The Ten Most Romantic Couples In The MCU: Ranked!

The Marvel Cinematic Universe has (in)famously had a hard time establishing romantic relationships between its characters: even the few love stories that have helped to define the overarching story have sometimes gone through ups and downs, or simply collided headfirst with a brick wall and died (looking at you, Thor & Jane). And yet they keep trying to master the same old boy-meets-girl (or Norse-god-meets-girl, or boy-meets-alien, or computer-program-meets-girl) formula. That’s why, in celebration of Valentine’s Day, I’ve set myself a challenge: trying to find the ten most romantic, endearing, adorable couples in the MCU and ranking them.

Disclaimer: “ships” or non-canon pairings aren’t being considered on this list because that would be cheating – most MCU “ships” are at least ten times better than the majority of actual onscreen pairings. It’s simply not fair to compare.

10: Thor & Jane Foster.

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These two had something that looked like potential – I mean, if you squinted really hard. From the moment that Thor, the Norse God of Thunder and rightful heir to the throne of Asgard, crash-landed in the American Southwest, upsetting one of Jane Foster’s pseudo-scientific experiments, Marvel tried to convince audiences that a grand and glorious epic love-story for the ages was brewing – but all the magic (or “what your ancestors call magic”) words in the Marvel mythos couldn’t force Chris Hemsworth and Natalie Portman to look more than remotely disinterested in each other. And after Thor: The Dark World failed to turn up the heat, or really do anything at all, Portman had finally had enough: she quit the MCU, and Jane Foster was subsequently written out of the story. In Thor: Ragnarok, it was briefly mentioned that she broke up with the Thunder God offscreen – an uncomfortably awkward conclusion to what was supposed to be a cornerstone of Thor’s entire arc.

9: Stephen Strange & Christine Palmer.

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I’m actually tempted to move this couple ever so slightly further up the list, because while they’re not exactly memorable, they’re also probably not as bad and/or boring as you remembered. Dr. Stephen Strange, a snobbish, arrogant surgeon, wasn’t just the on-and-off boyfriend of Dr. Christine Palmer – he was also her work-partner, and it was mentioned (though never really elaborated on) that the two had even pioneered an important new surgical technique, making the couple basically equal. And after Strange’s run-in with karma, it was Palmer who tried to help him recover his strength and rebuild his life: their heated argument about Strange’s future is the most powerful scene in the Doctor Strange movie, and carries a lot of emotional weight. Unfortunately, Rachel McAdams’ character basically fades into the background after that, and apart from being privy to a battle on the astral plane and trying (unsuccessfully) to save the Ancient One’s life, she really has nothing more to do in the story. And she’s not returning for the sequel, so I guess that’s the end of that.

8: Peter Quill & Gamora.

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I don’t really like either Peter Quill (a.k.a. Star-Lord, an interstellar pirate armed with braggadocio, semi-Celestial powers that have proved to be entirely inconsequential outside of his own movies, and an impressive playlist of golden oldies), or Gamora (a.k.a. The Most Dangerous Woman In The Galaxy, who never actually lived up to that title before her untimely death at the hands of male screenwriters who didn’t know what else to do with her her own father, Thanos): nonetheless, I have to admit they had a spark of chemistry in both Guardians Of The Galaxy movies – and their interactions in Avengers: Infinity War, during which Gamora nearly convinced Quill to kill her (long story), are pretty emotional. There was something there! It wasn’t much, maybe, but it also wasn’t not there – much to the dismay of Thor & Peter Quill shippers everywhere. But in the end, Quill failed (because doesn’t he always?), Gamora got tossed off a cliff, and here we are with nothing left of their relationship but a sad trail of bubbles.

7: Natasha Romanoff & Bruce Banner.

