The Ten Most Romantic Couples In The MCU: Ranked!

The Marvel Cinematic Universe has (in)famously had a hard time establishing romantic relationships between its characters: even the few love stories that have helped to define the overarching story have sometimes gone through ups and downs, or simply collided headfirst with a brick wall and died (looking at you, Thor & Jane). And yet they keep trying to master the same old boy-meets-girl (or Norse-god-meets-girl, or boy-meets-alien, or computer-program-meets-girl) formula. That’s why, in celebration of Valentine’s Day, I’ve set myself a challenge: trying to find the ten most romantic, endearing, adorable couples in the MCU and ranking them.

Disclaimer: “ships” or non-canon pairings aren’t being considered on this list because that would be cheating – most MCU “ships” are at least ten times better than the majority of actual onscreen pairings. It’s simply not fair to compare.

10: Thor & Jane Foster.

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These two had something that looked like potential – I mean, if you squinted really hard. From the moment that Thor, the Norse God of Thunder and rightful heir to the throne of Asgard, crash-landed in the American Southwest, upsetting one of Jane Foster’s pseudo-scientific experiments, Marvel tried to convince audiences that a grand and glorious epic love-story for the ages was brewing – but all the magic (or “what your ancestors call magic”) words in the Marvel mythos couldn’t force Chris Hemsworth and Natalie Portman to look more than remotely disinterested in each other. And after Thor: The Dark World failed to turn up the heat, or really do anything at all, Portman had finally had enough: she quit the MCU, and Jane Foster was subsequently written out of the story. In Thor: Ragnarok, it was briefly mentioned that she broke up with the Thunder God offscreen – an uncomfortably awkward conclusion to what was supposed to be a cornerstone of Thor’s entire arc.

9: Stephen Strange & Christine Palmer.

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I’m actually tempted to move this couple ever so slightly further up the list, because while they’re not exactly memorable, they’re also probably not as bad and/or boring as you remembered. Dr. Stephen Strange, a snobbish, arrogant surgeon, wasn’t just the on-and-off boyfriend of Dr. Christine Palmer – he was also her work-partner, and it was mentioned (though never really elaborated on) that the two had even pioneered an important new surgical technique, making the couple basically equal. And after Strange’s run-in with karma, it was Palmer who tried to help him recover his strength and rebuild his life: their heated argument about Strange’s future is the most powerful scene in the Doctor Strange movie, and carries a lot of emotional weight. Unfortunately, Rachel McAdams’ character basically fades into the background after that, and apart from being privy to a battle on the astral plane and trying (unsuccessfully) to save the Ancient One’s life, she really has nothing more to do in the story. And she’s not returning for the sequel, so I guess that’s the end of that.

8: Peter Quill & Gamora.

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I don’t really like either Peter Quill (a.k.a. Star-Lord, an interstellar pirate armed with braggadocio, semi-Celestial powers that have proved to be entirely inconsequential outside of his own movies, and an impressive playlist of golden oldies), or Gamora (a.k.a. The Most Dangerous Woman In The Galaxy, who never actually lived up to that title before her untimely death at the hands of male screenwriters who didn’t know what else to do with her her own father, Thanos): nonetheless, I have to admit they had a spark of chemistry in both Guardians Of The Galaxy movies – and their interactions in Avengers: Infinity War, during which Gamora nearly convinced Quill to kill her (long story), are pretty emotional. There was something there! It wasn’t much, maybe, but it also wasn’t not there – much to the dismay of Thor & Peter Quill shippers everywhere. But in the end, Quill failed (because doesn’t he always?), Gamora got tossed off a cliff, and here we are with nothing left of their relationship but a sad trail of bubbles.

7: Natasha Romanoff & Bruce Banner.

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I like Avengers: Age Of Ultron. I know it’s unpopular to say this, but it’s honestly the best Avengers movie – not only because it references the events of Agents Of S.H.I.E.L.D., but also because it successfully balances almost all of the main characters while still being able to add a couple new ones to the mix. There’s a cohesive plot, the stakes are raised, and the Avengers get to interact with each other on a more personal, intimate level than ever before. And then there’s Natasha Romanoff’s random relationship with Bruce Banner – while it’s not a bad idea, and they make a cute couple, the basis for their coupling up is based on the problematic idea that they’re both “monsters”: Bruce, because he transforms into a giant green killing machine; Natasha, because she’s…infertile? The messaging is weird and kind of sexist, especially since it would have been way easier to make Natasha’s murderous past with the KGB the reason for her guilt and self-loathing. It’s a shame, because Natasha actually did have better interactions with Bruce than she ever had with her former love interest, Clint Barton, but for better or worse their story arc was completely abandoned in Avengers: Infinity War.

