Director Francis Lee managed to make the lives of English sheep-herders look downright sensual in God’s Own Country, so it’s somehow no surprise that his next feature film project, Ammonite, stars two 19th Century English paleontologists passionately courting each other in between long walks on the windswept beaches of Lyme Regis, searching for fossil fragments. Despite how seemingly bizarre the concept might be, it’s the chemistry between Kate Winslet and Saoirse Ronan (moving from one period piece, Little Women, to another) that is going to carry this film to what could easily be a slew of Oscar nominations.
Kate Winslet & Saoirse Ronan | wmagazine.com
Winslet plays an actual historical figure, English paleontologist Mary Anning, one of the most remarkable women working in science during her era: though she made numerous important discoveries during her lifetime, she was undermined at every turn by men who took her work and gave her little to no credit, and she suffered from financial difficulties until her death in 1847. To make ends meet, she opened a fossil and seashell shop for tourists – but the fossil-hunting business was surprisingly risky (she was nearly killed during a landslide on one occasion). Her hard work and perseverance eventually won her the respect she deserved after her passing. Ammonite follows her during her bleak later years. Ronan, meanwhile, plays Mary Anning’s younger apprentice, the real-life Charlotte Murchison, who suffers from “melancholia” and hates the sea, at least initially. The two women couldn’t be more different, but eventually find themselves falling deeply, hopelessly in love with the other. There is no concrete evidence that Anning and Murchison were lovers in actuality, or that either was a lesbian, as Ammonite suggests, but when the topic came up last year (after one of Anning’s distant relatives expressed her displeasure with the idea), Francis Lee wrote that: “After seeing queer history be routinely “straightened” throughout culture, and given a historical figure where there is no evidence whatsoever of a heterosexual relationship, is it not permissible to view that person within another context?”. Lee is correct that Anning never married, and is not known to have had any relationships with men, whereas her close and long-lasting bonds with the women in her life are well-documented.
Mary Anning | independent.co.uk
Whether Anning and Murchison were or were not lesbians and/or in love, Ammonite still looks like an excellently made film with a clearer vision and a tighter, more well-written story than God’s Own Country: and it’s sure to be a big hit amongst fans of the “cottagecore” aesthetic. For those unaware, “cottagecore” refers to the escapist fantasy of living harmoniously with nature by enjoying a simple life that can include past-times such as baking, gardening, knitting, and, yes, living in tiny cottages, and it is particularly popular with LGBTQ+ folks, especially lesbians and queer women. If there’s a “maritime cottagecore” subgenre of the aesthetic, then Ammonite conveys it perfectly: brisk walks along the beach; houses perched on cliffsides; lots and lots of fossils and shells (interestingly, although it’s never been confirmed, Mary Anning is sometimes said to be the inspiration for the “She Sells Seashells” nursery rhyme; just something to keep in mind); and, just as importantly, a lesbian romance. Those interested in learning more about “cottagecore” and its prominence in LGBTQ+ culture should definitely check out Rowan Ellis’ deep-dive into the aesthetic’s origins and meanings.
Twitter | @FilmUpdates
Basically, it’s a good time to be alive if you’re a fan of “cottagecore”, LGBTQ+ friendly content, historical fiction, romance, women in science, paleontology, geology, Kate Winslet or Saoirse Ronan (who isn’t a fan of Saoirse Ronan at this point?). Somehow all of those elements work together very nicely, and I’m excited to see if Francis Lee has progressed enough as a director (I really didn’t like God’s Own Country) that he can make this understated romance pop onscreen and attract all the media attention it will need to start a strong Oscars campaign. Portrait Of A Lady On Fire, a French film from last year which followed a very similar concept (two women meet on a beautiful coastline and fall in love while bonding over art) was a fan-favorite but failed to score even a single nomination from the Academy. Ammonite, luckily, has Winslet (an Oscar winner and six-time nominee) and Ronan (a four-time nominee) as its secret weapons. Fingers crossed that their fossil-hunting expedition proves fortuitous for everyone involved!
