10 Events That Will Define Amazon’s “Lord Of The Rings” Series!

With the coronavirus currently raging around the world and no end to the health crisis in sight, expect to see an increase in these sort of hypothetical think-pieces from my blog.

This is something I feel like I should have written about ages ago. But now, while we wait for production on Amazon’s The Lord Of The Rings streaming series to resume, we have to wonder: what will the series actually be about? Hint: it’s not The Lord Of The Rings – or, rather, it is, but not quite in the way you were probably expecting, if you haven’t been following along with every tidbit of news about the series.

You see, while Amazon Prime does have the rights to J.R.R. Tolkien’s most well-known and influential novel, that’s not what they’re choosing to adapt in their billion-dollar, five-season production. Instead, they’re rummaging around in the depths of Tolkien lore, in a little-known and oft-overlooked period of Middle-earth history: a time period known as the Second Age. The average audience member introduced to the Tolkien fandom through Peter Jackson’s movies probably doesn’t know this term, but they do know two major events that happened in the Second Age – namely, the forging of the One Ring, and the first defeat of Sauron the Dark Lord. Both events happened in rapid succession in the prologue to The Fellowship Of The Ring, but in Tolkien’s timeline there are more than a thousand years between those two things.

That’s why today we’ll be looking at ten events that shaped the Second Age and will likely define the series.

Amazon Lord Of The Rings
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10: Rebuilding After The First Age. Amazon Prime does not have the rights to adapt material from J.R.R. Tolkien’s posthumously published The Silmarillion, meaning they probably won’t be addressing too many events from the First Age of Middle-earth’s history, at least not in great detail. But they don’t really need to: the Second Age picks up right where the First left off, with all of Arda (basically, the entire world, of which Middle-earth is actually only a small piece) in ruins following the fall of Morgoth the Accursed and the destruction visited upon the earth’s surface by the trampling feet of the host of the Valar (Middle-earth’s pantheon of gods). Continents get pushed around, coastlines change, mountains crumble – just an average day in Arda. Assuming the series starts roughly around the beginning of the Second Age, it’ll have to cover several events that happen here: the migrations of Elves, Men and Dwarves across Middle-earth, the foundations of new cities and strongholds, and the establishment of empires such as Númenor, a star-shaped island kingdom given as a gift to Mankind by the Valar; Lindon, which becomes the chief dwelling-place of the High Elves under the rule of King Gil-galad; and Eregion, a small but hugely influential kingdom settled by Celebrimbor, last of the crafty Fëanorian Elves. Even if the series starts later in the Second Age, these events will still probably be covered in flashbacks.

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9: The Heyday Of Elves And Men. This is the time period during which we can probably expect a large part of the series to take place. Basically, what you need to remember about the Elves we’ll see living in Second Age in Middle-earth is that they chose to stay there. After the First Age, when the world was remade and Morgoth was undone, the Elves were offered a choice by the Valar: to repent for all their sins (which included killing some of their brethren and defying the will of the Valar) and return to the Blessed Realm of Valinor across the Western Sea, or to remain in Middle-earth. Some chose to head back home, but a lot decided to stay: the ones who stayed grew arrogant, and tried to prove to the Valar, in a way, that they could make Middle-earth just as blissful and peaceful as Valinor. This motivated Celebrimbor to welcome a stranger who came among his people claiming to be an emissary from the Valar who had taken pity on the Elves of Middle-earth. This stranger, going by the name of Annatar, Giver of Gifts, was welcomed into the kingdom of Eregion and quickly rose to power there. Meanwhile, in Númenor, human Men began to sail far and wide across the seas of Arda, settling in colonies along the coasts of Middle-earth and venturing even to the edge of the world. Something else to remember, for future reference: at this point in the timeline, the earth is flat. A flat, roughly circular disc just floating in the cosmos, minding its own business. So when I say the Númenóreans ventured to the edge of the world….I mean that literally.

