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Moiraine Must Die In “The Wheel Of Time” Season 3 Teaser

SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING AND BOOK FIVE: FIRES FROM HEAVEN, AND POTENTIAL SPOILERS FOR THE WHEEL OF TIME SEASON THREE AHEAD!

Moiraine Damodred has been prepared to meet a violent end since The Wheel Of Time season one, when she accompanied Rand al’Thor to the Eye of the World expecting to be “ground to dust”, as she put it, between the opposing powers of two cosmic enemies; Rand himself, a.k.a. the Dragon Reborn, and the Dark One. In so doing, she hoped to bring about a quick end to what would otherwise escalate into a large-scale conflict between armies, in which thousands would die and chaos would reign. Given that there are eight seasons of The Wheel Of Time planned, adapting a series of fourteen extraordinarily dense novels, it should go without saying that that is not what happened. Instead, and to her great dismay, Moiraine had to pick herself up after a crushing defeat and keep fighting, for the sake of the world rather than for herself. Throughout season two, which additionally saw her wrestling with the triple-fold loss of her ability to channel, her relationship with her Warder, and the trust of her lover, Moiraine rose again: because the world needed her to.

And now the world needs her to die.

Josha Stradowski as Rand al'Thor and Rosamund Pike as Moiraine Damodred in The Wheel Of Time stand, accompanied by a group of Aiel warriors and at least one Wise One, at the edge of a cliff, looking out over a barren valley filled with fog and the ruins of ancient skyscrapers encircled by a tall wall. Rand has short reddish-brown hair and wears a white shirt and brown trousers, with a sword strapped to his back. Moiraine wears a hat, and a long dress. The Aiel warriors carry spears and wear lightweight sand-brown leather armor, while the Wise One is swathed head-to-toe in white fabric.
Rhuidean | youtube.com

The first teaser trailer for The Wheel Of Time season three follows Moiraine on a trippy journey through “a thousand thousand futures”, stalked and toyed with by the Dark One’s most powerful minions, as it’s revealed to her that across an infinite number of possible realities, one thing remains constant: either she dies, or Rand dies. And Rand is the Dragon Reborn, the only person in the world capable of defeating the Dark One at the Last Battle. He must survive until then, no matter the cost. For Moiraine, therefore, there is no choice to be made. She will die. She doesn’t know when, where, or how – though we see alternate versions of her being strangled and stabbed to death by Lanfear in different scenarios and settings, including one in which Lanfear has seemingly turned Rand and his friends to the dark. She only knows that when the time comes that both their lives hang in the balance, she will see to it that it is she who perishes and Rand who lives to fight another day.

Ironically, the person who probably stands to fare worst out of everyone here is Rand. The best possible outcome for him is the one in which he miraculously makes it to the Last Battle and saves the world before he dies, but death is as much a guarantee for him as it is for Moiraine, and he already knows exactly how his will transpire, as all male channelers inevitably succumb to madness. But even if he makes it that long, and it’s a big “if”, there’s a decent chance he loses to the Dark One and has to watch the world burn because of his failure in his final moments. And if the madness takes him before the Last Battle, it’s not only possible but likely that he’ll end up destroying the world on his own, without the Dark One having to lift a finger. Some of the Aes Sedai sorceresses would happily “gentle” him, permanently removing his ability to channel, but of course, Rand can’t go up against the Dark One without the One Power at his fingertips. And now, on top of everything else he has going on, Moiraine is gonna go and die, burdening him with the pressure that will come from knowing that she did so to save him so that he might save everyone else? I too would run off into the desert if I were Rand.

But for Rand, the solitude of the Waste only offers more grisly ways to die, and I’m not just talking about the harsh weather and living conditions. Rand has deep connections to the Waste and to the people who live there, red-haired warriors known as the Aiel. They have their own set of prophecies about him, distinct from the prophecies of the Dragon Reborn, and to fulfil them, Rand must enter the ruined city of Rhuidean and brave the “glass columns”, a labyrinth of shimmering pillars that allow a person to relive crucial events from the Aiel’s ancient history through the eyes of their own ancestors. The paradigm-altering truths revealed there are too much for some to bear, and they go mad and die inside, which probably explains the veritable forest of spears standing outside the walls of the city in the image above – the spears of all those who entered and did not return. The glass columns of Rhuidean are the setting for one of the most vivid sequences in the entirety of the Wheel Of Time book series, a sequence we can see glimpses of in the images below:

Close-up blue-tinted image of Josha Stradowski as Rand al'Thor, with a bright light shining behind him. He has close-cropped reddish-brown hair.
Rand in the Glass Columns | youtube.com
Blue-tinted wide shot of a tree with a thick trunk and sweeping boughs with moss hanging from them. A bright light shines behind it.
Avendesora | youtube.com

That tree is Avendesora, which grows at the center of the glass columns and is sacred to the Aiel, who gifted a sapling from Avendesora to the people of Cairhien to repay an old debt. The tree that sprang from that sapling, Avendoraldera, was later cut down by Moiraine’s uncle, King Laman Damodred, and its precious wood used to build him a larger throne, resulting in the Aiel War during which a coalition of the Aiel clans left the Waste, sacked Cairhien, killed Laman, and left, but not before one Aiel Maiden of the Spear gave birth to a son, Rand himself, on the blood-soaked slopes of Dragonmount. I know, I know, I just threw a lot of lore at you, but you’re here for a trailer breakdown, aren’t you? Let’s not even get into the fact that Avendesora isn’t technically a tree but a unique organism genetically engineered with the One Power…

While Rand peruses AielAncestry.com, Egwene begins learning from the Aiel Wise Ones how to “Dreamwalk” – enter the World of Dreams at will. The World of Dreams, or Tel’aran’rhiod, is the nebulous realm humans unconsciously enter when they sleep. The Wise Ones have mastered the ability to navigate this realm and manipulate it to a degree, though not to the level of someone like Lanfear, who considers herself the Queen of Tel’aran’rhiod, or Moghedien, whose power there is even greater. But Egwene in season three has just endured weeks or possibly months of imprisonment at the hands of the Seanchan and the appropriation of her own powers by a sadistic captor whom she brutally murdered. She is a very different woman than she was before that experience, and if Lanfear or Moghedien think they can toy with her in the World of Dreams, they’ve got another think coming. Let me remind you all that Egwene was able to single-handedly hold off Ishamael, the strongest of the Forsaken, for several minutes while beaten up and bruised in the immediate aftermath of the aforementioned murder.

