“The Witcher” First Trailer!

Firstly, let me preface this post by apologizing for my delay: I’m more than an hour late by now, due to not being able to get home fast enough. Destiny has arrived, so have I, and so has the first teaser trailer for The Witcher on Netflix!

My first impressions are a mix of chaos and confusion: I’ve never read the books or played the video games that this series will be based on, so I have almost no idea what the plot is – I am slightly familiar with the main characters like Geralt of Rivia (Henry Cavill), Yennefer (Anya Chalotra) and Ciri (Freya Allen), mostly because I watch a lot of videos by BookTubers who are devoted fans of The Witcher series: specifically Elliot Brooks – go check out her channel, it’s great.

But for right now, until she publishes her own review of the trailer, which will undoubtedly be far more intelligent than mine, I must work from what I know: very little. Okay, let’s dive in. Let’s see, we’ve got Elves, beautiful dark-skinned Elves for a change, and we get a tantalizing glimpse of the paradise they created long ago in this strange world, known as The Continent. These Elves were sorcerers, and taught the arts of chaos magic to humans – only to have the humans rise up against them and massacre them. From what I gather, that is a core theme of the series, both in book format and TV – humans are horrible, despicable creatures, little better than the monsters that populate their myths and dark imaginings. This trailer shows off just how wicked people can be, through some montages of them killing people…wait a second, for a moment there I thought this was Game of Thrones.

Netflix wants this to be Game of Thrones for a new audience dissatisfied with how that show ended, and so they’ve gone to elaborate lengths to make sure this show looks incredible. The production values are insane – beautiful costumes, realistic CGI, and mostly good wigs (there was a lot of worry about that last point, after Henry Cavill had shared a picture of himself wearing one depressingly-cheap set of platinum extensions). The only thing that indicates this show has to work on a somewhat smaller budget than your average movie studio is the general absence of top-notch talent – Cavill is the biggest star by far, and his co-stars are virtually unknown actresses. But thankfully, they do a pretty good job, in this trailer at least, of being mysteriously magical. Magic is one of the trailer’s big attractions, in my opinion: it’s always been an element that fantasy films and TV shows are wary of, because it can easily look and feel slightly ridiculous. Lord of the Rings and Game of Thrones both steered clear of depicting much magic onscreen, unless they absolutely had to: magic is something that usually finds its way into more light-hearted fare, such as The Lion, The Witch & The Wardrobe. But The Witcher doesn’t shy away from fancy lights and displays of sorcery and enchantment: we have glowing trees in the desert, plenty of monsters (including giant spiders, can’t go wrong with those), catastrophic explosions of uncontrollable power, and even people throwing lightning from their hands. When was the last time you saw that in mainstream fantasy? It’s actually been a while since we’ve seen anyone but superheroes and psychic teenagers harness supernatural powers like this. At least, it’s been a while since I’ve seen anything like this.

Overall, it looks really good, definitely something that I’ll want to binge-watch when it arrives on Netflix this…Winter? I don’t know, the trailer doesn’t inform me. Well, whenever it comes out, it looks like it will be really good. Fingers crossed, people!

Trailer Rating: 8/10

Amazon’s “Lord of the Rings” Finds A Director!

Finally!

Lord of the Rings fans have been waiting with bated breath (or, at least, I have been) for news of the upcoming Amazon Prime adaptation of our favorite novel of all time: or, more specifically, the appendices of our favorite novel of all time, as well as posthumously published writings by the same author  – I mean, possibly: we don’t know how much Amazon has the rights to, but the fact that the island of Númenor shows up on their official maps suggests that they at least have the rights to Unfinished Tales, the only time in which that map was published in one of Tolkien’s own works – unless they’re going off of Karen Fonstad’s Atlas of Middle-earth? Or is it possible that-

Sorry about that, moving on. So, uh, yeah, where was I? Oh yes, we’ve been waiting to hear some solid news about the show – there was a flurry of excitement early this year, when Amazon released some maps and a few tantalizing messages on their social media platforms, but since then…nothing. Brian Cogman of Game of Thrones was brought on as a consultant, and there were rumors the show would be filming in Leith, Scotland, in August (as you can imagine, those rumors had me pretty excited, since, you know, the name). But since then, literally nothing.

Over the last week, our excitement has blown up like one of Gandalf’s fabulous fireworks. Conflicting reports started coming out left and right – Amazon was filming possibly 90% of the show in Scotland! No, Amazon had actually changed their minds and was moving filming to New Zealand! The latter seems to be true, with Amazon pretty much officially settling down to start filming in the city of Auckland, New Zealand, where preproduction on the show has already begun. A casting call has gone out for extras, specifically for people to play soldiers and farmers. And now, today, we have breaking news that is sure to divide fans.

Juan Antonio Bayona, director of films such as Jurassic World: Fallen Kingdom and The Orphanage, has joined the series and will direct the first two episodes of Amazon’s Lord of the Rings, along with his producing partner, Belén Atienza. In an official statement, Bayona said he “can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age” – confirmation, if you needed it, that this show will cover events in the Tolkien legendarium long preceding The Fellowship of the Ring, or The Hobbit. Meanwhile, a new name has been added to the series’ team of screenwriters: J.D. Payne, Patrick McKay and Brian Cogman will now be joined by Gennifer Hutchison of Breaking Bad, a big win for the show. We know from previous reports that Tolkien scholar Tom Shippey is involved as a consultant, and famed Tolkien artist John Howe is part of the show’s creative team.

