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DC Takes A Whole New Approach With “The Joker”

Yesterday, at CinemaCon, Warner Brothers showed the first trailer for an upcoming release – The Joker, which stars Joaquin Phoenix and will open in October. The movie is going to be an origin story for the iconic Batman villain, and will be set in the 80’s, long before the DC universe as we know it: however, this may not be such a bad thing, as the DC universe is currently going through some renovations, to say the least, and the whole idea of a shared universe with all the DC characters is becoming more and more unlikely with every passing day – most recently, the Wonder Woman creative team have made headlines with their repeated statements that their next film, Wonder Woman 1984, won’t be a sequel: it will be a stand-alone film, for the stand-alone Wonder Woman universe, which apparently doesn’t actually exist in the DCEU proper – it’s all getting very confusing. Actually, it’s interesting to note that Wonder Woman 1984 and The Joker both take place in the 80’s, though I doubt there will be any connection. It’s unclear if The Joker will even have any connection to Matt Reeves’ Batman movie, which is still very much a top-secret project.

Anyway. Getting back to The Joker itself: the thing is, this movie clearly doesn’t want to fit into the DCEU at all. Just based from this trailer, we can see that this movie looks to be all the things that, at the moment, the DCEU is steering away from – dark and gritty realism with a dash of the macabre. It only makes sense when dealing with a character like the Joker: unpredictable, dangerous, defying expectations. We see in this trailer, in fact, the makings of a movie so unlike any previous comic book movie that I would not be shocked if it gets nominated for some Oscars next year – of course, it’s far too early to say that for certain, but it is definitely worth keeping an eye on. Black Panther was able to score a nomination for Best Picture this year: could The Joker be the next comic book movie to do so?

It might seem presumptuous to say “yes”, but take a look at this trailer: this is an intricate and profound character study of Arthur Fleck, the man who will become the Joker – there is sadness here, and a grim and unflinching portrait of a man scarred by emotional trauma. This Joker is not stylized or done up to fulfill comic book fans’ expectations: this Joker is stricken to the core by pain and anguish, he is depressed, tortured, on the brink of taking his own life. He has a job as a sign spinner outside a bankrupt store, where he dresses like a clown, intent on bringing “laughter and joy to the world”. He is robbed and beaten up, and even ends up at the Arkham State Hospital, an iconic location in Gotham City.  The locale looks like the New York City of the late 70’s and early 80’s, and its brutality is also reminiscent of that period.

But Arthur Fleck finds purpose in a new life – a life of crime, that gives him the opportunity to be free, careless, independent. He who once ran from the police now hounds them. He who once hid in the shadows now makes a dramatic entrance at a protest, somersaulting down a flight of steps. He who once slouched over, dressed in dark clothes, trudging through the filthy streets, now dons a new outfit: the painted smile, the green wig, the brightly colored suit. He no longer slouches – now, he leaps over taxi-cabs and strides elegantly down hallways, dancing for the great audience all around him, the people of Gotham. “I used to think that my life was a tragedy,” he says. “But now I realize it’s a comedy.”

And the people embrace him and take him as their figurehead in their rebellion against the forces of law and order. This is not a movie about a supervillain, this is a movie about a man who just happens to become a supervillain: it’s almost like historical fiction, uncovering the truth behind this classic character of comic book mythology and delving deep into his troubled psyche.

There is, however, one hint that may or may not indicate a connection to the wider DCEU – there is a scene, near the end of the trailer, of the Joker meeting a young boy, though the two are separated by the bars of a metal gate. This boy may not be the young Bruce Wayne, but there’s a strong chance that he is.

So no, aside from that one hint (that may not even be a hint), The Joker does not have a connection yet to the DCEU. But it doesn’t need one. It is entirely its own thing, its own bizarre and beautiful being, and it stands alone. The DCEU is moving towards being a fun, family-friendly environment – this stands out as a dark, harsh exception. But this movie (at least from the trailer) seems almost to enjoy and embrace its complete uniqueness.

