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April 26, 2019

“Avengers: Endgame” Spoiler Free Review!

Visionary directors Joe and Anthony Russo have done it again, but this time, they’ve really done it.

In my opinion, it would not be an overstatement to say that Avengers: Endgame raises the bar for what can be done with superhero movies – something that has become nearly impossible as films utilize more and more revolutionary storytelling techniques. But Endgame shows what can be done when ten years of story carried over twenty-two movies crash together in a brave, brilliant and fitting fashion – and unfortunately, so much of it is spoilery, this review is going to have some pretty major holes in it, which will only be filled in when you see this film.

And trust me, you should.

If you thought last year’s Avengers: Infinity War took every story strand of the MCU and tied them all neatly together, you’d be wrong. Avengers: Endgame does that, and, unlike Infinity War, gives us a very final, very conclusive way to end this phase of the Marvel Universe – an ending that will make you gasp out loud, it’s that good. Where Infinity War snubbed characters such as Captain America (Chris Evans) and Black Widow (Scarlett Johansson), Endgame gives all of the original Avengers enough time to shine in the spotlight. And as for the fate of the universe, well…you’ll just have to watch the movie and find out about that!

There’s a certain urgency about watching this film: spoilers are already drifting out there on the internet, waiting to ensnare the unwary traveler. Go as soon as possible, before you have any of the massive surprises spoiled for you – these are things that truly deserve to be seen for the first time on the big screen. Certain scenes, certain reveals, are mind-boggling only because I was able to go into this movie completely unspoiled, knowing nothing of what to expect.

Now a lot of people have been worried about the length of Endgame, which clocks in at three hours and two minutes. In my opinion, the movie positively flew by, and didn’t feel like it dragged or slowed down at any time. The pacing is fast and crisp. There are also conflicting reports about whether you should stay through the (very long) credits to see what’s at the end. I think that the credits themselves are quite beautifully done, and should not be missed, at least the first few minutes of them. As for the little surprise at the end – well, it’s possibly worth it, but it might not be as it seems, and it might not be what you’re expecting, either. So I won’t say too much.

What can I talk about, then? The plot premise, obviously, is a big spoiler, as the trailers and marketing have (rightly) kept it all pretty vague – don’t trust everything in those trailers, by the way. But let’s see: the music, of course, is quite good, composed by Alan Silvestri once again, and the cinematography is excellent and beautiful. The CGI is incredible, especially on certain characters who I’m not entirely allowed to talk about here.

Characters I am allowed to talk about here include Thor (Chris Hemsworth) who has an interesting new angle to his personality that you’ll either love or hate: Hawkeye (Jeremy Renner), whose return is quite refreshing at first but, at least for me, quickly wears off: and the newest addition to the team, Captain Marvel, played by Academy-Award winner Brie Larson, who brings a lot of spunk and energy to the movie even in dark times, and has some very cool scenes. Everybody has something to do in this movie, and no one feels sidelined or thrown-in for the sake of it. Even War Machine (Don Cheadle) finally gets a decent showing. Endgame has great purpose, and knows it. Everything is leading up to one thing, and that thing is-

A spoiler. Sorry!

Do yourself a favor, though, and watch this movie. The surprises are real, the shocks are extraordinary, the gasp-out-loud moments are frequent. You will not be disappointed, whether you’re looking for a drama or a fun action-movie, tragedy or comedy. This movie literally has everything, and I don’t say that lightly. Avengers: Endgame has forever changed the game with superhero movies. In my opinion, this is the peak of Marvel’s success: if, someday, the MCU can replicate this awesome achievement with another movie, they will be the luckiest studio ever. Because this is not an easy movie to forget, and it’s also a movie that demands to be talked about in depth, with no boundaries. Which is why I hope you’ll join me for my Spoiler Discussion, which will hold nothing back! But before you do, go see the movie!

"Avengers: Endgame" Spoiler Free Review! 2 — forbes.com

Trust me, you won’t be disappointed. I’m adding Avengers: Endgame to my list of favorite movies today, and for good reason. This is the end of an era, the end of a beautiful story, but it manages to be even more than that – it’s just a fantastic movie overall!

Movie Rating: 10/10

April 14, 2019

“Unicorn Store” Movie Review!

Last night, I had the opportunity to watch the Netflix movie Unicorn Store, which stars Brie Larson, Samuel L. Jackson, and Joan Cusack, as well as being Larson’s directorial debut. There’s a lot to say about it.