Madeleine Madden as Egwene al'Vere and Josha Stradowski as Rand al'Thor, lying on their backs side-by-side on the floor of a tent, with pillows and rugs underneath them. Egwene has short dark hair and wears a gray top with baggy sleeves over a white tunic dress. Rand has short reddish-brown hair and wears a sand-brown coat over a partially unbuttoned off-white shirt.
Egwene al’Vere and Rand al’Thor | youtube.com
Out-of-focus close-up image of Madeleine Madden as Egwene al'Vere. She has short dark brown hair.
Egwene al’Vere | youtube.com

We see Egwene and Rand lying next to each other in a tent, hands not quite touching, possibly indicating that they’ll Dreamwalk together, or perhaps belonging to a scene in which the two finally agree to end the untenable romantic relationship that was already on the rocks back in season one, even before Rand faked his death and ran away in an effort to protect her from himself. There are not many “Randgwene” shippers out there, but I am one, and I know that Wheel Of Time showrunner Rafe Judkins is another because the doomed love between Rand and Egwene has been a focal point of both season finales and a major factor in important decisions both characters have made, even though they technically called it quits in the very first episode, and Rand was briefly in a sexual relationship with Lanfear (a relationship that Lanfear is intent on rekindling, based on the trailer). But now, with Rand and Egwene starting down diverging paths, there has to be some kind of closure there before either character begins actively pursuing their eventual love interests.

Marcus Rutherford as Perrin Aybara, seated on a bed, with Isabella Bucceri as Faile on his lap, kissing him. Perrin has frizzy dark hair and a beard, and wears a sleeveless white shirt. Faile has short dark hair and wears a long-sleeved black jacket.
Perrin and Faile | youtube.com
Marcus Rutherford as Perrin Aybara, in battle. He has frizzy dark hair and a beard. He's wearing a steel breastplate and pauldrons over a shirt of woven leather rings like chain-mail. His face is covered in blood, sweat and grime. His eyes are gold.
Perrin Aybara | youtube.com

Love is in the cards for at least one of our main characters, though, as Perrin Aybara is shown kissing a dark-haired woman whom we can safely assume is Faile, the Hunter for the Horn who follows Perrin back to the Two Rivers in book four, The Shadow Rising, when he goes home to help liberate his people from an army of Whitecloaks under the command of his archnemesis Dain Bornhald. Perrin and Faile have a…tumultuous relationship in the books; I’ll be curious to see how The Wheel Of Time adapts that, especially with the significant change they’ve made to Perrin’s backstory, giving him a wife whose death he is directly responsible for, and whose memory still haunts him. Speaking of closure, Perrin’s return to the “scene of the crime” in season three will provide him a much-needed opportunity to put Laila to rest amidst everything else going on in the Two Rivers. There’s no sign in the trailer of Dain Bornhald himself, the peddler Padan Fain, or the mysterious Lord Luc, all key players in Perrin’s The Shadow Rising arc, but we do see Perrin leading the defense of the Two Rivers, so they’re around somewhere.

Wide shot of the Hall of Sitters in the White Tower. A woman in a long red gown is sitting on the Amyrlin Seat, with a dark-haired woman in a white dress sitting on the armrest at her left hand.
The Amyrlin Seat | youtube.com

Also conspicuously absent is the character of Elaida, one of The Wheel Of Time‘s most important antagonists, expected to be played by Oscar-nominated actress Shohreh Aghdashloo, who joined the cast after playfully engaging with fans and showrunner Rafe Judkins on social media who were fan-casting her as a different character, Cadsuane Melaidhrin. I thought we might have seen her briefly (see the image above), because what other Aes Sedai from the Red Ajah would be so brazenly enthroned on the Amyrlin Seat with a dark-haired woman in white at her side, but I’ve since been informed that the women in the image are more likely Liandrin Guirale and Lanfear, during some kind of dream sequence. You have to zoom in really close, but the woman on the throne does appear to have blonde hair and Kate Fleetwood’s distinctive cheekbones.

Kate Fleetwood as Liandrin Guirale, standing in a dark hall amidst a throng of masked and costumed revelers. She has long blonde hair and wears a long-sleeved crimson gown with a lace veil. She holds the edge of her veil up to her mouth with her left hand, which also sports a gold ring with a dark red gemstone set in it.
Liandrin Guirale | youtube.com

Liandrin is also shown unveiling herself at some kind of costume party (probably at the Panarch’s Palace in Tanchico, where she hides out in The Shadow Rising), speaking to the Forsaken Moghedien, and dueling Alanna Mosvani of the Green Ajah (potentially killing one or both of her Warders, based on a shot of Alanna sobbing over someone’s body) in the streets of Tar Valon itself, where violence is practically unheard of, let alone violence between Aes Sedai. But of course, Liandrin is no ordinary Aes Sedai: she may be Red Ajah, but her true loyalties lie with the Black Ajah, a faction of sorceresses sworn to the Dark One, whose existence was a closely-guarded secret. In the books, Siuan Sanche is able to cover up Liandrin’s betrayal because it happens within the White Tower, behind closed doors, but if the show has her and Alanna blowing up large swathes of the city, that obviously won’t be possible, and there could be ripple effects: maybe the people of Tar Valon will begin to feel unsafe in the shadow of the Tower, and Elaida’s attempts to undermine Siuan’s authority will center around fanning the flames of this growing dissent.

Madeleine Madden as Egwene al'Vere, Jennifer Cheon Garcia as Leane Sharif, Sophie Okonedo as Siuan Sanche and an unidentified fourth woman standing before the silver arches in the basement of the White Tower. Egwene has short dark hair and wears a white shift. Siuan has short dark hair and is wearing a silver coat and is channeling white ropes of the One Power with the assistance of Leane and the other woman, who wear blue and white, respectively.
Egwene’s Accepted Test | youtube.com

Something that I personally find very relieving is the fact that we see Siuan at the White Tower, specifically during what looks to be Egwene’s Accepted Test. You may remember that when season two was airing, I was…very vocal about my displeasure with how The Wheel Of Time was characterizing Siuan. I don’t feel like rehashing it all right now (you can read what I wrote then here) but one of my points was that Siuan being offscreen for most of the season and her long absence being hand-waved away, especially while Novices were being kidnapped from the White Tower, was not going to help endear her to audiences who still barely know her as a character in her own right, separate from Moiraine, with whom she shares nearly every scene in which she’s appeared and who is usually the viewpoint character in these scenes. It would be one thing if season three wasn’t adapting the events of The Shadow Rising, but if you’ve read that book, you probably know what I’m referring to when I say it’s about to be really important that audiences know Siuan and care about Siuan (again: separately from Moiraine!), and that’s a lot more difficult when she’s hardly ever around! And when she DOES show up, it’s to try and imprison Rand and abuse the Oath Moiraine swore to her…sorry, sorry, I said I wouldn’t rehash my issues with that episode. Let’s just say, I’m very happy to see her.

