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“The Wheel Of Time” Drops First Look Images Ahead Of Season Three

MINOR SPOILERS FOR THE WHEEL OF TIME THROUGH BOOK FOUR: THE SHADOW RISING, AND POTENTIAL SPOILERS FOR THE WHEEL OF TIME SEASON THREE, AHEAD!

The best (and most criminally underrated) fantasy series on television, Amazon’s The Wheel Of Time, is returning for its third season in less than two months, and the streamer has dropped first-look images showcasing new locations and characters, key moments from the pages of Robert Jordan’s The Shadow Rising, and a wardrobe’s worth of bold, beautiful costumes designed by the absolute madwoman (complimentary) that is Sharon Gilham. Rand al’Thor and the rest of the Emond’s Field Five feature heavily, while characters like Alanna Mosvani and Liandrin Guirale are nowhere to be seen, indicative of the series-wide shift in focus away from the Aes Sedai (including Rosamund Pike’s Moiraine Damodred) onto the younger cast led by Josha Stradowski’s Rand, happening in season three. This shift, which doesn’t occur in the books because Rand is the clear protagonist from the get-go, is something some fans have eagerly anticipated and others have dreaded, and I am very interested to see if The Wheel Of Time can achieve a healthy balance. Let’s see what we can glean from the new images.

Josha Stradowski as Rand al'Thor, Marcus Rutherford as Perrin Aybara, and Donal Finn as Mat Cauthon in The Wheel Of Time, standing in the common room of an inn. Rand and Perrin are leaning against a square stone pillar. Rand has short reddish-brown curly hair and wears a dark blue jacket over a lighter blue shirt. Perrin has frizzy dark hair and a beard, and wears a dark plum-colored coat over a plaid vest. Mat, out-of-focus in the foreground, has short dark brown curly hair and a patchy beard, and wears blue.
Rand, Perrin, and Mat | Twitter @TheWheelofTime

Rand, Perrin Aybara, and Mat Cauthon get together for drinks, something they haven’t had a chance to do since they left Emond’s Field in season one, episode one. This shot has to be from very early in the season, because the three boys’ storylines obviously haven’t yet diverged, with Rand heading off to the Aiel Waste, Perrin returning to Emond’s Field, and Mat apparently accompanying Nynaeve al’Meara and Elayne Trakand to the city of Tanchico. Based on the architecture, the setting is probably the city of Tar Valon, which tracks with what we know (from descriptions of footage shown at CCXP in Brazil) about one of the first major set-pieces in season three, a battle between the Aes Sedai and a mutinous contingent of Darkfriends led by Liandrin Guirale that moves from the White Tower out into the streets of Tar Valon.

Ceara Coveney as Elayne Trakand and Ayoola Smart as Aviendha, drinking together and smiling. Elayne has long reddish-brown hair and wears a gold dress. Aviendha has long reddish-brown hair in locs, and wears a sand-brown hood made from a coarse fabric, with lightweight brown leather armor and fingerless gloves.
Elayne and Aviendha | Twitter @TheWheelofTime

In what looks to me like the same tavern in Tar Valon, Elayne and the Aiel warrior Aviendha are seen sipping drinks and staring into each other’s eyes. This image immediately caught my eye for the simple fact that I’m queer, and like many queer readers, felt that there were definite undertones between these two characters even in the books, where Elayne and Aviendha come to regard each other as “first-sisters”, an Aiel term for two women who are not of the same mother but are as close as if they were kin. In Robert Jordan’s expansive world, there are a fair number of female characters one might be tempted to categorize as canonically queer characters, although unfortunately, nine times out of ten, I feel it would be more accurate to describe these characters as overtly heterosexual women thrust into homoerotic situations by their creator for no other reason than that he was a straight man who was not particularly subtle about his fetish for women making out with each other (that, and women being spanked: there’s so much spanking in The Wheel Of Time). So in spite of all the evidence that would seem to support queer interpretations of Elayne and Aviendha’s characters and relationship, I genuinely do not think Jordan himself thought of them as anything but straight.

That being said, the television adaptation has already canonized one relationship that was ambiguous in the books, between Moiraine and Siuan Sanche. Jordan wrote that the two women were ‘pillow-friends’ during their youth — the Wheel Of Time equivalent of saying they ‘experimented in college’ — referring to a practice amongst the isolated female Novices at the White Tower of finding comfort in same-sex partners: only, Jordan emphasizes, because there are no men around. It’s understood in the books that Novices are supposed to ‘mature’ out of desiring these same-sex relationships, with those who don’t often framed as having sinister motives. Moiraine and Siuan, however, are middle-aged women in the show, and their love is portrayed as just that, love, not a ‘phase’ either woman is looking to outgrow. There are also several other explicitly queer characters on the show, both male and female. So I have faith that fans of the “Avilayne” pairing will not be let down.

Natasha O'Keeffe as Lanfear, standing in a doorway, looking over her shoulder with a slight smirk. She has short jet-black hair and dark eye makeup. She wears a black-and-white cloak or mantle, and around her ear she wears an ornament in the shape of a three-headed black snake.
Lanfear | Twitter @TheWheelofTime

Although it’s hard to tell for certain where this shot of the Forsaken Lanfear fits into the timeline we’re piecing together, I’m going to put it here because the architecture in the background feels more like Tar Valon than any of the other locations we know we’ll be visiting in season three, and it would be very much in-character for Lanfear to stalk Rand while he’s out with friends. I’m gonna tell you my theory: Lanfear is keeping just enough distance between herself and Rand so as not to make her presence near him known to the other Forsaken who may be watching, but Rand notices her in this scene – and this is the moment she turns away, with an almost sorrowful expression on her face that says she could protect him from what’s coming, if he only let her back into his heart. By the time he reaches the door, she’ll have vanished, of course, leaving him shaken up. You can remind me come March if I was right or if this shot is from an entirely different scene.