6: T’Challa & Nakia.

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While there’s certainly an argument to be made that T’Challa, the catsuit-wearing guardian of the African nation of Wakanda, is slightly more low-key and subdued than many of his co-stars in Black Panther (let’s face it, he doesn’t have Okoye’s fiery energy, Killmonger’s smoldering charisma, or M’Baku’s macabre humor), there can be no denying that his relationship with Wakandan secret agent/humanitarian Nakia is super cute. The two are a power couple, with both characters having genuine hero moments – Nakia even briefly diverts the main focus of the film away from T’Challa, and considers becoming the Black Panther herself. By the end of the film, she’s also working around the world to help extend Wakandan aid to those in need. And when they’re onscreen together, they’re presented as a healthy, sturdy relationship that doesn’t have to rely on drama, troubling gender dynamics, or sarcastic banter to be interesting. They’re basically #CoupleGoals, and I love them.

5: Wanda Maximoff & The Vision.

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Ah, the tragic story of the computer program who became a man…once, for no apparent reason, and never did so again. The Vision, a sentient computer program outfitted with a cool new body (that, unfortunately for him, came along with the Mind Stone, one of the most coveted objects in the galaxy), didn’t really show any signs of attraction to the troubled witch, Wanda Maximoff, until Captain America: Civil War, but when their romance finally kicked into gear, and the two began to bond over spicy food, things got good – and then immediately got weird again, when Wanda blasted Vision through a floor, before suddenly…ending up on the run with him in Scotland? Where Vision was suddenly able to turn into a human man, but only did so once, for reasons that were never explained? Yeah, so there’s some serious gaps in what we actually know about their relationship, but at least it ended on a strong note, with Wanda having to brutally murder her lover in an attempt to destroy the Mind Stone before Thanos could get to it, only to watch Thanos use the Time Stone to reverse all her hard work, murder Vision again, and use the Stones to wipe out half the galaxy, including Wanda herself. If it’s any consolation, the upcoming WandaVision series on Disney+ will feature Wanda resurrecting her dead partner, only to have him presumably die once again when her entire reality inevitably comes crashing down around her. Cheerful, am I right?

4: Scott Lang & Hope Van Dyne.

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Technically, there have been two canon MCU power couples that call themselves Ant-Man and The Wasp: Hope Van Dyne’s parents, Hank Pym and Janet Van Dyne, and then Hope herself and her partner, reformed burglar/single father/world’s best grandma, Scott Lang. But the latter couple has the edge on its predecessor, mostly because Janet doesn’t actually show up until the end of the second Ant-Man film, and most of her flashbacks with Hank were cut out of the movie anyway. Scott and Hope share the spotlight (and the title-card) in Ant-Man And The Wasp, which focuses almost entirely on their relationship – and their exchanges of playful, witty banter, coupled with their fidelity and focus on family, make them one of the most endearing couples in the MCU.

3: Steve Rogers & Peggy Carter.

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Specifically, their relationship in the first three Captain America films, before Avengers: Endgame happened. In the beginning, scrawny new recruit Steve Rogers and fast-talking, no-nonsense commanding officer Peggy Carter were actually quite a sweet pairing: they both had character arcs, and agency in their own stories. There was a quaint little 1940’s love story between them, but Peggy, by virtue of being in the military, wasn’t forced to play the damsel-in-distress or grieving-girlfriend-on-the-home-front roles: and in the post-war era, after Steve went down in the frigid Antarctic Ocean and was lost, she picked up her life and moved on, founding S.H.I.E.L.D. and starting a family. Her relationship with Steve after his resurrection from the ice was deeply emotional and interesting, and it was tragic when she passed away. But then to essentially reverse all the complexities of their post-The First Avenger relationship by having Steve go back in time and start all over with her, making her essentially a consolation prize for Steve after he failed to move on with his life, thus preventing her from moving on with hers? No, just no.