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I like Avengers: Age Of Ultron. I know it’s unpopular to say this, but it’s honestly the best Avengers movie – not only because it references the events of Agents Of S.H.I.E.L.D., but also because it successfully balances almost all of the main characters while still being able to add a couple new ones to the mix. There’s a cohesive plot, the stakes are raised, and the Avengers get to interact with each other on a more personal, intimate level than ever before. And then there’s Natasha Romanoff’s random relationship with Bruce Banner – while it’s not a bad idea, and they make a cute couple, the basis for their coupling up is based on the problematic idea that they’re both “monsters”: Bruce, because he transforms into a giant green killing machine; Natasha, because she’s…infertile? The messaging is weird and kind of sexist, especially since it would have been way easier to make Natasha’s murderous past with the KGB the reason for her guilt and self-loathing. It’s a shame, because Natasha actually did have better interactions with Bruce than she ever had with her former love interest, Clint Barton, but for better or worse their story arc was completely abandoned in Avengers: Infinity War.

6: T’Challa & Nakia.

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While there’s certainly an argument to be made that T’Challa, the catsuit-wearing guardian of the African nation of Wakanda, is slightly more low-key and subdued than many of his co-stars in Black Panther (let’s face it, he doesn’t have Okoye’s fiery energy, Killmonger’s smoldering charisma, or M’Baku’s macabre humor), there can be no denying that his relationship with Wakandan secret agent/humanitarian Nakia is super cute. The two are a power couple, with both characters having genuine hero moments – Nakia even briefly diverts the main focus of the film away from T’Challa, and considers becoming the Black Panther herself. By the end of the film, she’s also working around the world to help extend Wakandan aid to those in need. And when they’re onscreen together, they’re presented as a healthy, sturdy relationship that doesn’t have to rely on drama, troubling gender dynamics, or sarcastic banter to be interesting. They’re basically #CoupleGoals, and I love them.

5: Wanda Maximoff & The Vision.

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Ah, the tragic story of the computer program who became a man…once, for no apparent reason, and never did so again. The Vision, a sentient computer program outfitted with a cool new body (that, unfortunately for him, came along with the Mind Stone, one of the most coveted objects in the galaxy), didn’t really show any signs of attraction to the troubled witch, Wanda Maximoff, until Captain America: Civil War, but when their romance finally kicked into gear, and the two began to bond over spicy food, things got good – and then immediately got weird again, when Wanda blasted Vision through a floor, before suddenly…ending up on the run with him in Scotland? Where Vision was suddenly able to turn into a human man, but only did so once, for reasons that were never explained? Yeah, so there’s some serious gaps in what we actually know about their relationship, but at least it ended on a strong note, with Wanda having to brutally murder her lover in an attempt to destroy the Mind Stone before Thanos could get to it, only to watch Thanos use the Time Stone to reverse all her hard work, murder Vision again, and use the Stones to wipe out half the galaxy, including Wanda herself. If it’s any consolation, the upcoming WandaVision series on Disney+ will feature Wanda resurrecting her dead partner, only to have him presumably die once again when her entire reality inevitably comes crashing down around her. Cheerful, am I right?

4: Scott Lang & Hope Van Dyne.

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Technically, there have been two canon MCU power couples that call themselves Ant-Man and The Wasp: Hope Van Dyne’s parents, Hank Pym and Janet Van Dyne, and then Hope herself and her partner, reformed burglar/single father/world’s best grandma, Scott Lang. But the latter couple has the edge on its predecessor, mostly because Janet doesn’t actually show up until the end of the second Ant-Man film, and most of her flashbacks with Hank were cut out of the movie anyway. Scott and Hope share the spotlight (and the title-card) in Ant-Man And The Wasp, which focuses almost entirely on their relationship – and their exchanges of playful, witty banter, coupled with their fidelity and focus on family, make them one of the most endearing couples in the MCU.

3: Steve Rogers & Peggy Carter.

