“Hawkeye” Episode 3 Tells Echo’s Side Of The Story

SPOILERS FOR HAWKEYE EPISODE THREE AHEAD!

Of the few people who are actually talking about Hawkeye and making their opinions known on what is potentially the least-watched live-action Marvel Disney+ show yet, it seems from social media that most are just sticking around to witness the return of Vincent D’Onofrio as Wilson Fisk, better known by his supervillain alias, Kingpin. And after Hawkeye‘s third episode debuted yesterday, the series may have just ensured that Kingpin will continue to overshadow the rest of the story, much like how the character looms over everyone thanks to his impressive 6’7″ stature.

Hawkeye
Echo | epicstream.com

And mind you, all we see of Kingpin in episode three, in the roughly five seconds that he’s onscreen, is one of his hands, and a little bit of his suit. We hear him chuckle, but he doesn’t actually say a word to confirm that Vincent D’Onofrio is back in the iconic role. I’m excited to see Kingpin, don’t get me wrong, but it’s slightly frustrating that in five seconds he managed to pull focus away from everything else that happened in this episode, including our official introduction to Hawkeye‘s primary villain for the moment – Echo (Alaqua Cox).

To some degree, that’s on head writer Jonathan Igla and directors Bert & Bertie for not giving Cox’s adult version of Echo a standout action sequence or emotional beat, even though there were plenty of opportunities to blow audiences away on both counts. Her child version, played by Darnell Besaw, has one brief fight at a karate class that translates her photographic reflexes from page to screen, but while promising, we have yet to see Cox’s Echo utilize those abilities again. And her final scene with her father, who famously dies in the comics leaving a bloody handprint on Echo’s face, is significantly less impactful when Disney shies away from showing much blood.

But at the same time, it’s worth noting that MCU stans will find a way to overshadow Echo no matter what. Even when it was revealed that she would become the first Marvel character introduced on Disney+ to receive their own spinoff, all that anyone could talk about was how Kingpin and Daredevil could use Echo’s show as an arena in which to continue their conflict from the Netflix Daredevil series, as if Echo doesn’t have any stories worth telling from her own viewpoint.

And that’s a shame, because Echo happens to be a fascinating character, and Alaqua Cox in her debut performance brings a commanding presence to the role. A deaf Native American woman (and in the MCU, an amputee like Cox), left in the care of Kingpin after her father’s murder, Echo in the comics has a reputation as one of the most formidable street-level antiheroes in the global criminal underworld. There’s already so much going on with her in this episode that Hawkeye doesn’t even have time to reference the fact that in the comics, Echo was the original Ronin before Clint Barton (Jeremy Renner) took on the mantle.

Nonetheless, the two characters still have a very intriguing dynamic in the MCU. There’s a somewhat generic revenge storyline going on, with Echo under the (most likely false) impression that Clint as Ronin murdered her father, but what’s most compelling about their relationship to each other is how they interact as two characters with hearing disabilities. Hawkeye depicts a range of experiences through Echo, the MCU’s second deaf character after Lauren Ridloff’s Makkari in Eternals, and Clint, who has partial hearing loss.

Hawkeye
Clint, Kate, and Lucky the Pizza Dog | denofgeek.com

This includes depicting the stark differences between the two, as well as the similarities. Echo uses sign language and as a child had to rely on lipreading because she wasn’t able to attend a deaf school, while Clint is still in the process of learning sign language and can’t hold a full conversation with Echo without the help of a translator using simultaneous communication (or SimCom), a controversial method where one signs and speaks at the same time, sometimes to the detriment of both languages but particularly to the signed language because the speaker is often a hearing person who mentally prioritizes their spoken language even while using SimCom.

I have not been able to find any articles specifically regarding the use of SimCom in Hawkeye, and thus it would be impossible for me to say as a hearing person who doesn’t speak any sign languages whether the SimCom in the show is accurate and intelligible. But something that I have seen others address, and that I noted myself while watching this episode of Hawkeye, is that the way shots are framed, the characters’ hands are often out of frame while they’re signing. It might seem like a small thing to some, but it also demonstrates why representation can’t stop at onscreen visibility. It takes a diverse team behind the camera to make sure that visibility is…well, visible.

