Get Ready For Shadow And Bone With Only 6 Days Left To Go!

A lot of people are going to be rushing to Netflix next Friday to binge-watch the entire first season of Shadow And Bone as soon as it drops, but only a portion of that audience will have a chance to read or even page-skim through the entirety of the series’ literary source-material in the six days we have left before the hotly-anticipated premiere. But that’s okay, because I’m here to give you the rundown of everything you need to know about the world of Leigh Bardugo’s twin series’ of fantasy novels, the Shadow And Bone trilogy and the Six Of Crows duology, and the premise of the Netflix show, which will draw inspiration from the first books of both series’.

Shadow And Bone
Alina Starkov | tvinsider.com

The expansive world of Bardugo’s novels, dubbed the “Grishaverse” by fans and author alike, is largely similar to the Europe and West Asia of our own, but for the most part grounded in the aesthetics, societal norms, and steam and gas-powered technology, of the late 1800’s. Some might call this steampunk, but Bardugo coined the more unique term “Tzarpunk” to describe the setting of her debut novel, Shadow And Bone, and its direct sequels, which take place in the northerly region of Ravka – unmistakably influenced by Russia under the final Tzars, from the opulent lifestyle of the country’s royalty all the way down to the brutal oppression of the working class. If history is doomed to repeat itself even in fantasy, then Ravka is in for a communist revolution any day now.

But while Ravka is a straight-up monarchy, the true power lies in the hands of the Grisha – an elite, militarized order of humans gifted with the ability to manipulate or alter matter. And although the Grisha describe their “magic” as being scientific in nature (and a bunch of them are employed only for their ability to de-age Ravka’s upper class), the misconception that they’re a coven of evil witches persists among the general population, and they are widely hated and feared. Nonetheless, they make up a small but deadly faction of Ravka’s army, and they get to live in a palace near the capital.

The Grisha are also quartered off into numerous subdivisions, something I hope the Netflix adaptation explores in-depth – because J.K. Rowling ruined Hogwarts Houses for a lot of people, so we need a new method of separating personality types by way of pop culture references…and “Heartrender” sounds a lot cooler than Hufflepuff anyway, I’m just saying. But there’s one person in a category of her own, and that’s Alina Starkov, Shadow And Bone‘s protagonist. The only Sun-Summoner in the world, Starkov has the ability to control light – a power-set that might seem of limited use until you remember that Ravka is split down the middle by a literal ink-stain on the map, a wall of darkness named the Shadow-Fold.

Blocking most trade between Ravka’s coast and its more densely-populated interior, the Shadow-Fold can only be traversed by tiny skiffs that must pass through the wall and avoid encountering the horrific winged demons that roam in the darkness, known as Volcra. Shadow And Bone kicks off with Alina Starkov, still just a humble mapmaker conscripted into Ravka’s non-Grisha army, joining one of these routine trips through the Fold: and when she discovers that she’s a sentient nightlight that could potentially eradicate the Shadow-Fold entirely, well, things happen. This post is free of any major spoilers about the books, so I’ll refrain from saying what those “things” are, but come on, the show’s only six days away, people! Be patient!

Shadow And Bone
Jesper Fahey, Kaz Brekker, and Inej Ghafa | popculture.com

Just a few years after the events of Shadow And Bone and its sequels, Six Of Crows picks up the story in a vastly different corner of the Grishaverse, in the bustling, grimy, canal-laced port-city of Ketterdam, separated from Ravka by many miles and an entire ocean. Modeled off of Amsterdam at the peak of Dutch imperialism in the 1600’s but with a bit of Bardugo’s signature Tzarpunk mixed in, Ketterdam is home to several street-gangs which fight for control over the flow of imports and exports through the city’s docks, trade-districts, and markets.

When Six Of Crows opens, the gang known as the Dregs (who operate out of the infamous Crow Club) are already a feared and respected force in Ketterdam’s criminal underworld, thanks to the strategizing skills of their highest-ranking member, Kaz Brekker. To account for the time-gap between Bardugo’s two series’, the first season of Netflix’s Shadow And Bone won’t be adapting Six Of Crows, but will instead follow the founding members of the gang prior to the events of their book – or at least, so Netflix says. A recent trailer (my breakdown linked below, but watch out for spoilers!) revealed that Netflix is basically just using the plot of Six Of Crows but weaving it into the events of Shadow And Bone in a bold and risky move that I hope pays off.