Sophie Okonedo as Siuan Sanche, throwing her arm out and channeling red and gold threads of the One Power into a spiral weave as she battles an unseen opponent. She has short dark hair under a lofty headdress made of gold lace and baubles, and wears a gilded coat.
Siuan Sanche | Twitter @TheWheelofTime

Siuan Sanche, the Amyrlin Seat of the Aes Sedai, throws out her arm and channels a complex weave using red and gold threads of the One Power in this image, which I feel pretty confident in saying is from the aforementioned battle with Liandrin and her cronies. The woman beside Siuan is Alanna (yes, I lied when I said she was nowhere to be seen, though to be fair, it is only a bit of her shoulder; but those gold epaulets are clearly the same ones she’s wearing in the teaser trailer, shown below). Siuan is channeling upwards in this shot, which leads me to believe that Liandrin is on the mezzanine encircling the round Hall of the Sitters, or has brought the roof down on their heads.

Priyanka Bose as Alanna Mosvani, weeping over someone's body. She has long dark hair covered in ash. She's wearing a green dress with gold epaulets and a gold collar.
Alanna | youtube.com
(from left to right), Ceara Coveney as Elayne Trakand, Madeleine Madden as Egwene al'Vere, and Zoe Robins as Nynaeve al'Meara, on horseback. Elayne has blonde hair in a bun, and wears a gauzy green dress with gold armor. Egwene has short dark hair under a gold tiara and wears gold armor over a long gold gown with a serpentine flame pattern. Nynaeve has long dark hair, and wears a padded silver vest and armor over a yellow dress.
Elayne, Egwene, and Nynaeve | Twitter @TheWheelofTime

This striking image of Elayne Trakand and Nynaeve al’Meara flanking Egwene al’Vere, all three on horseback and wearing impractical armor over luxurious gowns, can only be from one of the two Accepted Tests we haven’t yet seen, Egwene’s or Elayne, and I’m gonna take a wild guess and say it’s Egwene’s based on the fact that she’s front-and-center, and dressed as the Amyrlin Seat (Flames of Tar Valon are emblazoned on her armor and embroidered on her gown; she’s also wearing a ring identical to Siuan’s; the gemstone necklace is a curious accessory, unique to Egwene but with no immediately apparent symbolism). In the books, the last of the three alternate universes Egwene enters during her Accepted Test is one in which she is Amyrlin and must preside over the trial and gentling of Rand al’Thor, a captive of the Red Ajah.

The sense I’m getting from the show’s version, or at least from this still-frame, is that Egwene and her companions are hunting Rand themselves, and will engage him in battle. Whereas in the books, this stage of the Test is built around Egwene’s fear of Darkfriends amongst the Aes Sedai, I think the show will make her greatest fear the future that awaits Rand (not to mention the whole world), if she can’t figure out how to stop him from going mad like all male channelers before him: and to that end, I think Rand will kill the alternate universe versions of Elayne and/or Nynaeve in his madness, with Egwene narrowly escaping.

Josha Stradowski as Rand al'Thor and Daniel Henney as Lan Mandragoran in The Wheel Of Time. They stand back-to-back on a mountaintop, practicing sword forms. Rand has short reddish-brown curly hair and wears a gray shirt with rolled-up sleeves and dark trousers. Lan has black hair in a top-knot. He wears a gray long-sleeved shirt and gray trousers.
Rand and Lan | Twitter @TheWheelofTime

Next up, we see Rand practicing sword forms with Moiraine’s Warder, Lan Mandragoran — a scene from the first chapter of book two, The Great Hunt, that didn’t make it into season two, although Rand did pick up a few moves from an elderly blademaster in the city of Cairhien, and Lan taught him one of the better-known forms, ‘Cat Crosses The Courtyard’, before his audience with the Amyrlin Seat. Fans of their relationship will be pleased to have the sword training subplot picked up again, and hopefully afforded a little more time and space, in season three. This was one of two clips shown to the audience at CCXP (the other being a preview of the battle in Tar Valon), and descriptions of the footage place Moiraine and Egwene in the same scene, suggesting that this takes place during their journey from Tar Valon to the Aiel Waste.

(From left to right) Nukâka Coster-Waldau as Bair, Synnøve Macody Lund as Melindhra, Daniel Henney as Lan Mandragoran, Björn Landberg as Rhuarc, Josha Stradowski as Rand al'Thor, and Rosamund Pike as Moiraine Damodred, standing on a rugged hilltop in a desert under a cloudless sky. Bair has long white hair and wears a white dress with a hood and shawl. Melindhra has blonde hair under a brown hood, and wears lightweight brown leather armor, a skirt of tassels, and brown pants, with three short spears strapped to her back. Lan wears a gray hood and baggy gray tunic. Rhuarc has red hair under a sand-brown hood, with brown leather armor and trousers made from a coarse brown fabric. Rand has short curly reddish-brown hair and wears a white shirt with rolled-up sleeves, dark trousers, and a sword strapped to his back. Moiraine has long brown hair under a large hat, and wears a brown shawl over a sand-brown top, with a long gray dress.
(left to right) Bair, Melindhra, Lan, Rhuarc, Rand, and Moiraine | Twitter @TheWheelofTime

This reverse angle of the opening shot from the teaser trailer gives us our first look at several new characters from the Aiel Waste, including Nukâka Coster-Waldau as the Wise One Bair, Synnøve Macody Lund as the Malkieri refugee turned Maiden of the Spear Melindhra, and Björn Landberg as clan chief of the Taardad Aiel, Rhuarc. The teaser reveals that they’re looking out over Rhuidean, a city built shortly after the Breaking of the World, the ruins of which have been put to use by the Aiel as a testing ground for women training to become Wise Ones and men looking to become clan chiefs. The city is home to several ter’angreal, magical constructs with specific functions, including one that shows visions of possible directions a person’s life may take, and another that allows a person to relive historical events through the eyes of their ancestors. Rand’s journey to fulfil the prophecies of the Dragon Reborn will lead him through Rhuidean, while Moiraine will learn there what steps she must take to keep him alive until the Last Battle.

Rhuidean is widely regarded as one of the most memorable sequences in the entire fourteen-volume book series, and while I expect it to play out a bit differently in the show for a number of reasons (namely, the apparent absence of Mat Cauthon and the inclusion of Moiraine’s perspective), I hope what we get from the adaptation is similarly rich and immersive. The show has tried to simplify Robert Jordan’s complex magic system and worldbuilding for general audiences, but three seasons in, if you’re still watching, chances are you’re already invested in the story and won’t be turned off suddenly by an influx of new information.

