Return Of The Jedi Archives

December 18, 2020

“The Mandalorian” Post-Credits Scene Reveals A Surprise 10th Spinoff!

**SPOILERS FOR THE MANDALORIAN AHEAD!**

My complete review of The Mandalorian‘s season two finale went up earlier today, and I had plenty to say about my deeply conflicted feelings on the entire episode. As a loving and only slightly passive aggressive nod to the way in which The Mandalorian‘s showrunners and writing team have seemingly structured seasons two and three as a two-parter (because there’s no way the cliffhanger “ending” we got works for the self-contained story that the series liked to claim it was up until this point), I have similarly composed my thoughts into two separate posts, which exist symbiotically. The first dealt with the episode itself: the second, the one you’re reading right now, is all about that shocking post-credits scene.

A post-credits scene that, to be honest, I would have completely missed if I didn’t have a habit of watching through the credits – partly because, as someone who reviews films and TV, it’s important to know about the talented individuals who pour their heart and soul into making entertainment possible; partly because it’s an instinctive thing, from the days when Marvel movies still existed. I also had a feeling that, even though Star Wars hasn’t (to my knowledge) experimented with post-credits scenes before, there had to be something there, because the finale itself ended without any big stinger – whereas season one concluded with the iconic shot of Moff Gideon standing atop his wrecked TIE-fighter with the Darksaber in hand. No way was season two going to end with any less dramatic reveal.

What season two went for, however, was completely unexpected. The scene takes place back on Tatooine, presumably only a short while after the events of the finale, in a very specific location that Star Wars fans know well: the mountaintop monastery once possessed by Jabba the Hutt and transformed into his personal palace, den of vice, and center of his flourishing crime empire. I’d always just assumed the place was abandoned after Jabba’s death by strangulation and the destruction of his entire court, but apparently not – and even more shockingly, it seems that members of his inner circle outlived the Huttese crime lord: most notably Jabba’s former majordomo, the pale and sickly-looking Twi’lek, Bib Fortuna (voiced by Matthew Wood this time around, and easily one of the top ten most hideous Star Wars characters even before his transformation in this scene), who it seems survived the attack on Jabba’s pleasure-barge and took over for the deceased Hutt, carrying on his vile legacy. This is the first reference to Fortuna’s survival in the new Disney canon, but the outdated Legends canon long ago confirmed that the Twi’lek escaped the barge’s explosion in a sand-skiff and took control of the palace before his death.

Fortuna was tall and thin during the events of Return Of The Jedi, but in just the five years since the Empire fell, he has become a pale, bloated shadow of his master’s former glory, perched atop the Hutt’s dais with his massive lekku horns encircling his whole upper body. A few miserable-looking individuals wander around his palace looking bored, while a single Twi’lek slave sits chained to Fortuna’s throne.

And that’s where Boba Fett (Temuera Morrison) and Fennec Shand (Ming-Na Wen) suddenly come in, quickly defeating the slight resistance from Fortuna’s followers. As they come down the stairs, there’s a truly touching and memorable interaction between Fennec Shand and the Twi’lek slave, who struggles to unwind herself from the royal dais – a callback to the Twi’lek dancer who valiantly tried to strangle Jabba in Return Of The Jedi, before being fed to the Rankor beast beneath the palace floor. This time around, Fennec simply shoots the chains, exchanging a sympathetic and understanding look with the escaping Twi’lek before turning to the urgent business at hand.

Bib Fortuna briefly tries to plead his case, putting on an air of excessive friendliness when welcoming Boba Fett, who wastes no time shooting him in the chest and kicking his body off the dais. I imagine we’ve seen the last of this bizarre and truly repulsive character, but I guess it’s always possible we could see another story from Legends adapted: the one in which the ancient monks living below Jabba’s palace harvested Fortuna’s brain and transplanted it into a mobile spider-droid. It’s probably unlikely, but I thought you should know all the options.

What we know for sure is that Boba Fett, who settles comfortably into the throne vacated by both Jabba and Bib, is probably about to take the reins of Jabba’s once mighty empire, with plenty of help from Fennec Shand, who sits on the throne’s armrest, swigging from a flagon. The camera pans out, and a title card helpfully informs us that a new Disney+ series called The Book Of Boba Fett is coming in December, 2021. There are two distinct possibilities for what this means, both for Boba and for the future of The Mandalorian franchise.

The most popular and plausible theory is that The Book Of Boba Fett will be a new spinoff, a tenth new original Disney+ Star Wars series to add to the nine previously announced at the Disney Investors Meeting last week. There have been rumors that a Boba Fett spinoff is either in the works or actually already filming, and its absence from the official Disney lineup surprised many fans who have been following the news closely. Now it seems they may have been concealing its existence to preserve the surprise of this post-credits scene. I would love for this to be its own spinoff, because a Boba Fett miniseries gives us much more time to explore Fett and Shand’s new lair in Jabba’s palace, and for them to interact with all of the galaxy’s most dangerous criminals. The Mandalorian, which most of us originally thought focused on the bounty hunting business, has since become its own thing, freeing up this niche for The Book Of Boba Fett to fill.