Amazon Lord Of The Rings Sauron
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8: The Rings Of Power. Remember that stranger who showed up in Eregion? Yeah, well, it’s at this point in the timeline that he basically comes out and says what every Elf in Middle-earth has already been feeling: it’s time to radically redesign the balance of power in Arda. He and Celebrimbor work together to forge a set of Rings, each of which is imbued with terrible power. These Rings are given out to all the major players in Middle-earth: King Gil-galad gets one, Círdan the Shipwright gets one, the Lady Galadriel gets one; seven Dwarf-lord get one each; nine of the most powerful human sorcerers, kings and warriors get one each. But in secret, Annatar, Giver of Gifts, has been stealing Celebrimbor’s secrets to forge his own Ring – a master Ring, a Ring that will rule all the other Rings and bind them to his will. Oh wait, did I forget to mention that Annatar is actually Sauron the Dark Lord in disguise? Yeah, he totally is, and he’s intent on getting vengeance on the Valar for what they did to Morgoth, his master and mentor in the First Age. But when he puts on his One Ring and declares himself to be the Lord of the Rings, Celebrimbor senses his true purpose and hides all the other Rings, buying himself a little time.

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7: The War Of The Elves And Sauron. Unfortunately for Celebrimbor, his quick action meant that the Three Rings given to the Elves were saved – but he himself was captured by Sauron during an attack on Eregion, tortured for that information until he died of exhaustion, and then was tied to a flagpole and carried like a banner into battle by Sauron’s armies of orcs. In the end, Celebrimbor only disclosed to Sauron the locations of the Seven and Nine Rings they had made, and Sauron took most of those at this point. For a long time afterwards, Sauron was at war with the Elves of Middle-earth, and this is where the series will be able to fit in some awesome battles: Gil-galad and his herald, Elrond, lead the main assault against Sauron, but they are joined by several others, including Círdan with his fleets of Elven ships; Galadriel and Celeborn, leading joint efforts from both sides of the Misty Mountains; the Dwarves of Khazad-dûm; and Glorfindel, a resurrected Elf from the First Age who is sent back to Middle-earth by the Valar to aid in the Elven Wars. But even with all of this aid, the Elves still would likely have been defeated, had not Númenor arrived just in time.

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6: The Decline Of Númenor. While the Elves are busy fighting Sauron in Middle-earth for centuries, the Men of Númenor are feeling the Dark Lord’s shadow from afar. At the height of their power, the Númenóreans were a naturally long-lived people, but as time went on their longevity began to wear away, even as they clung to it. In their heyday, they had welcomed Elves to their island paradise: even Elves who came from Valinor with gifts and wise advice. But now, they’re starting to wonder why only Elves were “blessed” with immortality, and their jealousy of Valinor grows until it becomes a disease. Amazon will need to get this exactly right: we need to feel that desperation that will drive the Númenóreans to madness and acts of blatant aggression; we need to see the terror in the eyes of their Kings, holding onto life even as they slip away; we need to smell the decay that creeps through their culture, foreshadowing what’s to come.

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5: Sauron In Númenor. When the Númenórean army arrives in Middle-earth, bringing an end to the war between Sauron and the Elves, Sauron realizes at once that he is outnumbered. But Sauron is cunning: pretending to be defeated, he willingly surrenders to the Númenórean king and commander, Ar-Pharazôn, and is subsequently taken back to Númenor to be a prisoner. Here, he pulls the same trick he used against the Elves: he promises Ar-Pharazôn his greatest desire – in this case, everlasting life. This, he claims, can only be won if Ar-Pharazôn musters the courage and the army to invade Valinor, the Blessed Realm of the Valar. Ar-Pharazôn, not known for being the brightest Edain in Arda, finally succumbs to his prisoner’s seduction, and allows Sauron to counsel him in every matter: when Sauron begins the building of his army, the King agrees to it; when Sauron builds a temple to Morgoth and starts practicing bloody human sacrifices there, the King agrees to it; when Sauron sends him off to his death, the King agrees to it, ignoring all the warnings of doomsday that the Valar send his way. He and his army do make it to Valinor, and they even set foot on the Blessed Realm’s shores – and then, in the greatest act of comeuppance ever, the Valar kill him and almost everyone else in Númenor by sending the island hurtling into the ocean abyss and burying Ar-Pharazôn under a mountain. Sauron is temporarily killed in the cataclysmic disaster, and he loses his ability to ever again take a human form.

