“Underwater” Trailer!

Kristen Stewart is once again taking the internet by storm, only a month or two after the Charlie’s Angels trailer spurred an online tidal wave of rabid praise and swooning for the actress, whether because of her fashion statements, her smile, her short hair, her yoga pants; this time, though, the Kristen Stewart fanbase is taking it a step further – in the first trailer for Underwater, their idol is not only the paragon of style in her big round glasses, but is also firmly establishing herself as one of the Greatest Actresses of this generation. I have yet to see the evidence (that’s because it’s so subtle, apparently), but I’ll give her this: those glasses alone make this trailer much more interesting – but not quite enough.

Honestly, I’m still trying to figure out exactly what this film is supposed to be, but that might be because I’m so focused on the glasses that I wasn’t paying attention. I’ll take a wild guess it’s a horror thriller, but it can’t be that horrifying, because it’s still got a PG-13 rating. And is there a reason why the “monster” is being kept hidden? Shadowy glimpses of tentacles and some sort of vaguely frog-shaped silhouette are all well and good, but it’s not a lot to go on. And why is the submersible laboratory reminiscent of a sci-fi spaceship? Why do I feel like this is not an accurate representation of what it’s like to be a marine biologist?

And, most importantly, what is going on with the film’s logo? This is something that has continuously bothered me while watching and rewatching this trailer: the title font, which slowly, painstakingly, spells out the word Underwater in the most boring typeface I’ve ever seen, has nothing to do with the sensation of being underwater, and it doesn’t add anything to the film’s look, atmosphere or overall style. And yet it’s presented as if it’s so epic, it deserves to be part of the main action in the trailer – if they were going for that effect, why not at least present it on a background that has some water-ripple effects or something going on? It just looks like a missed opportunity to me.

I’m sorry, Kristen, but your performance simply isn’t as important as title-card layout. I feel like I nit-pick about the weirdest things in trailers sometimes, but this one had to be mentioned.

Honestly, the conversation about Stewart’s glasses has robbed the other actors in this trailer of any chance of recognition: I mean, seriously, are you going to completely ignore somebody like Mamoudou Athie, who gets, what, a single line of dialogue in the trailer – if even? You are? Well, that’s just unfair. I tell you, nobody stands a chance against Kristen Stewart these days: even in Charlie’s Angels, people were too busy obsessing over her haircut to even notice the incredible talent surrounding her, like Patrick Stewart and Naomi Scott. It’s the same here: that Lovecraftian sea-monster is going to take one look at her glasses and scamper back into whatever hellhole it issued from, because it knows it can never summon the Bisexual Energy™ that Kristen Stewart can.

What do you think of the first trailer for Underwater? Is Kristen Stewart too powerful to be stopped at this point? Leave your thoughts in the comments below!

Trailer Rating: 4/10

“Dark Crystal: Age Of Resistance” Final Trailer!

The Darkening is upon us in the final trailer for Netflix’s Dark Crystal: Age Of Resistance, the prequel series to Jim Henson’s cult-classic Dark Crystal. Personally, I never knew we needed a prequel to that film. But then again, I also never knew I would actually be interested in that prequel.

This series looks…good. It still looks kind of terrifying and weird, because it still relies on puppets – and these aren’t the types of puppets you see on Sesame Street: they’re slightly more realistic, in a weird, distorted sort of way, and some of them are huge lurking vulture-creatures called Skeksis, who want to control the magical world of Thra. None of them are particularly adorable or endearing, which could end up being a turn-off for some people. I’m trying not to get freaked out by them, though, because the story looks insanely epic. There’s amazing visuals, an incredible voice-cast, and a compelling message of hope, inspiration, and courage. At least, I think the message is one of hope – I can’t really remember anything from Dark Crystal except that there were lots of vulture Skeksis, so I’m going to assume that the resistance in Age Of Resistance possibly doesn’t eradicate them entirely? Honestly, I don’t know, so I’ll be going into this series pretty much blind. And yes, I will be watching it, no matter how frightening it is.

I was already sold when Lena Headey joined the cast, but this trailer has done a lot to cement my hopes for the show: this trailer is everything I needed it to be – the stakes are high, the thrills are intense, the range of emotion coming from these puppets is disturbing. I feel invested in the arcs of our protagonists, Deet, Rian and Brea…even  if I don’t know which is which yet. Maybe it’s the stirring music, or the beautiful narration about the fragility of hope, which “catches the light, splitting the darkness, revealing your destiny”. Maybe it’s just because I still feel shell-shocked and I’m not even realizing that I’m seriously considering watching an entire series about creepy puppet-people.