In the books, the strongest link between the two series’ is the character of Nina Zenik, a Grisha from Ravka who gets taken captive by her nation’s unfriendly neighbors to the north, the Fjerdans – specifically by a group of Fjerdan religious zealots named the drüskelle, who despise the Grisha. Nina’s interactions with them lead to her eventually finding refuge in Ketterdam and joining the Dregs, and her knowledge of Fjerda helps the gang when they take on their most dangerous mission ever as a team – to break into a heavily-fortified Fjerdan palace and abduct a valuable prisoner. A waffle-loving bisexual style icon, Nina unfortunately seems to only play a small part in Shadow And Bone‘s first season.

Shadow And Bone
Kaz Brekker | cbr.com

Sure, there’s a couple of world-building details I’ve left out, but that’s essentially all you need to know about the Grishaverse before watching Netflix’s Shadow And Bone. I mean, technically, you shouldn’t even need to know anything because a good adaptation allows even the most casual viewer to ease into the story, but hey – if I can exploit the fact that very few adaptations remember that golden rule, I will absolutely continue to do so because I have fun writing these breakdowns, and they drive traffic to my blog (*prides himself on his Kaz Brekker-like business savvy and exits, pursued by disgruntled readers*).

“Shadow And Bone” 2nd Trailer!

SPOILERS FOR SHADOW AND BONE AND SIX OF CROWS AHEAD!

In all my coverage of Netflix’s upcoming Shadow And Bone adaptation, my one consistent concern has been how the series is going to juggle the various components of its sprawling story. While its title is borrowed from the fairly straightforward first book in the Grisha trilogy, Leigh Bardugo’s bestselling YA fantasy series, the Netflix adaptation is also drawing on material from Bardugo’s later (and, in my opinion, superior) Six Of Crows duology, set in the same fantasy world but in a different region, at a different time. To better link the two, Netflix is compressing the timeline and creating original storylines for the Six Of Crows characters that will bring them into contact with Grisha trilogy characters they never met in the books.

Shadow And Bone
Shadow And Bone | polygon.com

The task seems daunting. The Grisha trilogy takes place in the Russian-inspired country of Ravka, where an orphaned girl named Alina Starkov discovers that she’s the Sun-Summoner, a magical being capable of creating light – and thus powerful enough to save Ravka from the terrible Shadow Fold, an ocean of pure shadow that cuts an ugly rift through the country. The Six Of Crows duology, set years later in the Amsterdam-inspired city of Ketterdam, follows a ragtag band of criminals, nicknamed the Crows, who unite to kidnap a mage and score a hefty reward. Tonally, the two stories share little in common…and while a handful of characters overlap, they are both very much their own thing.

But the second full trailer for Netflix’s Shadow And Bone reveals the series’ solution to that problem…which, as far as solutions go, seems to me like one that comes with massive risks and the potential to completely derail the storyline of the books as time goes on. The Crows will simply unite to kidnap Alina Starkov herself.

We’ve known for a while now that we weren’t gonna get a literal adaptation of Six Of Crows in this first season of Shadow And Bone. The series is still focused on Alina and the events of her books. The Crows were always going to be playing secondary roles in this season, with the promise that their roles would be upgraded in season two, when their story could actually take off. But with this new development, I don’t understand the point in doing the actual Six Of Crows storyline anymore, even in season two…because they’re already basically using it as a season one subplot, heightening the stakes dramatically while recentering it around Alina.

I’d actually be very surprised if the story from Six Of Crows were to be adapted at this point, because I think I can begin to guess what Shadow And Bone is doing…and why, while I think it’s a gamble even Jesper Fahey would shy away from, it might just pay off.

Shadow And Bone
Mal and Alina (Malina) | syfy.com

Just as it feels like the Crows’ individual arcs are being reworked to fit into Alina’s story in season one, I believe the opposite might be true of season two…which, rather than following the events of Six Of Crows, may actually lift more heavily from the book’s sequel (and my favorite of Bardugo’s Grishaverse stories), Crooked Kingdom. In that book, the Crows return to Ketterdam with their kidnapped prize, only to be betrayed by their client and embroiled in a war of subterfuge and deceit in the city’s criminal underworld. If that’s the case, it’s unfair we wouldn’t see a more accurate adaptation of these stories – but it’s already unfair that Shadow And Bone still includes Mal, one of the worst love interests in literary history.