Trailer Rating: 8.5/10

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Avengers: Endgame TV Spot!

The raging debate over whether we would be getting a new Avengers: Endgame trailer today, the same day that tickets for the movie officially go on sale, can finally be laid to rest. We got one precious minute of material, almost all of it new, and it is stunningly beautiful. Let’s jump right into this.

We start out with a lovely panoramic shot of the Avengers HQ – the sun is sinking, the place looks pretty normal. And yet, all is not okay here: Thor (Chris Hemsworth), Bruce Banner (Mark Ruffalo), and War Machine (Don Cheadle) are busy discussing what they’re going to do – Black Widow (Scarlett Johansson) is seen sitting outside in the rain, looking absolutely miserable. Black Widow’s getting a solo movie next year: she should look more happy! Then again, her solo movie is a prequel to all these events, so she could also die in Endgame.

Steve Rogers (Chris Evans) is shown staring into a bathroom mirror – since he appears to have just shaved, this could explain where and when he loses the infamous beard that he sported in Avengers: Infinity War. He also looks sad and grim. On him falls the task of trying to figure out how on earth they’re going to defeat Thanos.

There’s the same great shot of the Avengers Quinjet flying low over a brightly-city – New York? I’ve also seen speculation that this is Hong Kong, but I’m more inclined to believe the heroes are heading towards NYC for whatever reason. Another shot later on in the trailer also seems to point to that.

While Tony’s voice-over begins to tell us that it’s “not about how much we lost – it’s about how much we have left”, we see Rocket Raccoon (Bradley Cooper) comforting the cold android Nebula (Karen Gillan). Clearly, Nebula is pondering something, but there’s a shot later in the trailer that better illustrates this, so I’ll talk about it there. These scenes of our remaining heroes trying desperately to help are so touching – and so brilliant. They give us the feels, and that’s a good thing. The emotional punch this movie is going to pack is really going to hit critics too, I believe. I wouldn’t be surprised if the more character-driven storyline and the heavier and darker material get this movie a few Oscars of its own next year.

Oh, and of course the very next shot is of Pepper reuniting with Tony: this trailer is determined to make me cry. We knew Pepper had been spared from the Decimation because of some posters released, but it’s still startling to see her here.

The next scene! Oh, it’s so beautiful! So we have Iron Man (Robert Downey Jr) himself, flying over New York City in the daylight, and he seems to be looking for something. He’s wearing his Mark 85 suit – special thanks to my friend Naglfar over at the SuperHeroHype Forums for pointing that out to me.

There’s a few clips of Hawkeye (Jeremy Renner), sporting some new arm tattoos, and Black Widow again – and then there’s the same scene from the end of the last trailer, with Thor summoning his kingly weapon Stormbreaker, which flies right past the head of a very unfazed Captain Marvel (Brie Larson). Then we’ve got a stunning money-shot of almost all our Avengers standing together: Hawkeye, War Machine, Tony Stark, Steve Rogers, Nebula, Rocket Raccoon, Ant-Man (Paul Rudd), and Black Widow. The only notable absences are Thor and Captain Marvel.

But nothing will prepare you for what comes next: if you’re very wary of any spoilers, you might want to leave now, but honestly this is just so wonderful and so awesome to see onscreen that I can’t not mention it here.

 

Still here?

Tony and Steve’s reunion is a thing of beauty. They appear to be standing in a street in New York City, also in the daytime, and Tony asks simply, bluntly: “Do you trust me?”

There’s hardly a pause before Steve responds. “I do.”

The two shake hands.

It’s so simple, but so heartfelt. This scene is definitely going to be one of the defining parts of the film itself.