While I sort out my emotional trauma, I’ll pose the question to you: are you planning to watch Age Of Resistance when it debuts on August 30th? Are you scared of the Gelflings and the Skeksis? Are you totally comfortable with the idea of watching scary Muppets fight to the death for the freedom of their alien world, and if so, do you think you should seek help?

Trailer Rating: 8/10

“Gemini Man” Second Trailer!

Nobody’s changed the boring sci-fi logo for this film, which is a real shame – but at least this time around they’ve made it glow, so that’s something. Seriously, I give them three months to swap that logo out for something even remotely interesting, and they give me the exact same thing but in neon blue?

As for the trailer itself, its content has gotten more convoluted than last time, but at least they’ve extracted some of the cringey dialogue like “You made a person out of another person”. But just wait; I’m sure that memorable line is still somewhere in the movie itself, they’ll just trick you into thinking they’ve changed so they can get you into the theater. Who would do such a thing?, you might ask. David Benioff, I might answer in this hypothetical scenario. Benioff, one of the two Game of Thrones screenwriters now literally synonymous with “bad writers” in Google’s database,  is undoubtedly going through a hard time – but that honestly doesn’t excuse the fact that he apparently wrote this film: and besides, he’s getting a job with Disney writing a Star Wars trilogy, so I’m sure he’ll be fine.

Will Smith still seems to be trying really hard to sell this story about an assassin trying to rescue his young clone from a life of brainwashing and manipulation: granted, Gemini Man is able to get to that premise before the upcoming Marvel film Black Widow, which looks like it might include that element as well. But take a wild guess which one will succeed. Anyway, one problem with the trailer is that Will Smith – obviously – plays both himself and his younger-looking clone, and it’s very difficult to figure out when he’s talking or his clone is; leaving aside the fact that they look similar enough that it’s sometimes hard to tell them apart. And to top it off, Will Smith is the film’s only selling point, so he has to be the brunt of really bad title-card puns, like “Who WILL Save You?”

One thing this trailer improves is its action: apparently you can do quite a lot with a bicycle – though said bicycle scene seems to be the film’s crown jewel of action scenes so far, which makes me a little nervous. We’ve got a fight in a hardware store with young Will Smith riding a tank into battle – I think it’s young Will Smith, could be the random dude in the suit who shows up occasionally to look evil, though. There’s one cool sequence where our Will Smith throws a grenade at young Will Smith, only to have young Will Smith hit it with a bullet in mid-air and send it ricocheting back. Honestly, I’m having a very hard time finding anything interesting here at all. And having Will Smith (our Will Smith, not young Will Smith) tell the other Will Smith ominously at the end of the trailer that “This has to be stopped, because what if somebody knew what we really are?” – well, that doesn’t cut it either. Because I don’t frankly care what they really are: they’re Will Smith and a CGI construct of Will Smith – the trailers haven’t given me any reason to want to see what happens to them, or what secrets about their past might be uncovered.

Trailer Rating: 4/10

“The Witcher” First Trailer!

Firstly, let me preface this post by apologizing for my delay: I’m more than an hour late by now, due to not being able to get home fast enough. Destiny has arrived, so have I, and so has the first teaser trailer for The Witcher on Netflix!

My first impressions are a mix of chaos and confusion: I’ve never read the books or played the video games that this series will be based on, so I have almost no idea what the plot is – I am slightly familiar with the main characters like Geralt of Rivia (Henry Cavill), Yennefer (Anya Chalotra) and Ciri (Freya Allen), mostly because I watch a lot of videos by BookTubers who are devoted fans of The Witcher series: specifically Elliot Brooks – go check out her channel, it’s great.

But for right now, until she publishes her own review of the trailer, which will undoubtedly be far more intelligent than mine, I must work from what I know: very little. Okay, let’s dive in. Let’s see, we’ve got Elves, beautiful dark-skinned Elves for a change, and we get a tantalizing glimpse of the paradise they created long ago in this strange world, known as The Continent. These Elves were sorcerers, and taught the arts of chaos magic to humans – only to have the humans rise up against them and massacre them. From what I gather, that is a core theme of the series, both in book format and TV – humans are horrible, despicable creatures, little better than the monsters that populate their myths and dark imaginings. This trailer shows off just how wicked people can be, through some montages of them killing people…wait a second, for a moment there I thought this was Game of Thrones.