Rosamund Pike as Moiraine Damodred, standing in a desert, channeling golden threads of the One Power into a glowing orb she's holding out in front of her. She has long dark brown hair, and a blue gemstone on a slender gold diadem sits upon her brow. She wears an intricate gold lattice-work chest-piece over a sleeveless blue dress.
Moiraine Damodred | Twitter @TheWheelofTime

Moiraine channels golden threads of the One Power into a glowing sphere, potentially a miniature version of one of the two enormous crystal balls that collectively form the ‘Choedan Kal’, a sa’angreal (an object that allows a channeler to channel more of the One Power than they would normally be able to). The Choedan Kal is the most powerful sa’angreal ever made, and requires two ter’angreal to unlock it, referred to as access keys. I suspect what we’re looking at in the image above is Moiraine attempting to unlock the Choedan Kal using just one of the keys,  possibly during a confrontation with Lanfear or another of the Forsaken.

Olivia Williams as Morgase Trakand and Shohreh Aghdashloo as Elaida, walking side-by-side down a corridor in the White Tower, between rows of soldiers in red-and-gold uniforms and Novices in white dresses. Morgase has short blonde hair under a gold tiara encrusted with rubies. She wears a large white heart-shaped lace collar, and a long-sleeved white lace coat over a long dark red gown. Elaida has short jet-black hair. She wears a crimson coat over a dark red gown with a heavy gold necklace, large gold earrings, gold bracelets on both arms, and multiple gold rings.
Morgase and Elaida | Twitter @TheWheelofTime

Queen Morgase Trakand of Andor and her Aes Sedai advisor Elaida do Avriny a’Roihan make their debut in this shot of the two entering the White Tower, presumably looking for Morgase’s daughter Elayne, who as far as they’re aware is still missing after being kidnapped from the Tower by Liandrin in season two and whisked away to Falme on the other side of the world. By the time they arrive, I fully expect Elayne to be long gone from Tar Valon, this time on a top-secret mission to the city of Tanchico, hunting Liandrin and her cabal of Darkfriends (more on that in a minute). The ensuing stand-off between Morgase and Siuan is only recounted after the fact in the books, but leads to Elayne giving Mat Cauthon a letter to take to her mother in the city of Caemlyn before she sets out again, which ends up being a surprisingly fun little subplot; not crucial by any means, so I won’t be shocked if it’s cut from the show, but what is crucial is the emergence of Mat’s luck (he’s essentially got the same powers as Marvel Comics’ Domino), through episodes like the quarterstaff fight with the Trakand boys, the chase across the rooftops of Tar Valon, and the encounter with Aludra the Illuminator, which are all part of this subplot.

Morgase’s advisor Elaida, an Aes Sedai of the increasingly powerful Red Ajah that oversees the systematic extermination of male channelers, is someone to keep an eye on – and not just because The Wheel Of Time was fortunate enough, speaking of luck, to nab Oscar-nominee Shohreh Aghdashloo for this role. Elaida is one of the most important characters in the entire series, a complex antagonist to Siuan Sanche who sees herself as the leader the Aes Sedai desperately need if they’re to defeat the Dark One at the Last Battle: because they’re sure as hell not going to rely on a male channeler like Rand al’Thor, not if Elaida has any say in the matter. The White Tower she’ll be returning to in the show, after years of living in Caemlyn, is one that will have just been rocked to its foundations by an attack from within. The Red Ajah, which Liandrin belonged to, will be eager to pin the blame on Siuan, but needs a charismatic representative with no connections to Liandrin to make the argument. There’s no better moment for Elaida to step in and fill that role.

Donal Finn as Mat Cauthon, Zoe Robins as Nynaeve al'Meara, and Kae Alexander as Min Farshaw in The Wheel Of Time, standing in a smoky room amongst a crowd of colorfully costumed revelers, speaking to a man in a black hat who is handing them something wrapped in a cloth. Mat has short dark brown curly hair and a patchy beard. He wears an oversized frilly maroon coat over a low-collared saffron-yellow shirt. Nynaeve, standing beside him with her hand on his arm, has long dark hair in a braid and dark eye makeup. She wears a red, black and gold long-sleeved dress with shoulder cutouts. Min has black hair in a slicked-back mullet, with a black-and-white headwrap. She wears a black leather bolero over a black-and-gold top, and a gray dress with pockets. She has a throwing knife in a small scabbard on the front of her belt.
Mat, Nynaeve, and Min | Twitter @TheWheelofTime

In the books, book three to be precise, Siuan assigns Egwene, Nynaeve, and Elayne with a top-secret mission: following Liandrin to the city of Tear, where (unbeknownst to Siuan) Liandrin is going to try and capture Rand with the help of the Forsaken Be’lal, who is disguised as a High Lord of Tear. Mat, as I mentioned, goes to Caemlyn to deliver Elayne’s letter to the Queen, but while there, learns that the girls are walking into a trap, and makes his way to Tear in the company of the gleeman Thom Merrilin. Liandrin ends up escaping to the city of Tanchico, where Nynaeve and Elayne continue their hunt for her in book four, The Shadow Rising, with Thom as their escort, while Egwene goes to the Aiel Waste with Rand. The television adaptation is, as far as I can tell, having Nynaeve and Elayne head straight to Tanchico from Tar Valon, bypassing Tear entirely, and Mat will be joining them – though whether from the outset of their adventure or, as in book three, after realizing that they’re in danger and coming to save them, remains to be seen. There’s a very strong chance that Tanchico is where we’ll be reunited with Thom, last seen on the show in season one and presumed dead by much of the general audience, but returning at long last for season three. And obviously but rather oddly, the seer Min Farshaw is here as well.

Tanchico is the capital city of the nation of Tarabon, which in recent years has been torn to pieces by a civil war instigated and prolonged by the Whitecloaks in neighboring Amadicia, who hope to destabilize the region (in the books, the reason why the Whitecloaks are in Falme is to try and set up another vassal state north of Tarabon with which to slowly blockade the larger nation into submission). Tarabon has two rulers, a male King and an elected female ‘Panarch’, who governs from a palace complex in the hills above Tanchico. This palace houses the world’s largest museum, containing relics dating back thousands of years to before the Breaking of the World – including several ter’angreal. Is one of these the object wrapped in cloth that Mat, Nynaeve and Min are seemingly looking to purchase or barter for in the image above? And who is the man they’re dealing with, anyway? My bet’s on Juilin Sandar, the rat-catcher whom the girls hire to spy for them in Tear.