Zoe Robins as Nynaeve al'Meara. She has long dark hair pulled back in a braid. She's wearing a long-sleeved white dress with a narrow oval cutout in the front.
Nynaeve al’Meara | youtube.com

I’d have loved to have seen a little bit more than one frame each of Nynaeve al’Meara, Mat Cauthon, Aviendha, and Min Farshaw. Nynaeve, because Zoë Robins has top-billing after Rosamund Pike and Daniel Henney, and it’s a little weird to not see that reflected at all in the marketing, but also because Nynaeve had by far the least to do out of the Emond’s Field Five in the season two finale (I wholeheartedly believe that the plan up until the last minute was for her to rescue Egwene from the Seanchan kennels as she does in the books, and when the writers decided they were gonna have Egwene break herself out of captivity, they had no idea what to do with Nynaeve, and pulling an arrow out of Elayne’s leg for twenty minutes was the best they could come up with on a tight schedule and budget). I really need season three to remind people that she is not helpless without the One Power.

And Mat, well, I just want the poor guy to have some screentime this season. Though it’d sure be nice if he could have his long-awaited quarterstaff fight with Gawyn and Galad (who I suppose I should mention does appear in the trailer; there, I mentioned him). To be fair, Mat did get temporarily written off the show after the original actor abruptly dropped out midway through filming season one, requiring a recast and major rewrites, so he had to play catch-up throughout season two, but now that his storyline is pretty much back on track, I’m hopeful that season three will do more with him and with actor Dónal Finn.

A few stray observations: the cinematography has massively improved, and the budget looks much bigger, though I don’t have the exact numbers to state that with certainty. The VFX for the channeling is more seamless, the weaves more complex and more colorful, the digitally rendered environments and armies more expansive. I notice a lot of costumes from season two making a reappearance, but equally as many gorgeous new designs, with Alanna Mosvani’s gold-spangled green dress, the alternate reality Emond’s Field Five fits, and the head-to-toe white lace garments of the Wise Ones being particular favorites of mine already. And while I would never think to juxtapose the subject matter of The Wheel Of Time with “Hazy Shade of Winter” by The Bangles, I’ve gotta admit…it does work weirdly well. I mean, doesn’t hurt that it opens with the refrain “time, time, time”.

But now I want to hear what you think? What was your favorite part of the trailer? Share your own thoughts, theories, and opinions, in the comments below!

The Wheel Of Time returns for its third season on March 13th, 2025

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First Poster For “The Wheel Of Time” Season 3 Drops Ahead Of CCXP

SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING, AHEAD!

The Wheel Of Time, Amazon Prime’s best epic fantasy series that hardly anyone seems to know about, is returning for its third season sometime soon, by the looks of it. With showrunner Rafe Judkins and stars Josha Stradowski and Madeleine Madden scheduled to take the stage at CCXP in Brazil this Saturday to discuss season three and drop the release date (confirmed by Judkins over on his Instagram), and a new poster dropping this morning, there’s excitement in the air as it feels suddenly plausible that the Dragon Reborn might be back on our screens early in the new year.

First poster for The Wheel of Time season three, depicting Josha Stradowski as Rand al'Thor walking through a desert between rows of standing spears that cast long shadows in the early morning light. He is carrying Rosamund Pike as Moiraine Damodred in his arms. Rand has short reddish-brown hair and wears a short-sleeved sand-brown shirt with brown trousers. He has dragon tattoos spiraling down his bare forearms. Moiraine, whose face is turned away from the camera, has long brown hair and wears a sand-brown blouse and a gray dress.
The Wheel Of Time | Twitter @TheWheelOfTime

The poster – our first look at season three since the short video celebrating a wrap on filming early this year – is beautiful, which is something I haven’t necessarily been able to say of previous posters for the series…not that they were ever bad, but they were “floating head” posters, and I felt like the show’s marketing team could have cooked up something a little more visually arresting to entice audiences, who made The Wheel Of Time Prime Video’s most watched original series debut of 2021 but didn’t show up as strongly for season two in 2023 despite much better reviews for the season, in large part because the marketing was non-existent. The actors and writers literally couldn’t talk about the show or promote it at the time due to the SAG-AFTRA and WGA strikes, and Amazon did virtually nothing to fill the void. We don’t know how season two performed in the eyes of Amazon executives, but with season four yet to be greenlit, I think it’s safe to assume that they’re waiting for season three to come out first and do well before they commit to continuing the sprawling story; which was planned to run for eight seasons, condensing fourteen books worth of source material.

So the marketing can’t suck this time around – and if this poster is anything to go by, I’m cautiously optimistic that it won’t. So let’s discuss the poster itself.

The image seems obviously designed to eventually double as a book cover for The Shadow Rising, the fourth volume in Robert Jordan’s saga, which The Wheel Of Time season three will be adapting (having consolidated most of the relevant parts of books two and three into its second season). Depicting Stradowski’s character Rand al’Thor walking through a steel forest of standing spears in a desert at dawn, carrying Rosamund Pike’s Moiraine Damodred in his arms, the poster follows through on the promise made in season two to shift focus away from Moiraine, the series’ protagonist throughout its first season, and onto Rand, the books’ protagonist, who has reluctantly accepted that he is the “Dragon Reborn” destined to save the world or destroy it, and must now complete the vague prophecies written about him centuries before his birth if he is to defeat the Dark One at the Last Battle and prevent the very fabric of reality from being torn apart.

The poster transports us to one of the books’ harshest settings, the Waste, home to twelve warring clans who collectively make up the Aiel. Rand is, as the show has already revealed, the son of an Aiel Maiden of the Spear named Shaiel, who died giving birth to him on the field of battle during the Aiel War, in which a coalition of Aiel clans under the command of Chief Janduin of the Taardad invaded the Westlands to exact vengeance for the killing of a sacred tree (long story). Janduin is Rand’s father, making him half-Aiel. Wait, didn’t I say that Rand’s parents are both Aiel? I’ll let the show explain that.

