First thing’s first: I did not like The Lion King remake, released last year. I didn’t see it in theaters, and I am happy for that, because being able to watch it at home for the first time and rant about it was a much more enjoyable experience for everyone involved, I’m sure. So when it was announced today that a sequel to the photorealistic CGI remake has been greenlit by Disney and will soon go into production, one would think that my response would be one of disinterest or active distaste for the whole idea. But that is not the case, because when you attach a director like Barry Jenkins to your project, no matter how outlandish or seemingly unnecessary, you have instantaneously captured my attention and ensured that, despite all my reservations, I will be watching this sequel.
An unsavory subsection of Film Twitter has already exploded with rage over the news, with many writing long, strongly-worded condemnations of Jenkins, the indie director behind hits like Moonlight and If Beale Street Could Talk, warning him that he’s making a mistake getting involved in Disney’s corporate process, that he “could do better”, etc., etc., blah, blah, blah. I’m not going to get into it too much, because I simply don’t have time for snobbish “intellectuals” who regard themselves as film connoisseurs because they wouldn’t touch a Disney film with a ten-foot pole, but I will make my opinion on the subject clear: Barry Jenkins has the right to make whatever he wants, and he doesn’t need to take career advice from anybody on Twitter. If he wants to make a movie about CGI lions, I am not going to stand in his way because – shockingly – it’s very possible he could actually do wonders with this franchise.
As I said, I was not too fond of The Lion King remake. It was virtually a shot-for-shot remake of the original animated film, but lacking the charm and pizzazz of the Disney Renaissance classic. The characters seemed boring and expressionless, thanks to the “improved” CGI animation, which stripped away any chance of liveliness or color. The story was basically unchanged, save for minor changes that had no impact on anything whatsoever. Worst of all, the iconic musical numbers were completely butchered. I never anticipated a sequel, though due to the remake accumulating over a billion dollars at the global box office, perhaps I should have guessed one was coming. But the sequel we’re getting isn’t going to be a straight-up adaptation of any of The Lion King‘s animated direct-to-video sequels. This is going to be something entirely new: a film that explores the “mythology” of the franchise’s characters, and intertwines past and present.
The mention of the word “mythology” is what has me the most intrigued, because, while it could mean anything, it immediately conjures up images in my mind of Beyoncé’s Black Is King, released last month to critical acclaim and intense social media fanfare. Black Is King, a strikingly beautiful visual album directed by the popstar herself, adapts the story of The Lion King with a bold, Afro-Futuristic twist, leading the viewer on a spiritual journey into the world of African mythology, folklore and tradition, all while celebrating Black beauty and culture in all its forms. While there’s no word yet on whether Beyoncé will return to voice the lioness Nala once again for The Lion King‘s sequel, I hope and pray she will be involved in the production design for the film. Not only because the sequel could use her distinctive stylistic bravery, but because the messages she included in Black Is King are messages that can – and should – be woven into The Lion King franchise itself. It’s well-known that The Lion King was based off on Shakespeare’s Hamlet, but the sequel has the opportunity to draw new inspiration from far more ancient and arguably far more impactful African legends that are rooted deep in Black culture across the world. HBO’s Lovecraft Country is currently doing something very similar, taking the stories of racist author H.P. Lovecraft (and just the traditionally exclusionary sci-fi/fantasy genre in general) and re-examining them from a unique, Black perspective). And if anyone is the perfect choice to do that for Disney, it’s someone like Barry Jenkins, whose films have explored various facets of underrepresented Black culture.
As of right now, there’s no word on when the film will start production, but the script is apparently completed and Jenkins has already officially signed on. And so we find ourselves in this bizarre situation, where a film that I hated with a passion is now getting a sequel I would have thought completely unneeded – until now. With Barry Jenkins and (hopefully) Beyoncé at the helm, this film could easily be a masterpiece in the making.
So what do you think? How do you feel about the thought of a sequel to The Lion King, and what would you like it to be about? Share your own thoughts, theories and opinions in the comments below!
