is Spider-man going to be the next face of the MCU? Will he be forced to hide, or will he confront his enemies head-on? Is Mysterio really dead? What is Nick Fury doing up in space? Can all the Skrulls be trusted? How long have Skrulls been impersonating people on earth? Will the E.D.I.T.H tech play a large part going forward?

Will Aunt May and Happy end up together?

“Spider-Man: Far From Home” Review – NO SPOILERS!

This movie is such an intricate web (get it? It’s a spider joke…moving along) of plot twists, it requires me to think very hard and carefully about literally ever word I’m using – I don’t want to spoil a single thing in this movie. There are twists within twists, and there are all sorts of tricks and little shockers, plus two of the most incredible post-credits scenes ever, scenes that will be talked about for months to come. And, for this review, we can’t discuss any of them. Not a one. My lips are sealed.

But…uh, if you haven’t seen Avengers: Endgame yet, you might want to go? Because this movie is very closely linked to what happened in Endgame.

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I feel it’s within my right to tell you a little of what to expect, in terms of atmosphere and tone: the film is very much high-school melodrama meets psychological horror – and if you think those two things probably don’t flow together very well, you’d be about partially right. Far From Home does sometimes have a little difficulty with that issue, at least with its supporting cast: specifically Ned (Jacob Batalon), MJ (Zendaya), and Betty (Angourie Rice). These three characters each have pretty sizable roles in the movie, and they often come across as a little…nonchalant? Yes, they’re teenage protagonists, and as such they have all the usual angst and over-the-top cringeworthy awkwardness that we’ve come to expect from teenage protagonists in movies, but it often gets in the way of, and subsequently diminishes the threat of the possibly world-ending catastrophic events happening around them. MJ, at the very least, has a little more dramatic material (and morbid humor) to work with in her role, and she even gets to play detective for, like, five or ten seconds, but she’s mostly here because this movie is truly a teen romance story at its heart, and her romance with Peter Parker (Tom Holland) is sweet enough and cute enough that it works. It’s not the best love story, and it’s a little dumb, but it’s there and I kind of like it, for what it is. It gives Peter an emotional anchor throughout the story.

One of two such anchors, in fact: the other being his attachment to the legacy of the late Tony Stark. Tony’s huge, larger-than-life status as an icon, a hero, a great man, is constantly reiterated through the film – from a heartbreaking opening-credits sequence up until the film’s finale. We are reminded over and over just how much Tony meant to Peter, and to the world. And we can sympathize with Peter’s pain and grief at losing him, and his quest to be the next Iron Man, a superhero that people can believe in. At times it becomes unbearable, and Peter is swallowed up by a claustrophobic panic as people constantly bombard him with questions about whether he’s leading the Avengers now, or what he plans to do if aliens attack again. If you’re a fan of Peter Parker, which I assume you are if you’re planning to go see Far From Home, just prepare for a lot of emotional trauma: because let’s just say…people are going after Peter in this movie in a way we haven’t seen before, kicking him when he’s down, tearing him apart (metaphorically speaking), and he takes a serious beating from it, physically and mentally. There are multiple scenes in this film where I felt like crying on Peter’s behalf, because he is tortured here. So many times, and in so many ways.

I am not kidding when I say there is psychological horror in this movie – in fact, there are multiple instances of it, and it makes the entire second and third acts feel nightmarish. One sequence, in particular, seems to go on and on, as Peter is lured in different directions like a puppet on strings, manipulated and mocked, unable to do anything to prevent all the awful things he’s forced to witness. He is far from home in so many ways.