There’s evidence for this theory in the trailer. The Crows still receive their offer from a mustachioed older gentleman who appears to be Jan Van Eck, their backstabbing client from the books. Mal tells Alina at one point that he’ll find his way back to her if they’re ever separated, implying strongly that they will be (I see no issue with that, gotta be honest). And while the Crows don’t have much screentime in the trailer, it looks like they make it to Ravka: we see Inej Ghafa evading a jet of fire that could only have been cast by a Grisha magician, and moments later she appears to be in the Shadow-Fold itself, looking dashing while throwing knives at an unseen enemy – perhaps a Volcra demon?

We also know that Alina’s backstory in the series has been changed to make her biracial and half Shu Han (an East Asian-inspired region bordering Ravka), a change reflected in the decision to cast an actress of Chinese descent in the role. The showrunners have cited multiple reasons for this change, one of which being that it lends depth to her arc. But it could also make her taking over the role of Kuwei Yul-Bo – the Crows’ kidnapping victim, and the only prominent Shu Han character in the books – more plausible.

Obviously, the Crows kidnapping Alina and bringing her back to Ketterdam would have massive consequences…but if I’m being honest, I think Alina’s character would benefit a lot from the change. The Grisha trilogy gets kind of boring when it devolves into love-triangulations in book two, so it would be refreshing to see Alina separated from both her love interests for a minute and placed in a completely new scenario, before possibly returning to Ravka by way of the seafaring Prince Nikolai, who appears in the second books of both series’. And I won’t deny that the thought of her interacting with the Crows excites me greatly.

Shadow And Bone
Alina and Baghra | themarysue.com

The only question is how the Crows would benefit from this change, from having Alina and the Darkling (and Mal, I guess) constantly barging in on their storylines – and, as someone with a Crows bias, that’s the question that gives me pause and makes me wonder if it’s actually worth it. I also would like to know why the Crows still only have three members, and why Nina Zenik and Matthias Helvar don’t even seem to have real storylines in this season (Nina does at least have a cut hat).

Shadow And Bone still looks very promising and well-produced, however, and I’m excited to see if anything can make me interested in the events of the Grisha trilogy. I’m not totally sold on Six Of Crows being used as a subplot in Alina Starkov’s story, but if it means Crooked Kingdom (or some version of that story) might be the focus of season two, you better believe I’m gonna grin and bear it.

Trailer Rating: 8/10

“The Kane Chronicles” Are Coming To Netflix!

Author Rick Riordan has quickly become a hot commodity in Hollywood, a status I’m sure he never thought he’d achieve after the complete and utter embarrassment that was the feature film adaptation of his Percy Jackson And The Olympians series in 2010. Following the recent announcement that Percy Jackson will find a better home on the Disney+ streaming service (where it will be adapted as a series with the potential for multiple seasons if when the first one does well), Riordan has managed to complete a deal with Netflix that will allow the streaming giant to develop feature films out of all three books in his fabulous – but criminally underrated – Kane Chronicles series.

Kane Chronicles
riordan.fandom.com

The Kane Chronicles were Riordan’s second foray into the world of urban fantasy, as he deftly wove Ancient Egyptian mythology into a modern setting, pitting a team of diverse protagonists led by Carter and Sadie Kane against the Egyptian serpent Apophis, a seemingly indestructible force of pure evil capable of swallowing the sun and ending life as we know it. The series has received less attention than Percy Jackson’s exploits in the universe of Greek and Roman mythology, but is no less well-written, funny, or surprisingly educational. Carter and Sadie, biracial twins descended from a long lineage of Egyptian magicians, travel across the world battling gods and monsters from the mythos, learning spells, and uncovering secrets about their powers. The Kane Chronicles are perfectly suited to a film adaptation: and Netflix definitely has the money to make the Egyptian setting come to life with appropriate grandeur and spectacle.

It will be important to make sure that Netflix doesn’t attempt to whitewash either Carter or Sadie Kane, or any of their extended family. Rick Riordan himself got into a quarrel with several of his publishers in European countries after cover art for the books featured both protagonists as white, prompting the author to clarify that Carter is canonically a “dark brown” African-American young man, while Sadie is lighter skinned. Netflix has similarly faced accusations of whitewashing over the years, as have most film and television studios, but Rick Riordan’s involvement in the project gives me hope that he’ll keep a close eye on these and other important issues. That being said, the extent to which he is directly involved is still unclear: Riordan’s official announcement on his social media was only a few seconds long, too brief to provide many crucial details, and his website provides only a little more, noting that he started corresponding to Netflix in October.