Close-up image of Josha Stradowski as Rand al'Thor. He has a shaved head, and is wearing a dark blue coat with ornate gold embroidery over an open-collared white shirt. He is channeling red and gold threads of the One Power into a web that spirals around his upper body. He has a sword strapped to his back.
Rand al’Thor | nerdist.com

In The Wheel Of Time season two, we met Aiel Maiden of the Spear Aviendha (played by Ayoola Smart) as she led an expeditionary force back into the Westlands to find the prophesized savior of the Aiel, the Car’a’carn or “Chief of Chiefs”, who turned out to also be Rand al’Thor. In season three, presumably just as in the books, Rand will decide to follow her into the Waste and help his people in their hour of need, against Moiraine’s wishes. His journey will take him to the ruined city of Rhuidean, built in ages past by Aes Sedai to house a treasure trove of powerful tar’angreal (magical objects) and the secret histories of the Aiel. But in the Waste, Rand will encounter opposition not only from the Dark One’s most powerful minions, but from leaders of the Aiel who dispute and challenge his claim to be the Car’a’carn, including a hotheaded clan chief and an ambitious Wise One (the Aiel equivalent to an Aes Sedai) who join forces to take him down.

Eagle-eyed fans will have noticed right away that Rand is sporting some new tattoos on his arms in the season three poster, which have great significance but are kinda a spoiler, so I won’t give away too much. Let’s just say, the process of obtaining those tattoos is an arduous one, and comprises one of the most memorable sequences in the entirety of Jordan’s saga, a sequence I hope The Wheel Of Time can do justice, as I firmly believe that it could single-handedly put the show on the map, so to speak. If not, The Shadow Rising still has plenty of other outstanding moments that could also do the trick (it is regarded by many fans as the best book in the series), some of which I’m looking forward to even more, but that particular sequence has the potential to be uniquely brilliant on every level. I already know Stradowski’s gonna kill it; it’s just a question of whether the show’s writing, direction, cinematography and production design are able to match the energy he’s going to bring.

Ragga Ragnars as Bain, Ayoola Smart as Aviendha, and Maja Simonsen as Chiad standing in a row in a dimly-lit room with stone walls. All three have long reddish-brown hair and wear lightweight brown leather armor over sand-brown garments with hoods and black scarves. They have spears strapped to their backs and small bucklers at their sides.
Bain, Aviendha, and Chiad | lrmonline.com

Oh, and as for why Rand is holding Moiraine in his arms, well, I have my theories. Which I will not be sharing at this time, because again, that would require spoilers and the source material is just obscure enough that I don’t feel comfortable revealing everything that happens even though it’s been over thirty years since The Shadow Rising‘s publication. I envy those of you who will be watching the season with fresh eyes, completely unaware of what’s coming. Because everything I’ve seen thus far – i.e. this poster – tells me it’s gonna be great.

What do you think of the poster, and what are you hoping gets revealed or shown during Saturday’s CCXP panel? Share your own thoughts, theories, and opinions, in the comments below!

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10 Things To Get You Excited For “The Wheel Of Time” Season Three

MAJOR SPOILERS FOR THE WHEEL OF TIME SEASON TWO AND BOOKS ONE THROUGH FOUR, AHEAD!

The Wheel Of Time recently aired its second season finale, and fans of the epic fantasy series are eagerly looking forward to season three, currently filming in South Africa. So I thought I’d put together a list of the top ten things I’m most excited to see in season three, based on the fourth book in the original series of novels by Robert Jordan. The Shadow Rising, which picks up roughly around the same point in the narrative where the second season ends, is widely considered Jordan’s best book, features some of the most iconic scenes and sequences for which the series is known, and gives nearly every character a strong arc. Let’s jump right in, shall we?

Cover artwork of The Shadow Rising, book four in The Wheel Of Time series, by Darrel K. Sweet. A woman in a blue dress and a few men in brightly-colored coats stand around a fire in a landscape of strange stone pillars jutting into the sunset-streaked sky.
The Shadow Rising cover art by Darrel K. Sweet | dragonmount.com

10: Gawyn and Galad and Morgase

Whether due to time constraints or a deliberate choice by the writers to avoid attracting comparisons to Game Of Thrones, The Wheel Of Time has only briefly touched on the complex political situation in the Westlands, going no further than vaguely referencing nations and their monarchs: but politics become increasingly important as the book series progresses, particularly for Elayne Trakand and her family, who have for generations ruled the largest nation, Andor (which encompasses the Two Rivers region, where the story began). In the first book of the series, The Eye Of The World, it’s in the Andoran capital city of Caemlyn, rather than in Tar Valon, that Rand al’Thor reunites with his friends after being separated in Shadar Logoth, and there he meets for the first time Elayne, as well as her brothers Gawyn Trakand and Galad Damodred, and her mother Queen Morgase Trakand (and Morgase’s Aes Sedai advisor, Elaida; more on her later). In season three, with civil war brewing in Andor, these characters will become crucial at long last. They’re low on my list, however, because I detest Gawyn (shocking, I know), I have no strong feelings towards Galad whatsoever, and while I like Morgase, it’s evident that Robert Jordan never figured out exactly what he wanted to do with her, and both he and his successor Brandon Sanderson kept her pointlessly meandering about for a ridiculously long time. Hopefully the show can do better by all three of them.

9: Return of Thom

You probably wouldn’t guess it from how the adaptation has handled his character, but Thom Merrilin, the grizzled traveling bard or “gleeman” that Rand and Mat Cauthon briefly traveled alongside in season one, is one of the main characters in the books. After seemingly being killed by a Fade in The Eye Of The World, Thom reappears in Cairhien during the events of The Great Hunt, shares a few scenes with Rand, and dips out of the story to assassinate King Galldrian for reasons of his own, unintentionally plunging Cairhien into a civil war of its own. It may be that Thom was supposed to do something similar in season two, which would explain why Galldrian was name-dropped several times only to never actually appear, but whatever happened there, Alexandre Willaume ended up having scheduling conflicts with the now-canceled Netflix series 1899. Season three, for which he will finally return to the role, should find the gleeman in his The Shadow Rising storyline, escorting Nynaeve al’Meara and Elayne to Tanchico.