Coming hard on the heels of Netflix’s first look at their upcoming Witcher adaptation, this is proof that Amazon isn’t about to let anybody steal their thunder when it comes to the fantasy genre. I, for one, am hugely excited for the show (a little disappointed that Leith, Scotland, won’t be the main filming location), and I cannot wait for more news on this front. I’m expecting some more announcements at San Diego Comic Con, where Amazon will also be unveiling shows such as Carnival Row and The Boys.

First Look At “The Witcher” On Netflix!

The war to fill the fantasy-adaptation void that Game of Thrones left has begun: HBO is racing around the clock to get Bloodmoon, a Game of Thrones prequel, up and running, while their adaptation of His Dark Materials will debut later this year (and has already been confirmed for a second season); Amazon Prime will drop Carnival Row, a moody Victorian-era paranormal thriller, in August, about the same time they’re supposed to start filming their five-season prequel to The Lord of the Rings – their Wheel of Time series has already cast Rosamund Pike in the lead role of the sorceress, Moiraine, and should go into production soon, while Conan the Barbarian is still in early stages of development, and the Ringworld project has been silent for a year or two now; BBC America will start adapting some of the works of late author Terry Pratchett, which is something I am very much looking forward to; Apple TV’s adaptation of the science-fiction epic, the Foundation Trilogy, is still…maybe…on its way to being greenlit. Netflix’s The Witcher, however, will arrive on screens sooner than most of these adaptations – the first look arrived today.

The photos and official poster that have been released are really exciting, so let’s check them out. First of all, we’ve got Henry Cavill, formerly known as Superman, in the role of Geralt of Rivia, scarred monster-hunter and Legolas look-alike, sporting the silvery wig that had him being ridiculed all over the internet just a few months ago: it looks…better now, even though it’s hard to believe that could be possible.

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A pretty good wig, if you ask me. I’m not a big fan of Cavill’s, but he looks better here than he ever did during his short-lived run as Superman in the DCEU: he looks gritty, weathered, harsh. He’s also, I believe, the only real star-power that Netflix can rely on for The Witcher: besides him, we have Anya Cholatra as the powerful sorceress Yennefer, looking stylish in a heavy fur-coat:

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The outfits look to be very high-quality. Finally, we have Freya Allan as the secretive Princess Ciri, all shadowy and mysterious, lurking in the forest while the others are all posing dramatically by the sea.

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The images look quite good, and give me hope that this might be a pretty decent adaptation – granted, I’ve never read the Witcher novels, so I won’t be able to give you in-depth analysis of what’s different between the books and the show, but I know someone who can: check out Elliot Brooks on YouTube if you want to know more about the show, and the novels, and the accompanying video games that actually made the novels as popular as they are (her channel is awesome, but especially for stuff about The Witcher).

What do you think? Do you like these images? Netflix has announced that they will be heading to San Diego Comic Con with The Witcher, so expect many more updates – and probably a trailer! – there.

The Sony Cinematic Universe

Taking inspiration from the Marvel Cinematic Universe, Sony Pictures has today announced plans to launch their own video-game movie adaptation universe called PlayStation Productions – but we’re just going to call it the Sony Cinematic Universe, or SCU, because (a) I like that name better, and (b) PlayStation Productions overseer Shawn Layden is already drawing the parallels himself, saying that “[we] looked at what Marvel has done in taking the world of comic books and making it into the biggest thing in the film world”. In other words, they think they can unseat Marvel at the box-office. Which is fine – but with PlayStation?

Apparently so, and there are over 100 game titles that Layden and SCU president Asad Qizilbash are interested in adapting to the big and small screen. That probably includes best-selling games like Final Fantasy, Gran Turismo, Tomb Raider, and…Crash Bandicoot.  Perhaps unsurprisingly, this news follows the success of Detective Pikachu, which became (just barely) the best-reviewed video-game adaptation on Rotten Tomatoes. But the hard reality is that, for the most part, video-game adaptations are massive failures, critically and often financially. They also seem to attract a lot of negativity from the fans they desperately want to please, some of it so overwhelming that film studios feel compelled to cave in to pressure (looking at you, Sonic the Hedgehog).

Why would anyone want to try and build an entire cinematic universe around video-game adaptations? It’s not like this is the first time PlayStation games have been adapted – just look at Lara Croft: Tomb Raider and its 2018 reboot Tomb Raider, (oh yeah, and Lara Croft Tomb Raider: Cradle of Life, how could I forget about that one) all of which were burdened with poor audience scores and staggeringly bad reviews. Even Angelina Jolie couldn’t save the franchise from a solidly “Rotten” rating. Ryan Reynolds, meanwhile, has narrowly saved the blossoming Pokémon franchise from a similar fate, but for how long? Detective Pikachu may have offered false hope to all the Hollywood moguls looking to jump on the bandwagon – are we seriously now going to get a Crash Bandicoot movie? Does anybody want that? Anybody?

Okay, well now that we’ve raised the possibility, I probably do want that, but I’m not going to admit it.

So, is the video-game movie curse officially broken with the success of Detective Pikachu? I doubt it. But then again, Angry Birds, a movie based on an iPhone app, garnered millions of dollars at the worldwide box-office – so what do I know? But maybe now is the time to start building a Sony Cinematic Universe: The Witcher video-game adaptation is going to release on Netflix later this year, and a Nintendo Mario Brothers movie is still in production at Universal – that’s something that could easily wipe out all the competition.

I’m wishing Layden and Qizilbash all the luck in the world, but the current track-record – and the curse – give me little hope for the future of their fresh new cinematic universe.