Shang-Chi’s Ten Rings – What Are They?

It’s theorizing time! I’m not always an expert at this sort of thing (I tend to have flashes of what I think could be an interesting idea, but…well, we’ll get to that), but I’m mainly writing this post so you – and I – can understand better one of the more intriguing developments in the Marvel Cinematic Universe: the unveiling of the long-anticipated villain, The Mandarin, and his shadowy terrorist organization; the Ten Rings.

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Well, them too – mainly we’ll be talking about the literal ten rings, what they are, what they can do, whether we’ll see them used as frequent plot devices like the Infinity Stones were (the proper term for an object in a film/book that is used as a plot device, such as Marvel’s Tesseract, is a MacGuffin: bear that in mind).

Let’s start with a recap of what we know: The Mandarin, one of Marvel’s most enigmatic villains, will finally appear in the upcoming film Shang-Chi And The Legend Of The Ten Rings, probably filling the role of Shang-Chi’s villainous father from the comics: Fu Manchu. The Mandarin is traditionally an Iron Man villain, and has indeed already been connected with Iron Man in the MCU – members of his terrorist organization kidnapped Tony Stark all the way back in the very first Marvel Studios film. But Stark never actually got a showdown with the mastermind himself – instead, he was surprised to learn that the man he had believed to be The Mandarin was actually just a regular guy (well, if you can call Ben Kingsley a regular guy) who had rather inadvertently had to adopt the moniker before becoming a puppet for an entirely different terrorist group. Needless to say, the Mandarin’s followers weren’t too happy with this guy pretending to be their criminal warlord, so they broke him out of prison after the events of Iron Man 3 and brought him face to face with the real Mandarin, someone we’ve never actually seen onscreen. And that was the last we’ve heard from The Mandarin or the Ten Rings, except for one brief encounter in the first Ant-Man movie, where Scott Lang battled a mercenary working for the organization. Since then, the group has apparently gone underground. But someone (or something…) is going to bring them back to the forefront of the MCU in 2021, clearly, so what can it be?

Well, to explain that, we have to look at the Ten Rings themselves – and I’m not talking about the terrorists anymore, I’m talking about the ten rings; like, rings you wear on your fingers, those kinds of rings. The Ten Rings (the terrorists) will probably be very important to the story of Shang-Chi’s solo movie, but I highly doubt they’re the Ten Rings being referenced in the film’s title – because the Ten Rings, while very mysterious, aren’t exactly legendary: the ten rings, on the other hand…well, those are.

I feel like this post is going to get very confusing. Warning to all future Marvel criminal masterminds: please don’t name your business after your jewelry – it just makes things a lot more complicated than they need to be. Thanks.

Anyway, the Mandarin’s ten rings are almost mythical, and very nearly divine. In the comics, these ten devices were created by a race of aliens known as the Makluans: they are weapons, endowed with the incorporeal spirits of ancient cosmic warriors and heroes, and each also possesses the ability to think and operate on its own, without even needing a wearer to use it. The ten rings are named Remaker, Influence, Spectral, Spin, Incandescence, Nightbringer, Daimonic, Zero, Lightning, and The Liar. They each have specific powers, but if you’re interested I’ll direct you to a place where you can learn more about those. For the purposes of this post, I’m not going to go into the subtle differences between “manipulating the atomic and molecular structures of matter” and “destroying the bonds between the atoms and the molecules”. Let’s put it this way: these things are powerful. Maybe not on quite the same level as, say, the One Ring of Power, but they’re up there.

Now, at first, upon reading all this, I had a crazy idea that somehow the Infinity Stones themselves would be used to explain the ten rings: that, somehow, when Thanos destroyed the seven stones, their broken fragments wandered across the universe and ended up in/on the hands of The Mandarin. Then I kind of realized that The Mandarin has been established to have had these ten rings since at least the 1950s. In the comics, he just happened to be the one guy around when a Makluan spaceship carrying the ten rings crash-landed in China: being a quick-thinking, practical sort of guy, The Mandarin killed the alien pilot and stole the rings. Much of the rest of his story has already been adapted in a slightly different fashion: he kidnapped Tony Stark (been there, done that), and then one of his rings ended up with Malekith the Dark Elf (he’s already dead in the MCU timeline). But that doesn’t mean there still aren’t interesting stories to be told.