The last minute of the trailer is incredible and fast-paced, so get ready. I don’t think you’re entirely prepared. It starts with the Guardians’ spacecraft shooting across the far distances of the galaxy – but onboard is one of the finest teams ever assembled: Captain Marvel and Rocket Raccoon at the helm, Black Widow (oddly, still sporting her short blond hair from Infinity War), Steve Rogers, War Machine and Thor. This shot is so cool – I can’t wait to see how Captain Marvel fits into this group.

Next, Marvel decides to hit us with the feels again, showing us Tony Stark as he looks down at a photograph of himself with Peter Parker (Tom Holland) who was turned to dust in Avengers: Infinity War. It drives the point home – the Avengers have to do something, anything, whatever it takes, to get half of the population back. We don’t know how, we don’t know what it will cost, but we know it has to be done.

Suddenly, Tony looks up from the photo: this scene is perfectly edited, because Thanos’ voice-over starts speaking a moment before he glances up. The Titan is grim and brutal: “You could not live with your own failure,” he intones, and the audience collectively wants to kill him. But our hopes are shattered by a terrifying vision of Thanos’ vast mother-ship, an enormous thing lurking in space. The sight of it is depressing, to say the least – but one of our Avengers seems to recognize this place.

Nebula. Her dark eyes are impassive as she stares up at the enormous ship – she is of course the daughter of Thanos, and her sister was killed by him. If anyone is going to deliver that fatal blow to the Titan, it’s got to be her: she was literally torn apart by him, and had parts of her body replaced by metal scraps. She’s a dangerous, uncontrollable creature, and I personally cannot wait to see what happens when she gets her last fight with her father.

Immediately after that, we see Thor and Rocket Raccoon both looking shocked: where they are is unclear, but it almost appears to be the same house where we last saw Thanos, at the end of Avengers: Infinity War. Perhaps Thor and Rocket go here to find the Titan, and are met with some startling news – perhaps this voice-over from him is actually delivered here, in this scene?

Steve Rogers, our beloved Captain America, is seen lying on the ground in a place filled with fire and debris, gripping his shield. He’s been knocked down, but we know from the previous trailers that he will get back up at least one more time. Hopefully it’s not his last time.

There’s a blinding flash of blue light (which almost looks like the Bifrost, but is probably the Space Stone) and Thanos himself appears, arriving in this desolate place. “What did that bring you?,” he asks, and then finishes his own statement:

“Back to me.”

Tony, Steve and Thor march side-by-side, slowly, to face him. And the trailer ends.

Oh, so much to discuss, so much to just stare at in horror and wonder. Who’s gonna die? Who will live? Does anybody live? What happens now? Are the Avengers going to face Thanos in battle: sure seems like it. Well, we can’t know until the 26th, but thankfully…

Tickets for Avengers: Endgame are on sale now!

Trailer Rating: 10/10

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Angelina Jolie To Join Marvel’s “The Eternals”

Angelina Jolie To Join Marvel's "The Eternals" 1
variety.com

Unexpectedly, we received news tonight that Academy Award winning actress and director Angelina Jolie is in talks to join The Eternals, a Phase 4 Marvel movie that will focus on a group of godlike beings thousands of years before the modern MCU. The movie is still in the early stages of development, though a director, Chloe Zhao, is onboard, and there have been multiple casting rumors circulating: including one that suggests The Eternals will feature Marvel’s first openly gay male superhero.

This bit of news is interesting, then, because it comes so early: Jolie would become the first cast member attached to The Eternals, which is set to begin filming in late Summer. Who could she be playing? There are a few female characters we know will be part of the movie’s ensemble cast:

“Karen”: the female lead, who has been rumored to be an archaeologist, possibly inspired by the character Margo Damian from The Eternals comics. The character description for this character had suggested that Marvel was looking for a woman of Asian, Middle-Eastern, African or Native American descent to fill the role, but it is possible they’ve expanded the search.