8: Faile

The hunt for the Horn of Valere was very nearly a wasted subplot in season two, but at least now the groundwork has been laid for the introduction of the most famous Hunter for the Horn, Faile Bashere. The thrill-seeking runaway princess of Saldaea first appears in The Dragon Reborn, traveling with a party of Hunters each hoping to win fame and glory for themselves by being the one to recover the fabled Horn and bring it to Illian. Perrin Aybara runs into her in the same small town where he frees an Aiel from a cage and makes an enemy of Whitecloaks, but seeing as that scene already played out quite differently in season two, the setting and circumstances of their meeting will obviously have to change in the show. Faile is a complex and flawed character who, by a supremely unfortunate accident, is presented to the reader from Perrin’s point-of-view before her own. He, like so many of Jordan’s male characters, regards all women as exasperatingly incomprehensible, and treats her with a kind of patronizing affection that only enrages her, leading him to become more confused, and so on and so forth. Their inevitable romance is not much fun to read about. I hope and pray with all my heart that the show does away with most of the miscommunication between them, including every instance of Perrin trying to figure out what Faile is thinking or feeling by smelling her. Ick.

7: The Battle of Emond’s Field

Marcus Rutherford as Perrin Aybara in The Wheel Of Time season one, standing in the Two Rivers with wooden houses behind him and a mountain vista. He is wearing a leather apron over a green-blue shirt with the sleeves rolled up. He has short dark curly hair.
Perrin Aybara | winteriscoming.net

Having just put book Perrin on blast, let me clarify that show Perrin has done nothing wrong in his entire life, and behind Egwene al’Vere and Nynaeve al’Meara, he is indeed my favorite of the Emond’s Field Five (technically, that holds true for the books as well, but book Perrin trails the two women by a much larger margin and it says a lot about how much I don’t care for either Rand or Mat in the books that they’re still behind him despite that). Reaching and maintaining a balance between the wolf and the man within himself has been Perrin’s greatest challenge. He first wanted nothing to do with the wolves, perceiving them as manifestations of his worst instincts, and that resulted in failure. In season two, he took steps to learn about and embrace being a Wolfbrother, which led to the death of Geofram Bornhald at his hands. He needs to make peace with himself, and that will only happen when he finally comes to terms with what happened to Laila, his wife, in season one. Returning home to Emond’s Field in the Two Rivers will provide him with that necessary closure, and it just so happens that’s exactly where his The Shadow Rising storyline takes him (and Loial, Faile, Bain and Chiad). Much has changed there since he left, however, and Perrin will find himself reluctantly leading an uneasy coalition of Two Rivers folk, Whitecloaks, Tuatha’an, and Aes Sedai to repel an army of Shadowspawn led by the mysterious “Slayer”, an amalgamation of souls bound to the Dark One, in the Battle of Emond’s Field. If done well, this could be what ensures a fourth season for The Wheel Of Time all on its own – it’s that epic.

6: The Aiel Waste

Though his destiny does not lie in the Two Rivers, season three will be a homecoming of sorts for Rand as well. At the beginning of The Shadow Rising, he learns that he must go to the Three-fold Land (called the Waste by outsiders) beyond the Spine of the World, and there reconnect with his heritage as a long-lost son of the Aiel, the nomadic warriors who have lived in the Three-fold Land since the Breaking of the World, adopting a unique and complex system of honor and debts called ji’e’toh that informs nearly everything they do. Rand, like the spear-maiden Aviendha introduced in season two, belongs to the Taardad Aiel, one of twelve clans further divided into dozens of individual “septs” – his the Iron Mountain, hers the Nine Valleys. Each clan has a chief and a governing body of Wise Ones (the Aiel equivalent to the Aes Sedai of the Westlands), and to become either of these things means venturing alone into the ruins of Rhuidean, a city built shortly after the Breaking of the World by the now-extinct Jenn Aiel, glimpsing visions of the past through the glass columns ter’angreal, and returning burdened with the knowledge of where the Aiel came from, who they were, and what they did to become what they are now. Men who pass the test (and only men, because…sexism, mostly) come out bearing a dragon tattoo on one arm. As you can probably guess, Rand will have to undergo this test and experience for himself what awaits in the glass columns.

5: The Sea Folk

While I know I’ll hear some grumbling about their placement on this list over the Aiel and the Battle of Emond’s Field, I absolutely adore the Sea Folk, and I was overjoyed to learn that showrunner Rafe Judkins evidently does as well, from how he excitedly teased their introduction in season three at New York Comic-Con. The Sea Folk, or Atha’an Miere, are a seafaring people (obviously) who live on ships in the Aryth Ocean, making landfall in the Westlands very rarely except to trade their priceless porcelain and goods from the land of Shara in the east. Their elected leader is named the Mistress of the Ships, and rules alongside a Master of the Blades, often her consort. When the story opens, the Mistress of the Ships is Nesta din Reas Two Moons. Among the Atha’an Miere, most women who can channel do not go to the White Tower to become Aes Sedai but instead act as “Windfinders”, using secret weaves of Air and Water to calm the oceans, alter the weather, and turn the winds in their favor, propelling their peoples’ ships further and faster around the world. As a rule, the Atha’an Miere do not allow Aes Sedai passage on their ships for fear that their Windfinders will be found out. However, in The Shadow Rising, Nynaeve and Elayne negotiate with the Sailmistress Coine din Jubai Wild Winds to take them and Thom to Tanchico onboard the raker Wavedancer, and the two women cross paths with the Atha’an Miere regularly after that.

4: Elaida’s Coup

Shohreh Aghdashloo as Avasarala in The Expanse, striding through a snow-covered field wearing a fur-lined crimson cape with a hood over a jacket of the same color and mustard-yellow trousers. She has fur gloves, large earrings, and a silver belt.
Shohreh Aghdashloo in The Expanse | Twitter @PrimeVideo

I told you we would circle back to Elaida eventually. Elaida do Avriny a’Roihan of the Red Ajah is one of The Wheel Of Time‘s great antagonists, more enduring and more efficient – if only by sheer accident – than any of the Forsaken in the books, dividing the White Tower against itself at a time when it needs to be whole, and driving a wedge between Rand and the Aes Sedai. In The Shadow Rising, Elaida discovers evidence of collusion between Siuan Sanche and Moiraine Damodred to secretly assist the Dragon Reborn, something so antithetical to the Red Ajah’s entire philosophy that Elaida has no choice, as she sees it, but to orchestrate a coup against Siuan and ascend to the Amyrlin Seat herself, in a last-ditch effort to save the world. The fact that she genuinely believes she’s doing the right thing makes her all the more dangerous, because there’s no reasoning with her. Of course, in season two, Siuan was uncharacteristically written to share many of Elaida’s opinions on how to handle the Dragon (seemingly, at least), and the Aes Sedai all saw her try to shield and cage Rand before he escaped with Moiraine, so Elaida will have a much harder time convincing them that Moiraine and the Amyrlin are working together, but that will hopefully only make Elaida even more compelling, if she’s positioned as the underdog. The Wheel Of Time is lucky to have Oscar-nominated actress Shohreh Aghdashloo (unofficially) onboard to play this phenomenal character in season three and beyond.