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4: Gondor And Arnor. At this time, the world is remade again by the Valar, and becomes a globe. Oddly, the only effect this has on the Middle-earth map, aside from the complete disappearance of Númenor, is changing one island in the Bay of Belfalas. Coincidentally, it’s in this bay that the next chapter of the Second Age begins, as this is where one small group of battered ships arrives after a long and arduous journey by sea, manned by the Númenórean prince, Isildur, and his brother. Their father, Elendil, gets washed ashore in the far north of Middle-earth. At these two points on the map, these men set up two kingdoms: Gondor in the south, and Arnor in the north. These kingdoms become one vast empire in these last few years of the Second Age, and are united in opposing Sauron. Isildur builds the city of Minas Anor (later changed to Minas Tirith), and plants the sapling of the White Tree of Gondor there. The seven seeing stones, or palantíri, are placed in secure locations around Middle-earth. The tower of Orthanc in Isengard is built. With callbacks like these, who needs hobbits?

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3: The War Of The Last Alliance. Needless to say, Sauron isn’t done haranguing our heroes just yet. Gathering his forces for a final push, he leads his armies of corrupted Ringwraithes, orcs, and foul creatures into battle against the fledgling force of Gondor. But in this dark hour, Mankind does not stand alone. Elendil, King of Arnor, goes to Gil-galad and Elrond and requests their aid: they form a Last Alliance of Elves and Men, and lead their armies together into the south, relieving the siege of Gondor and eventually entering Mordor, Sauron’s dreadful realm. As they approach Mordor, they are joined by Elves out of Lórien and Greenwood, Dwarves from the Misty Mountains, and even Ents out of Fangorn Forest. There are several battles along the way, most notably on the plain of Dagorlad that would later become bogged down and renamed the Dead Marshes. In Mordor, the Last Alliance besieges Sauron’s fortress of Barad-dûr, which lasts for several years.

Amazon Lord Of The Rings Sauron
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2: The Fall Of Sauron. At last, Sauron breaks the siege, though not before many have died, including Isildur’s brother Anárion and Oropher, king of the Elves of Greenwood. The Dark Lord arrives on the battlefield wearing the One Ring he created, making him almost invulnerable – he drives the attacking armies back to the slopes of Mount Doom, and there, with the fiery heat of his hand, he kills Gil-galad and Elendil. But Isildur, Elendil’s son, takes up the hilt-shard of his father’s broken sword and deals the fatal blow to Sauron, cutting the One Ring from the Dark Lord’s finger. Sauron is vanquished, and his evil spirit flees, incorporeal and weakened. His armies are easily defeated. His Ringwraithes vanish from history. And the war is won. But Isildur refuses to listen to the counsel of Elrond and Círdan, who both advise him to destroy the Ring in the fires of Mount Doom. Instead, Isildur finds himself unable to get rid of the Ring, and holds onto it as a souvenir of his victory.

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1: The Disaster Of The Gladden Fields. This one is entirely up to the showrunners: it’s possible they’ll want to end the series on a more hopeful note, with the survivors of the war picking up the threads of their broken lives and moving on, and all that. And certainly there should be some happy endings – but at the same time, it would be deliciously exciting to end the entire series with the disaster of the Gladden Fields, something that was glimpsed briefly in The Fellowship Of The Ring. Isildur, returning home from the war, is attacked by a rogue band of orcs and killed – and the One Ring slips from his finger as he falls and drops into the River Anduin. Imagine it: Howard Shore’s familiar, eerie score closing out the final episode of the final season, as we watch the Ring settle into the mud at the river-bed, there to lie in wait for the next two and a half thousand years…

So what do you think of these ten events from the Second Age timeline? Will they define the series, or do you think the showrunners will focus their adaptation on a singular moment from the chronology, rather than trying to fit three-thousand years worth of story into just five seasons? Share your own thoughts, theories and opinions in the comments below!

“The Letter For The King” Review!

Considering that I went into The Letter For The King expecting to be bored out of my mind, I was actually quite pleasantly surprised with what I got: which, indeed, is mostly a blend of various tired fantasy tropes and scenes or even entire characters plucked straight from other, better, works of art, but also has just enough new – or mostly new – content to distance itself from the pack.