Angelina Jolie To Join Marvel's "The Eternals" 2
digitalspy.com

Sersi: arguably the most well-known of the Eternals, Sersi is a fun-loving sorceress who enjoys the company of humans, and has even been a member of the Avengers. While “Karen” is still being called the female lead, it seems likely that Sersi will end up being more important in the long run. The Hollywood Reporter, which broke the Angelina Jolie news, also noted that a romance between Sersi and another Eternal, Ikaris, is likely to be one of the main aspects of the film.

Thena: a scholar and warrior often mistaken with the Greek goddess Athena, Thena is an important person in The Eternals lineup. In the comics, she has been the leader of the Eternals, and is possessed of superhuman strength, agility and stamina, as well as the ability to fly, and she is armed with multiple deadly weapons.

Elysius: the other option for Jolie is this mysterious and very obscure character whose presence in this movie’s lineup is quite intriguing: Elysius is a telepath and artificial intelligence modeled on the Eternals, who was the lover of Mar-Vell in the comics (of course, in the MCU, Mar-Vell has been changed into a woman, played by Annette Bening: this doesn’t necessarily exclude the possibility of a romance, however, especially since The Eternals is already rumored to include one openly gay character).

So who do you think Angelina Jolie will end up playing – one of these characters, or someone we don’t know about yet: a villain, perhaps, or another Eternal? Having some substantial casting developments on the project is quite exciting, and Jolie’s MCU debut will certainly be fun to watch. This is just more proof that Marvel is committed to getting talent for their movies, and that actors and actresses of the highest caliber are willing to put time and effort into movies that were once considered lowly forms of entertainment.

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“The Lord Of The Rings: The Return Of The King” Throwback

Today is Tolkien Reading Day, the best time of year to go out and read up on the works of the great J.R.R Tolkien, author of The Lord of the Rings and The Hobbit. However, if you don’t have access to the books, why not take three hours out of your day to watch one of The Lord of the Rings movies? And since this day is intrinsically linked to things that happened in The Return of the King, Part 3 of The Lord of the Rings trilogy, we’re going to be talking about that film.

Spoilers Ahead!

So let’s start our discussion with a reminder that I am one of those people who read the books first, before seeing the films – but, I am not a book “purist”, someone who believes that everything in the text could have been adapted word-for-word onto the big screen, without any need for changes, additions, omissions, etc.

Now, having watched the film about six-thousand times, I have noticed a number of flaws – little things, for the most part, but we’ll discuss them here: I say “we” because I’m going to be writing this post in Gollum/Sméagol fashion, as an argument between my purist self and my revisionist self. We’ll also discuss a number of scenes that capture perfectly the spirit of the book, and even manage to almost elevate the material (which is so good to begin with).

But, we’ll also talk about the movie in its own right, because it’s just such a good movie. Even if you go into these films never having heard of The Lord of the Rings, or J.R.R Tolkien, you’ll still be swept up into this magical world, and, assuming you’re anything like me, you’ll never leave it again as long as you live. The joy and wonder is still there, every time I open the book or watch one of the movies.

Well, now we’re off at last!

Let’s begin with a breakdown of the plot: the film follows the journeys of a group of Men, Elves, Dwarves and Hobbits as they travel across Middle-earth. Our hobbit protagonist, Frodo Baggins (Elijah Wood), carries with him the deadly but beautiful One Ring, an object of incredible power that contains the very soul of the Dark Lord Sauron. Only by destroying this Ring can Middle-earth be freed from the horrors of war and evil that have been relentlessly assaulting it. The film opens with Frodo and his loyal gardener Sam Gamgee (Sean Astin) being led through the dangerous country around the Dark Lord’s realm of Mordor. Their guide? A treacherous and utterly wretched creature named Gollum (Andy Serkis), who once possessed the One Ring and wants it back. Can he be trusted? Can Frodo be trusted? Can anyone be trusted around the Ring? – for the Ring wants to get back to Sauron, and it has the power to corrupt anyone who owns it. By the time we see Frodo here, in The Return of the King, the Ring has betrayed many masters: it was cut from Sauron’s hand long ago but quickly killed its new owner, a man named Isildur – it fell into the River Anduin, and was there picked up by a hobbit named Deagol, who was very soon murdered by his friend Sméagol. Sméagol took the Ring and fled with it into the mountains, and there, dwelling in dark caves and pits, he changed into Gollum – the Ring abandoned him too, though, and was found by another hobbit named Bilbo Baggins (Ian Holm), but Bilbo was good enough that he was able to give up the Ring willingly – he gave it to Frodo. But the Ring betrayed one of Frodo’s friends as well, the noble man Boromir (Sean Bean), who tried to kill Frodo in an attempt to steal the Ring.