This movie’s trailers marketed it as a feel-good piece, and it is that – but not all the time. Unicorn Store seems, in fact, unable to decide what genre it wants to be, as it jumps from feel-good to drama to theater-of-the-absurd. It seems to always understand that its premise is wacky and bizarre, best-suited to a wacky and bizarre approach, but it never seems fully committed to being that abstract masterpiece that it wants to be. The tone, and thus the plot, shift awkwardly and uncertainly as the movie tries to be all three genres at once. When it’s absurd, you might have a lady walking around at night carrying a floor-lamp, talking about professional single women being murdered – when it tries to be dramatic, you’ve got emotional and very powerful dialogue between a mother and her daughter – then, when it wants to make you feel good, you’ve got Brie Larson’s character Kit doing an uplifting dance-number with her coworkers. But these shifts always feel peculiar. The delivery man who delivers a mysterious invitation to Kit in the first act seems like an enigmatic character himself – but then, we find out in the third act that he’s just misunderstood and looked down on, and, in fact, he likes to do crossword puzzles, and read. The film’s score takes the opposite journey, from a strangely ominous and eerie sound in the first act, to being light-hearted and cheerful in the third.

Brie Larson makes this movie shine, however, when she feels comfortable being absurd: when Samuel L. Jackson rides in on a scooter, or when Kit and her family sit down to a dinner of kale – these moments are the best, because they don’t try to be anything other than what they are, which is crazy good fun. The humor is brilliant: the troop-circle camping scene is my favorite part of the film, and features some incredible acting from Joan Cusack and Bradley Whitford, who plays Kit’s mother and father.

Cusack, in fact, is the stand-out performance in this movie, as she elevates every scene she appears in, and always has perfect comedic timing. Every time she wasn’t onscreen, I found myself wanting her to return. Unfortunately, she is used sparingly – as is, rather surprisingly, Samuel L. Jackson himself, who plays The Salesman, the man in charge of The Store. Jackson makes the movie crazier and wackier, but the script doesn’t seem to know what to do with him by the end.

This same problem is evident with many of the film’s subplots, of which there are far too many. There’s Kit’s boss, Gary (Hamish Linklater), who is both deadpan and cryptically creepy; there’s the Mystic Vacuums, which dominate so much of the film’s second act; there’s characters like Crystal and Sabrina (Martha MacIsaac), and the aforementioned delivery man, or Kevin, or the other kids on the Emotion Quest camping trip, all of whom look like they’re intended to be cartoonish caricatures, which would be fine and funny, until the movie suddenly decides it wants to do something with them – and then never does. Unicorn Store would definitely have worked a lot better without some of these subplots.

The only side character given enough screen-time is Virgil (Mamoudou Athie), the janitor at the hardware store who is at first suspicious of Kit, and begins to question her sanity. His journey with Kit is a good counterbalance to the craziness and bizarre stuff going on around them, as he tries to navigate the half-fantasy, half-reality environment in which he lives.

The fantasy elements of the movie, namely the Unicorn itself, are peculiar: mainly because the fantasy appears to be metaphorical at first, until it becomes apparent that, no, there really is a unicorn. The resolution to the Unicorn’s story is a spoiler, so I won’t go into detail save to say that it was something of a letdown for me. I can see where it made sense, but I was disappointed and wanted more. The whole reason that the Unicorn exists in the first place is never explained: we are told that Kit always wanted a Unicorn in her childhood, but we get just one montage of flashbacks in the opening scene, and it’s entirely focused on her art – not on Unicorns. And her art is another subplot that the movie drops along the way.

Overall, Unicorn Store manages to entertain, and is wickedly funny, when it feels comfortable being what it takes for granted that it already is. It’s worth watching for the humor, and for Larson and Cusack’s wonderful performances. But it’s odd that, for a movie ostensibly about accepting who you are, Unicorn Store somehow falls short of doing that, and instead tries to be too many genres, all at once.

Movie Rating: 6.5/10

March 25, 2019

“The Lord Of The Rings: The Return Of The King” Throwback

Today is Tolkien Reading Day, the best time of year to go out and read up on the works of the great J.R.R Tolkien, author of The Lord of the Rings and The Hobbit. However, if you don’t have access to the books, why not take three hours out of your day to watch one of The Lord of the Rings movies? And since this day is intrinsically linked to things that happened in The Return of the King, Part 3 of The Lord of the Rings trilogy, we’re going to be talking about that film.

Spoilers Ahead!