Well, that’s everything. What I’m hoping to see from the next batch of images released by Amazon is our first look at what’s going on in the Two Rivers, along with some more new characters like Faile Bashere and Gawyn Trakand, and familiar faces like Thom Merrilin, Tam al’Thor, Liandrin Guirale, Moghedien, Verin Mathwin, Dain Bornhald, and Logain Ablar. How about you? Who or what got you most hyped out of these new images and who or what are you still hoping to see before season three arrives this coming March? Share your own thoughts, theories, and opinions, in the comments below!

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“The Wheel Of Time” Casts Faile; Aiel Warriors, Wise Ones

MINOR SPOILERS FOR THE WHEEL OF TIME THROUGH BOOK FIVE, THE FIRES OF HEAVEN, AHEAD!

Wheel Of Time Wednesdays are back! And according to Amazon, they’re here to stay, at least until the premiere of The Wheel Of Time‘s third season on March 13th, a little less than two months away. We still don’t have a full trailer for the fast approaching season, but we have been receiving casting announcements left and right over the last couple of weeks: Shohreh Aghdashloo and Olivia Williams are among those joining the epic fantasy series’ sprawling ensemble cast, which also boasts Oscar-nominees Rosamund Pike and Sophie Okonedo. And today, Amazon welcomed five more cast-members — Isabella Bucceri, Nukâka Coster-Waldau, Salóme Gunnarsdóttir, Björn Landberg, and Synnøve Macody Lund — all of whom will play significant roles from the pages of Robert Jordan’s saga. As has been the case with every casting announcement thus far, all five of these actors and actresses were already known or rumored to have been cast in the series, and some, like Bucceri, had already been linked to the characters they’re actually playing, but there are also some interesting new details tucked away in Amazon’s press release that hint at changes fans could not have predicted.

Black-and-white image of Isabella Bucceri, wearing a black leather jacket. She has long black hair.
Isabella Bucceri | Twitter @WoTUp5
Image of Björn Landberg. He has short white hair with dark eyebrows and wears all black.
Björn Landberg | filmmakers.eu

While there are over 2700 named characters in The Wheel Of Time, and it’s extremely easy to get them mixed up, no one who’s read the series will need to be reminded of Faile Bashere, the character Isabella Bucceri will portray in season three: everyone has an opinion on the sharp-tongued Saldaean adventurer who becomes Perrin Aybara’s love interest, and those opinions range anywhere from “love her, would die for her” to “hate her, please die” with people like myself falling somewhere in the middle; I generally like Faile individually, but her and Perrin together are unbearable to read about for more than a few sentences, in large part because the book versions of their characters are, like, sixteen, seventeen, and incapable of having a conversation without Perrin putting his foot in his mouth because he inadvertently ‘smelled’ Faile’s emotions (one of the drawbacks to having heightened senses) and confidently misinterpreted them, causing her to get angry, in turn causing him to get angry, and for them both to storm off, the one mumbling that ‘women are so confusing’ and the other grumbling that ‘men are such idiots’. I have to trust that one of the reasons for aging up the characters in the show was to avoid the mind-numbingly repetitive teenage angst that The Wheel Of Time is unfortunately notorious for, but then again, there was a random (and mercifully short-lived) love-triangle subplot between Perrin, Rand, and Egwene in season one, so anything’s possible.

In Amazon’s press release, as in the books, Faile is described as a Hunter for the Horn whose search for the artifact has led her to the Two Rivers. This presumably means we’ll lose the bit where Perrin tells Faile to stay in the city of Tear while he goes to check on things back in the Two Rivers because it’s too dangerous for her to go, she’s just a woman, blah blah blah — advice which she ignores. But otherwise, her description reads the same. Faile is introduced as a Hunter for the Horn in book three, The Dragon Reborn, and interestingly, tells Perrin about her theory that the Horn could be found in the Two Rivers amidst the ruins of the ancient kingdom of Manetheren. In the books, the Horn is already on its way to Tar Valon for safekeeping by that point, but the show made a subtle but potentially significant change when they had Amaresu, one of the Heroes of the Horn, take the Horn from Mat Cauthon at the end of season two: meaning that for the time being, it is somewhere in Tel’aran’rhiod, the World of Dreams, and not in the physical world.

Speaking of the World of Dreams, the next two characters — Bair (Coster-Waldau) and Melaine (Gunnarsdóttir) — are both ‘dreamwalkers’: women with the ability to enter the World of Dreams at will, and to an extent navigate its ever-changing paths. The ability to dreamwalk does not only manifest in women who can channel the One Power; Melaine cannot channel, while according to Amazon’s press release, Bair can (an odd change from the books, where it’s the other way around). Both women belong to the red-haired, desert-dwelling Aiel people, and hold positions of great status in their respective clans. They are called ‘Wise Ones’, and their words hold equal weight to those of their clan chiefs. There are many Wise Ones with the ability to channel and/or dreamwalk (likely outnumbering the Aes Sedai) but some can do neither and still be held in high esteem. Whereas Novices training to become Aes Sedai often spend years preparing for the perilous Accepted Test that decides whether they can advance any further, women who seek to become Wise Ones are immediately expected to pass a test very similar in structure, which involves entering a ter’angreal in the ruins of the city of Rhuidean that will show them the possible routes their lives may take.

A similar test awaits Aiel men who intend to become clan chiefs. With permission from the Wise Ones, these men will enter a separate, inverse ter’angreal in Rhuidean which forces them to relive events from their ancient history through the eyes of their direct ancestors. In this way, they will learn the truth of the ‘Sin’ that led to the Aiel becoming a patchwork of warring clans banished to the Wasteland beyond the Spine of the World. Few men return from the ter’angreal, fewer still with their sanity intact, but those who do come back bearing a dragon tattoo on their arm that marks them as their clan’s new chief, and are forbidden to speak of their experiences in Rhuidean. The current chief of the Taardad clan is Rhuarc (Landberg), an experienced warrior who has two wives, both Wise Ones. You’ll see more of the Taardad Aiel in the show than any other clan (besides the especially violent Shaido), as the Taardad are the clan to which Rand al’Thor’s parents belonged, and in which he would have been raised if he hadn’t been born on a battlefield and adopted by Tam al’Thor of the Two Rivers. Aviendha is also a member of the Taardad Aiel, though her friends Bain and Chiad belong to the Shaarad and Goshien Aiel, respectively.