The Marvel Cinematic Universe has (in)famously had a hard time establishing romantic relationships between its characters: even the few love stories that have helped to define the overarching story have sometimes gone through ups and downs, or simply collided headfirst with a brick wall and died (looking at you, Thor & Jane). And yet they keep trying to master the same old boy-meets-girl (or Norse-god-meets-girl, or boy-meets-alien, or computer-program-meets-girl) formula. That’s why, in celebration of Valentine’s Day, I’ve set myself a challenge: trying to find the ten most romantic, endearing, adorable couples in the MCU and ranking them.
Disclaimer: “ships” or non-canon pairings aren’t being considered on this list because that would be cheating – most MCU “ships” are at least ten times better than the majority of actual onscreen pairings. It’s simply not fair to compare.
10: Thor & Jane Foster.
hollywoodreporter.com
These two had something that looked like potential – I mean, if you squinted really hard. From the moment that Thor, the Norse God of Thunder and rightful heir to the throne of Asgard, crash-landed in the American Southwest, upsetting one of Jane Foster’s pseudo-scientific experiments, Marvel tried to convince audiences that a grand and glorious epic love-story for the ages was brewing – but all the magic (or “what your ancestors call magic”) words in the Marvel mythos couldn’t force Chris Hemsworth and Natalie Portman to look more than remotely disinterested in each other. And after Thor: The Dark World failed to turn up the heat, or really do anything at all, Portman had finally had enough: she quit the MCU, and Jane Foster was subsequently written out of the story. In Thor: Ragnarok, it was briefly mentioned that she broke up with the Thunder God offscreen – an uncomfortably awkward conclusion to what was supposed to be a cornerstone of Thor’s entire arc.
9: Stephen Strange & Christine Palmer.
marvelcinematicuniverse.fandom.com
I’m actually tempted to move this couple ever so slightly further up the list, because while they’re not exactly memorable, they’re also probably not as bad and/or boring as you remembered. Dr. Stephen Strange, a snobbish, arrogant surgeon, wasn’t just the on-and-off boyfriend of Dr. Christine Palmer – he was also her work-partner, and it was mentioned (though never really elaborated on) that the two had even pioneered an important new surgical technique, making the couple basically equal. And after Strange’s run-in with karma, it was Palmer who tried to help him recover his strength and rebuild his life: their heated argument about Strange’s future is the most powerful scene in the Doctor Strange movie, and carries a lot of emotional weight. Unfortunately, Rachel McAdams’ character basically fades into the background after that, and apart from being privy to a battle on the astral plane and trying (unsuccessfully) to save the Ancient One’s life, she really has nothing more to do in the story. And she’s not returning for the sequel, so I guess that’s the end of that.
8: Peter Quill & Gamora.
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I don’t really like either Peter Quill (a.k.a. Star-Lord, an interstellar pirate armed with braggadocio, semi-Celestial powers that have proved to be entirely inconsequential outside of his own movies, and an impressive playlist of golden oldies), or Gamora (a.k.a. The Most Dangerous Woman In The Galaxy, who never actually lived up to that title before her untimely death at the hands of male screenwriters who didn’t know what else to do with her her own father, Thanos): nonetheless, I have to admit they had a spark of chemistry in both Guardians Of The Galaxy movies – and their interactions in Avengers: Infinity War, during which Gamora nearly convinced Quill to kill her (long story), are pretty emotional. There was something there! It wasn’t much, maybe, but it also wasn’t not there – much to the dismay of Thor & Peter Quill shippers everywhere. But in the end, Quill failed (because doesn’t he always?), Gamora got tossed off a cliff, and here we are with nothing left of their relationship but a sad trail of bubbles.