So let’s start our discussion with a reminder that I am one of those people who read the books first, before seeing the films – but, I am not a book “purist”, someone who believes that everything in the text could have been adapted word-for-word onto the big screen, without any need for changes, additions, omissions, etc.

Now, having watched the film about six-thousand times, I have noticed a number of flaws – little things, for the most part, but we’ll discuss them here: I say “we” because I’m going to be writing this post in Gollum/Sméagol fashion, as an argument between my purist self and my revisionist self. We’ll also discuss a number of scenes that capture perfectly the spirit of the book, and even manage to almost elevate the material (which is so good to begin with).

But, we’ll also talk about the movie in its own right, because it’s just such a good movie. Even if you go into these films never having heard of The Lord of the Rings, or J.R.R Tolkien, you’ll still be swept up into this magical world, and, assuming you’re anything like me, you’ll never leave it again as long as you live. The joy and wonder is still there, every time I open the book or watch one of the movies.

Well, now we’re off at last!

Let’s begin with a breakdown of the plot: the film follows the journeys of a group of Men, Elves, Dwarves and Hobbits as they travel across Middle-earth. Our hobbit protagonist, Frodo Baggins (Elijah Wood), carries with him the deadly but beautiful One Ring, an object of incredible power that contains the very soul of the Dark Lord Sauron. Only by destroying this Ring can Middle-earth be freed from the horrors of war and evil that have been relentlessly assaulting it. The film opens with Frodo and his loyal gardener Sam Gamgee (Sean Astin) being led through the dangerous country around the Dark Lord’s realm of Mordor. Their guide? A treacherous and utterly wretched creature named Gollum (Andy Serkis), who once possessed the One Ring and wants it back. Can he be trusted? Can Frodo be trusted? Can anyone be trusted around the Ring? – for the Ring wants to get back to Sauron, and it has the power to corrupt anyone who owns it. By the time we see Frodo here, in The Return of the King, the Ring has betrayed many masters: it was cut from Sauron’s hand long ago but quickly killed its new owner, a man named Isildur – it fell into the River Anduin, and was there picked up by a hobbit named Deagol, who was very soon murdered by his friend Sméagol. Sméagol took the Ring and fled with it into the mountains, and there, dwelling in dark caves and pits, he changed into Gollum – the Ring abandoned him too, though, and was found by another hobbit named Bilbo Baggins (Ian Holm), but Bilbo was good enough that he was able to give up the Ring willingly – he gave it to Frodo. But the Ring betrayed one of Frodo’s friends as well, the noble man Boromir (Sean Bean), who tried to kill Frodo in an attempt to steal the Ring.

That is, of course, the main plot: the Ring must be destroyed, but destroying it takes great effort and great willpower. And the only place it can be unmade is in the fiery forges beneath an active volcano named Mount Doom, in the very heart of the realm of Mordor. Sauron dwells here, a giant flaming eye atop a horned tower.

Purist’s Note: in the books, Sauron is not a “giant flaming eye”. He has a physical form, but it is terrible and maimed, because he has been unable to take any shape fair to the eyes of Men ever since he fell into the ruin of Numenor in the Second Age. The Eye is merely a metaphor, in the books, for his piercing knowledge of all things that move on Middle-earth.

Thank you, Inner Purist, for making that clear.

Moving on. Many miles away from Frodo, his other friends are busy fighting Sauron’s vast armies of Orcs, Ringwraiths and Haradrim. Aragorn (Viggo Mortensen) is the reluctant King of Gondor who must rally his people to stand in defiance of the shadow. Gandalf the White (Sir Ian McKellen) is the good wizard entrusted with helping all the Free Folk of Middle-earth. Arwen Evenstar (Liv Tyler) is the Elven princess in love with Aragorn, who must choose between an immortal existence with her family, or a mortal life with the man she loves.

But, the fight for victory will not be easy. Sauron has unleashed all of his forces, and they are heading straight for the greatest city in Middle-earth: Minas Tirith, the capital of Gondor. Will Gandalf be able to keep the city’s defenses firm against such reckless hate? Will Aragorn reach the city in time to save it? Will Arwen choose love over the promise of immortality? The stakes are so high, they’re incredible.

Purist’s Note: in the books, Arwen had already chosen love over immortality, many years before the events of The Lord of the Rings. She and Aragorn had been betrothed on the hill of Cerin Amroth, and they had rejected both the Shadow of Sauron and the Twilight of the West.