Based on an obscure Dutch fantasy novel from the 1960’s, The Letter For The King simply doesn’t have the name recognition that would enable it to jump into the midst of Netflix’s crowded schedule with a built-in fanbase. In English-speaking countries, there wasn’t even a proper translation of the novel until a few years ago. So it’s unsurprising that the six-part series has to look for inspiration elsewhere: almost the entire plot is comprised of original content, and almost all of that original content is…shall we say, lifted, from fantasy books, films and TV series as wide-ranging as The Lord Of The Rings, Game Of Thrones, The Witcher, The Chronicles Of Prydain and Starlight. The latter two, with their largely simplistic worlds, basic magic systems, and archetypal characters, are by far the most obvious source material – even with Lord Of The Rings trilogy production designer Ra Vincent working behind the scenes, The Letter For The King still looks and feels like a small-scale children’s fable (and that’s not a criticism of Prydain or Starlight, by the way: both are fabulous) that might have attracted more attention if it had been released fifteen years ago, when studios were trying desperately to replicate the success of The Lord Of The Rings by using as little money and effort as possible. These days, as the hunt for the next Game Of Thrones heats up, The Letter For The King, with its antiquated fairytale style and low stakes, has little chance of being an underdog champion like its protagonist, Tiuri (alternately pronounced “Tiuri” or “Churri” – I doubt it was intentional, but the constantly changing pronunciations of his name often reminded me of a similar problem in Ralph Bakshi’s cult classic The Lord Of The Rings, where the villain Saruman’s name was changed halfway through production to “Aruman”, leading to a perplexing continuity error).

The Letter For The King
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Oftentimes, adaptations of fantasy and sci-fi literature fail because they try to excessively build their worlds rather than doing the same with their characters or plot: cramming detail and deep lore into every inch of your expansive world is certainly much more fun than patching up plot-holes or charting character arcs, but if done incorrectly, it can bog down a film or TV series within minutes, as the audience struggles to catch up with a constant flow of place names, history lessons and nonsensical exposition dumps. The Letter For The King somehow does the exact opposite and still runs into a problem: because it does the bare minimum to flesh out its world (for example, the world actually has no name: its simply referred to as “three kingdoms”), it ends up looking like any of a thousand generic fantasy worlds – a sprinkling of vague magic, Medieval European societies dotting a map, and an obligatory Chosen One prophecy.

But once it becomes apparent that this is a problem (about five minutes in, I think?), the show starts hurling things at you that give the impression of depth: specifically, actors from other fantasy franchises. David Wenham, who portrayed Faramir, the young, idealistic son of a stern and demanding father, in The Lord Of The Rings, has here been upgraded to playing the stern and demanding father of a young, idealistic son (and make no mistake: he does a fantastic job of it). Andy Serkis, whose revolutionary motion-capture performance as the creature Gollum earned him worldwide renown, here delights in a brief cameo as an actual human being: something of a mix between the Master of Lake-town from The Hobbit and Capricorn, the villain of Inkheart (who, coincidentally, was also portrayed by Serkis in the film adaptation of that novel). Serkis’ daughter Ruby Ashbourne Serkis also shares the screen with him, playing his character’s daughter Lavinia, and then goes on to become the female lead of the series – her acting career is off to a good start, judging by the strength of her performance here. And in a very smart move, Kim Bodnia plays the sword-fighting abbot of the monastery at the edge of the world: Bodnia will portray the Witcher Vesemir in The Witcher‘s second season, and this is a tantalizing first look at what he could do in that role – Witcher fans would be smart to check out his fighting and acting skills here, and simultaneously give The Letter To The King some much-needed views.

The Letter For The King
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Because despite being derivative, the series actually does have quite a lot of strong elements: especially if you’re into the more romanticized, outdated style of fantasy that was popular throughout the middle of the 20th Century. It has charm, for one thing – the series is TV-PG and family-friendly: a welcome break from The Witcher‘s gothic horror and Game Of Thrones‘ vicious brutality. And the core cast of characters are all fairly well developed: Tiuri, played by Amir Wilson, isn’t exactly a memorable hero, but he’s also not quite as dull as Starlight‘s Tristan or Prydain‘s Taran (what’s with all the T names, may I ask?). His character also has interesting things to say regarding the racial dynamics in his world – none of which ever actually get said, but still exist in subtext. Thaddea Graham’s hardened rogue Iona evolves into an Arya Stark prodigy (her final scene in the series actually seems to direct imitate one of Arya’s memorable scenes with The Hound from Game Of Thrones, season 8). Jussipo, initially one of the most annoying characters in the series, quickly shows his true colors as a delightfully smarmy, wickedly sarcastic bard. And along with gender and racial diversity, there’s even some surprising LGBTQ+ representation among the main cast – which, after all the recent queer-baiting from other studios, deserves a round of applause for how direct and straightforward it is.