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Specifically, their relationship in the first three Captain America films, before Avengers: Endgame happened. In the beginning, scrawny new recruit Steve Rogers and fast-talking, no-nonsense commanding officer Peggy Carter were actually quite a sweet pairing: they both had character arcs, and agency in their own stories. There was a quaint little 1940’s love story between them, but Peggy, by virtue of being in the military, wasn’t forced to play the damsel-in-distress or grieving-girlfriend-on-the-home-front roles: and in the post-war era, after Steve went down in the frigid Antarctic Ocean and was lost, she picked up her life and moved on, founding S.H.I.E.L.D. and starting a family. Her relationship with Steve after his resurrection from the ice was deeply emotional and interesting, and it was tragic when she passed away. But then to essentially reverse all the complexities of their post-The First Avenger relationship by having Steve go back in time and start all over with her, making her essentially a consolation prize for Steve after he failed to move on with his life, thus preventing her from moving on with hers? No, just no.

2: Tony Stark & Virginia “Pepper” Potts.

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They’re the MCU’s original duo: how could they not come in near the top of the list? Tony was a sarcastic, cynical mess of a human being; a war-profiteer who didn’t care one iota about the countless people killed daily by his weapons of mass destruction; Pepper was the very opposite, a cool, collected woman with savvy business skills and a friendly disposition. It’s a trope, and a tired one at that. But their relationship evolved into so much more than that – Tony became Iron Man, and Pepper took over as CEO of Stark Industries. They constructed the Avengers Tower in New York City. In the five years after Avengers: Infinity War, they got married and had a daughter. In Avengers: Endgame, where they even got to fight in battle alongside each other, their decade-long relationship came to an end with Tony Stark’s tragic death. In that final moment, as the former “Merchant of Death” gave up his life to save the world, Pepper stayed beside him and her face was the last thing he ever saw. I’m not crying: you’re crying.

1: Leopold Fitz & Jemma Simmons.

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Yes, I cheated! Fitz and Simmons, or “Fitzsimmons” as they’re more commonly known among the fandom, are not technically members of the MCU: they come from the Marvel TV division, where they made their debut on Agents Of S.H.I.E.L.D. and have endured through six grueling, torturous seasons of hardship, personal loss, tragedy and pure, wholesome romance. While they started out as the team’s two bumbling, socially-awkward scientists, it didn’t take long before the universe’s vendetta against them resulted in them standing up for S.H.I.E.L.D., and for each other, in incredible ways. Their tense, frantic struggle to figure their way out of an airtight box at the bottom of the ocean (long story) was one of the highlights of Season 1, as it showed just how powerful the two are as a team – so of course they were then split up. Jemma became an undercover spy, got eaten by a space monolith, was transported to another planet and had to survive on her own, fell in love with an astronaut who turned into an evil alien god, was possessed by the Kree, was possibly hinted to be bisexual (come on, we all know she had a thing for Daisy), and even met and defeated the demonic personification of her self-doubt: Leo lost his ability to communicate for a long period of time and became delusional, was possibly hinted to be bisexual (come on, we all know he had a thing for Mac), became a dashing secret agent, met his evil HYDRA doppelganger, fell in love with HYDRA’s cyborg overlord, and then got stuck in two different time-periods at once, which resulted in him dying but still being alive and yet somehow a space pirate in both timelines…it’s a wacky and confusing series, but their love for each other, which persists even against all odds, has always been at the heart of the story, and I would be lying if I didn’t say they’re the most romantic couple in what used to technically be part of (or at least adjacent to) the MCU.

So what do you think of my top ten, and would you have chosen differently? Did I leave your favorite couple off my list? Share your thoughts in the comments below!

Sebastian Stan Vs. “Avengers: Endgame” Explained!