3: Black Ajah

One of the major plot twists in season two involved the so-called “Black Ajah”, a faction of Aes Sedai that, far from being loyal to the Amyrlin Seat, are secretly sworn to the Dark One and have strived for decades to destabilize the institution of the White Tower from within. I will say that the early books in the series did more with the Black Ajah than the first two seasons of The Wheel Of Time, and I would have liked to see some reference to how they carried out the assassinations of various Aes Sedai over the years, including the Amyrlin Seat before Siuan and every other searcher for the Dragon Reborn besides Siuan and Moiraine (not for lack of trying). But the Black Ajah will have a more prominent role in season three, as antagonists to Nynaeve and Elayne in the coastal city of Tanchico. In the books, Liandrin brings her Darkfriends there to steal a version of the Seanchan a’dam designed specifically for male channelers, hoping to use it on Rand. Seeing as that particular storyline kinda goes nowhere in the books, it’s entirely possible the circumstances will change, but either way Rafe Judkins has assured us that from the get-go, we’ll know what Liandrin and the Black Ajah have been up to.

2: Tel’aran’rhiod

Tel’aran’rhiod, the “Unseen World” or “World of Dreams” as it is more often called, refers to the infinitely vast, intangible yet treacherous labyrinthine dimension accessible through dreams, which encompasses and connects all of the alternate realities brought into being over the course of the Wheel of Time’s turnings. It was the setting of some particularly memorable sequences in season two: Nynaeve stepping through a stone archway ter’angreal into a version of the world where she left the White Tower to be with Lan; Ishamael and Lanfear casually infiltrating each other’s dreams, and exerting their mastery over Tel’aran’rhiod to manipulate the environment around them; Lanfear taking Rand to see Egwene while they were both asleep, with hundreds of miles between them. It’s a place where the protagonists are immediately out of their depths and at a disadvantage compared to their centuries-old opponents, but that’s all about to change in season three. Egwene and Perrin are both “Dreamwalkers”, and equally powerful there as any of the Forsaken, though their two paths could not be more different. Egwene is on her way to the Waste to learn from the Aiel Wise Ones, while Perrin will delve into the Wolf-dream, where wolves dead and alive congregate (whether the wolves will talk in Tel’aran’rhiod, as they do in the books, remains to be seen). However, it’s Nynaeve, not a Dreamwalker, who will soon face the greatest opponent lurking in the World of Dreams.

1: Moghedien

Laia Costa as Moghedien in The Wheel Of Time, sitting in a chair before a fireplace in a dark room. She is wearing an oversized white dress-shirt, and wide black trousers. Her fingertips are blackened. She has short black hair in a bowl-cut with a topknot in the back.
Moghedien | Twitter @dailylaiacosta

Coming in at number one on my list is Moghedien, which might be confusing to some as she is widely regarded to be the weakest of the Forsaken in physical strength. But this small and slight villain, played by Laia Costa in the final minutes of season two, takes her name from a species of inconspicuous spider with a fatal bite discovered during the Age of Legends, and uses similar tactics, silently stalking her prey from the safety of Tel’aran’rhiod, waiting until their guard is down before delivering one decisive strike and retreating back into the shadows whence she came. In the World of Dreams she is more experienced than any of the Forsaken, even Lanfear, and to challenge her there, on her territory, is nothing short of suicidal. Her sprawling webs ensnare even the wariest Dreamwalkers, and once you’re tangled up in them, there’s no escape.

Well, that’s my totally subjective ranking of the top ten things I’m most excited to see from The Wheel Of Time season three. What’s yours? Share your own thoughts, theories, and opinions, in the comments below!

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“The Wheel Of Time” Season 2, Episode 8 Finishes Off Strong

MAJOR SPOILERS FOR THE WHEEL OF TIME SEASON TWO AND BOOKS 1 – 4, AHEAD!

I’m not gonna lie, I was worried that the second season of Amazon’s The Wheel Of Time wouldn’t be able to stick the landing. The consistently larger scale action sequences and higher quality visual effects somewhat assuaged my fears that we’d see a repeat of season one’s disappointing final skirmish between an entirely CGI army of Shadowspawn and a handful of Shienarans, but ultimately, none of that would matter if the characters weren’t handled well and season arcs didn’t reach satisfying (albeit only temporary) conclusions. And season one kinda failed on that front, too, stranding certain subplots in the weirdest places. Factor in the penultimate episode’s mischaracterization of Siuan Sanche, and going into the finale, I was justifiably stressed.

Donal Finn as Mat Cauthon in The Wheel Of Time, breaking into a run as he leads a small group of colorfully-dressed warriors into battle on a stone battlement. He is wearing a faded olive-green coat over a dirty light brown shirt and brown trousers with dark brown leather boots, and is carrying a wooden quarterstaff. He has short brown curly hair.
Mat Cauthon | press.amazonstudios.com

And for the first fifteen to twenty minutes, I remained stressed. Characters move around at a rather hectic pace as they all become belatedly aware that it’s the finale and somehow they’re not in place yet even after eight episodes. Things just start happening abruptly because there’s no time left to properly establish why, for instance, the Whitecloaks are attacking Falme today, and many crucial scenes, like the theft of the Horn of Valere, were obviously cut for time, or flow, or because scenes in earlier episodes had already been cut. But once everyone is settled down, the episode begins anew. By remaining laser-focused on specific characters throughout the rousing action, the writers (mostly) succeed at crafting an epic, high-stakes, and engaging finale that should keep viewers invested until the third season (which has nearly finished filming).

There’s a lot of moving parts in this episode, so I’m gonna go character-by-character, in no particular order, to break it all down.