The Letter For The King
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Any good fantasy needs a good villain – a Cersei Lannister, a Smaug, a wicked old witch. The Letter For The King has an up-and-down relationship with its villain, Gijs Blom’s raven-haired goth necromancer Viridian: first it depicts him as a cartoonishly callous sadist without any moral complexity; then it tries to turn the tables on our heroes and reveal Viridian’s noble purpose, which actually works until said noble purpose turns out to be thinly-veiled racism; then it underutilizes him in its own finale before turning him into an overpowered Morgoth knock-off.

Speaking of which, we have to talk about the series’ poor use of action. Action, in a fantasy series, is something of a given: even if its special effects wizardry, you need some sort of action. The Letter For The King, being almost exclusively the story of Tiuri intercepting an incriminating letter from Viridian and trying to deliver it to a neighboring nation’s king, relies heavily on horseback fight and chase scenes. Now, these are easy to do right, with the help of a good cinematographer: in The Lord Of The Rings, Arwen and Frodo’s flight to the fords of Bruinen is a thrilling, suspenseful sequence where horses interlace between trees in a graceful, dangerous dance while Howard Shore’s score wails hauntingly in the background. Unfortunately, the thousands of horse chases in this series never once come close to paralleling that one epic scene, no matter how many times they pan over beautiful landscapes: the music accompanying these scenes is unmemorable, while the cinematography is questionable – mounting a camera on a horse’s head probably seemed like a good idea to make one chase scene more realistic, but did no one stop to consider that it takes the viewer out of the world completely?

It’s the same situation with the special effects budget. Most of the CGI seems to have been used up on Viridian’s finale transformation, meaning that throughout the rest of the series there’s just a bunch of patchy fire and smoke effects and one truly horrific CGI castle wall in the city of Unauwen – which was made doubly inexcusable because of how many times the city was made out to look like Game Of Thrones‘ Winterfell from afar, despite the fact that the one is a mess of bad special effects and the other was an almost entirely practical set.

So is The Letter For The King a must-see? Not by any means. But while we’re all self-quarantining, I don’t know if we’ve got any better options right now. And it’s actually not that bad. Pretty bad? Yeah, just a little. Game Of Thrones season 8 bad? No. Not even close.

Series Rating: 6/10

Maxim Baldry To Star In “The Lord Of The Rings”!

Technically, I reported on this quite some time ago, back when Maxim Baldry’s name first came up in association with Amazon Prime’s long-awaited adaptation of the works of J.R.R. Tolkien, because, at the time, it seemed legit. However, as the months have crept by and we have begun to hear more information about the streaming series’ production and filming in New Zealand, Maxim Baldry’s name has been…let’s say, suspiciously absent from the conversation. To the point where it seemed like his casting had been a piece of misinformation (something that has plagued the Lord Of The Rings series since the beginning, with sites like TheOneRing.net often pushing hyperbolic and conjectural narratives about the series on their Twitter account).

Our fears were apparently confirmed when Baldry was left off an important cast list released by Amazon Prime themselves. A total of fifteen actors and actresses were officially cast and sent off to New Zealand to begin their strenuous physical training and start work on the series, including Robert Aramayo, Nazanin Boniadi, Markella Kavenagh, Morfydd Clark and others. But Baldry, whom, at the time, I and many other fans considered to be one of the main stars, was still nowhere to be seen. His social media gave no hint of any involvement (for comparison, most of the other confirmed stars have been using their social media to keep us up to date on their time in New Zealand, including sightseeing, hiking trips and visits to Lord Of The Rings trilogy locales such as the Hobbiton film set).

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And then last night, out of the blue – Maxim Baldry is onboard the Amazon Prime series, according to Deadline (who also broke the original story of his joining the cast). They have now acknowledged that their initial report was only partially accurate: while he has been circling the project for some time, only recently has he worked out a deal with Amazon and settled into what Deadline are calling “a lead role” – not to be confused with the lead, who is believed to be played by Robert Aramayo. This matches up with what Amazon Co-head of TV Vernon Sanders said about the series: that there were still “a few key roles to cast”.