That is, of course, the main plot: the Ring must be destroyed, but destroying it takes great effort and great willpower. And the only place it can be unmade is in the fiery forges beneath an active volcano named Mount Doom, in the very heart of the realm of Mordor. Sauron dwells here, a giant flaming eye atop a horned tower.

Purist’s Note: in the books, Sauron is not a “giant flaming eye”. He has a physical form, but it is terrible and maimed, because he has been unable to take any shape fair to the eyes of Men ever since he fell into the ruin of Numenor in the Second Age. The Eye is merely a metaphor, in the books, for his piercing knowledge of all things that move on Middle-earth.

Thank you, Inner Purist, for making that clear.

Moving on. Many miles away from Frodo, his other friends are busy fighting Sauron’s vast armies of Orcs, Ringwraiths and Haradrim. Aragorn (Viggo Mortensen) is the reluctant King of Gondor who must rally his people to stand in defiance of the shadow. Gandalf the White (Sir Ian McKellen) is the good wizard entrusted with helping all the Free Folk of Middle-earth. Arwen Evenstar (Liv Tyler) is the Elven princess in love with Aragorn, who must choose between an immortal existence with her family, or a mortal life with the man she loves.

But, the fight for victory will not be easy. Sauron has unleashed all of his forces, and they are heading straight for the greatest city in Middle-earth: Minas Tirith, the capital of Gondor. Will Gandalf be able to keep the city’s defenses firm against such reckless hate? Will Aragorn reach the city in time to save it? Will Arwen choose love over the promise of immortality? The stakes are so high, they’re incredible.

Purist’s Note: in the books, Arwen had already chosen love over immortality, many years before the events of The Lord of the Rings. She and Aragorn had been betrothed on the hill of Cerin Amroth, and they had rejected both the Shadow of Sauron and the Twilight of the West.

Yeah, well, that’s not the case here. Here, we have a cast of incredible characters – played by an extraordinary cast – who collide with each other in the most brilliant ways. When the hobbit Merry Brandybuck (Dominic Monaghan) meets Éowyn, shieldmaiden of Rohan (Miranda Otto), will they overcome prejudice to fight in the war for Middle-earth? When Pippin Took (Billy Boyd) swears loyalty to the Steward Denethor (John Noble) will this choice come with a terrible responsibility – to watch as the Steward goes mad and tries to burn his own son alive?

Purist’s Note: well, no, apparently not, because in the movies Denethor releases Pippin from his service – whereas, in the books, Pippin remains in allegiance to Gondor.

This purist is getting on my nerves. You know what, Inner Purist, how about that scene where the Riders of Rohan appear over the hills at dawn and ride down to meet the orcs of Mordor in battle on the Pelennor Fields? Hmm, how about that? Was that not exactly as in the books?

Purist’s Note: well…well, I mean, no, because…

And what about the scene where Gandalf and Pippin discuss the prospect of death, using words directly from the book?

Purist’s Note: okay, that was touching, but the scene itself wasn’t in the books…

How about the scene on Mount Doom? Where Frodo finally stands above the consuming fires, unable to throw the Ring to its destruction? How about when Gollum takes the Ring from him in their last desperate struggle, biting off Frodo’s finger to get the corrupting treasure, dancing madly for joy on the brink of the fire – and falling, to his death? How about that terrifying scene where the Ring sits, motionless, on the surface of the lava, unwilling to be destroyed? And Frodo hangs from the cliff far above, staring down at it, contemplating with himself in those final moments whether he should leap into the fires after the Ring, or if he should take Sam’s hand and be carried to safety? How about that scene?