Ah, the drama. Earlier this morning, Marvel Cinematic Universe star Sebastian Stan made headlines by seemingly expressing his disappointment with the ending of his Marvel character’s story arc in Avengers: Endgame (and was welcomed by Star Wars star John Boyega into the small but steadily growing community of actors unhappy with how they were treated in the final installment of their respective franchises). I say “seemingly” because it’s kind of unclear whether or not Stan’s vague, single-emoji response to an angry fan’s social media post was an expression of sympathy or not. But since Stan hasn’t clarified his position, and the internet is having a field-day with this story, let’s assume for a moment that Stan really doesn’t like the conclusion to the long and tumultuous history of Bucky Barnes, a.k.a. The Winter Soldier, in the MCU.

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First of all, we have to take a look at the post which stirred up all this controversy and drama. The tweet, itself a response to an official Marvel post about Bucky’s relationship with Steve Rogers, a.k.a. Captain America, read: “Together until the end of the line. Or until bad, inconsistent, out-of-character writing turns Steve Rogers into his own anti-thesis. Shouldn’t it be “together until the end of the lie” now?” The author’s harsh condemnation of certain Avengers: Endgame plotlines would have been controversial regardless of whether it was spotted by a certain Marvel actor (who doesn’t even have Twitter, which makes the whole situation even weirder), but the fact that Stan posted a single wide-eyed emoji (which, according to the internet, could mean anything from shock to embarrassment), is what’s got everyone talking. Why is he angry about this whole “end of the line” business anyway, and what would he have preferred to the ending we got?

Before we go any further, let me make it clear that I don’t necessarily disagree with either Stan or the fan, but that doesn’t mean this post is going to devolve into an embittered, anti-Endgame tirade. I like Endgame: I like it less now than I did upon first viewing, because I’ve identified many of the film’s flaws, and I’m not entirely satisfied with the many of the film’s decision, especially with regards to the final choices of characters like Tony Stark, Natasha Romanoff, and, yes, Steve Rogers, but I still really like it. I don’t think the Russo Brothers are bad directors, or that Disney/Marvel are evil for not creating the perfect movie, or that anybody has to be “cancelled” by the MCU fandom. I’m not the type to start unnecessary drama (though, if you’d like me to, I could start by saying that Avengers: Infinity War is a complete and utter mess: but I won’t). No, I just want to discuss what I feel is one of the most uninspired and uncomfortable decisions made by the Avengers: Endgame writing team.

Which just so happens to be the conclusion to Steve Rogers’ and Bucky Barnes’ relationship.

In the MCU, these two characters, more than probably any other duo (with the exception of Thor and his brother Loki), have constantly been paired up in increasingly dramatic and thrilling situations that have tested their loyalty to each other time and time again: and yet, despite everything, they’ve always found a way back to each other’s side. Steve gets frozen in the Arctic Ocean for seventy years? No biggie. Bucky is horribly maimed in a wartime accident and becomes the brainwashed servant of a malicious organization operating deep within the most secure counter-intelligence group in the world? Not a problem. Their relationship was important to the plot of Captain America: The First Avenger, crucial (obviously) to Captain America: The Winter Soldier, and pivotal to Captain America: Civil War, in which it was a dispute over Bucky’s safety that led Steve to disobey the Sokovia Accords and start a conflict with Tony Stark that led to the titular civil war which broke up the Avengers, which in turn led to Steve and Bucky going on the run, which in part contributed to Thanos’ victory in Avengers: Infinity War, which set in motion all the events of Avengers: Endgame and thus everything that will happen in the MCU for decades to come. It’s not like Bucky is some side-character: he’s a really big deal.

And then, suddenly, he wasn’t.