The other possibility, and one that I don’t even want to consider, is that this “spinoff” is actually the third season of The Mandalorian, focusing on Fett and Shand rather than Din Djarin and Grogu. The strongest reason to believe this could be the case is the fact that both series’ are set to debut in December of 2021, and Disney+ hasn’t ever pitted two high-profile series’ from the same franchise against each other like that before (though, granted, The Mandalorian has been pretty much their only high-profile series from any franchise they own, so far). It would certainly be unusual if the two debuted against each other. It’s also convenient that Boba Fett, a Mandalorian, would be in a position to take over as the Mandalorian. His storyline is certainly compelling, and I’d watch anything with Ming-Na Wen in it, but I’m definitely not ready to give up Din Djarin and Grogu yet, especially not now that Djarin has just accidentally come into possession of the Darksaber, and Grogu is studying with Luke Skywalker at the newly rebuilt Jedi Academy. There’s still too much story left to tell with (and from the viewpoints of) those two characters. Or at least, I have to hope so.

What do you think? Is The Book Of Boba Fett going to be its own thing, or a continuation of The Mandalorian with a new and improved focus? Which would you prefer? Share your own thoughts, theories, and opinions, in the comments below!

December 13, 2019December 14, 2019

“Star Wars: Return Of The Jedi” Review!

We are officially in the last leg of the long journey to Star Wars: The Rise Of Skywalker, which means that the mighty Skywalker Saga, a story spanning forty years across films, books, comics, cartoons and video games is finally coming to a close – which in turn means that it’s time to reflect on that nine-part saga and take a good long look at the films that predate and inform Rise Of Skywalker‘s epic conclusion.

To do that, we’re going to have to discuss spoilers for each of the eight films in the Saga, so…SPOILERS AHEAD.

(Before we begin, be aware that I’m going through the list by order of release date: I understand that George Lucas wanted movies 4, 5 and 6 to be movies 1, 2 and 3 and to be treated as such – but they’re not good enough to warrant that distinction. Sorry, George).

Star Wars: Return Of The Jedi

The final chapter in the original Star Wars trilogy sags under the burden placed upon its shoulders by the two previous installments in the Skywalker Saga. Why? Because it follows the same basic principle of The Force Awakens, but without the benefit of coming out some twenty years after the original film – rather than looking like a dreamy, nostalgic callback to former glory, Return Of The Jedi instead feels mostly like a frantic cash-grab, capitalizing on all of A New Hope‘s flashes of ingenuity but ignoring that they cease to be ingenious when repeated time and time again. It doesn’t help the film’s image when you discover that George Lucas rewrote the entire movie to maximize toy sales, something that we’ll discuss in detail.

But first, because I don’t like to be negative about a franchise I love – does Return Of The Jedi have any redeeming qualities?

"Star Wars: Return Of The Jedi" Review! 2 — lucasfilm.com

Well, yes. Most films do. Even The Phantom Menace has some good moments (can’t think of any off the top of my head, but I’ll have to think of some for my review of that film). But unfortunately, most of Return Of The Jedi‘s great moments are overshadowed by the larger flaws they contrast. For instance, having Luke Skywalker (Mark Hamill), Darth Vader (voiced by James Earl Jones), and The Emperor (Ian McDiarmid) get in a three-way battle to the death is a great idea, and lends itself nicely to some very cool scenes of action, lightsaber wizardry and Force-lightning madness. However, the fact that this battle takes place on a cheaper, less intimidating knockoff of the Death Star, whose crucial design flaw is basically identical to that on the first Death Star, rendering the object pointless and boring…well, that’s not quite as much fun. If you’re going to reuse old ideas, at least make them bigger and more epic – maybe don’t downgrade from “a weapon the size of a moon that can blow up other planets” to “a partially-constructed weapon the size of a large asteroid that can blow up spaceships one at a time”. Honestly, if you’re going to build a new Death Star, at least have the courtesy to give it to Alec Guinness (who reprised his role as Obi-Wan Kenobi) after you’re done using it, so he can promptly annihilate the entire Star Wars fandom – how he got roped in to doing a third Star Wars film, I have no idea, but it’s evident from his bored, mechanical line-readings that he was doing his level best to make the film unwatchable (apparently, early script drafts had him joining the action as a Force-ghost and helping to defeat The Emperor, but Guinness didn’t like using special effects. You can’t have it both ways, Alec; you’re either an expository ghost or a CGI wizard – there is no middle ground).