2: Tony Stark & Virginia “Pepper” Potts.

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They’re the MCU’s original duo: how could they not come in near the top of the list? Tony was a sarcastic, cynical mess of a human being; a war-profiteer who didn’t care one iota about the countless people killed daily by his weapons of mass destruction; Pepper was the very opposite, a cool, collected woman with savvy business skills and a friendly disposition. It’s a trope, and a tired one at that. But their relationship evolved into so much more than that – Tony became Iron Man, and Pepper took over as CEO of Stark Industries. They constructed the Avengers Tower in New York City. In the five years after Avengers: Infinity War, they got married and had a daughter. In Avengers: Endgame, where they even got to fight in battle alongside each other, their decade-long relationship came to an end with Tony Stark’s tragic death. In that final moment, as the former “Merchant of Death” gave up his life to save the world, Pepper stayed beside him and her face was the last thing he ever saw. I’m not crying: you’re crying.

1: Leopold Fitz & Jemma Simmons.

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Yes, I cheated! Fitz and Simmons, or “Fitzsimmons” as they’re more commonly known among the fandom, are not technically members of the MCU: they come from the Marvel TV division, where they made their debut on Agents Of S.H.I.E.L.D. and have endured through six grueling, torturous seasons of hardship, personal loss, tragedy and pure, wholesome romance. While they started out as the team’s two bumbling, socially-awkward scientists, it didn’t take long before the universe’s vendetta against them resulted in them standing up for S.H.I.E.L.D., and for each other, in incredible ways. Their tense, frantic struggle to figure their way out of an airtight box at the bottom of the ocean (long story) was one of the highlights of Season 1, as it showed just how powerful the two are as a team – so of course they were then split up. Jemma became an undercover spy, got eaten by a space monolith, was transported to another planet and had to survive on her own, fell in love with an astronaut who turned into an evil alien god, was possessed by the Kree, was possibly hinted to be bisexual (come on, we all know she had a thing for Daisy), and even met and defeated the demonic personification of her self-doubt: Leo lost his ability to communicate for a long period of time and became delusional, was possibly hinted to be bisexual (come on, we all know he had a thing for Mac), became a dashing secret agent, met his evil HYDRA doppelganger, fell in love with HYDRA’s cyborg overlord, and then got stuck in two different time-periods at once, which resulted in him dying but still being alive and yet somehow a space pirate in both timelines…it’s a wacky and confusing series, but their love for each other, which persists even against all odds, has always been at the heart of the story, and I would be lying if I didn’t say they’re the most romantic couple in what used to technically be part of (or at least adjacent to) the MCU.

So what do you think of my top ten, and would you have chosen differently? Did I leave your favorite couple off my list? Share your thoughts in the comments below!

“Black Widow” Super Bowl TV Spot Review!

Marvel Studios’ Black Widow is only a few months out, and with a new line-up of character posts, special Twitter emojis and recently revealed tie-in merchandise, the film’s marketing campaign is heating up. Tonight, we’ve got a new Super Bowl TV spot that gives us tiny glimpses of new material: nothing too substantial, but just enough to keep us talking.

The brief teaser, which highlights each of the characters who make up Natasha Romanoff’s team of Russian special agents, features a voice-over from Romanoff, the Black Widow herself, who tells us that the Avengers weren’t her first family – before she was the Marvel Cinematic Universe’s super spy and legendary assassin, she was a member of the Red Room program, which trained her (along with her “sisters”, Yelena Belova and Melina Vostokoff) to be the world’s most lethal killers. Now, in the Black Widow movie, she’s taking on the Red Room with the help of her comrades, and facing off against an impressive roster of villains.

We still haven’t seen the face behind Taskmaster’s skull-shaped mask, but we’ve now got more proof that he is indeed displaying his comics-accurate abilities, such as the photographic reflexes that allow him to copy any opponent’s fighting moves – in this new trailer, he flips his shield in a manner reminiscent of Captain America’s classic move, implying that at some point he fought the First Avenger.