Black-and-white image of Synnøve Macody Lund. She has short blonde hair and wears a long-sleeved top with black pants.
Synnøve Macody Lund | imdb.com

Probably for simplicity’s sake more than anything, the show has also chosen to make the character of Melindhra (Macody Lund) a member of the Taardad Aiel rather than the Shaido, but that isn’t even the biggest change that’s been made to this Maiden of the Spear’s backstory. The press release describes her as a Malkieri refugee who was taken in by the Taardad, setting her up to have a very different role in the show than in the books, where she’s romantically involved with Mat Cauthon for a short while. While there’s no evidence that Mat will go to the Waste in season three, we know that Lan Mandragoran, faithful Warder to Moiraine Damodred and heir to the lost throne of Malkier, will go there alongside Moiraine, Rand, and Egwene al’Vere. It seems obvious that, with Melindhra being a former citizen of Malkier herself, the two will bond. The question is: will their relationship be purely platonic, or is The Wheel Of Time overlaying Mat and Melindhra’s romance onto Lan and Melindhra? And if they do go that route, what does that mean for Lan’s ambiguous relationship with Nynaeve al’Meara? And what is Mat doing in season three if he’s not going to the Waste, where much of his character development occurs in the books?

I’m very curious to see how The Wheel Of Time answers these questions when the series returns, but in the meantime, I’d love for you to share your own thoughts, theories, and opinions, in the comments below!

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“The Wheel Of Time” Casts Four Andoran Royals

MINOR SPOILERS FOR THE WHEEL OF TIME THROUGH BOOK FIVE: THE FIRES OF HEAVEN, AND POTENTIAL SPOILERS FOR THE WHEEL OF TIME SEASON THREE, AHEAD!

This morning, The Wheel Of Time announced through their official social media channels that Olivia Williams, Luke Fetherston, Callum Kerr, and Nuno Lopes had joined the cast for the upcoming third season of Amazon Prime’s epic fantasy series. This came as a surprise to absolutely no one who’s been following the production for any length of time, because the folks over at wotseries.com reported on Fetherston’s casting all the way back in May of 2023, Kerr’s in July 2023, Lopes’ in October 2023, and Williams’ in November 2023 – and were able to additionally confirm or make highly educated guesses that Fetherston was playing Gawyn Trakand, Kerr was playing Galad Trakand (yes, I know it’s Galad Damodred in the books; we’ll get to that), and Williams was playing Queen Morgase Trakand.

Ceara Coveney as Elayne Trakand in The Wheel Of Time, lowering a golden crown encrusted with rubies and pearls onto her head. She has long golden hair and wears a long-sleeved white dress.
Elayne Trakand | youtube.com

What did come as a shock to some of us this morning was the reveal that Fetherston was in fact playing Galad, and Kerr playing Gawyn, with an accompanying press release indicating that their canonical ages relative to their sister Elayne Trakand had been swapped, complicating the entire timeline and causing Discourse™…only for The Wheel Of Time to repost the casting announcement an hour later, corrected to show Fetherston playing Gawyn and Kerr playing Galad, as originally reported by wotseries.com. How the heck this happened is frankly beyond me – to mix up two fairly similar names in a tweet is one thing, but to simultaneously release an inaccurate press release to all of the Hollywood trades is extremely weird, and for Amazon to not immediately notice and amend their mistake is even weirder.

Here’s where we stand currently, assuming they haven’t issued another correction in the time it’s taken me to write this post: Luke Fetherston is Lord Gawyn Trakand; Callum Kerr is Lord Galad Trakand; Olivia Williams, currently starring in the HBO Max limited series Dune: Prophecy, is Queen Morgase Trakand; and Nuno Lopes is Lord Gaebril. Together with Elayne Trakand played by Ceara Coveney, they make up the royal family of Andor, one of the largest and most powerful nations in the Westlands. Andor is notable for having an unbroken line of female rulers dating back for centuries, although there have been several Wars of Succession, the most recent of which resulted in Morgase’s ascension to the Lion Throne of Caemlyn.

Morgase Trakand, Queen of Andor and High Seat of House Trakand, became Queen at a very young age, after the death of her close relative Queen Mordrellen Mantear and the disappearance of Mordrellen’s only daughter, Tigraine Mantear. In the books, Morgase’s claim to the Lion Throne was clear enough that she was able to gain the support of most of the noble Houses and seize power with very few casualties, but the character description released by Amazon describes this event as a “brutal war” and seems to imply that Morgase has the blood of rival claimants on her hands: “She has sworn ever since to shield her daughter and heir, Elayne, from ever having to endure what she did – and do what she did.”

Olivia Williams in Dune: Prophecy. She has dark hair pulled back in a low bun and wears a long-sleeved black dress.
Olivia Williams in Dune: Prophecy | latimes.com

In the books, Morgase solidified her claim by marrying Lord Taringail Damodred, the husband of the former Daughter-Heir Tigraine Mantear, and adopting their son, Galad Damodred. She had two children with Taringail, Gawyn and Elayne Trakand, before Taringail died under…very suspicious circumstances. His death, in which Morgase is widely believed to have had a hand, is potentially one of those morally ambiguous actions The Wheel Of Time is implying she had to take to protect herself and her daughter: although I’d be a little surprised if the show had time to get into any of this, especially since Galad hasn’t been said to be Morgase’s step-son or Elayne and Gawyn’s half-brother, and his character description refers to him as the “first-born son”.

But if Galad is in fact Morgase’s son in the show, that creates some complications, as Galad would be “First Prince of the Sword”, a title belonging to his younger brother (but Morgase’s eldest son) Gawyn in the books. That title and the responsibilities that come with it weigh heavily on Gawyn’s shoulders, and are one of the main reasons why he’s…like that. As a toddler, he had to swear an oath to protect Elayne with his life, and has been hardwired to literally throw himself in front of her at the first sign of danger. And as an adult, it shows. He doesn’t stop to think things through before jumping to conclusions and acting on his impulses – which has consequences, really severe ones, when you’re the commander of the Andoran military by virtue of blood rather than merit. Unsurprisingly, Gawyn is one of the most hated characters in The Wheel Of Time.