I do appreciate, however, that Hawkeye actually utilizes its diversity for more than just surface-level visibility; Clint and Echo’s disabilities are an integral part of both their characters, and in this episode at least both deal with unique situations and challenges that arise because of their disabilities. At one point, Clint’s hearing-aid gets smashed under Echo’s boot during a fight, which in turn requires him and Kate Bishop (Hailee Steinfeld) to work together more closely, culminating in a scene where she helps him through an abrupt phone call from his son. It’s strongly reminiscent of a scene in The Umbrella Academy‘s season one finale, but still poignant and powerful.

In the superhero genre especially, it’s also important that diverse characters get the chance to be cool, which is why Makkari’s magnificent power display in Eternals was such a joy to behold. And here, it’s great to see that Clint at least is finally being given that chance thanks to his collection of trick arrows, each more dangerous than the last. Even though it’s pretty obvious that the show’s CGI budget got diverted elsewhere (let me guess, it’s all going into making Kingpin look taller), several of the arrows are very well-used, and the Pym Tech size-alteration arrow is particularly clever in theory.

In next week’s episode, we’ll also presumably see Clint take up a sword as he deals with the Swordsman himself, Jack Duquesne (Tony Dalton), who pops up right at the end of episode three (wielding Ronin’s blade) to remind us that, oh yeah, there’s a whole separate plot revolving around that unsolved murder mystery in episode one that has yet to tie into everything going on with Echo and Kingpin. At this point, with my theory that Echo would be connected to the MCU’s Red Room officially very unlikely to materialize into anything substantial (a shame, I thought it was a good theory), I have no idea when or why Yelena Belova will show up.

Hawkeye
Kate Bishop | hollywoodreporter.com

Perhaps, in trying to wrap up all these storylines with a neat little bow (and arrow), Hawkeye will bite off more than it can chew, but for the time being I’m just enjoying the ride. As long as Renner and Steinfeld continue to have great banter and chemistry, and Echo continues to develop into a more well-rounded antagonist to the duo, that shouldn’t be hard. I just have to hope that they don’t let Kingpin steal the show from them without putting up a fight.

Episode Rating: 7.5/10

“Hawkeye” Casts Florence Pugh, Vera Farmiga, Several More!

With the Marvel Hawkeye Disney+ series having just started filming in New York City, official casting announcements were inevitable. The Hollywood trades proved to be a bit slow when it came to confirming that Hailee Steinfeld was, in fact, the series’ co-star (something that was reported by The Illuminerdi several months ago, and proven yesterday in behind-the-scenes footage from the Hawkeye set), and they weren’t even the first to break the news that Black Widow actress Florence Pugh will be reprising her role as Yelena Belova (can we say reprising if she hasn’t even had the chance to appear in Black Widow yet?) in Hawkeye, but they – specifically Variety – have now announced some exclusives of their own: including casting for Kate Bishop’s mother, the villains Swordsman and Clown, the antiheroine Echo, and her father.

Hawkeye
Yelena Belova (right) | indiewire.com

The biggest news is, of course, the Florence Pugh casting. Pugh, hot off an Oscar nomination and a string of other successes, will eventually debut in Marvel’s Black Widow as Yelena Belova, a suspicious assassin who reconnects with Natasha Romanoff, her “sister” and former Red Room classmate, in order to take down the shadowy Russian government organization that created her. Belova’s fate after Black Widow is still unknown, with many wondering if she’ll betray Romanoff at some point during the movie and have to go into hiding, reappearing after the Widow’s death in Avengers: Endgame; or perhaps she’ll become the founding member of the Thunderbolts team, a group of semi-reformed villains working undercover for a variety of different reasons…but whatever the case, we can be pretty assured she survives Black Widow, something that was previously in question. With COVID-19 continuing to delay the release of the Widow’s solo movie, more and more unintentional spoilers for the film are inevitable.

As for what Belova will be doing in the Hawkeye series, that’s a bit more mysterious – although it’s been rumored she’ll don the Ronin mantle that Hawkeye himself briefly wore during the events of Avengers: Endgame, while he was going on a murder spree throughout Asia. If Belova is coming back out of the shadows after Endgame, it would make sense for her to wear a disguise at first: though whatever crimes she commits while wearing said disguise would inevitably have consequences for the person who wore it before her. We’ve all been wondering how Hawkeye gets re-involved with the superhero business after retiring and settling down with his family – an ongoing fight between him and Belova to finally rid himself of the guilt and shame of the Ronin disguise and the damage it’s done to him…that would be just the thing, in my opinion, and it would be a great thematic throughline for the series.