And home seems particularly appealing now – the dread and gloom of Endgame has mostly passed, and families have been reunited: though, as Peter’s Aunt May (Marisa Tomei) points out early in the film, there have been some humorous consequences to the Snap, when half of the universe was disintegrated, and the subsequent moment when half of the universe suddenly reappeared. The name of that moment is itself pretty humorous, so I won’t spoil it for you. Anyway, the dusted are back, as we knew from Endgame, and people are moving on with their lives, all carefree. Aunt May even has a little flirtatious relationship going on with Happy Hogan (Jon Favreau) – that was teased in the trailers, it is not a spoiler. I won’t tell you what ends up happening on that front, though, because it’s funny. There’s a lot of adorable humor in Far From Home, actually – the movie is very cute. Okay, cute might not be the right word, considering all the mental trauma and horrifying imagery, but…um, cute during specific moments that I can’t spoil for you but which I assure you are definitely cute? There’s also a bit of the Disney-Channel factor, at certain points, especially in the third act: it would be difficult to explain what I mean by that without unintentionally spoiling certain moments of tension, but…uh, everybody knows what the Disney-Channel factor is, right? You’ll know it when you see it. It involves the teenage supporting cast, unsurprisingly.

Oh, by the way, there were a bunch of rumors going around that a transgender character and a Muslim character would show up in Far From Home: they do, but their appearances are incredibly brief – though Zoha Rahman did look very stylish in a variety of beautiful hijabs.

Samuel L. Jackson and Cobie Smulders have great chemistry once again, as super spies Nick Fury and Maria Hill. I can’t say too much about them, or their character arcs in this film, because…reasons…but they’re good. Very good.

While we’re treading the fine line between spoilers and nonspoilers, I will give as vague a description of Jake Gyllenhaal’s Mysterio, as is humanly possible. He is very interesting, he’s got a lot of charisma, and he made an impact. That’s it. Gyllenhaal does a really good job, except for one scene where – nope, not saying anything. But it’s just not a great scene. No spoilers!

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And, um, yeah, so there are also these two post-credits scenes that are, like, really important: don’t miss them, because they set up the next phase of the Marvel Cinematic Universe in a really cool way, and…yeah. That’s pretty much all I can say. This movie is a web, a tightly-knit web of secrets that demand to be talked about in a spoiler review – so go watch the movie! Go watch it, so you can get back here and read my spoiler review, which will be up in no time (well, give me a little time to write it)!

Movie Rating: 9/10

“Black Widow” Movie Adds Another Black Widow!

There’s a lot of news to cover on this front: I would have posted much earlier, when there was a report that Ray Winstone had joined the cast of Marvel’s Black Widow solo movie, but I suspected that a bombshell report would drop in a few days more, so I waited patiently – and I was rewarded.

Black Widow is currently filming in the city of Budapest – an iconic locale in Marvel lore, having been mentioned as the site of some huge battle/catastrophic event by Black Widow herself, and fellow spy Hawkeye, multiple times throughout the Marvel movies. While some maintain that the city is probably being used simply as a stand-in for Russian locations, it gives us at least a little glimmer of hope that we will finally see the origins of this oft-mentioned, never-explained anecdote.

Whether or not we do, we will undeniably see the origins of the Black Widow, Natasha Romanoff – the movie is rumored to be a prequel, exploring Natasha’s years working as a KGB assassin and then as a rogue agent defecting to S.H.I.E.L.D. While this might seem disappointing to fans who want to see the character in the present timeline, you can expect the film to drop all sorts of hints and clues about things that will be very important to the next phase of the Marvel Cinematic Universe: Marvel president Kevin Feige made this very clear, while also being very vague, when he said, while being interviewed, that, even though he can’t say whether it’s a prequel or not, “there are ways to do prequels where you learn all sorts of things you never knew before”. He actually said quite a few interesting things: I recommend you check it out for yourself here.

Those “things we never knew before” might include all sorts of things – events, big battles, encounters with other superheroes. And that’s what leads us back to Budapest for a minute, just so we can take a look at some very interesting details that might have been inadvertently (or deliberately?) revealed in behind-the-scenes images.

WARNING: this might be considered a spoiler to some, so if you don’t want to know any of the characters who might be in the film, you should go now! Also – Avengers: Endgame spoilers!

The image in questions shows Scarlett Johansson’s stunt double (maybe, we’ll get to that in a moment) riding a motorcycle at dangerously high speed through the streets of Budapest, sporting a long red braid – still no sign of the iconic short red bob-hairstyle that would definitively mark this as a prequel. Her hair still looks very much like how she wore it in her latest appearance in Avengers: Endgame. She’s not alone on the motorcycle: behind her, with arms wrapped around Natasha’s waist, is another woman, with a blond ponytail. She could be anyone, right?