Galad is also pretty divisive, but somewhat less so than Gawyn – which says a lot about Gawyn, because he’s not the brother who enthusiastically signs up to be a Whitecloak and go around persecuting Aes Sedai, that’s Galad, and yet the majority of fans, if asked to pick between the two, would probably choose Galad. It undoubtedly helps that Galad is described as tall, androgynous, and exceptionally beautiful in the books, while Gawyn has more boyish features. Looking at Luke Fetherston and Callum Kerr, I have to be honest, it’s hard to visualize Fetherston as Gawyn and nigh on impossible to see Galad in Kerr. They’re both attractive men; I’m not disputing that. But the statuesque Fetherston has a beauty that is ironically more suited to Galad than Gawyn, while Kerr’s ruggedness doesn’t really fit either character. And Fetherston strongly resembles another actor on the show that it would make sense for Galad to look like, but not Gawyn.

As for Lord Gaebril, the male consort and influential advisor to Morgase is a nobleman from western Andor – the area that encompasses the Two Rivers. He has a consequential role to play, maybe not this season but certainly in the next, and that’s…all I can say on the matter without getting into some seriously spoilery territory.

Luke Fetherston, sitting in front of a gray background, wearing a white t-shirt and black pants. He has short reddish-brown hair.
Luke Fetherston | pop-culturalist.com

Conspicuously absent is the character of Gareth Bryne, Captain-General of the Queen’s Guard and to Morgase what Gawyn is to Elayne, her First Prince of the Sword. This could mean that Bryne has been cut; it could also mean that he’s still in the show but in a much smaller role, making a casting announcement for his character unnecessary; or it could mean that he’s still in the show and in a significant role, just not in season three. In the books, Bryne is dismissed from service shortly after Lord Gaebril’s arrival at court, so it’s entirely possible that this has happened already in the show and that Bryne is in Kore Springs throughout season three. We’ll have to wait and see.

What do you think of the casting announcements? Who are you most excited to see in The Wheel Of Time season three? Share your own thoughts, theories, and opinions, in the comments below!

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“The Rings Of Power” Season 2, Episode 4 Indulges In Fan Service

MAJOR SPOILERS FOR THE RINGS OF POWER SEASON TWO, EPISODE FOUR AHEAD!

Although the term “fan service” used to refer primarily to random scenes of female nudity or gratuitous violence in Japanese anime and manga, in recent decades it has come to be more broadly defined as anything included in a piece of media to please the perceived target demographic, usually the diehard fans of the universe to which that piece of media belongs: and it can range from the inoffensive (a meaningful reference or detail only fans will catch) to the in-your-face (shoehorning in a beloved character just to have them do or say “the thing”, or revisiting an established location when any other would have sufficed). As a rule of thumb, fan service should only have a small, positive impact on a person’s enjoyment of the story being told. It shouldn’t be the story.

Markella Kavenagh as Elanor Brandyfoot in The Rings Of Power. She has short, curly brown hair, and wears a dark green blouse. A disc of silver hangs on a cord around her neck.
Elanor Brandyfoot | youtube.com

Shouldn’t be, I say, but it all too often is, because in every fandom there are some who believe that the sole purpose of stories is to service them, and who consequently treat storytellers as fan servants, with whom they can be as cruel and demanding as they like. These fans do not want their favorite franchises to offer them anything new or unfamiliar – and since they tend to be conservative, straight, cisgender white men, that inevitably includes anyone who doesn’t look like them. Unfortunately, these people have a way of amassing power and influence over fandom spaces by claiming to want what’s best for the fans, and then act as gatekeepers, which is why studios insist on courting them even though it’s been proven time after time that franchises which bend over backwards to try and placate these fans leave themselves nowhere to grow, and for nothing, because these fans will never be satisfied, especially not if they know they can wield their power and influence to prevent their favorite franchises from ever evolving or experimenting, as happened just recently with The Acolyte.

Amazon reportedly has no intention of ending The Rings Of Power prematurely, which is reassuring to hear, but they’re still making efforts to reach “fans” (loiterers, at this point, seems a more accurate term for them) who claim to hate the show; an admirable and probably pointless endeavor, if even the overt fan service in the first season, of both the innocuous and egregious varieties, wasn’t enough. The very act of compressing the three-thousand year timeline of the Second Age, making it possible for the show to adapt all of the major events of the Age without having to switch out the entire human cast between seasons, was a kind of fan service. Bringing in proto-Hobbits and a wizard heavily implied to be Gandalf is fan service as far as I’m concerned, since these characters have yet to fold back into the overarching narrative (and, in fact, stray further afield with each passing episode).

In its second season, and particularly in episode four, The Rings Of Power doubles down on aggressively targeting people who will never admit to watching the show regardless of whether they do, when it should be focused on telling a cohesive story. With everything else the show is trying to accomplish in just eight episodes, there’s simply not enough time to squeeze in appearances from Tom Bombadil (Rory Kinnear), the Barrow-wights, Shelob (in episode three, but she still counts) and the Ents – none of whom have any good reason to be here, with the possible exception of Tom (ironically the last character who should ever need a good reason for anything).

It would be one thing if we didn’t know about most of these cameos beforehand – then at least the shock of seeing a Barrow-wight or an Ent would distract, on an initial viewing, from how extraneous their few scenes really are. But Amazon put it all in the marketing. We’d seen pretty much the entirety of the Barrow-wights sequence, for example, split up across various trailers, teasers, and behind-the-scenes clips long before the episode dropped. Though, to be honest, that was only one of several factors in why that particular scene fell flat for me, not least of which had to do with the atrocious optics of introducing a new Elf, Daemor, played by a Black actor, Oliver Alvin-Wilson, and then killing him off almost immediately; the only casualty of the wights. Never mind that what makes the encounter with the wights so terrifying in The Lord Of The Rings is that they didn’t kill their victims straightaway, instead putting them to sleep and dressing their bodies in the garments and jewelry of the barrows’ original occupants for uncertain, but obviously ritualistic, purposes. The Rings Of Power‘s Barrow-wights are just your run-of-the-mill reanimated skeletons, and not scary in the slightest.