Return Of The Jedi is truly disappointing because of how many awesome what-if scenarios were originally going to make their way into the film: scenarios that would have to wait until decades later to be realized onscreen, because George Lucas was afraid that taking risks would minimize the sales of toys, action figures and other Star Wars merchandise. Most shockingly, the trilogy was at one point intended to end with Luke Skywalker removing his father’s mask – and claiming it for himself, having been so corrupted in his fight with The Emperor that he became a Sith Lord, channeling the Dark Side of the Force to turn on the Rebellion, leading to Han Solo’s heroic death during a raid on the Imperial base. Even after Lucas scrapped that idea (it was too sad for a kid’s movie, he claimed), there were still plans for the film to end on a bittersweet note, with Leia in charge of a last, desperate band of Rebels and war-torn heroes, while Luke would abandon the cause and go into hiding. While many of these concepts later found their way into The Force Awakens, they don’t fit particularly well in that film, coming off a trilogy that actually ended triumphantly, with the Empire destroyed, the Jedi supposedly restored to power, and the galaxy at peace. J.J. Abrams’ sequel trilogy is largely founded on an alternative version of Return Of The Jedi that never saw the light of day, a version that allowed for a sequel.

Even Lucas’ film, however, feels like it has multiple parts that belong to a completely different movie. For instance, the thirty-minute long detour on Tatooine to rescue Han Solo (Harrison Ford) might just be an excuse to revisit what is arguably the franchise’s most iconic locale, but it definitely seems to be setting up Solo’s story to actually…go somewhere. But beyond helping to shut down the energy-shields surrounding the Death Star, Solo is largely unimportant to the story. He’s still great, because he’s Han Solo – but why was it so important that we spend half an hour saving him from the clutches of Jabba the Hutt, without any real payoff? Why, unless he was originally intended to do something essential, something heroic – something that would have resulted in his death, and thus fewer toys sold?

This is, unfortunately, the very same trap that J.J. Abrams and his team could fall into with The Rise Of Skywalker. Not with regard to toy sales, I don’t think, but they must similarly feel like ending their trilogy on anything other than a victorious high note would be disappointing after so much buildup. But I sincerely hope they have an incredible plan for the franchise’s climax, and it will be satisfyingly poignant, triumphant and original: if The Lord Of The Rings could end with a decent portion of the main cast setting sail into the West, than so can Star Wars!

There are a couple of characters for whom Return Of The Jedi is not a total mess: Princess Leia (Carrie Fisher), who is finally revealed as Luke Skywalker’s twin sister, and has some strong emotional moments handling the ramifications of that revelation – not to mention more action scenes than she’s ever had before or since, from single-handedly strangling Jabba the Hutt to a crazy speeder-bike chase through the forests of Endor, picking off stormtroopers; C-3PO (Anthony Daniels), who has one hilarious scene in which, mistaken for a deity by the Ewoks of Endor, he ends up nearly condemning Luke, Han and Chewbacca (Peter Mayhew) to become the main course at a sacrificial banquet in his honor, because he’s too polite to refuse; and the oft-quoted Admiral Akbar (Timothy Rose), the Mon Calamari alien who becomes the first high-ranking non-human member of the Rebellion, gets one infamous line of dialogue, and then is seen afterwards partying with the Ewoks. Good for him.

"Star Wars: Return Of The Jedi" Review! 3 — disneyplus.com

In Return Of The Jedi, George Lucas’ hand once again reaches in from the future to clumsily tinker with the special effects – and here, he has one particularly egregious use of CGI as well as one addition that I have to grudgingly admit is a nice way to keep continuity between all his trilogies. The former is the notorious addition of an entire alien musical number in Jabba’s palace, one which is apparently supposed to make the giant slug’s cavernous lair seem more like a family-friendly dance hall than a den of vice. The latter is the replacement of original Anakin Skywalker actor Sebastian Shaw’s Force-ghost with the likeness of Hayden Christensen, who portrayed Anakin in the prequel trilogy: while that change has always been controversial, I feel it’s actually a nice touch – as are the scenes of celebration in several prequel trilogy planets such as Naboo and Coruscant, lending the victory scene a larger, more epic scale. There’s also a couple of weird little alterations, from giving the Sarlacc a head to digitally shaving off Darth Vader’s eyebrows.