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Well, it could be – except those two women on the motorcycle are apparently stunt dummies, not even stunt doubles. In other words, they’re basically pre-packaged mannequins: who come in packages. Which would necessarily be marked with the name associated with the mannequin inside the package. See where I’m going with this?

Yep, Twitter user @bestofwidows shared pictures of the boxes which apparently carried those dummies – one marked Natasha, the other marked…Yelena.

And the reaction from the general audience is probably similar to Thanos’ when he encounters Scarlet Witch in Endgame“I don’t even know who you are.”

Oh, but you will. Yelena Belova is one of only a handful of well-known characters from the Black Widow comics – a dangerous assassin in her own right, equal to Romanoff in strength and agility, and a student of the Red Room program. Belova has been both a villain and an antihero in her comics appearances, but her most notable run has her initially working against Romanoff, only to team up with her and bring about the defeat of the Red Room. She is virtually a clone of Romanoff in every way, and even uses the moniker “Black Widow”, except that her hair is typically blond. Black Widow actress Scarlett Johansson supposedly had her character dye her hair blond in Avengers: Infinity War as an homage to Yelena Belova – which, naturally, has now begun sparking some rumors that the Black Widow in Infinity War actually was Yelena Belova, and that in this prequel we’ll discover that there never was a Natasha Romanoff or something like that. It’s a cool premise, but highly implausible: more likely is that a young Yelena will be introduced in this upcoming movie and will then make an appearance in the present timeline soon after – similar to how Captain Marvel’s prequel origin film ended with a startling post-credits scene of her arriving at Avengers HQ after the events of Infinity War.

There’s still the slim chance that this movie isn’t, in fact, a prequel: why haven’t we seen Natasha’s classic hairstyle? Why does she seem to be dressed in civilian attire in all the behind-the-scenes photos, such as she wore throughout Avengers: Endgame, rather than her black outfit? I can’t answer those questions yet, but I can propose a theory. Two, in fact.

My first theory relies on the movie being a prequel: I suspect that Budapest is not serving, at least in this case, as a stand-in for a Russian city. I think what we see here is a young Natasha Romanoff rescuing Yelena Belova from the clutches of their KGB captors, trying to bring her into S.H.I.E.L.D custody with her: something will go wrong, and Yelena will not be saved. In this scenario, we might also see Natasha’s friend and lover, Hawkeye, and maybe a team of S.H.I.E.L.D agents attempting to assist the Russian rogues. Ming-Na Wen of the ABC series Agents of S.H.I.E.L.D has already expressed her wish to be in the Black Widow movie, portraying a younger version of her character, Agent Melinda May. This would be the perfect place to have her appear: and with the recent cameos of Agents of S.H.I.E.L.D actors Clark Gregg and Patrick Brennan in Captain Marvel, plus James D’Arcy of the TV show Agent Carter appearing in Avengers: Endgame, it seems like Marvel has begun to embrace its outlying spinoffs for the first time since Avengers: Age of Ultron.

My other theory, while much more unlikely, has basically the same premise, but the setting is now sometime in the post-Endgame universe. Here, Natasha would be brought back to life (there are dozens of theories on how this could be achieved), and would go on a search for her father, Ivan, whose identity was finally revealed to her after years of searching in Endgame, shortly before her death. As one of the last things Natasha would remember, it would make sense for her to try and find her father and any living family members, after being resurrected – this hunt would take her to Russia, where she would run into Yelena Belova and a similarly-resurrected Red Room. It’s unlikely, but still worth mentioning.

Either way, we now know that Yelena Belova is indeed going to be in the Black Widow movie – most likely portrayed by Marvel newcomer Florence Pugh, whose likeness the blond stunt-dummy apparently carries, and who recently arrived in Budapest.

The last bit of news concerning the movie comes from a small, blurry photograph of the film’s first official logo:

Twitter | @ripmarvel

Prepare yourselves for May 2020, folks. We’re in for a ride.

 

You can also watch my video review of this news story on YouTube!