At the end of Civil War, Bucky was sent to the African nation of Wakanda to recuperate from his injuries, and since then has shown up a handful of times onscreen, spoken a couple lines of dialogue, and has acted as little more than an extra in fight-scenes. In the post-credits scene of Black Panther, he’s not even that – he wakes up in Wakanda and gets the title of “White Wolf”, which seems to forebode big developments down the line. In Infinity War, he is gifted a seriously cool new vibranium arm that seems designed to wreak havoc on the battlefield but…doesn’t; and then, after being dusted by Thanos, he disappears for five years until the Endgame finale, where he has little more than a cameo as the guy standing silently but supportively behind Steve as he, Steve, makes some of the stupidest decisions of his unnaturally long life. And yes, he’s now getting his own Disney+ series (in which he will co-star alongside Anthony Mackie’s Falcon), but that can’t erase the fact that the conclusion of his relationship with the most important person in his life amounted to a brief exchange using dialogue recycled from their first movie. Meanwhile, Steve gets to enjoy a fairytale ending while everyone else in the MCU suffers irreversible pain and hardship; he goes back in time and unabashedly robs a strong, independent woman of her own agency and story arc, just so he can make good on a promise he made twenty-something movies ago. Was it so absolutely necessary that he have his dance with Peggy Carter, thereby creating his own alternate universe in which she never remarried after his disappearance, or had her own family, or moved on with her life?

No. It was, in my opinion, blatant fan-service that makes little to no sense given everything that has happened to Steve over the years. His entire arc has been one of trying to survive in the modern world, to find purpose and meaning in an era that no longer requires his antiquated morals and services, trying to adapt to society. At first, he fought with tooth and nail and Frisbee-shield: he pined after Peggy and he clung to Bucky, and he shook his head at newfangled customs. But he was beginning to change, to evolve, when Endgame happened – in Winter Soldier, he was forced to take a good long look at the government he had blindly followed into battle for decades, and in Civil War he actually fought back against all forms of government, becoming a rogue anarchist. He even had a new love-interest (albeit one who was related to his former love-interest, which made the whole situation highly disturbing and awkward). And then, after all that development, what does he do, first chance he gets? Hops in a time-machine and fills out an entire lifespan with Peggy Carter, thereby shattering any hope that he would move on with his own life, and stealing Peggy’s own opportunity to do so. And for Sebastian Stan and many other outraged viewers, the worst part of this was that it prevented Steve from having any time to interact with Bucky, a friend he had actually known for some time in both the past and present, and with whom he had a complex, meaningful relationship – for whom he had fought the entire world, for whom he had risked his own life countless times: a friend he had believed in when no one else would.

Steve’s ending is uninspired because it does nothing new with the character, but instead harps back on what made him interesting ten years ago: it reverses years of development in an attempt to make his story come full-circle. And unfortunately, this is similar to what happens to many other Avengers in the same movie: Tony Stark, who spent much of his life wondering how he would die and how many people he could save while doing it, died saving the entire world; Natasha Romanoff, whose every waking moment was spent giving thanks to her family and wondering when she would have to sacrifice everything for them, sacrificed everything, including her life, for them; Clint Barton, who just wanted a boring, middle-American family and a farmhouse in the middle of nowhere, got all that after briefly turning into a bloodthirsty ninja and exacting vengeance on all the Asian crime-lords who had absolutely nothing to do with his family getting dusted by Thanos. Each of those endings tries to employ the full-circle trick, but they almost all fail because the full-circle trick doesn’t always work, and isn’t always that interesting, for the same reason why most people like the concept of free will more than fate – the idea that your destiny is predetermined is, honestly, kind of boring. There’s no surprise, no tension.

I can’t claim to understand what went into the making of Avengers: Endgame, or why the screenwriters and directors chose to do what they did with the story: but one thing that most Marvel fans have noticed (and have already speculated could explain the sudden disappearance of Bucky Barnes) is that soon after The Winter Soldier‘s release, a vocal division of the fandom rose up to demand that Steve and Bucky’s relationship go an extra step further and develop into a romantic dynamic. While both actors, Chris Evans and Sebastian Stan, were very supportive of the idea, it seems that higher-ups at Marvel were nervous even to acknowledge the idea of a Steve/Bucky love story, and tried to backpedal: they gave Steve a new, temporary female love interest, and even wrote in a conversation between the two where they talk about the extremely-straight-and-not-at-all-gay relationships that they had back in the 1940’s. And it didn’t take long before Bucky suddenly started vanishing from the movies and getting less and less screen-time. Maybe this is because of cowardice, or maybe it’s simply because the Russo Brothers didn’t want another gay character distracting from that crucial five-second cameo from the Unnamed Gay Man in Avengers: Endgame, but either way it does seem to have had a negative impact on how Marvel treated Bucky Barnes.