Yeah, well, that’s not the case here. Here, we have a cast of incredible characters – played by an extraordinary cast – who collide with each other in the most brilliant ways. When the hobbit Merry Brandybuck (Dominic Monaghan) meets Éowyn, shieldmaiden of Rohan (Miranda Otto), will they overcome prejudice to fight in the war for Middle-earth? When Pippin Took (Billy Boyd) swears loyalty to the Steward Denethor (John Noble) will this choice come with a terrible responsibility – to watch as the Steward goes mad and tries to burn his own son alive?

Purist’s Note: well, no, apparently not, because in the movies Denethor releases Pippin from his service – whereas, in the books, Pippin remains in allegiance to Gondor.

This purist is getting on my nerves. You know what, Inner Purist, how about that scene where the Riders of Rohan appear over the hills at dawn and ride down to meet the orcs of Mordor in battle on the Pelennor Fields? Hmm, how about that? Was that not exactly as in the books?

Purist’s Note: well…well, I mean, no, because…

And what about the scene where Gandalf and Pippin discuss the prospect of death, using words directly from the book?

Purist’s Note: okay, that was touching, but the scene itself wasn’t in the books…

How about the scene on Mount Doom? Where Frodo finally stands above the consuming fires, unable to throw the Ring to its destruction? How about when Gollum takes the Ring from him in their last desperate struggle, biting off Frodo’s finger to get the corrupting treasure, dancing madly for joy on the brink of the fire – and falling, to his death? How about that terrifying scene where the Ring sits, motionless, on the surface of the lava, unwilling to be destroyed? And Frodo hangs from the cliff far above, staring down at it, contemplating with himself in those final moments whether he should leap into the fires after the Ring, or if he should take Sam’s hand and be carried to safety? How about that scene?

Purist’s Note: ooh, and how about that tortured look that Frodo gives to Sam as he makes his choice – but then, he reaches for Sam’s hand! And Sam pulls him up! And…uh, I mean, yeah, that scene is fine.

What about the final scene, at the Grey Havens, where Frodo goes off with the Elves to sail across the seas into the West? That emotional goodbye to his friends that has me in tears every time I watch it? That smile he gives as he boards the boat, and you know in your heart that he’s finally going to be healed of all his pain and hurt.

Purist’s Note: and when Sam says “well, I’m back” as he returns to his home, just like in the book…

Well, not just like in the book. If it had been just like in the book, he would have gone home to Bag-end, since in the book he inherited it from Frodo. Also, he should have only had one child at that time, but he had, like, five.

Purist’s Note: well, yeah, but, come on, the emotional heart of Tolkien’s work was all there. Director Peter Jackson could easily have gone for a more traditional route and had them all live happily ever after, but he didn’t. He showed the incredible pain that Frodo went through, and how it could never be healed – unless he left Middle-earth.

Yeah, I know, but Peter Jackson got a lot of things incorrect too. Let’s not forget the infamous scene where Frodo tells Sam to “go home”, which goes against everything in the books. That scene is painful to watch, it’s just so annoying.

Purist’s Note: okay, sure, but don’t forget that that scene was shot really early on, before the actors had any clear idea of the emotional journeys their characters were going on – before Andy Serkis had been cast as Gollum, in fact.

Good point. But how do you explain that scene with the skull avalanche in the Paths of the Dead?

Purist’s Note: wait, I thought you liked that!

I do! But…wait, aren’t you the purist? I feel like things got switched around here. I’m not supposed to be grilling you, it should be the other way round!

Purist’s Note: well, this is pretty normal when dealing with the movies. They’re conflicting, but in the end…they are pretty good movies, even when they’re not great adaptations. And, for the most part, they are great adaptations. Except for…a handful of things.

More than a handful. But, you’re right. No matter how many things might be wrong with the movies, I’m always going to love them. I’m always going to cry when Frodo sets sail into the West, or when Annie Lennox’s beautiful song starts playing over the credits…I’m always going to cheer when Sauron is cast down, and the Eagles rescue Frodo and Sam. I’m always going to feel completely heartbroken after the credits roll, when I realize that the story has finally come to its end. It’s the magic of this movie that makes that possible: you can overlook or even ignore every minor change to a character’s appearance, every faulty line of dialogue, every blunder or misstep. Because the magic is still there.

Purist’s Note: you’re going to tell me what the magic is now, aren’t you?