But there could be another catch. The character of Echo, who will be played by newcomer Alaqua Cox (and when I say newcomer, I mean “does-not-even-have-an-IMDb-profile-yet” newcomer), is one of Marvel’s most interesting villains, with her own claim to the title of Ronin, and a possible connection to the Red Room – or at least people associated with the Red Room. Echo, a deaf Native-American woman born with the name Maya Lopez, takes the Ronin moniker in the comics while working undercover in Japan. She quickly becomes a prestigious crime-lord, but her moral code is complicated, and she sometimes offers her help to the Avengers as well. But one potentially crucial detail about her is that her superpowers are identical to those of the villain Taskmaster: the main antagonist of Black Widow. Both characters possess photographic reflexes, which allow them to flawlessly mimic the movements and fighting style of any opponent. From the Black Widow trailers, it’s become clear that photographic reflexes are also taught to all the Red Room cadets, including Natasha Romanoff herself, and Yelena Belova. In the MCU, it would make sense for Echo to be one of the last batch of Black Widows raised in the Red Room, or an apprentice of either Taskmaster or Belova, gone rogue after the events of Black Widow (which presumably ends with Natasha destroying the Red Room completely). Not only would it streamline the series, but it’s a choice that would make Echo even more significant: as the living legacy (or, one could say, an “echo”) of both Hawkeye and Natasha’s worst mistakes, but with her own unique identity and agenda. It also allows for Natasha to still be a part of the story after her death.

Hawkeye
Echo | fullcirclecinema.com

Echo’s father has also been cast, with Zahn McClarnon (most notable for roles in Westworld, Fargo, and Doctor Sleep) taking on the role. His character – named Willie “Crazy Horse” Lincoln in the comics, William Lopez in the show – is most notable for being murdered by agents of his former employer, Kingpin, and leaving the marking of a bloody handprint on his daughter’s face before he died: a marking she would adopt as her symbol. Hopefully he has more to do in the show, but no other details have been given on his role.

Two other villains are now confirmed, although there have long been rumors that they would show up. Fra Fee will portray Clown, a serial killer from the pages of the Hawkeye comics who comes from a circus and doesn’t really have any overarching agenda besides senselessly murdering people. I suspect that his tragic circus backstory will be retconned to tie in with Hawkeye’s own tragic circus backstory (it would be pretty bizarre to have two in one show, otherwise), but I don’t expect him to stick around long, or pose much of a threat. He’s minor antagonist material at best.

Swordsman, on the other hand, might have more to do. Set to be played by Better Call Saul‘s Tony Dalton, the character is getting a small name change – from Jacques Duquesne to Jack Duquesne – but his backstory should remain much the same. In the comics, Duquesne mentors the young Clint Barton at the circus where Barton grows up: before one day betraying him while attempting to flee with stolen money, and almost killing him in the process. Barton becomes Hawkeye and the two don’t really interact much beyond that. In the MCU, it’s possible that Barton will purposefully seek out the Swordsman for his help, or the two will be enemies. Either way, it’ll be interesting to see this part of Hawkeye’s history, which has heretofore never been referenced in the movies.

Hawkeye
Kate Bishop | gameinformer.com

And finally, we have Vera Farmiga – who will be playing Eleanor Bishop, the mother of Hailee Steinfeld’s Kate Bishop. Farmiga, the Oscar-nominated star of the Conjuring horror franchise, is a high-profile actress for such a small role…except that Eleanor Bishop isn’t your average movie-mom character, and she may be one of the series’ major antagonists. In the comics, Mrs. Bishop fakes her own death shortly after the birth of her daughter, and then proceeds to live a life of crime, as the mastermind behind the villainous Madame Masque (who, as you might remember, is rumored to appear in Hawkeye). The comics distinguish Bishop and Masque as two separate characters – but I think the Hawkeye series will make them one and the same for increased dramatic effect when the masque finally comes off. Eleanor Bishop might not have a very strong connection to Clint Barton, but it’s worth pointing out that Kate Bishop is supposed to be the co-lead of this show – and as such, she should have her own circle of supporting characters and villains.

So what do you think of the casting, and of my speculation? Which character are you most excited to see? Share your own thoughts, theories, and opinions, in the comments below!