Egwene al’Vere (Madeleine Madden) has never been more popular. She single-handedly holds back Ishamael (Fares Fares), the strongest of the Forsaken, and it’s of course awe-inspiring, a scene destined to make its way into every end-of-the-year tribute to women in movies and television, but it’s not even Egwene’s best moment in this episode. Placing a collar around Renna (Xelia Mendes-Jones)’s neck, putting her through the same torture that Egwene suffered at her hands and letting it kill her, that’s the moment where I think Egwene comes into her own fully. The woman who stands and silently watches as her cruel sul’dam dies gasping out her name is not and never will be the same woman she was before. She is more dangerous now, more cunning, and still as capable as ever, despite all the attempts by the Seanchan to break her indomitable spirit. Those who underestimate her do so at their own risk. It’s kinda surreal to see the fandom finally come around on Egwene, when it used to be that you couldn’t admit to Egwene being your favorite character in the books without eliciting some shocked or horrified responses (why yes, I’m speaking from personal experience), but hey, at least we can all agree now that Egwene is the best.

If there’s one downside to Egwene becoming completely self-reliant this early in the story, it’s that it throws Nynaeve al’Meara (Zoë Robins)’s arc off-balance. Nynaeve is terribly underused in this episode, and I’m tired of having to explain this, but it’s not that I wanted her to magically break through her Block and overcome all her trauma because it’s the finale. What I and other fans of Nynaeve actually wanted was for her to not be benched just because she can’t channel the One Power. Nynaeve has never been a character who relied on the Power. That’s not even how she’s been depicted in the show, where she uses her wits and brute force to solve problems more frequently than weaves of earth, water, fire, air, and spirit. In The Great Hunt, she has a key role in rescuing Egwene from the Seanchan by capturing the sul’dam Seta (Jade Eleena-Dregorius), collaring her, and marching into the kennels with Seta disguised as her damane – and that’s exactly where Nynaeve’s subplot in the finale appears to be going until about halfway through, when Seta abruptly dies before they ever make it to Egwene, Elayne Trakand (Ceara Coveney) gets injured, and for maybe fifteen minutes Nynaeve stares blankly at her arrow-wound – until it falls to Elayne to remind her that she used to be the Wisdom of the Two Rivers, and that she can probably treat this injury in her sleep.

Apparently nobody on the production team studied how to treat an arrow-wound, however, because Nynaeve simply pushes the bolt through Elayne’s leg, fletching and all, and within moments Elayne is miraculously able to stand and climb to the top of a tower just in time for the climactic showdown with Ishamael, with enough energy left over to heal Rand al’Thor (Josha Stradowski) from a life-threatening injury of his own. I’m sorry to have to say it, but it’s bad. It’s as if halfway through filming, the decision was made to have Egwene rescue herself and Nynaeve’s role in the finale had to subsequently be reduced to this. It’s arguably worse than when Perrin Aybara (Marcus Rutherford) ran around doing nothing in the first season finale.

Perrin, at least, has a much meatier role in this episode. He really only does one important thing – killing Geofram Bornhald (Stuart Graham) in revenge for Bornhald’s merciless slaughter of Perrin’s wolf-companion Hopper (Ka Lupinka, an incredible actor who really sells the animal’s last moments) – but it marks a turning-point in his journey towards reconciling the vastly different identities of the wolf and the man tangled up within him to form what is known as a “Wolfbrother”. And he now has Geofram’s vengeful son Dain Bornhald (Jay Duffy) to worry about heading into season three. A shame, that whole situation. Those two were were cute together, fighting back-to-back in the streets of Falme with a dexterity and speed that would give anyone the impression they had known each other for more than a few hours, at most. My only disappointment is that Perrin didn’t get a meaningful scene with Ingtar (Gregg Chillingirian) before the latter’s sudden death, which might have had a chance of resonating with viewers if a scene confirming that he was a Darkfriend seeking redemption (as in the books) had not been cut from the episode.

Madeleine Madden as Egwene al'Vere walking alongside Xelia Mendes-Jones as Renna through a stone colonnade. Egwene is wearing a large gold collar over a long-sleeved gray dress, and has a golden disc in her mouth as a gag. Her dark hair is braided. Renna wears lightweight red-brown leather armor like the carapace of a beetle over a dark blue long-sleeved shirt. Her dark hair hangs in two long braids, and the lower face of her face is painted dark blue.
Egwene and Renna | ew.com

Ingtar at least steals the Horn of Valere back from the Seanchan, so he’s not a total waste of precious screentime in an episode that needed to be a half-hour longer, but of course it’s Mat Cauthon (Dónal Finn) who eventually blows the Horn – which has a very silly design and is distractingly reminiscent of a plastic bottle of laundry detergent – summoning an equally silly troupe of Renaissance Faire-goers to fight for the Light. To be fair, some of them look pretty cool: Amaresu (Hélène Tran), mentioned in the books to be the female counterpart of the Dragon Reborn in other Turnings of the Wheel, is absolutely stunning, and I want to see more of her (I hope that her taking the Horn from Mat is an an indication that we will). But it’s hard to believe this was “probably the most expensive shot in season two”, when most of the other Heroes, including fan-favorite Birgitte Silverbow, are portrayed by uncredited extras on whom the camera lingers for only a few seconds.

To the delight of many, however, one-eyed warrior Uno Nomesta (Guy Roberts) returns as a Hero of the Horn, allowing the character – who did not die in the books – to show up again in the future. But the biggest surprise is that Mat, too, is a Hero. It’s a change, and it will have consequences, but it might not be such a bad idea. His arc has been building to this moment of much-needed catharsis, where he realizes that he is not, in fact, bound to the Dark One in every lifetime, and if having your soul cosmically linked to a musical instrument for eternity sounds only marginally better to me, it’s still huge for Mat’s character development. Since childhood, he’s been told that he’s not a good person or capable of becoming one, and everyone from his parents to total strangers have made him believe it. But there’s a goodness in Mat Cauthon that nothing and no one can suppress.

Still, though, that pesky cursed dagger he stole from Shadar Logoth tempts him, and even Mat’s solution of tying it to the end of a quarterstaff so he doesn’t come in contact with it ultimately backfires, as he tries to impale Ishamael with his makeshift weapon and accidentally stabs Rand in the stomach, fulfilling Min Farshaw’s viewing of him “killing” Rand with the dagger, albeit not quite how she envisioned. Luckily, the dagger which has corroded most of its other victims from the inside out in a matter of seconds takes its sweet time with Rand, or Elayne might not have been able to save him. In all seriousness, it’s not that big a deal, but it is a little convenient.