Yes, I am! It’s the magic of Frodo struggling through pain and torture to do the job that needs doing. It’s the magic of Sam carrying Frodo up Mount Doom, even when all seems lost. It’s the magic of Aragorn going to what seems like certain death so that he can buy Frodo just a little time. It’s the magic of Merry and Éowyn standing up against the Witch-King. It’s the magic of Pippin leaping into the flames to rescue Faramir. It’s the-

Purist’s Note: you’ve gone on long enough. I get it. It’s magic.

It is, and it’s the sort of magic that doesn’t go away, even after multiple viewings.

So there you have it: my thoughts on The Lord of the Rings: The Return of the King. No movie quite compares to it, honestly. It is everything I love about cinema, all rolled into one beautiful movie. From the opening sequence to the moment the screen fades to black, I am entranced, brought into another world, a world that I know and love from the books: not everything from those books made it onto the screen, but that’s okay. This sort of magic is rare. Enjoy it as it is.

Movie Rating: 10/10

March 9, 2019March 11, 2019

Captain Marvel Review (SPOILERS!)

It’s time to talk about everything that happens in Captain Marvel, so if you’ve not seen the film yet – don’t go any further!

Still here? Good. Let’s dive right in.

So there are several surprises in the movie, obviously: Carol’s backstory was completely unknown to us, so piecing it together is not only an incredible journey but also uncovers a lot of interesting stuff; the truth of the Kree-Skrull War; the history of the Tesseract; a surprise villain; and a very shocking end-credits scene. Not to mention some hints as to what might come next. Let’s break it all down.

For anyone who was confused during the movie, here’s what happened, in chronological order:

Carol Danvers (Brie Larson) was a USAF pilot in 1989 when she and her friend Maria Rambeau (Lashana Lynch) found work testing new aircraft designed by a member of Project PEGASUS: Dr. Wendy Lawson (Annette Bening). Lawson had created a lightspeed engine core for her aircraft which harnessed the power of the Tesseract, the Space Stone – it seems she worked for S.H.I.E.L.D and thus was able to get her hands on the powerful artifact, which allowed her aircraft to fly at seemingly impossible speeds, and even into space. What no one knew, however, was that Dr. Wendy Lawson was a rogue Kree agent, who had discovered that her people were fighting an unjust war against the Skrull shapeshifters: the lightspeed aircraft were designed to be powerful enough to end the war. The Kree found her, however, and intercepted Danvers when she and Lawson were flying one of the test-crafts. Forced to make a crash landing, Danvers and Lawson were injured, but Lawson attempted to destroy the lightspeed core before it could be taken by the Kree. Before she was able, Yon-Rogg (Jude Law) the Kree pilot who had downed their plane, shot and killed Lawson. Carol Danvers, however, was able to destroy the core – but not fully. She absorbed the power of the Space Stone when she blew it up, and was then knocked unconscious. Yon-Rogg, seeing this, took her back to the Kree planet of Hala to try and harness the power she now possessed. By the time we see her in Captain Marvel, Carol has no memories of her past life, and has been completely brainwashed by the Kree.

Captain Marvel Review (SPOILERS!) 4 — ign.com

The obvious shocker here is that Carol Danvers received her powers from the Space Stone, which could mean that, like Vision and the Mind Stone, she is inextricably linked to that Stone’s power. How will her own powers be affected by the fact that the Space Stone now resides in Thanos’ Infinity Gauntlet? There are differences between this and the situation with Vision: Vision was created by the Mind Stone, given life by it, and when it was taken from him, he died. Carol, however, only got her powers from the Space Stone, and seems to retain them without needing the Space Stone at all. However, this does not rule out the possibility of a link between Carol and the Space Stone in Avengers: Endgame. She should be capable of wielding the Stone, for instance, and that would be quite an interesting possibility.

On a side-note, it’s cool to learn just a little bit more about the Tesseract, between its appearances in Captain America: The First Avenger, and The Avengers. Before Captain Marvel, we all thought it had just been in S.H.I.E.L.D hands up until the time Loki stole it. Little did we know it had started an intergalactic war, created the most powerful entity in the MCU, and been carried around in an orbiting laboratory, a lunchbox, and the insides of a Flerken, in between those two movies.

Speaking of the Flerken, that was one surprise I saw coming: it had been all but spoiled for me months ago, when toys were revealed that showed a muzzled Goose the Cat. Considering that there is only one species of alien in the MCU that takes the form of cats and has tentacles that explode from its mouth, it was pretty easy to guess that cat was a Flerken, especially when early reactions said that Goose stole the show.