The trailers for this film have been careful to avoid showing any spoilers, and this one is no different. We still have no clue what will happen to Natasha’s family on their mission deep into Siberia: a theory created soon after the first trailer’s release suggested that Natasha could be seen holding Yelena Belova’s jacket in a scene after a helicopter crash, leading the internet to believe that Belova might have died in the crash. That theory is disproved by this new TV spot, which shows the whole family safely reunited at the crash-site and gathering in a circle to hold hands – with Natasha being the only member of the team to stand to the side.

What do you think of the TV spot, and do you think any of Natasha’s family are doomed to die in the hotly-anticipated Marvel thriller? Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 6.5/10

“Black Widow” Special Look Review!

In what could technically be considered the second trailer for Marvel’s Black Widow but is instead being called the first “special look”, ex-KGB assassin Natasha Romanoff is forced to reunite a lethal team of trained killers to take on a new wave of Black Widows, and all the might of the villainous, government-operated Red Room program that created both them, and her.

This special look gives us a hint of what has spurred the events of the Black Widow movie, which take place after Romanoff went on the run following Captain America: Civil War but before Thanos’ invasion in Avengers: Infinity War. All the way back in Captain America: The Winter Soldier, Natasha made a brave decision to leak all of the S.H.I.E.L.D. agency’s deepest, darkest secrets (including her own) onto the internet in an attempt to expose the far-reaching corruption of organizations like HYDRA. In this teaser, Natasha seems to reference that, saying “I was trying to do something good” when asked why she’s suddenly being stalked and hunted by Russian operatives.

But Natasha learned a lot from her mentor Nick Fury, and one of his lessons must have been how to assemble a great team – because she’s got the help of some of the deadliest Russians ever to bear arms in the Marvel Cinematic Universe at her side in her fight: Yelena Belova, her “sister”, whom we still don’t see wearing her iconic spider-eye mask, much to my dismay; Red Guardian, (played by David Harbour, currently the only member of the main cast without an Oscar nomination in real life), who appears to be something of a father figure to Natasha; and the mysterious Melina, a white-suited martial artist who has a certain maternal charm in one scene, and then cold-blooded killer instincts in another.

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These four are up against the Taskmaster, who has a much better showing in this teaser than he (or she?) did in the movie’s first trailer, which earned him/her a bunch of criticism for looking like a Power Ranger in the light of day. Interestingly, all of his/her scenes here are at night – and they look fantastic. In the first trailer it was hard to tell whether the character (who in the comics is legendary for his “photographic reflexes”, which allow him to mirror any opponent’s fighting moves) was displaying his/her unique power-set, but here there can be no question, as we see the masked mercenary perfectly replicate not only Natasha’s moves as they fight on a Budapest bridge, but also those of Natasha’s dear friend Steve Rogers, even employing the Captain’s very same shield-tricks. In the comics, Taskmaster is typically a man named Tony Masters – but it looks like Marvel could be shaking things up, because a couple other characters in this same movie have already been shown to have skills like “photographic reflexes”: Yelena Belova copies Natasha’s moves as they fight in her shabby apartment, and Melina emulates the fighter’s classic superhero pose at one point – and the “new wave of Widows” all seem to move in perfect harmony. Considering that all these characters originated in Russia’s Red Room, another possibility is that Taskmaster is the head of the program, or even the very first Black Widow (who in some comics is also Natasha’s identical clone, if I remember correctly).

So what do you think of the trailer? Do you think it’s a good idea for Natasha to work with a team, or will they stab her in the back (figuratively or literally)? Share your thoughts, theories and opinions in the comments below!

Trailer Rating: 7.8/10

77th Golden Globes Ceremony Review!

Appropriately, it was Once Upon A Time In Hollywood, a movie which celebrates a bygone era of film-making, that won big at the 77th annual Golden Globes awards last night, taking home three Globes in major categories. In many ways, the ghost of Hollywood Past was haunting the tired, slow-paced ceremony, which saw a mostly white and male ensemble of winners take the stage, during an event that felt unfocused and uninspired, barely held together by comedian Ricky Gervais, who looked bored to be hosting one of the most important events in the entertainment industry, and whose attempts to keep the audience’s attention off world politics felt sadly misguided.