One thing is clear, however. While in the books it’s at first implied and then later confirmed beyond a shadow of a doubt that The Kane Chronicles and the Percy Jackson series exist in the same universe, that won’t be possible here because…well, Netflix and Disney+ are separate, competing streaming services. This definitely won’t impact either series (in the Percy Jackson series, Egyptian gods are never referenced as far as I can remember, and in The Kane Chronicles there are a few scattered hints about something happening in Manhattan, but nothing actually substantial in the main books themselves: Carter Kane and Percy Jackson would only first meet up in a short story written by Riordan, which was followed by two more crossovers), but it does mean that any hopes of one vast, Percy Jackson Cinematic Universe under the Disney+ banner are impossible. Goodbye, PJCU…we hardly knew ya. This may not seem like a big deal, but it is sure to disappoint a bunch of fans.

Kane Chronicles
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Assuming both series’ are handled respectfully and Riordan is able to work closely with the producers and creative teams, we should see two separate adaptations of his work that both offer a much better vision of his extensive world and worldbuilding than the 2010 Percy Jackson movie could ever have accomplished. I have high hopes. While I’m nervous about how Netflix will adapt The Kane Chronicles, I can’t deny I’m wildly excited to see characters like the Egyptian gods and goddesses (Bast, the cat goddess and Kane family guardian, was always my favorite) finally brought to life with all the heart and humor that Riordan always intended. It’s a good time to be alive, if you’re at all a fan of Riordan’s mythos.

So what do you think? Did you read The Kane Chronicles, and if so, who are you most excited to see make the jump from page to screen? Share your own thoughts, theories and opinions in the comments below!

Rick Riordan Developing “Percy Jackson” For Disney+!

It’s been a long wait, but the hopes and dreams of Percy Jackson fans worldwide (and there are a lot of them, as shown by the way they’ve taken over Twitter) have finally been realized – bestselling author Rick Riordan and his wife announced today that they have convinced Disney to adapt Riordan’s Percy Jackson And The Olympians series: a series many regard to be every bit as iconic and formative as the Harry Potter and Hunger Games books, and that, with a dedicated and faithful approach to the source material, could have just as much success onscreen as both those franchises.

Percy Jackson
bookstacked.com

But whereas both Harry Potter and The Hunger Games have only had one, definitive adaptation, Percy Jackson is different in that it was adapted once before – and fans of the books, including Riordan himself, were almost unanimous in declaring that the two films derived from the first two books in the series were badly-written, badly-cast, and just….well, bad. After the two films’ poor reception, the planned franchise (then owned by 20th Century Fox) quickly dried up, and any hope of a proper reboot seemed lost. Until this year, when Rick Riordan started casually dropping hints on his social media accounts that implied he had been meeting with Disney executives to discuss the possibility of a reboot – and now, at last, it’s finally here. It’s happening. And it might just be good.

The new adaptation will be a series, planned to debut on Disney+, the studio’s streaming platform. Riordan announced several details about the series: it will be a multi-season commitment, with each season covering one whole book in his original, five-part series (though there will likely be room for spinoffs, perhaps even ones adapting Riordan’s other series’ set in the same universe as Percy Jackson, such as Heroes Of Olympus and The Kane Chronicles, if this series does well). The first season, for instance, will consist of the entirety of the series’ first book, Percy Jackson And The Lightning Thief. For those of you not in the know, allow me to give you a quick rundown of the story (and let me assure you, I am not some poser copy-and-pasting summaries of the books from Wikipedia pages: I was and still am a big fan of Riordan’s work, and I own copies of all of his books, all the way through to The Trials Of Apollo. In fact, I’m so much of a fan that it drove me mad that I had to use images from others of Riordan’s books to fill out this post: unfortunately, there’s not enough images solely of art from Lightning Thief).