For instance, the story of Tony Stark being kidnapped might have been adapted to the big screen already, but the Titanomechs which he built for the Mandarin in the comics haven’t: interestingly, these cyborg killers were later defeated by a swarm of Stark’s nanobots – and in the MCU, one of Stark’s last actions was to bequeath a similar swarm of nanobots to his friend, Peter Parker. There’s also the question of whether or not the rings will have their sentient abilities in the movies: if so, they could easily escape before The Mandarin is (possibly) defeated by Shang-Chi, and might find ten willing hosts for themselves. In the comics, when this happened, none of the hosts were really extraordinary, big-name characters – Malekith was by far the most important of them, and the MCU has already reduced him to a cut-and-dry one-off bad guy. The people that did end up with the rings were all rather pathetic, in fact: a disgruntled Broadway director who named himself “Lightning Conductor”, and a French neo-Nazi, for instance. But this time around, wouldn’t it be much more exciting if the rings actually went looking for the most powerful villains and criminals in the world – especially at this critical time, when there have been reports going around that Marvel wants to produce a villain team-up movie such as Thunderbolts, which could unite characters like Baron Zemo, Justin Hammer, Red Hulk and Ghost.

What do you think? How would you like to see the Ten Rings and the ten rings implemented into the MCU, and what sort of future could they have? Will the Mandarin be a one-and-done villain, or could he make multiple appearances in the next phase of Marvel films? Share your own theories in the comments below!

“Spider-Man: Far From Home” Review – NO SPOILERS!

This movie is such an intricate web (get it? It’s a spider joke…moving along) of plot twists, it requires me to think very hard and carefully about literally ever word I’m using – I don’t want to spoil a single thing in this movie. There are twists within twists, and there are all sorts of tricks and little shockers, plus two of the most incredible post-credits scenes ever, scenes that will be talked about for months to come. And, for this review, we can’t discuss any of them. Not a one. My lips are sealed.

But…uh, if you haven’t seen Avengers: Endgame yet, you might want to go? Because this movie is very closely linked to what happened in Endgame.

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I feel it’s within my right to tell you a little of what to expect, in terms of atmosphere and tone: the film is very much high-school melodrama meets psychological horror – and if you think those two things probably don’t flow together very well, you’d be about partially right. Far From Home does sometimes have a little difficulty with that issue, at least with its supporting cast: specifically Ned (Jacob Batalon), MJ (Zendaya), and Betty (Angourie Rice). These three characters each have pretty sizable roles in the movie, and they often come across as a little…nonchalant? Yes, they’re teenage protagonists, and as such they have all the usual angst and over-the-top cringeworthy awkwardness that we’ve come to expect from teenage protagonists in movies, but it often gets in the way of, and subsequently diminishes the threat of the possibly world-ending catastrophic events happening around them. MJ, at the very least, has a little more dramatic material (and morbid humor) to work with in her role, and she even gets to play detective for, like, five or ten seconds, but she’s mostly here because this movie is truly a teen romance story at its heart, and her romance with Peter Parker (Tom Holland) is sweet enough and cute enough that it works. It’s not the best love story, and it’s a little dumb, but it’s there and I kind of like it, for what it is. It gives Peter an emotional anchor throughout the story.