The next surprise has to do with the Skrulls: throughout the first half of the film, we think we should be siding with the Kree, even if they are a bit warlike, and their leader, the Supreme Intelligence, is downright creepy. At any rate, it’s quite easy to see that the Skrulls are the bad guys: they’re green aliens who can shape-shift, and they take Carol captive in an ambush. They strap her into a device that makes all of her memories visible to the Skrull leader, Talos the Tamer (Ben Mendelsohn). Like, seriously, with a name like Talos the Tamer, how can you not be a villain?

Captain Marvel Review (SPOILERS!) 5 — mcucosmic.com

But they’re not. Turns out, the Skrulls are the victims of brutal oppression at the hands of the Kree, and they have been scattered far and wide across the universe. Talos himself is looking through Carol’s memories because he’s trying to find Dr. Wendy Lawson’s laboratory, where she was keeping Skrull refugees safe from the Kree. Not only that, but the Skrulls are also incredibly funny, and Talos himself is just hilarious. The Skrulls become instantly likable, especially after we see Talos reunite with his wife and daughter, who have been waiting for him for years.

At the end of the movie, when Carol has defeated the Kree, she promises to help the Skrulls find a new home: we see them vanish into the darkness of outer space, but their destination after that is still unknown. Where will the Skrulls go? Will the Kree find them? And what about Secret Invasion, the comic-book storyline that everyone and their mother thought was going to be started in this movie: the story where Skrulls infiltrate the Avengers for evil purposes? Well, there are definitely still opportunities for that to happen, even with the Skrulls on the good side for now. It’s possible that other Skrulls could challenge Talos’ peaceful goals, and want to continue their war. It’s also possible, as Grace Randolph of Beyond The Trailer speculated, that Talos’ daughter, who was featured prominently in the film, could turn down a dark path and initiate the Secret Invasion.

Now let’s talk about some other things that I found noteworthy in the film: at the end, when Ronan the Accuser (Lee Pace) has been foiled in his attempt to blow up most of the western side of the United States, Captain Marvel hovers above the earth, daring him to try again. This immediately brought to mind the Alpha Flight storyline, in which Captain Marvel and a team of other superheroes act as Earth’s first line of defense against extraterrestrial threats. Whether this will be expanded upon in a Captain Marvel sequel remains to be seen, but I would be here for it.

There’s also two things relating to Nick Fury (Samuel L. Jackson) in this movie that are worth talking about: well, three, really, if you count the fact that we learn here that Fury cannot bring himself to eat toast that is cut diagonally. But we see how he lost his left eye, and how he came up with the name “The Avengers Initiative”. The answer to the first question is simple – perhaps too simple: his left eye was scratched out by that angry Flerken cat Goose. The answer to the second question – well, to call it a question is misleading, since I’m not sure anyone was really asking for an answer, but we got one anyway and I like it – is that Fury was inspired by the name of Carol Danvers’ plane, “Avenger”. It was a very cool scene, right at the end, when the Avengers theme started playing. A great way to finish a great movie.

However…it wasn’t technically the end. There’s a mid-credits scene and a post-credits scene, which we’ll talk about now: the mid-credits scene is actually from Avengers: Endgame. So firstly, you remember that in the post-credits scene for Avengers: Infinity War, we saw Nick Fury desperately trying to page Captain Marvel, before he was dusted. Turns out that pager was found by the remaining Avengers and brought back to the base, where we see it still beeping. Captain America (Chris Evans), Black Widow (Scarlett Johansson), War Machine (Don Cheadle), and Bruce Banner (Mark Ruffalo) are all gathered together when the pager suddenly stops sending out its signal: but as Black Widow tells them to charge it up again, she turns around to find…CAPTAIN MARVEL! Yes, Carol Danvers, standing right behind her, looking very serious and no-nonsense. It’s a scarily good scene, and really sets us up well for Avengers: Endgame, where we know we’ll see Captain Marvel and the Avengers face off against Thanos.

Captain Marvel Review (SPOILERS!) 6 — theverge.com

Oh yeah, and the post-credits scene? Typical Marvel prank: it’s simply Goose throwing up the Tesseract, which he had been carrying around in his stomach during the final act of Captain Marvel. We know from that scene that Nick Fury will thus be able to recover the Tesseract and put it into the secret base where Loki, years later in The Avengers, would steal it, setting off a chain reaction of events. It’s amazing how much the Space Stone has caused in the MCU, and I am curious to see if there’s a reason for that. Could the Space Stone – and, by extension, Captain Marvel – be the key to defeating Thanos? Only time will tell.