Purist’s Note: ooh, and how about that tortured look that Frodo gives to Sam as he makes his choice – but then, he reaches for Sam’s hand! And Sam pulls him up! And…uh, I mean, yeah, that scene is fine.

What about the final scene, at the Grey Havens, where Frodo goes off with the Elves to sail across the seas into the West? That emotional goodbye to his friends that has me in tears every time I watch it? That smile he gives as he boards the boat, and you know in your heart that he’s finally going to be healed of all his pain and hurt.

Purist’s Note: and when Sam says “well, I’m back” as he returns to his home, just like in the book…

Well, not just like in the book. If it had been just like in the book, he would have gone home to Bag-end, since in the book he inherited it from Frodo. Also, he should have only had one child at that time, but he had, like, five.

Purist’s Note: well, yeah, but, come on, the emotional heart of Tolkien’s work was all there. Director Peter Jackson could easily have gone for a more traditional route and had them all live happily ever after, but he didn’t. He showed the incredible pain that Frodo went through, and how it could never be healed – unless he left Middle-earth.

Yeah, I know, but Peter Jackson got a lot of things incorrect too. Let’s not forget the infamous scene where Frodo tells Sam to “go home”, which goes against everything in the books. That scene is painful to watch, it’s just so annoying.

Purist’s Note: okay, sure, but don’t forget that that scene was shot really early on, before the actors had any clear idea of the emotional journeys their characters were going on – before Andy Serkis had been cast as Gollum, in fact.

Good point. But how do you explain that scene with the skull avalanche in the Paths of the Dead?

Purist’s Note: wait, I thought you liked that!

I do! But…wait, aren’t you the purist? I feel like things got switched around here. I’m not supposed to be grilling you, it should be the other way round!

Purist’s Note: well, this is pretty normal when dealing with the movies. They’re conflicting, but in the end…they are pretty good movies, even when they’re not great adaptations. And, for the most part, they are great adaptations. Except for…a handful of things.

More than a handful. But, you’re right. No matter how many things might be wrong with the movies, I’m always going to love them. I’m always going to cry when Frodo sets sail into the West, or when Annie Lennox’s beautiful song starts playing over the credits…I’m always going to cheer when Sauron is cast down, and the Eagles rescue Frodo and Sam. I’m always going to feel completely heartbroken after the credits roll, when I realize that the story has finally come to its end. It’s the magic of this movie that makes that possible: you can overlook or even ignore every minor change to a character’s appearance, every faulty line of dialogue, every blunder or misstep. Because the magic is still there.

Purist’s Note: you’re going to tell me what the magic is now, aren’t you?

Yes, I am! It’s the magic of Frodo struggling through pain and torture to do the job that needs doing. It’s the magic of Sam carrying Frodo up Mount Doom, even when all seems lost. It’s the magic of Aragorn going to what seems like certain death so that he can buy Frodo just a little time. It’s the magic of Merry and Éowyn standing up against the Witch-King. It’s the magic of Pippin leaping into the flames to rescue Faramir. It’s the-

Purist’s Note: you’ve gone on long enough. I get it. It’s magic.

It is, and it’s the sort of magic that doesn’t go away, even after multiple viewings.

 

So there you have it: my thoughts on The Lord of the Rings: The Return of the King. No movie quite compares to it, honestly. It is everything I love about cinema, all rolled into one beautiful movie. From the opening sequence to the moment the screen fades to black, I am entranced, brought into another world, a world that I know and love from the books: not everything from those books made it onto the screen, but that’s okay. This sort of magic is rare. Enjoy it as it is.

Movie Rating: 10/10