One of two such anchors, in fact: the other being his attachment to the legacy of the late Tony Stark. Tony’s huge, larger-than-life status as an icon, a hero, a great man, is constantly reiterated through the film – from a heartbreaking opening-credits sequence up until the film’s finale. We are reminded over and over just how much Tony meant to Peter, and to the world. And we can sympathize with Peter’s pain and grief at losing him, and his quest to be the next Iron Man, a superhero that people can believe in. At times it becomes unbearable, and Peter is swallowed up by a claustrophobic panic as people constantly bombard him with questions about whether he’s leading the Avengers now, or what he plans to do if aliens attack again. If you’re a fan of Peter Parker, which I assume you are if you’re planning to go see Far From Home, just prepare for a lot of emotional trauma: because let’s just say…people are going after Peter in this movie in a way we haven’t seen before, kicking him when he’s down, tearing him apart (metaphorically speaking), and he takes a serious beating from it, physically and mentally. There are multiple scenes in this film where I felt like crying on Peter’s behalf, because he is tortured here. So many times, and in so many ways.

I am not kidding when I say there is psychological horror in this movie – in fact, there are multiple instances of it, and it makes the entire second and third acts feel nightmarish. One sequence, in particular, seems to go on and on, as Peter is lured in different directions like a puppet on strings, manipulated and mocked, unable to do anything to prevent all the awful things he’s forced to witness. He is far from home in so many ways.

And home seems particularly appealing now – the dread and gloom of Endgame has mostly passed, and families have been reunited: though, as Peter’s Aunt May (Marisa Tomei) points out early in the film, there have been some humorous consequences to the Snap, when half of the universe was disintegrated, and the subsequent moment when half of the universe suddenly reappeared. The name of that moment is itself pretty humorous, so I won’t spoil it for you. Anyway, the dusted are back, as we knew from Endgame, and people are moving on with their lives, all carefree. Aunt May even has a little flirtatious relationship going on with Happy Hogan (Jon Favreau) – that was teased in the trailers, it is not a spoiler. I won’t tell you what ends up happening on that front, though, because it’s funny. There’s a lot of adorable humor in Far From Home, actually – the movie is very cute. Okay, cute might not be the right word, considering all the mental trauma and horrifying imagery, but…um, cute during specific moments that I can’t spoil for you but which I assure you are definitely cute? There’s also a bit of the Disney-Channel factor, at certain points, especially in the third act: it would be difficult to explain what I mean by that without unintentionally spoiling certain moments of tension, but…uh, everybody knows what the Disney-Channel factor is, right? You’ll know it when you see it. It involves the teenage supporting cast, unsurprisingly.

Oh, by the way, there were a bunch of rumors going around that a transgender character and a Muslim character would show up in Far From Home: they do, but their appearances are incredibly brief – though Zoha Rahman did look very stylish in a variety of beautiful hijabs.

Samuel L. Jackson and Cobie Smulders have great chemistry once again, as super spies Nick Fury and Maria Hill. I can’t say too much about them, or their character arcs in this film, because…reasons…but they’re good. Very good.

While we’re treading the fine line between spoilers and nonspoilers, I will give as vague a description of Jake Gyllenhaal’s Mysterio, as is humanly possible. He is very interesting, he’s got a lot of charisma, and he made an impact. That’s it. Gyllenhaal does a really good job, except for one scene where – nope, not saying anything. But it’s just not a great scene. No spoilers!

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And, um, yeah, so there are also these two post-credits scenes that are, like, really important: don’t miss them, because they set up the next phase of the Marvel Cinematic Universe in a really cool way, and…yeah. That’s pretty much all I can say. This movie is a web, a tightly-knit web of secrets that demand to be talked about in a spoiler review – so go watch the movie! Go watch it, so you can get back here and read my spoiler review, which will be up in no time (well, give me a little time to write it)!

Movie Rating: 9/10

“Spider-Man: Far From Home” Plot Twist?

With the release of Avengers: Endgame, the Marvel Cinematic Universe has settled into a deceptively calm lull – a quiet before the storm. Many expect the upcoming Spider-man: Far From Home to deal with the huge aftermath of Endgame, specifically the world-changing effects of Thanos’ Snap, and the…

Oh, hold on a moment. SPOILER WARNING! If you haven’t seen Avengers: Endgame, look away, stay back, get you gone.