Percy Jackson
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The Lightning Thief sets up the saga of Percy Jackson, a twelve-year old boy when the story opens (very important point, we’ll get back to that), who quickly discovers that he is the secret son of Poseidon, the ancient Greek god of the ocean – which makes Percy both a demigod and a “half-blood”, a term applied to all characters in the series with one mortal and one immortal parent. Percy is swept off to Camp Half-Blood, where he encounters a host of other characters with similar backgrounds – but, for the first few books at least, Percy is the only demigod whose parent is one of the “Big Three”: that is, Zeus, Poseidon and Hades (not to be confused with the Hades who will soon show up in Disney’s live-action remake of Hercules). His supporting cast includes Annabeth Chase, a strategical, ingenious daughter of Athena, goddess of wisdom; Grover Underwood, a satyr entrusted with protecting Percy’s life from various mythological monsters (one of the best things about Riordan’s work is that he uses some truly obscure characters from the myths, rather than just exploiting the big names like Medusa, The Minotaur and The Hydra – in fact, those three monsters, despite being the most popular, are probably among those used the least overall in the series); and Luke Castellan, a son of Hermes and one of the senior members of Camp Half-Blood’s management alongside the immortal centaur Chiron and the expelled Olympian Dionysus, who goes by “Mr. D” while on earth. This core cast of characters is expanded as times goes on, and, of course, they are joined from time to time by a number of Greek gods: all of the pantheon, from Zeus to Hestia, show up in some form or another, and some play integral roles in the plot. These gods are on the brink of open war when the story begins, and Percy Jackson gets drawn into the middle of their conflict as a pawn, while trying to locate a dangerous artifact stolen from Zeus’ possession.

Percy Jackson
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Obviously, any adaptation of a work is going to make changes – that’s why it’s called an adaptation, and not a word-for-word translation. But most agree that the Percy Jackson series needs a more faithful adaptation than whatever it was we got in the film duology: in the films, Percy and his friends are all angsty teenagers rather than kids, and their humor is more coarse and adult than the witty style that Riordan wrote into his books; the films use overexposed and frankly boring monsters in place of some of Riordan’s more creative choices – one particularly awful instance is when The Hydra is employed as a substitute for Echidna and The Chimera, two far more compelling monsters; the gods are depicted as stereotypical Greek warriors of gargantuan stature, when in the books one of the defining features of the gods is how human they are – Poseidon wears tacky Hawaiian shirts and enjoys fishing, while Ares is a hyper-aggressive macho biker and Zeus is a permanently dour middle-aged man in a pinstripe suit; and the story is unnecessarily convoluted by the introduction of a new quest to find magical pearls that, in the books, is summed up in a single scene.

Needless to say, fans demand and expect better from Disney – what we (I feel comfortable saying we, because I do regard myself as a hardcore fan) expect is a series that highlights the best aspects of the books and reminds us just how much they meant to us, growing up. Percy Jackson made me into a Greek mythology buff, and I have retained all (or at least most) of the knowledge I obtained when, after reading the books, I would immediately set about researching every single mythological character referenced in the books, from Kronos (Lord of the Titans, imprisoned in Tartarus after brutally murdering his own father and then subsequently being brutally murdered by his own son, temporarily defeated by a hairbrush) to Kampê (demonic, scimitar-wielding entity ordered by Zeus to keep watch over the hundred-handed Hecatonkheires on Alcatraz Island). Thankfully, Rick Riordan assured us all that he will be supervising the development of the series, and will be on-set regularly to make sure everything is going smoothly, and his artistic vision is being respected.

Percy Jackson
hypable.com

I am also certain that Riordan, who has recently established himself as a progressive voice in young adult (YA) literature, will also insist that Disney includes far more diversity than he himself wrote into his first series of books. For example, several characters from his first series are confirmed, in more recent books, to be on the LGBTQ+ spectrum – but I think Riordan will at least try to have those often emotional coming out scenes happen sooner, rather than later. Similarly, I expect there to be several more female characters in the first season of the series than just Annabeth, Percy Jackson’s mom, the camp bully Clarisse, and a scattering of monsters and nymphs. I will also be interested to see if Grover, one of the few characters racebent for the film adaptation, will go back to being a white character in the reboot, or if Riordan will choose to keep that one element from those otherwise easily forgettable adaptations (though, if they do choose to make Grover black in the Disney+ series, I hope his portrayal will be more sympathetic this time, and less borderline overtly racist caricature).

As a side-note, I also just want to point out that I have several fancasts already brewing in my head, and I may feel the need to share some of them with you in another post somewhere down the line. So be on the lookout for that.

What do you think about this idea? How do you feel about Rick Riordan’s close involvement with the series’ production? What do you expect to see from a Percy Jackson show? Share your own thoughts, theories and opinions in the comments below!