As for who Maxim Baldry is playing, that’s an open question as of right now. But the British actor, best known for his work on Years And Years, seems to have a very important place in the series. And that’s why I’m returning to what I think was my original assumption, and putting out a guess that he’s playing Annatar the Giver of Gifts, one of the many forms of the shape-shifting villain Sauron, who you might remember from Peter Jackson’s trilogy as being a giant eye in the sky. Baldry’s slender build, delicate features and long mane of dark hair lend themselves naturally to the Dark Lord, who often disguised himself as an Elf during the Second Age of Middle-earth, when this series is set. Annatar, Sauron’s most iconic alter ego, was an Elven lord who claimed to have been sent from the realm of the gods to bring a message of reconstruction and reform to Middle-earth, only to deceive his victims into enslaving themselves to his will. If not Sauron, then my other fan-cast for Maxim Baldry would be the young and peaceful Elven King Gil-galad, leader of the Last Alliance of Elves and Men, and one of Sauron’s chief rivals during the Second Age.

Who do you think Maxim Baldry is playing, and why do you think it took him so long to get onboard with the series? Share your own thoughts, theories and opinions in the comments below!

Simon Merrells Cast In Amazon’s “Lord Of The Rings”!

Amazon Prime recently announced the main cast for their upcoming Lord Of The Rings prequel adaptation (a multi-talented fellowship of fifteen, all of whom seem like admirable and interesting people), but now, with their production start-date inching closer, it’s time for them to start casting the smaller roles: recurring characters, guest stars, that sort of thing. Simon Merrells is the first such actor to be cast, according to new reporting.

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Merrells, best known for his work on the TV series Spartacus (and for his brief but hilarious role on another Amazon Prime series, Good Omens), will supposedly be joining the cast of the epic fantasy in a recurring role: unsurprisingly, we don’t have a character name to attach to his face just yet, nor do we know how many episodes he will appear in. But that’s never stopped me before, and it’s not enough to stop me now from taking a wild shot in the dark and throwing out a guess for who I think Merrells could portray in the first season of Amazon’s Lord Of The Rings.

The character who came to mind immediately, after taking a long, hard look at Merrells’ long, hard face, was Círdan the Shipwright. Círdan is by no means a pivotal figure in the histories of the Second Age of Middle-earth, when this series takes place, but he is still just important enough to warrant popping up from time to time: he was one of the three Elven Ringbearers, and throughout the Second Age he wore on his hand Narya, the Ring of Fire – a responsibility he doesn’t seem to have ever exploited, as there’s no record of him ever using the Ring (and as soon as the Third Age rolled around, he took the first chance he got and passed it off to Gandalf). In this Age, he mostly stayed put in the peaceful country of Lindon, where he was probably a close confidante of the Elven king Gil-galad. He also started construction on the Grey Havens, which would later serve as the Elven peoples’ last escape-route from Middle-earth in times of war and hardship. There, at the Havens, he was probably the guardian of one of the palantíri seeing stones (which technically was housed a couple miles away at Elostirion, but close enough to still conceivably be within his sphere of influence). He stood by Isildur and Elrond on the slopes of Mount Doom after the first defeat of Sauron, and presumably backed Elrond up when the latter tried to convince Isildur not to take the One Ring. He’s a character who stands on the margins of this world’s history, watching events unfold with a patient, foreseeing eye, but rarely getting involved in the action. In other words, he’s not going to be around often in the series, but when he does show up, it’ll probably be for big, dramatic moments.

And of course, Merrells matches his physical description well enough: Círdan is written to be an old Elf, still noble and majestic, but weathered and worn-down a little from the weight of his burdens and the pain he has seen. Merrells, with his gaunt features and deep-set eyes, looks almost exactly like the character – I say “almost”, because Círdan is supposed to have a long grizzled beard, but that shouldn’t be too much of a problem for Merrells, who has grown a decent-sized beard before for multiple roles.

So that’s who I think Simon Merrells could play in the Amazon Prime series. Who do you think he’s playing, and what do you think of the casting? Share your thoughts, theories and opinions in the comments below!