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Still here? Good, let’s talk about Tony Stark’s tragic sacrifice, which saved the world but robbed the young and impressionable Peter Parker of his father-figure, mentor and friend. Tony was one of the key elements of Peter’s first MCU outing, Spider-man: Homecoming, and is expected to play just as important a role in Far From Home, even if he is…you know, dead. The trailers have shown Peter mourning Tony’s death, even as the rest of the world is busy painting murals of Stark on walls and dedicating shrines to him. Peter’s life seems to have taken a downhill turn, as we see him sleepless and bleary-eyed, putting away the Stark-tech suit he proudly wore in Avengers: Infinity War, trying to live a normal life: when he’s approached by Nick Fury to help with a supernatural threat, we even see him trying to push his responsibilities onto other heroes – who, conveniently, happen to be off-world. (But, no, seriously, all the other heroes are busy? What about Ant-Man and the Wasp? They’re not doing anything).

But Peter Parker isn’t in the clear yet, and a new reveal from actor Tom Holland suggests that the storm might be about to break in epic fashion, shaking things up in Peter’s life, and at the same time initiating the fourth phase of the MCU.

Holland said “There’s a scene in this film where audiences will feel like they were punched in the face….it’s very tense, and it sorts of rips the rug from underneath your feet. It’s pretty awesome.”

“Awesome” certainly is one way to put it. Far From Home director Jon Watts apparently believes that the scene in question will be controversial, and that some fans will “hate it”. This keeps getting better and better. The big question now, of course, is what could possibly be so shocking, so unexpected, that it could potentially divide the fanbase and leave us dumbfounded?

Unfortunately, there’s plenty of possibilities. Let’s discuss.

We’ve already known for some time that the Multiverse is actually a thing – the Far From Home trailers have revealed that there are alternate realities running parallel to the main MCU timeline, some of which were apparently fractured by Thanos’ Snap, releasing creatures from other dimensions into our world. Quentin Beck, a.k.a “Mysterio”, is seen teaming up with Peter Parker to hunt down these intruders and herd them back into their own reality. Fans have basically just taken for granted that, since Mysterio is a villain in the Spider-man comics, he might not have the most noble intentions in the MCU: he could be playing on Peter’s emotions; he might be lying about the Multiverse, using it as a cover for something else; with his powers of deception and illusion, he might have trapped Peter in an alternate reality of his own. Any of those could be twists, but they would be small ones – probably resolved by the end of the movie, without any major ramifications. It’s just that almost everybody has already guessed that Mysterio isn’t what he claims to be, so this would hardly be a satisfying shocker.

Mysterio might have something to do with the twist, though. According to producer Eric Carroll, the maybe-villain/maybe-hero will star in many more Marvel films to come, which means we might not see him die in Far From Home, even if he does turn out to be evil. He might slink back into the Multiverse whence he came, and wait for another, better opportunity to conquer the world. Or, you know, he might be good. I mean, that possibility is still technically on the table. It would probably be a bigger twist if he turned out to be good, than if he turned out to be the villain – but then again, Captain Marvel just did the same thing by revealing that the alien Skrulls were actually good guys.

It’s also very possible the twist is aiming for our heartstrings, and that it might have something to do with the recently-deceased Tony Stark. Maybe Mysterio conjures up an illusion of Stark, and uses it to deceive and manipulate Peter?¬†AI Tony is something that Marvel fans have been eagerly raving about since he died, and it would be cruel and heartless to introduce the concept – only to then reveal it as a sham, and rip it away. Or what if Mysterio is AI Tony?

What if Peter Parker cracks under the strain of having to live in Tony Stark’s footsteps and ends up joining Mysterio, becoming a villain? A scene like this, at the end of the movie, could be similarly horrific as the infamous Snap at the end of Avengers: Infinity War, where many beloved heroes (including Spider-man) turned to dust and crumbled away before our very eyes. I’ve also seen speculation that Mysterio is actually Peter Parker himself, but an alternate, evil version – one who turned down a path of darkness and villainy after Tony Stark died in his universe. That could illustrate some of the larger themes of the movie, about coping with grief and honoring the legacies of lost loved ones.