7: Natasha Romanoff & Bruce Banner.
thedigitalwise.com
I like Avengers: Age Of Ultron. I know it’s unpopular to say this, but it’s honestly the best Avengers movie – not only because it references the events of Agents Of S.H.I.E.L.D., but also because it successfully balances almost all of the main characters while still being able to add a couple new ones to the mix. There’s a cohesive plot, the stakes are raised, and the Avengers get to interact with each other on a more personal, intimate level than ever before. And then there’s Natasha Romanoff’s random relationship with Bruce Banner – while it’s not a bad idea, and they make a cute couple, the basis for their coupling up is based on the problematic idea that they’re both “monsters”: Bruce, because he transforms into a giant green killing machine; Natasha, because she’s…infertile? The messaging is weird and kind of sexist, especially since it would have been way easier to make Natasha’s murderous past with the KGB the reason for her guilt and self-loathing. It’s a shame, because Natasha actually did have better interactions with Bruce than she ever had with her former love interest, Clint Barton, but for better or worse their story arc was completely abandoned in Avengers: Infinity War.
6: T’Challa & Nakia.
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While there’s certainly an argument to be made that T’Challa, the catsuit-wearing guardian of the African nation of Wakanda, is slightly more low-key and subdued than many of his co-stars in Black Panther (let’s face it, he doesn’t have Okoye’s fiery energy, Killmonger’s smoldering charisma, or M’Baku’s macabre humor), there can be no denying that his relationship with Wakandan secret agent/humanitarian Nakia is super cute. The two are a power couple, with both characters having genuine hero moments – Nakia even briefly diverts the main focus of the film away from T’Challa, and considers becoming the Black Panther herself. By the end of the film, she’s also working around the world to help extend Wakandan aid to those in need. And when they’re onscreen together, they’re presented as a healthy, sturdy relationship that doesn’t have to rely on drama, troubling gender dynamics, or sarcastic banter to be interesting. They’re basically #CoupleGoals, and I love them.
5: Wanda Maximoff & The Vision.
polygon.com
Ah, the tragic story of the computer program who became a man…once, for no apparent reason, and never did so again. The Vision, a sentient computer program outfitted with a cool new body (that, unfortunately for him, came along with the Mind Stone, one of the most coveted objects in the galaxy), didn’t really show any signs of attraction to the troubled witch, Wanda Maximoff, until Captain America: Civil War, but when their romance finally kicked into gear, and the two began to bond over spicy food, things got good – and then immediately got weird again, when Wanda blasted Vision through a floor, before suddenly…ending up on the run with him in Scotland? Where Vision was suddenly able to turn into a human man, but only did so once, for reasons that were never explained? Yeah, so there’s some serious gaps in what we actually know about their relationship, but at least it ended on a strong note, with Wanda having to brutally murder her lover in an attempt to destroy the Mind Stone before Thanos could get to it, only to watch Thanos use the Time Stone to reverse all her hard work, murder Vision again, and use the Stones to wipe out half the galaxy, including Wanda herself. If it’s any consolation, the upcoming WandaVision series on Disney+ will feature Wanda resurrecting her dead partner, only to have him presumably die once again when her entire reality inevitably comes crashing down around her. Cheerful, am I right?
4: Scott Lang & Hope Van Dyne.
hollywoodreporter.com
Technically, there have been two canon MCU power couples that call themselves Ant-Man and The Wasp: Hope Van Dyne’s parents, Hank Pym and Janet Van Dyne, and then Hope herself and her partner, reformed burglar/single father/world’s best grandma, Scott Lang. But the latter couple has the edge on its predecessor, mostly because Janet doesn’t actually show up until the end of the second Ant-Man film, and most of her flashbacks with Hank were cut out of the movie anyway. Scott and Hope share the spotlight (and the title-card) in Ant-Man And The Wasp, which focuses almost entirely on their relationship – and their exchanges of playful, witty banter, coupled with their fidelity and focus on family, make them one of the most endearing couples in the MCU.
3: Steve Rogers & Peggy Carter.
themarysue.com
Specifically, their relationship in the first three Captain America films, before Avengers: Endgame happened. In the beginning, scrawny new recruit Steve Rogers and fast-talking, no-nonsense commanding officer Peggy Carter were actually quite a sweet pairing: they both had character arcs, and agency in their own stories. There was a quaint little 1940’s love story between them, but Peggy, by virtue of being in the military, wasn’t forced to play the damsel-in-distress or grieving-girlfriend-on-the-home-front roles: and in the post-war era, after Steve went down in the frigid Antarctic Ocean and was lost, she picked up her life and moved on, founding S.H.I.E.L.D. and starting a family. Her relationship with Steve after his resurrection from the ice was deeply emotional and interesting, and it was tragic when she passed away. But then to essentially reverse all the complexities of their post-The First Avenger relationship by having Steve go back in time and start all over with her, making her essentially a consolation prize for Steve after he failed to move on with his life, thus preventing her from moving on with hers? No, just no.