Shot from below looking up at Robert Aramayo as Elrond and Morfydd Clark as Galadriel, standing near the broken edge of an elevated stone walkway through a pine forest. Elrond has short tousled brown hair and wears a gray cloak over a pale yellowish-gray tunic. Galadriel has long blonde hair in a braid, and wears a gray cloak over a silver tunic with a quiver of arrows strapped to her back.
Elrond and Galadriel on the Axa Bridge | youtube.com

Even before they showed up, the wights were getting on my nerves, because I could sense the characters were being forcefully shoved in their direction. My internal alarm bells started ringing when Elrond (Robert Aramayo) mentioned crossing the “Axa Bridge” to reach Eregion. “That’s funny,” I said to myself, “I don’t know an Axa Bridge.” As it turns out, there’s a good reason for that. It was made up for the show, and crosses the River Baranduin south of the Old Forest, on a road leading through the hills of Tyrn Gorthad (better known as the Barrow-downs). All of which is fine. There could conceivably have been a bridge there in the Second Age. It’s just…there’s no reason for Elrond and his company, speeding across Eriador, to go anywhere near it. Draw a straight line from Lindon to the capital city of Eregion on a map of Middle-earth and it takes you across the Baranduin at Sarn Ford, many miles to the south of the non-canonical Axa Bridge, which (according to the map shown in the episode) would have taken Elrond’s company northeast, out of the way entirely.

And that’s not even the most confusing part, nor is it when the group reaches the Axa Bridge, and it’s revealed to span an impassable canyon, deep and wide with sheer sides (on the eastern border of what becomes the Shire, not an area known for having rugged geography). No, it’s the fact that this bridge contrived to take them directly to the Barrow-downs is broken, and so the group’s map expert Camnir (Calam Lynch) declares that to circumvent this canyon that shouldn’t exist, they must turn south through the Barrow-downs…which do not extend south of the Axa Bridge on the map shown to us mere moments before, and in fact, lie somewhat to its north. So either Camnir is extremely, like, embarrassingly bad at following maps, or the writers are. And I’m inclined to believe it’s the latter.

Maybe I’m being nitpicky about the bridge, but I think it’s fair to say that any fantasy story with such a large scope should aspire to give its audience a general sense of where things are in relation to each other, and of the distances between them, especially when that information is often critical to understanding the plot. Galadriel (Morfydd Clark) and Elrond traversed the long leagues between Lindon and Eregion in a matter of seconds back in episode one, but three episodes later the same journey in the opposite direction is long, perilous, and requires a map-expert. There’s an even greater distance and many more natural obstacles between Eregion and Mordor, but The Rings Of Power has on multiple occasions treated that span of over a thousand miles as a mere insignificance, easily covered by Sauron (Charlie Vickers) in human form twice, both times while pretending to be wounded, and now by Adar (Sam Hazeldine) and his legions of Orcs, without anyone noticing except a pair of Ents in the Southlands.

But if I don’t stop ranting about maps now, I never will (maybe it’s a subject for a separate post), so let’s move on to the Ents. They’re scarier than the Barrow-wights, which is a surprise. Olivia Williams and Jim Broadbent lend their voices to this dendriform power couple, named Winterblossom and Snaggleroot respectively, who rip people limb-from-limb if they raise axe to tree. They’re great characters: I would have loved to spend time with them in a show that actually had time to spare on an environmentalist murder mystery subplot, but The Rings Of Power is not that show. And although it’s in the process of investigating these Ent serial murders that Isildur (Maxim Baldry) and Estrid (Nia Towle) become conscious of their romantic feelings for each other while Arondir (Ismael Cruz Córdova) proves himself as a father figure to Theo (Tyroe Muhafidin), I find it difficult to believe there wasn’t a far more efficient route to the same destination (help, I’m about to make this about maps again). A conflict between the Southlander refugees and those who swore fealty to Adar could have easily provided a backdrop to all of these developments, and simultaneously done more to deepen our investment in the people who will one day become Isildur’s people when he goes on to found the Kingdom of Gondor, whereas following the Ents, even though it’s to rescue Theo, pulls Isildur out of that environment.

Ismael Cruz Cordova as Arondir, standing over Maxim Baldry as Isildur, extending a hand to the man. Arondir has close-cropped dark hair and wears a gray cloak over a gray wooden breastplate sculpted into the glowering face of a man with a leafy beard and hair. He has a quiver of arrows strapped to his back. Isildur has shoulder-length shaggy brown hair and wears a gray cloak. They are in a forest.
Arondir and Isildur | youtube.com

Isildur, marooned on Middle-earth and thrust into a leadership position he didn’t ask for, has an unlikely (but, given his…connection to hobbits, rather fitting) mirror-image in the Harfoot Elanor “Nori” Brandyfoot (Markella Kavenagh), who also finds herself separated from her family and everything that represented home to her in season two, lost in a strange land, forced to take refuge among a people wary of outsiders, and gradually becoming a respected member of their community and helping them in their fight to save their homes. There’s even a burgeoning romance in both subplots, though it’s not Nori herself, but her best friend Poppy Proudfellow (Megan Richards) who falls head over heels in love with one of the Stoor hobbits they encounter in Rhûn; the slightly peculiar Merimac (Gavi Singh Chera). However, seeing as I still strongly feel that Poppy wasn’t originally intended to come back for season two, Nori and Merimac may well have had a relationship in an earlier draft.

But Nori already has a much more interesting relationship with the Stoors through their leader, Gundabel (Tanya Moodie), who reveals to her in a surprisingly powerful scene that the ancestor of the wandering Harfoots was a Stoor, who left the narrow gorge where they’ve always lived in search of a promised land called the Sûzat, a land of rolling green hills and clear rivers. It’s written as Sûza-t in The Peoples Of Middle-earth, but the meaning is the same: it’s derived from a word in the Westron tongue, sûza, which means province, county, or…shire. Sûzat or Sûza-t, therefore, denotes The Shire. This arguably falls under the category of fan service just like Ents and Barrow-wights, but it doesn’t bother me the way those do for two reasons: one, it’s relatively subtle (yes, you can find the translation easily, but the show itself doesn’t provide one), and two, it isn’t just a reference for the fans. This is what Nori’s story has been building towards, all along. She will unite the estranged Hobbit tribes and lead them to a permanent home.