Maybe Nick Fury, the man who started the Avengers Initiative, will be one of the victims of Mysterio’s brutality, and his death will officially close the Infinity Saga that he began? Others have suggested that Fury or his co-worker Maria Hill could be another classic Spider-man villain, the Chameleon, in disguise: the appearance of Chameleon has been the subject of many rumors recently. Fury’s death, or a reveal such as this, would definitely anger fans. Maybe (just throwing out the possibility) Peter’s Aunt May is actually the Chameleon? Or even Happy Hogan? Ned? What if Peter Parker is the Chameleon…wait, that doesn’t make sense.

With Mysterio and the Multiverse both confirmed to be large parts of the Far From Home plot, it’s likely that one or both of these things has to do with the twist. Unfortunately, there’s so many possibilities, it’s really difficult to nail down just one. I can’t wait to hear your own thoughts and suggestions in the comments below!

“Avengers: Endgame” Spoilers! Who Died?

Obviously, massive spoilers lie ahead, so turn away now if you haven’t seen Avengers: Endgame. Like, right now, because we’re going to start with the most unexpected – and thus the most shocking – death of the entire movie.

That’s right, Russian spy Natasha Romanoff, the Black Widow, is the first Avenger to bite the dust in Endgame, in a heart-wrenching scene that sees her and her former partner Clint Barton (Hawkeye) travel to the cold and desolate planet Vormir, looking for the Soul Stone. Marvel fans will already know that the Soul Stone requires a sacrifice in order to be won: it stole Gamora, the fiercest woman in the galaxy, from us in Avengers: Infinity War, and now it’s taken Black Widow as well. Both Clint and Natasha try desperately to commit suicide and prevent the other from dying, but in the end Natasha is the one dangling precariously off the edge of a cliff, while Clint grips her hand, telling her he won’t sacrifice her. Natasha, however, reminds him that he has a family, while she has nothing to live for and no family to go home to – though, interestingly, Natasha gets an interesting hint about her own parents here on Vormir, when the Soul Stone’s guardian Red Skull names her “daughter of Ivan”. More on that in a moment.

Clint lets go, Natasha falls to her death, and the Soul Stone is won. But the question remains: was it worth it? Natasha’s entire character arc has been about her loneliness – she doesn’t have a family, and called herself a “monster” for being unable to have children. She believes she’s nothing but a cold-blooded killer, incapable of love. And, sadly, she dies like this too, sacrificing herself because she has nothing left. Rather than having a triumphant character arc, Black Widow dies in tragic fashion, far from her home, so that Hawkeye can get the Soul Stone. Yes, the Stone helps to save the day in the end, but Natasha’s sacrifice feels like a crushing blow, not just to the other Avengers, and to the audience, but to her own character: Natasha’s death is sad, but it’s also infuriating. She died without ever realizing that she was valuable in her own right. She died without ever truly fulfilling her arc.

The good thing is, there’s still a chance she’s coming back. Of course, a Black Widow movie is already moving into production and will be released next year, but it is a prequel, set long before Endgame. But there’s more evidence than just that: look here.

At the end of Endgame, Captain America goes back in time to replace all the Infinity Stones to the time and place they were taken from – in other words, the Soul Stone returns to Vormir. (This also means Captain America comes face-to-face with his old nemesis Red Skull, but that’s a story for another time). Anyway, Cap replacing the Soul Stone could negate Black Widow’s sacrifice and bring her back to life. But what’s the purpose of that?, I hear you ask. Why bring back a character who really doesn’t have anything to do in the next phase of the MCU?

Well, she could actually have a crucial part to play in the next phase, and here’s the evidence.