Thankfully, his plea for political neutrality was steadfastly ignored by the majority of winners, many of whom took the stage to deliver impassioned speeches addressing a number of notable issues: from Best Actress In A Mini-Series Michelle Williams calling upon women to exercise their right to choose, Best Supporting Actress In A Series Patricia Arquette using her brief time onstage to demand that viewers vote in the 2020 U.S. elections, Best Actor In A Drama Motion Picture and animal-rights activist Joaquin Phoenix thanking the Golden Globes for serving an entirely plant-based dinner to the audience (a decision that was apparently met with mixed reactions), Australians Russell Crowe and Cate Blanchett bringing attention to the deadly bush-fires currently raging across the country, and Best Actress In A Musical/Comedy Series Phoebe Waller-Bridge invoking the name of former U.S. President Barack Obama, who just recently included Waller-Bridge’s hit comedy Fleabag on his annual Presidential Favorites list. LGBTQ+ issues were at the forefront during Kate McKinnon and Ellen DeGeneres’ speech to honor the latter’s acceptance of the special Carol Burnett Award.

But in between these brief highlights, the ceremony still appeared outdated and backwards-thinking: outside of female-exclusive categories, women were handed a bare minimum of awards, with Icelandic composer Hildur Guðnadóttir being the exception to the rule, becoming the first solo woman to accept the award. People of color were also suspiciously absent from the proceedings, except as presenters – the exception in this case being Ramy star Ramy Youssef, and comedian Awkwafina, who became the first woman of Asian descent to win the Golden Globe for Best Actress In A Musical/Comedy. Small moments like these help to give the impression that progress is being made in Hollywood, but don’t make up for a list of nominees that is overwhelmingly representative of a long-gone period in Hollywood history – one of Gervais’ few on-point jokes was his callout of the all-male lineup of directing nominees, and his satirical suggestion that soon, Hollywood would go back to simply never hiring women directors: “problem solved”.

Anti-Disney and anti-Netflix sentiment ran strong at the ceremony, which witnessed an embarrassing turn of events for frontrunners Frozen II, The Irishman, Marriage Story and The Two Popes. Disney suffered their biggest loss of the night in the Best Animated Feature Film category, where they had not one, not two, but three nominees – all of which lost out to underdog Missing Link, a clay-mation movie from Laika Studios, in a move so shocking it even startled the Missing Link directors into near-speechlessness. Later, in the Best Original Song category, Disney was once again stunned by the surprise victory of Elton John and Bernie Taupin, who won for their work on “(I’m Gonna) Love Me Again” for Rocketman, beating out two Disney contenders, “Into The Unknown” and “Spirit” (both, admittedly, weak contestants). But Netflix’s film division was the biggest loser of the evening: going into the event, the main competition in both the Best Director For A Motion Picture and Best Drama Motion Picture fields had been The Irishman‘s Martin Scorsese versus Todd Phillips for Joker – but in both categories, it was neither man who took home the coveted prize, as Sam Mendes and war-drama 1917 won both times. That wouldn’t have been so humiliating if Netflix had been able to claim Best Supporting Actor In A Motion Picture (which they lost to Brad Pitt for Once Upon A Time In Hollywood), Actor In A Musical/Comedy Motion Picture (which they lost to Taron Egerton for Rocketman), Actress In A Drama Motion Picture (which they lost to Renée Zellweger for Judy, despite strong competition from Scarlett Johansson), Actor In A Drama Motion Picture (which Joker star Joaquin Phoenix easily won, beating out Adam Driver and Jonathan Pryce), or Screenplay Of A Motion Picture (an award that clearly belonged to either The Irishman or Marriage Story, but went instead to Once Upon A Time In Hollywood). Ultimately, only Laura Dern was able to carve out a small victory for the streaming service, winning the award for Best Supporting Actress In A Motion Picture for her fan-favorite role as a sassy, no-nonsense divorce lawyer in Marriage Story. A small win, but a win nonetheless, and one that Netflix Film desperately needed as they continue to fight against Hollywood bias.

The event should have been high-stakes, especially with the amount of surprises, snubs and gasp-out-loud upsets that occurred, but low-energy humor from the host and presenters, coupled with slow, largely repetitive victories (winners often had to walk absurdly long distances to the stage, and a few nearly got lost weaving through the crowd, making the ceremony move even slower) made the 77th Golden Globes an unmemorable footnote in awards season history. Here’s hoping that the Oscars will repeat last year’s surprisingly effective no-host format, and give us a more rousing, entertaining, and relevant ceremony than the Globes was able to offer.