Rand, controversially, spends much of the episode lying glassy-eyed in a pile of rubble while his friends hold off Ishamael, shielded by Seanchan damane and suffering from the injury in his side. Between killing the High Lord Turak (Daniel Francis) and his elite bodyguards with a volley of highly precise armor-penetrating fireballs and somewhat meekly pushing his burning sword through Ishamael’s chest, he doesn’t do anything particularly flashy with the One Power, certainly nothing on the level of Moiraine Damodred (Rosamund Pike) blowing the Seanchan fleet to smithereens from miles away, and his big moment – telling Ishamael to his face that he will never serve the Dark One, because “in a thousand lives, I never have” – falls flat without the full weight of the Flicker, Flicker, Flicker sequence from The Great Hunt underscoring his words. The Wheel Of Time keeps putting off Rand’s truly epic and iconic scenes for another season, and it’s a worrisome trend.

With that said, Rand being less powerful than in the early books makes sense for where he is in the show – he’s only reached out to the True Source a few times, after all, mostly without thinking, and he hasn’t had any training outside of a single short conversation with Logain, who was cut off from the Source and therefore of very little help to Rand. But it’s worth noting that Nynaeve has had almost the exact same experience, and when she wields the One Power, the extent of her strength seems almost infinite. When Rand channels, I always get the sense that he’s holding back, using threads of the Power when he could be pulling on the very tapestry that makes up reality itself. At least he has plenty of room to grow from here, but it has to happen soon. The Forsaken are coming, and I’d rather we see actual, evenly-matched battles between them and Rand as opposed to…whatever the heck happened with Ishamael.

Ironically, Ishamael’s defeat isn’t all that different from how it plays out twice in the first three books, but if it was underwhelming then, it’s doubly so in a visual medium. Especially because the show is trying to do better by the Forsaken, and was on the right track giving them nuance, complexity, and depth to their motivations. It was refreshing to see a soft-spoken yet devastatingly competent version of Ishamael, completely unlike his snarling cartoonish counterpart from the books but far more engaging. To be fair, it’s heavily implied in the show that he went into the confrontation with Rand assuming he would die and even looking forward to it, which is very in-character for him, but he exerts too little of his power to make the charade seem believable. We’re talking about a character who could easily be teleporting behind Egwene’s barrier to catch her off-guard, and he’s standing still the whole time, firing off insignificant bullets.

I have faith, still, that this was a poorly executed but deliberate choice, and that Rand will not be able to blow through the remaining Forsaken like so much paper. Ishamael was the only one who so eagerly anticipated the Wheel of Time’s annihilation and his own along with it that he would sacrifice himself on Rand’s sword without hesitation if it could potentially result in the Dark One’s final victory over the Light and the unmaking of the Pattern. The others, with the possible exception of Lanfear (Natasha O’Keeffe), may fear the Dark One and at times revere him, but none would not happily betray him if they felt safe doing so. They each have an agenda. Take Lanfear, for instance. I don’t think she’s seriously considered breaking the Wheel for one moment; her goal is and has always been to win back the heart of Lews Therin Telamon (Karim Alexander), whose soul now resides in Rand’s humbler body, and to rule the world alongside him, never letting him leave her again. She won’t let the Dark One have him.

I’m curious to know what drove Laia Costa’s Moghedien to the Shadow in the first place, and what she wants now. From the little time we spend with her at the very end of the episode, I’m honestly not sure if she has a single coherent thought in her head, but the books do tell us that during the Age of Legends, she was named Lillen Moiral, and worked as an investment advisor, violating every rule of ethics in her pursuit of material power. As a relatively weak channeler, she had to master the art of fading into the background, letting her opponents walk all over her until she had gotten them to lower their guard, and then striking with deadly precision, disappearing before the body hit the floor. She uses this exact tactic on Lanfear, playing at being helpless and child-like until she suddenly has the stronger Forsaken tangled in her webs. She can’t kill Lanfear, but she leaves her with a warning to stay away from Rand: “He’s ours now. All five of them are.”

With Ishamael dead and the series caught up to the ending of The Dragon Reborn, the characters are poised to begin their Shadow Rising arcs; Rand, Egwene and Mat heading to the Aiel Waste for the kind of training they can’t receive elsewhere, Perrin returning to the Two Rivers to deal with the unresolved issue of Padan Fain (Johann Myers), and Nynaeve and Elayne hunting the Black Ajah in Tanchico, while at the White Tower Siuan will face the greatest challenge to her authority as Amyrlin Seat. The Shadow Rising is widely regarded to be one of, if not the, best book in The Wheel Of Time, so expectations are understandably high – and the third season needs to be a hit, because season four was not greenlit far in advance and the second season’s viewing numbers, while relatively strong, were obviously impacted by the WGA and SAG-AFTRA strikes preventing writers and actors from doing promotion on their social media or attending premieres and events, not to mention Amazon’s already sparse marketing (a single trailer, that’s all we got) and the gap of almost two years between seasons.

Rosamund Pike as Moiraine Damodred and Daniel Henney as Lan Mandragoran in The Wheel Of Time, standing in shallow water on a beach with clear skies above them. Behind them looms a sandstone gate on a dais with steps leading up to it. Moiraine is wearing a dark blue long-sleeved gown over a knitted white blouse. She has long brown hair. Lan is wearing a gray tunic and trousers, with a sword strapped to his back. His dark hair is worn in a topknot.
Moiraine and Lan | ign.com

But The Wheel Of Time deserves to keep turning for a long time yet. The second season, even this imperfect but wildly enjoyable finale, earns the series its place alongside many of its higher-profile competitors in the fantasy genre (dare I say above most, including the more expensive but not as instantly engaging Rings Of Power). The vast world that Robert Jordan created and The Wheel Of Time‘s production designers, set designers, propmakers, costumers, hairstylists, and makeup-artists made into a richly detailed reality is one in which fans can immerse themselves for years and still discover something new. The magic system, vividly realized by the VFX artists and fight coordinators, is among the most intricate that exist, and its depths were unplumbed even by their originator. Most importantly, the characters ripped off the page and brought to life by the series’ incredible cast of actors, from established stars Rosamund Pike and Daniel Henney to relative newcomers Madeleine Madden and Zoë Robins, can support at least as many stories as any of the minor historical figures mentioned in The Lord Of The Rings and A Song Of Ice And Fire who now lead movies and series’. The Wheel Of Time has reached the big leagues. In fact, it got there before the season midpoint. But whether the average viewer knows it will entirely depend on word-of-mouth as long as Amazon’s promotion continues to be nonexistent. And not to be too pushy, but I kinda need that fourth season (and a fifth, and a sixth, and so on), so, uh, go watch it maybe?

Episode Rating: 8.5/10