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The Black Widow movie will be the first film of Phase 4, for one thing (this was previously believed to be Spider-man: Far From Home, until Marvel President Kevin Feige revealed that Far From Home would be the final film of Phase 3). Black Widow also could have a newly-revealed connection to an upcoming film in the Marvel roster: The Eternals. In The Eternals, we will see a new character – the villainous space god Druig, who, in the comics, takes the identity of a Russian KGB agent and becomes leader of a Soviet state named Vorozheika. While living in Russia, Druig takes a new name – Ivan Druig.

That’s right. Black Widow could be the daughter of a god, even though she doesn’t know it. If her death is undone, Natasha will come back to life on the planet Vormir, far from her home planet and alone: imagine a scenario in which Druig, her father, comes looking for her. I would suspect a scene like this could occur as a post-credits stinger for Black Widow, which will probably focus on Natasha’s formative years. We’ve grown used to her being a baton-wielding martial-arts fighter, but what if she were to inherit some new powers from her father? This could open the door to many more Black Widow stories, and she could have a chance to live out the rest of her unfulfilled arc.

The next death is one that certainly seems more permanent – and to reverse it would be to negate a great arc that reached a satisfying and poetic conclusion in Endgame. Tony Stark, the Iron Man who started the MCU as we know it and has been Marvel’s figurehead for a decade now, sacrifices himself to wipe out Thanos’ army of killer aliens. He dies surrounded by his friends, survived by his wife and young daughter. It would be a mistake to reverse this death, in my opinion: however, that doesn’t mean we’ll never see Tony Stark again.

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You see, in the comics, Tony Stark has died before – but in one notable case, he was able to create an artificial intelligence hologram of himself before his death: we even saw this teased a little in Endgame, when Stark’s daughter Morgan watches a holographic video that Tony had prerecorded in case everything went wrong. It wouldn’t be too much of a stretch to suggest that Tony created an AI body for himself too, an artificial Tony Stark that could still be played by Robert Downey Jr, and could hang around Avengers HQ and make cameo appearances every now and again, or impart wisdom to the next generation of Marvel heroes. This seems like a fitting way to keep Tony around without reversing his incredibly impactful death.

The only death that I regard as “permanent” is Captain America’s. When Cap goes back in time at the end of Endgame to replace the Infinity Stones to their original timelines, as previously mentioned, he decides not to come back immediately. In fact, he goes all the way back to the 1940’s, and instead lives out a normal life with his old girlfriend Peggy Carter, before returning to the present timeline as an elderly man to pass on the Captain America mantle to his comrade Sam Wilson, also known as Falcon. We last see him sitting on a park bench, staring off across a lake, and it’s implied that his death is not far off, even though we don’t see it onscreen. In my opinion, this death can’t be reversed without a lot of time travel or a deep dive into the alternate realities that have been opened up by the events in Avengers: Endgame. While it seems likely that some of these new realities and timelines will be explored in some fashion, this is not one of them, I think. Any attempt to show Cap’s life with Peggy would be redundant and boring: his arc was concluded, and he can rest in peace now. I, personally, would have preferred a different end for the character, one that doesn’t involve Captain America messing up time and basically ensuring that Peggy and him end up together – whereas in the original timeline, Peggy had moved on with another man and had her own happy ending. It seems to suggest that Cap has some selfish intentions, and that’s not an implication I like (though one theory says that Peggy’s new husband was always Captain America, and that there’s actually two Caps, and always have been, and it’s just a really complicated and complex theory that I don’t have time to explain here).

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So those are the three main deaths of Avengers: Endgame (though not, in fact, the only deaths. A past version of Nebula, Thanos, and possibly a past version of Gamora all get killed off – in Thanos’ case, twice). I regard Black Widow’s death as temporary, Tony’s as permanent-but-with-a-loophole, and Cap’s as permanent. What do you think? Did you feel the character deaths in Endgame were satisfying or not? Share your thoughts in the comments and look out for more Endgame news in the days and weeks ahead.

“Avengers: Endgame” Spoiler Free Review!

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Visionary directors Joe and Anthony Russo have done it again, but this time, they’ve really done it.