Now, we don’t know if this is why Stan doesn’t like the ending to Steve and Bucky’s relationship (technically, we don’t even know if he doesn’t like their ending). A single emoji can say a lot, but in this case it’s vague enough that I’m basing most of my assumptions off the original tweet, which said the Endgame plotline was “bad” (which is entirely subjective), “inconsistent” (which I’ve argued is an accurate assertion), and “out-of-character” (there’s no good answer to this one: after all, Steve is the character who rebelled against the very political structure that created him, but he’s also the same character who couldn’t even find a prospective date outside of his 1945 girlfriend’s immediate family). Now I leave it up to you, my dear jury, to decide for yourselves who’s right and who’s wrong in this debate. In my personal opinion, I have to agree with many of the claims made in the original tweet, but I’m also not going to sit here and say that Avengers: Endgame is poorly-written, as if it didn’t masterfully handle the extraordinarily large cast of characters across several timelines and in multiple parallel realities, right up until that iffy ending.

So what do you think? Is Sebastian Stan well within his rights to raise his voice, despite still being employed by Marvel (even John Boyega waited until after he was done with Star Wars to give them a piece of his mind), or does he come off as merely disgruntled? What do you, personally, think of the ending to Steve and Bucky’s story, and if you could rewrite it, would you? Share your thoughts, theories and opinions in the comments below!

“Falcon & The Winter Soldier” Updates!

Marvel always has something going on – today had been relatively quiet, as the world calmed down after the epic Game of Thrones finale last night, but the Marvel Cinematic Universe still managed to grab some headlines this evening with the news that the upcoming Falcon & The Winter Soldier streaming show for Disney Plus will start filming in the fall, under the direction of Emmy-nominee and BAFTA-winner Kari Skogland, written by Malcom Spellman of Empire; the show will apparently premiere in August of 2020.

This news would be big enough on its own to be worth an entire post, but Marvel went one step further and even teased us with two very intriguing casting-announcements: one being Emily VanCamp, and the other Daniel Brühl, both of whom will be reprising previous roles in the MCU – those of Sharon Carter (Agent 13) and Helmut Zemo, respectively.

The VanCamp reveal might not be so startling if it weren’t for the fact that Sharon Carter’s character has been almost erased from Marvel continuity, just like…well, all her fellow Agents of S.H.I.E.L.D, whose existence on the ABC network has left them too far away to share in the enormous success of the MCU proper. Carter’s unfortunate romantic relationship with her great-aunt’s former boyfriend (long story) also made her character unpopular with fans – and certain cast members. Her subsequent disappearance has not done her any favors either: I’m willing to bet most people have either forgotten her entirely or at least have forgotten what role she plays in the MCU – they’d be forgiven for that, because Sharon Carter really has nothing to do in the MCU, except flirt with Steve Rogers at her great-aunt’s funeral (yeah, that’s not creepy at all), or at other randomly inconvenient moments. Bringing her back is an interesting choice, one that could lead to potential complications – maybe this time she’ll end up with her great-aunt’s former boyfriend’s best friend Bucky Barnes, considering that he’s still single.

The Stucky shippers would riot.

Adding VanCamp – and thus, Sharon Carter – to the cast raises the possibility of Martin Freeman’s character Everett Ross also returning, since one of the only things that Carter did in Captain America: Civil War – besides flirting with Steve, of course – was standing solemnly next to Ross. Freeman already hinted that he might return to the MCU at some point after his popularity in Black Panther, so the possibility is open.