2: Tony Stark & Virginia “Pepper” Potts.
appocalypse.co
They’re the MCU’s original duo: how could they not come in near the top of the list? Tony was a sarcastic, cynical mess of a human being; a war-profiteer who didn’t care one iota about the countless people killed daily by his weapons of mass destruction; Pepper was the very opposite, a cool, collected woman with savvy business skills and a friendly disposition. It’s a trope, and a tired one at that. But their relationship evolved into so much more than that – Tony became Iron Man, and Pepper took over as CEO of Stark Industries. They constructed the Avengers Tower in New York City. In the five years after Avengers: Infinity War, they got married and had a daughter. In Avengers: Endgame, where they even got to fight in battle alongside each other, their decade-long relationship came to an end with Tony Stark’s tragic death. In that final moment, as the former “Merchant of Death” gave up his life to save the world, Pepper stayed beside him and her face was the last thing he ever saw. I’m not crying: you’re crying.
1: Leopold Fitz & Jemma Simmons.
cinemablend.com
Yes, I cheated! Fitz and Simmons, or “Fitzsimmons” as they’re more commonly known among the fandom, are not technically members of the MCU: they come from the Marvel TV division, where they made their debut on Agents Of S.H.I.E.L.D. and have endured through six grueling, torturous seasons of hardship, personal loss, tragedy and pure, wholesome romance. While they started out as the team’s two bumbling, socially-awkward scientists, it didn’t take long before the universe’s vendetta against them resulted in them standing up for S.H.I.E.L.D., and for each other, in incredible ways. Their tense, frantic struggle to figure their way out of an airtight box at the bottom of the ocean (long story) was one of the highlights of Season 1, as it showed just how powerful the two are as a team – so of course they were then split up. Jemma became an undercover spy, got eaten by a space monolith, was transported to another planet and had to survive on her own, fell in love with an astronaut who turned into an evil alien god, was possessed by the Kree, was possibly hinted to be bisexual (come on, we all know she had a thing for Daisy), and even met and defeated the demonic personification of her self-doubt: Leo lost his ability to communicate for a long period of time and became delusional, was possibly hinted to be bisexual (come on, we all know he had a thing for Mac), became a dashing secret agent, met his evil HYDRA doppelganger, fell in love with HYDRA’s cyborg overlord, and then got stuck in two different time-periods at once, which resulted in him dying but still being alive and yet somehow a space pirate in both timelines…it’s a wacky and confusing series, but their love for each other, which persists even against all odds, has always been at the heart of the story, and I would be lying if I didn’t say they’re the most romantic couple in what used to technically be part of (or at least adjacent to) the MCU.
So what do you think of my top ten, and would you have chosen differently? Did I leave your favorite couple off my list? Share your thoughts in the comments below!
Another trailer has dropped for Last Christmas, so it’s time to revisit the glittery, glitzy Christmas wonderland that director Paul Feig has created, where everybody is singing George Michael and dancing around beautifully-lit London in unnaturally well-tailored outfits: and this time, we’ve got a clearer idea of what our two love-struck protagonists are up to, and what sort of – oh, who am I kidding, let’s get to the good stuff.
Our holiday heroine’s love interest, Tom (Henry Golding), has been rumored to be a ghost/hallucination/guardian angel since the first trailer dropped, with more keen-eyed viewers than me picking up on numerous details that suggested he was, at the very least, an unusual kind of fellow. I was skeptical at the time, but since then (especially since this trailer) a lot has changed…let’s take a look at the evidence.