In my opinion, it would not be an overstatement to say that Avengers: Endgame raises the bar for what can be done with superhero movies – something that has become nearly impossible as films utilize more and more revolutionary storytelling techniques. But Endgame shows what can be done when ten years of story carried over twenty-two movies crash together in a brave, brilliant and fitting fashion – and unfortunately, so much of it is spoilery, this review is going to have some pretty major holes in it, which will only be filled in when you see this film.

And trust me, you should.

If you thought last year’s Avengers: Infinity War took every story strand of the MCU and tied them all neatly together, you’d be wrong. Avengers: Endgame does that, and, unlike Infinity War, gives us a very final, very conclusive way to end this phase of the Marvel Universe – an ending that will make you gasp out loud, it’s that good. Where Infinity War snubbed characters such as Captain America (Chris Evans) and Black Widow (Scarlett Johansson), Endgame gives all of the original Avengers enough time to shine in the spotlight. And as for the fate of the universe, well…you’ll just have to watch the movie and find out about that!

There’s a certain urgency about watching this film: spoilers are already drifting out there on the internet, waiting to ensnare the unwary traveler. Go as soon as possible, before you have any of the massive surprises spoiled for you – these are things that truly deserve to be seen for the first time on the big screen. Certain scenes, certain reveals, are mind-boggling only because I was able to go into this movie completely unspoiled, knowing nothing of what to expect.

Now a lot of people have been worried about the length of Endgame, which clocks in at three hours and two minutes. In my opinion, the movie positively flew by, and didn’t feel like it dragged or slowed down at any time. The pacing is fast and crisp. There are also conflicting reports about whether you should stay through the (very long) credits to see what’s at the end. I think that the credits themselves are quite beautifully done, and should not be missed, at least the first few minutes of them. As for the little surprise at the end – well, it’s possibly worth it, but it might not be as it seems, and it might not be what you’re expecting, either. So I won’t say too much.

What can I talk about, then? The plot premise, obviously, is a big spoiler, as the trailers and marketing have (rightly) kept it all pretty vague – don’t trust everything in those trailers, by the way. But let’s see: the music, of course, is quite good, composed by Alan Silvestri once again, and the cinematography is excellent and beautiful. The CGI is incredible, especially on certain characters who I’m not entirely allowed to talk about here.

Characters I am allowed to talk about here include Thor (Chris Hemsworth) who has an interesting new angle to his personality that you’ll either love or hate: Hawkeye (Jeremy Renner), whose return is quite refreshing at first but, at least for me, quickly wears off: and the newest addition to the team, Captain Marvel, played by Academy-Award winner Brie Larson, who brings a lot of spunk and energy to the movie even in dark times, and has some very cool scenes. Everybody has something to do in this movie, and no one feels sidelined or thrown-in for the sake of it. Even War Machine (Don Cheadle) finally gets a decent showing. Endgame has great purpose, and knows it. Everything is leading up to one thing, and that thing is-

A spoiler. Sorry!

Do yourself a favor, though, and watch this movie. The surprises are real, the shocks are extraordinary, the gasp-out-loud moments are frequent. You will not be disappointed, whether you’re looking for a drama or a fun action-movie, tragedy or comedy. This movie literally has everything, and I don’t say that lightly. Avengers: Endgame¬†has forever changed the game with superhero movies. In my opinion, this is the peak of Marvel’s success: if, someday, the MCU can replicate this awesome achievement with another movie, they will be the luckiest studio ever. Because this is not an easy movie to forget, and it’s also a movie that demands to be talked about in depth, with no boundaries. Which is why I hope you’ll join me for my Spoiler Discussion, which will hold nothing back! But before you do, go see the movie!

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Trust me, you won’t be disappointed. I’m adding Avengers: Endgame to my list of favorite movies today, and for good reason. This is the end of an era, the end of a beautiful story, but it manages to be even more than that – it’s just a fantastic movie overall!

Movie Rating: 10/10