But the big reveal is the Daniel Brühl casting – Helmut Zemo was one of the most peculiar and unsettling Marvel villains to date, and his Civil War storyline was basically left open-ended, with Zemo seemingly unfazed by his imprisonment and still smirking when last we saw him: his plan to divide the Avengers, unlike those of many other villains, actually had lasting repercussions in the MCU, and in some part contributed to the crushing defeat suffered at the hands of Thanos in Avengers: Infinity War. The return of Zemo was being rumored a few weeks ago, but the confirmation is an exciting development: in the comics, Zemo heads the Masters of Evil, a team of dangerous supervillains – and, considering how many villains are still around in the MCU, not doing much of anything, there are plenty of candidates to choose from if one were to assemble a team like this: even Marvel president Kevin Feige hinted at the possibility.

So the groundwork has been laid for something truly spectacular – or at least something with potential. With shooting set to begin this fall, it looks like we won’t have to wait long before we get more details on this upcoming project.

“Avengers: Endgame” Spoilers! Who Died?

Obviously, massive spoilers lie ahead, so turn away now if you haven’t seen Avengers: Endgame. Like, right now, because we’re going to start with the most unexpected – and thus the most shocking – death of the entire movie.

That’s right, Russian spy Natasha Romanoff, the Black Widow, is the first Avenger to bite the dust in Endgame, in a heart-wrenching scene that sees her and her former partner Clint Barton (Hawkeye) travel to the cold and desolate planet Vormir, looking for the Soul Stone. Marvel fans will already know that the Soul Stone requires a sacrifice in order to be won: it stole Gamora, the fiercest woman in the galaxy, from us in Avengers: Infinity War, and now it’s taken Black Widow as well. Both Clint and Natasha try desperately to commit suicide and prevent the other from dying, but in the end Natasha is the one dangling precariously off the edge of a cliff, while Clint grips her hand, telling her he won’t sacrifice her. Natasha, however, reminds him that he has a family, while she has nothing to live for and no family to go home to – though, interestingly, Natasha gets an interesting hint about her own parents here on Vormir, when the Soul Stone’s guardian Red Skull names her “daughter of Ivan”. More on that in a moment.

Clint lets go, Natasha falls to her death, and the Soul Stone is won. But the question remains: was it worth it? Natasha’s entire character arc has been about her loneliness – she doesn’t have a family, and called herself a “monster” for being unable to have children. She believes she’s nothing but a cold-blooded killer, incapable of love. And, sadly, she dies like this too, sacrificing herself because she has nothing left. Rather than having a triumphant character arc, Black Widow dies in tragic fashion, far from her home, so that Hawkeye can get the Soul Stone. Yes, the Stone helps to save the day in the end, but Natasha’s sacrifice feels like a crushing blow, not just to the other Avengers, and to the audience, but to her own character: Natasha’s death is sad, but it’s also infuriating. She died without ever realizing that she was valuable in her own right. She died without ever truly fulfilling her arc.

The good thing is, there’s still a chance she’s coming back. Of course, a Black Widow movie is already moving into production and will be released next year, but it is a prequel, set long before Endgame. But there’s more evidence than just that: look here.

At the end of Endgame, Captain America goes back in time to replace all the Infinity Stones to the time and place they were taken from – in other words, the Soul Stone returns to Vormir. (This also means Captain America comes face-to-face with his old nemesis Red Skull, but that’s a story for another time). Anyway, Cap replacing the Soul Stone could negate Black Widow’s sacrifice and bring her back to life. But what’s the purpose of that?, I hear you ask. Why bring back a character who really doesn’t have anything to do in the next phase of the MCU?

Well, she could actually have a crucial part to play in the next phase, and here’s the evidence.