Netflix wants this to be Game of Thrones for a new audience dissatisfied with how that show ended, and so they’ve gone to elaborate lengths to make sure this show looks incredible. The production values are insane – beautiful costumes, realistic CGI, and mostly good wigs (there was a lot of worry about that last point, after Henry Cavill had shared a picture of himself wearing one depressingly-cheap set of platinum extensions). The only thing that indicates this show has to work on a somewhat smaller budget than your average movie studio is the general absence of top-notch talent – Cavill is the biggest star by far, and his co-stars are virtually unknown actresses. But thankfully, they do a pretty good job, in this trailer at least, of being mysteriously magical. Magic is one of the trailer’s big attractions, in my opinion: it’s always been an element that fantasy films and TV shows are wary of, because it can easily look and feel slightly ridiculous. Lord of the Rings and Game of Thrones both steered clear of depicting much magic onscreen, unless they absolutely had to: magic is something that usually finds its way into more light-hearted fare, such as The Lion, The Witch & The Wardrobe. But The Witcher doesn’t shy away from fancy lights and displays of sorcery and enchantment: we have glowing trees in the desert, plenty of monsters (including giant spiders, can’t go wrong with those), catastrophic explosions of uncontrollable power, and even people throwing lightning from their hands. When was the last time you saw that in mainstream fantasy? It’s actually been a while since we’ve seen anyone but superheroes and psychic teenagers harness supernatural powers like this. At least, it’s been a while since I’ve seen anything like this.

Overall, it looks really good, definitely something that I’ll want to binge-watch when it arrives on Netflix this…Winter? I don’t know, the trailer doesn’t inform me. Well, whenever it comes out, it looks like it will be really good. Fingers crossed, people!

Trailer Rating: 8/10

“Maleficent: Mistress Of Evil” Full-Length Trailer!

Who expected Maleficent to be the year’s most epic family drama? Even Rian Johnson’s Knives Out, with its all-stars cast, pales in comparison to a film starring Angelina Jolie and Michelle Pfeiffer as rivals vying to control – and mother – the rebellious young princess Aurora (Elle Fanning), in one epic custody battle involving magic, witchcraft, and giant bears ripping people limb-from-limb. We even get the pleasure of watching Jolie literally turn people into burning skeletons, while Pfeiffer takes aim at her with a hefty-looking crossbow, and – wait a moment: this is a Disney movie?

Indeed it is, proving that the Mouse House isn’t afraid to take some risks every now and again. After the first teaser for the film dropped, I was a little worried that the whole thing was just going to be a sparring match of witty one-liners between Jolie and Pfeiffer, and it might still boil down to that in the end: Jolie’s performance as the demonic sorceress Maleficent seems to be mostly about evoking a “mood” – with lines like “Don’t ruin my morning!” and “Love doesn’t always end well” dropped as if they’re mantras to live by, while her variety of outfits continue to stun and dazzle (though I still hate the wings: even worse, there’s more wings on the way, but we’ll get to that in a moment). Pfeiffer’s character, the Queen Ingrith, is quite clearly a villain: the smirk on her face as she embraces Aurora makes it kind of obvious that she’s not just concerned for the princess’ well-being – though it’s still a little unclear as to why she wants to risk open war with Maleficent’s forces of magic. As we go “beyond the fairytale”, a lot of things become unclear.

Granted, there’s still a lot of good stuff in the trailer: the darker elements are still very cool and surprising; Jolie and Pfeiffer are still good actresses, so their dynamic looks interesting and it does appear that we will indeed get some intense showdowns between them, such as I asked for after the first trailer; the production values look great (except for Jolie’s wings and horns: for some reason, Maleficent is the only character in the film whose costumes look completely bizarre and uncomfortable). The first film was criticized for relying too heavily on special effects, but honestly…the special effects look like they’ve only gotten better. There’s a real sense of danger from the trailer, something that Disney doesn’t often indulge in – I genuinely don’t know what will happen: will Maleficent conquer the forces that oppose her, and win back her adopted daughter? Will Aurora choose to leave the beguiling witch, and instead risk it all for true love? And what’s going on at the end of the trailer?

Near the end, we watch Jolie’s character get hit by crossbow arrows – fired by some of Ingrith’s own henchmen, or at least it appears that way. Anyway, she falls into the sea and is saved by a strange dark shape, that carries her away to some other mystical place of labyrinthine tunnels and glowing caverns where she encounters…Chiwetel Ejiofor? Sorry, that’s Chiwetel Ejiofor dressed up with horns and giant wings (wings that look just as ridiculous as Jolie’s). In fact, it turns out there’s a whole bunch of other demons like Maleficent (all of them winged and horned, to my dismay), and they want her to join them in their…war against Ingrith? Quest for world domination? Hunt for a better costume designer?

I don’t know what’s going on there, but it looks like both Maleficent and Aurora will be conflicted as their mother/daughter relationship is tested by the forces of evil – including Maleficent herself.

Trailer Rating: 7/10