Throughout this latest trailer, there is a heavy emphasis on the song that inspired both the film’s title, and, supposedly, its plot: but whereas George Michael’s original song refers to Christmas heartbreak, there’s no hint of anything but true love in the film – so what if the inspiration is rather more indirect? Maybe “I gave you my heart” isn’t meant metaphorically, but…physically. In this trailer, our heroine, Kate (Emilia Clarke) narrates about how, last Christmas, she was very sick, and was rushed to a hospital for treatment: what happened there is still conveniently mysterious, but it clearly affected Kate’s life in a bad way – since then, she’s taken to drinking, and has become a moody, selfish person. But now, with another Christmas just around the corner, Kate’s life is suddenly changed by a man named Tom who just randomly shows up one day at her workplace and then runs into her everywhere else she goes – now, one reading of this would be “stalker alert”, but Tom appears to be a decent guy: as in, so decent he literally doesn’t have a bad bone in his body. Does that mean he’s an angel sent to guide Kate into the next chapter of her life? Does it mean he’s the ghost of the heart donor who saved Kate’s life last Christmas by giving her his heart?
Well, not necessarily, no; it could just mean he’s a rom-com protagonist without a whole lot of depth to his character. But the situation has become a lot more intense with these new reveals.
Also, take a look at the title: the heart over the letter “i” is literally beating. At this point, I’ll be hugely disappointed if Tom doesn’t turn out to be a visitor from heaven. Another theory suggests that Tom is actually back for revenge on the woman who’s squandering the heart he gave her, which is…interesting.
And as for the rest of the trailer, it’s pretty good: there’s perhaps a bit too much stuff rehashed from the first teaser, such as the meeting with the doctor, the incident with the hawk, and the “Lazy the Elf” exchange with Michelle Yeoh’s character. Emma Thompson gets a chance to shine, as the nurturing Russian woman who cares for Kate and sings her to sleep at night – something which Kate likens to waterboarding.
So what do you think? Will Tom turn out to be a ghost, an angel, or something else entirely? How does George Michael’s music tie into the film’s plot? Share your thoughts in the comments below!
Cute and classy, Netflix’s new late-summer love story, Falling Inn Love, is decent enough fare for an end-of-August afternoon, but might not do much to satisfy audiences craving bold new content with unexpected plot twists or subverted expectations. This really is the sort of movie that should be watched on a couch, preferably while wearing pajamas, when there’s nothing else to do. That’s not an insult, just a reference for when and how you should go into this film in order to get the desired effect. It’s sleepy comfort-food for the soul.
The romance at the heart of the film is charming enough, and relies on the Opposites-Attract formula. Gabriela (Christina Milian) is a stressed out architect from San Francisco who’s bored with the corporate hamster-wheel of her busy life: finding no comfort in either yoga sessions or her over-eager boyfriend, she flies out to New Zealand after she wins a charming little bed-and-breakfast inn in a contest. Once there (literally, as soon as she arrives), she runs into Jake (Adam Demos), the town’s most eligible bachelor/contractor, who decides to help her renovate and remodel the place. That’s basically it. Both stars are likable, but Milian more so: perhaps because Demos’ charming Kiwi handyman takes on the Moody Brooding Leading Man™ persona about halfway through, which then leads to some severe misuse of the Misunderstanding™ trope, followed by some of that good old “I Can’t Fall In Love Because [Insert Past Tragedy]”™ cliche. I won’t spoil too much, but the story basically devolves into a series of well-worn story beats a little more than halfway through.
As for the scenic backdrop of New Zealand and its culture, which wows Gabriela, well…it’s barely ever seen. In a small-budget film like this, that’s not really surprising, but it does make one wonder why the script focuses so heavily on Gabriela’s constant surprise at the Kiwi way of life, when almost everything we see in the rural locale of Beechwood can be found in any American town. I say almost because there are a few Maori phrases in the cast’s vocabulary, as well as a few Maori extras and supporting characters. But really, this film could be set anywhere and it wouldn’t make much difference.
So, if you don’t plan on going anywhere for an hour and a half, why not relax on the sofa, grab some snacks, and give Falling Inn Love a chance? It’s cute, it’ll pass the time, and it doesn’t require too much thought. But in a world where rom-coms are becoming increasingly more thought-provoking (looking at you, Last Christmas), it just might not be enough.