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The Black Widow movie will be the first film of Phase 4, for one thing (this was previously believed to be Spider-man: Far From Home, until Marvel President Kevin Feige revealed that Far From Home would be the final film of Phase 3). Black Widow also could have a newly-revealed connection to an upcoming film in the Marvel roster: The Eternals. In The Eternals, we will see a new character – the villainous space god Druig, who, in the comics, takes the identity of a Russian KGB agent and becomes leader of a Soviet state named Vorozheika. While living in Russia, Druig takes a new name – Ivan Druig.

That’s right. Black Widow could be the daughter of a god, even though she doesn’t know it. If her death is undone, Natasha will come back to life on the planet Vormir, far from her home planet and alone: imagine a scenario in which Druig, her father, comes looking for her. I would suspect a scene like this could occur as a post-credits stinger for Black Widow, which will probably focus on Natasha’s formative years. We’ve grown used to her being a baton-wielding martial-arts fighter, but what if she were to inherit some new powers from her father? This could open the door to many more Black Widow stories, and she could have a chance to live out the rest of her unfulfilled arc.

The next death is one that certainly seems more permanent – and to reverse it would be to negate a great arc that reached a satisfying and poetic conclusion in Endgame. Tony Stark, the Iron Man who started the MCU as we know it and has been Marvel’s figurehead for a decade now, sacrifices himself to wipe out Thanos’ army of killer aliens. He dies surrounded by his friends, survived by his wife and young daughter. It would be a mistake to reverse this death, in my opinion: however, that doesn’t mean we’ll never see Tony Stark again.

"Avengers: Endgame" Spoilers! Who Died? 13
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You see, in the comics, Tony Stark has died before – but in one notable case, he was able to create an artificial intelligence hologram of himself before his death: we even saw this teased a little in Endgame, when Stark’s daughter Morgan watches a holographic video that Tony had prerecorded in case everything went wrong. It wouldn’t be too much of a stretch to suggest that Tony created an AI body for himself too, an artificial Tony Stark that could still be played by Robert Downey Jr, and could hang around Avengers HQ and make cameo appearances every now and again, or impart wisdom to the next generation of Marvel heroes. This seems like a fitting way to keep Tony around without reversing his incredibly impactful death.

The only death that I regard as “permanent” is Captain America’s. When Cap goes back in time at the end of Endgame to replace the Infinity Stones to their original timelines, as previously mentioned, he decides not to come back immediately. In fact, he goes all the way back to the 1940’s, and instead lives out a normal life with his old girlfriend Peggy Carter, before returning to the present timeline as an elderly man to pass on the Captain America mantle to his comrade Sam Wilson, also known as Falcon. We last see him sitting on a park bench, staring off across a lake, and it’s implied that his death is not far off, even though we don’t see it onscreen. In my opinion, this death can’t be reversed without a lot of time travel or a deep dive into the alternate realities that have been opened up by the events in Avengers: Endgame. While it seems likely that some of these new realities and timelines will be explored in some fashion, this is not one of them, I think. Any attempt to show Cap’s life with Peggy would be redundant and boring: his arc was concluded, and he can rest in peace now. I, personally, would have preferred a different end for the character, one that doesn’t involve Captain America messing up time and basically ensuring that Peggy and him end up together – whereas in the original timeline, Peggy had moved on with another man and had her own happy ending. It seems to suggest that Cap has some selfish intentions, and that’s not an implication I like (though one theory says that Peggy’s new husband was always Captain America, and that there’s actually two Caps, and always have been, and it’s just a really complicated and complex theory that I don’t have time to explain here).

"Avengers: Endgame" Spoilers! Who Died? 14
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So those are the three main deaths of Avengers: Endgame (though not, in fact, the only deaths. A past version of Nebula, Thanos, and possibly a past version of Gamora all get killed off – in Thanos’ case, twice). I regard Black Widow’s death as temporary, Tony’s as permanent-but-with-a-loophole, and Cap’s as permanent. What do you think? Did you feel the character deaths in Endgame were satisfying or not? Share your thoughts in the comments and look out for more Endgame news in the days and weeks ahead.