The connection between Darth Vader and Luke Skywalker is the original trilogy’s most powerful element, and the true heart of this story. Luke is faced with many struggles and temptations, and is eventually brought face-to-face with The Emperor (who probably makes a lot more sense if you know who and what he is, thanks to the prequels). Luke’s battle to resist the darkness within him is fiercely compelling. Darth Vader’s redemption might seem to come out of the blue, but it does make sense when viewed in the context of future movies – as Vader watched his son writhe in agony beneath The Emperor’s whips of hellfire, it was impossible for him not to see in his child’s face the tortured eyes of Padmé Amidala, Luke’s mother and the love of Vader’s life – the person for whom he had turned to the Dark Side in a desperate attempt to save her life, only to realize that by doing so, he had actually brought about her anguished, ruinous death. Hearing his son’s pleas and realizing in a blinding flash that The Emperor was solely responsible for all the grievances, betrayals and nightmares visited upon him and his family, Anakin rebelled in that moment, ridding the Skywalkers of The Emperor, who had been their demonic guardian for three generations, giving up his own life to save his and Padmé’s children. It’s powerful stuff. Granted, audiences back in 1983 didn’t know any of that backstory: however, even without the assist of the prequels, you can easily understand and appreciate the poetry of The Emperor being destroyed by his apprentice, just as all Sith are and always have been.

"Star Wars: Return Of The Jedi" Review! 4 — radiotimes.com

But of course, The Emperor is apparently returning in The Rise Of Skywalker…so does that make Vader’s sacrifice meaningless? Or is it a sign that as long as the Skywalker family exists in the galaxy, The Emperor’s malevolent spirit will haunt them? Probably best not to think about that yet.

In conclusion, Return Of The Jedi is not the best way to cap off a great trilogy, and not a good blueprint for The Rise Of Skywalker to follow – while there may be a handful of redeeming qualities in this movie, most of it is corrupted by the Dark Side of the Force.

Movie Rating: 5.9/10

April 12, 2019

Star Wars Episode IX Teaser Trailer!

This is going to be something of an unusual review. I will admit why right up front.

The truth is, I haven’t watched the last few Star Wars movies. The original trilogy? The prequels? I’ve watched those, multiple times. But this new saga had never appealed to me until now, when, suddenly, I find myself standing dazed and confused wondering what on earth, or what on Tattooine, this trailer means. And that is very unfortunate, because this trailer looks pretty awesome, even though a good bit of its symbolism is probably lost on me.

We’ll discuss the big stuff first though, just because this is the stuff I do understand pretty much entirely. SPOILERS AHEAD, for those of you, who, like me, had never watched the last two Star Wars movies.

1: The Title. The film’s long-anticipated title has been revealed to be Star Wars: The Rise Of Skywalker, which is very cool – “Every Generation Has A Legend” is the movie’s slogan. I am aware that Luke Skywalker is dead, and I have no clue whether this title is supposed to refer to him returning, or something like that. We hear Luke’s voice in the first part of the trailer, as he tells Rey about her inner power, and how a thousand generations live within her.

2: Princess Leia! The late great Carrie Fisher is in the movie, as expected, and gets a beautiful and heart-warming moment in the trailer, tearfully embracing Rey (Daisy Ridley). Having not watched Star Wars: The Force Awakens or Star Wars: The Last Jedi, I can’t give any opinion on Rey herself, except that she looks like an incredible heroine: there’s a moment here, at the 1:08 mark, where she backflips onto a very fast moving spaceship that seems to be trying to mow her down. It’s a great shot.

3: THE EMPEROR IS BACK? I didn’t even realize what I was seeing, at the 1:39 mark, when we see Rey and her team looking out over a wide barren landscape, gazing towards some distant mass of broken metal: I probably should have realized immediately that this is the remains of the literal Death Star – and, at the very end of the trailer, we hear the ominous laughter of Emperor Palpatine: who I, at least, thought was dead. Was this common knowledge to people, that the Emperor is back? That the Death Star is still out there, somewhere in the universe? Though, to be fair, the Death Star looks pretty dead and lifeless at this point, but it looked only half-built in The Return of the Jedi and turned out to be fully functional, so I don’t trust that megalithic weapon, however broken it might look. There’s something really scary about the Death Star, honestly, that makes its appearance here really awe-inspiring.

Those are most of the big things, I think, that this trailer shows. One surprising reveal, at least for me, was the appearance of Billy Dee Williams reprising his role as Lando from the original trilogy. We see characters like Chewbacca and C-3P0 again, though, of course, there’s also appearances from the newer generation, such as Kylo Ren (Adam Driver), Poe (Oscar Isaac), and Finn (John Boyega). The backstories of these new characters are a total mystery to me, and I’m eager to fill this gap in my knowledge, because they all look pretty interesting. The droid BB-8, I could do without: I’ve seen this character pretty much everywhere for years now – like Olaf from Frozen, or Groot from Guardians of the Galaxy, these “mascot” characters always become really annoying to me, really quickly.

The trailer looks really awesome, and there’s no way I’m gonna miss seeing this in theaters: this is the end of an incredible and beloved era. I used to love the Star Wars movies, but lost my enthusiasm for them – now, as the story comes to an end, my passion for this brilliant universe has been renewed. Maybe I’ll even get around to watching The Force Awakens and The Last Jedi sometime in between now and December, when The Rise of Skywalker will come out.

Trailer Rating: 9.5/10