There is one small problem with this, and that’s the timeline. Canonically, the first hobbits to cross the River Baranduin (how do we keep ending up back here?) into The Shire were the brothers Marcho and Blanco in the year 1601 of the Third Age, almost two-thousand years after the events of The Rings Of Power. The showrunners have shown no qualms about compressing three-thousand years of history into what feels like a couple of months, so I wouldn’t be shocked if they extended the history of The Shire back by a millennium, but I’d much rather they didn’t, to be honest.

Alternatively, they could have Nori lead the hobbits to the Gladden Fields, where we know Stoors at least were living about a thousand years into the Third Age, and where Sméagol was born and raised. We’re probably going there one way or another, because the Battle of the Gladden Fields is where the Second Age comes to an end. And it’s worth noting that Isildur, Nori’s parallel, is involved in that battle, so to have their storylines finally segue at the very end would be thematically satisfying. But I’d hate to miss out on the perilous crossing of the Misty Mountains by the hobbits, so maybe Nori will make it to Eriador, and settle her people in the Bree-lands, the only place in Middle-earth where Men and Hobbits coexisted during the Third Age.

Rory Kinnear as Tom Bombadil, standing outside in a rock garden. Bee-hives sit on a wooden bench behind him, and a pile of branches. Tom has long curly reddish-brown hair and a bushy beard, and wears a white tunic with rolled-up sleeves and a brown leather belt.
Tom Bombadil | nerdist.com

It may come as a surprise to learn that I want more of Nori, Poppy, and The Rings Of Power‘s proto-Hobbits – I’ve been complaining bitterly that the storyline in Rhûn is eating up screentime, after all. And it still is, but the problem is not and has never been the Hobbits. It’s the Stranger (Daniel Weyman), whose search for a gand (a wizard’s staff) is turning into the most frustrating kind of fetch-quest. Weyman is charming, but he can’t elevate relentlessly dull material. Tom Bombadil’s appearance feels timed to inject a shot of energy back into this subplot, but it’s not enough – especially not with how subdued the show’s take on Bombadil is in comparison to the bold, boisterous version we meet in The Lord Of The Rings. I understand that a more book-accurate take on the character, who dances wildly about and breaks into song without the slightest provocation, might have scared off some casual viewers, but that’d be preferable to boring them and underwhelming fans with a solemn and mature Bombadil who mumbles his songs under his breath.

The parts of Tom’s portrayal that I truly enjoyed are all attributable to Kinnear – his hearty laugh and big smile, his ungraceful gait, the twinkle in his eye when he starts to ramble and the distinctive Cornish accent he settled on for the character – all the little things he nails, that assure me he would have been quite comfortable playing Tom as originally written. There’s something to be said for juxtaposing him with Weyman’s reserved and quizzical Stranger, too, as the clear contrast between their personalities makes Tom feel more vibrant and more whimsical than he really is. But as I said back when it was first announced that Tom would be making an appearance in season two, he is a character defined by his refusal to acknowledge the importance or urgency of any narrative that happens to cross his doorstep, and if you, as a screenwriter looking to utilize Tom in your adaptation of a story that didn’t even include him in the first place, aren’t prepared to start there, you’d probably be better off using any other character from the legendarium.

The Rings Of Power‘s Tom Bombadil not only takes an active interest in the Stranger’s journey, but aggressively pushes him to confront the mysterious Dark Wizard (Ciarán Hinds) before his power becomes one with Sauron’s and they set Middle-earth aflame, as the Wizard’s already done to Rhûn. I can’t say I’m entirely surprised that the writers went this route, but I’m not happy about it. For all the changes it’s made, The Rings Of Power has never, to my recollection, committed such a blatant mischaracterization – Tolkien having only sketched out in the broadest of terms what most of the protagonists of the Second Age were like as people, and characters like Galadriel and Elrond, whom we know from the books, being significantly younger here even by Elf standards, has given the writers leeway. But Tom is, in his own words, “eldest”, predating the first raindrop and the first acorn. It’s hard to handwave away the differences in his depiction by saying that three-thousand years changed him, seeing as he’s roughly fifty-five thousand years old.

There is one side-effect of Tom’s inclusion, I should note, that almost – almost – justifies his inclusion; that we get to hear his song, lyrics lifted straight from the pages of The Lord Of The Rings and set to music by the brilliant Bear McCreary, belted out by Rufus Wainwright over the end-credits with ethereal backing vocals from Raya Yarbrough, who has a voice cameo in the episode as Tom’s wife Goldberry. It’s a poignant rendition of a nonsensical ditty, befitting the version of the character we see in the show, and it’s never leaving my playlist. McCreary’s work on season one received widespread acclaim but was shamefully snubbed for an Emmy nomination: I pray that voters do not make the same mistake again next year. The technical categories are where The Rings Of Power has its best chance of nabbing gold – in terms of music, visual effects, production design, costume, hair and makeup design, there’s simply nothing else on TV that comes close to matching it. But I don’t seriously expect it to pick up so much as a single nomination in any of the major categories, which might as well forbid entry to non-HBO genre television. And that’s a real shame, because in a fair world, Charlie Vickers and Charles Edwards’ symbiotic yet distinct performances as Sauron and Celebrimbor could plausibly secure them both trophies.

Ciaran Hinds as the Dark Wizard, seated on a stone throne carved with runes and hieroglyphs, in a cave between basalt pillars. He has long, straight dark brown hair, a long beard going gray, and bushy eyebrows. He wears white robes with a silver breastplate and gauntlets on both his wrists, and carries a horned staff in his right hand.
The Dark Wizard | radiotimes.com

Their absence from this episode, the first (and thankfully, the last) of the season not to check in on the situation in Eregion, is felt strongly. Without Sauron physically present to keep The Rings Of Power‘s various story threads fastened to the central throughline he represents, they come loose alarmingly quickly, disrupting the smooth flow of the narrative. Bolstering these subplots to the point where they can eventually stand on their own is a matter of finding the time to do so: time, the only resource in short supply on the most expensive television show ever made; wasted – in this episode at least – on superfluous cameos.

Episode Rating: 6.8/10